Lingam


A lingam (Sanskrit: लिङ्ग IAST: liṅga, lit. "sign, symbol or mark"), sometimes referred to as linga or Shiva linga, is an abstract or aniconic representation of the Hindu god Shiva in Shaivism.[1] It is typically the primary murti or devotional image in Hindu temples dedicated to Shiva, also found in smaller shrines, or as self-manifested natural objects.[2][3] It is often represented within a disc-shaped platform,[1][4] the yoni – its feminine counterpart,[5][6] consisting of a flat element, horizontal compared to the vertical lingam, and designed to allow liquid offerings to drain away for collection. Together, they symbolize the merging of microcosmos and macrocosmos,[6] the divine eternal process of creation and regeneration, and the union of the feminine and the masculine that recreates all of existence.[7][8]

The original meaning of lingam as "sign" is used in Shvetashvatara Upanishad, which says "Shiva, the Supreme Lord, has no liūga", liuga (Sanskrit: लि‌ऊग IAST: liūga) meaning he is transcendental, beyond any characteristic and, specifically, the sign of gender.[9][10] Lingam is regarded as the "outward symbol" of the "formless Reality", the symbolization of merging of the 'primordial matter' (Prakṛti) with the 'pure consciousness' (Purusha) in transcendental context.[11]

The metaphorical creative principle of lingam-yoni, the union of the feminine and the masculine, the eternal cosmological process of creation is also depicted in Chinese philosophy of Yin and Yang,[12][13] where etymologically and semantically Yin represents the feminine, half-unity of consciousness and Yang denotes the masculine, the other half, together symbolizing the entirety or unity-consciousness in the creation.[12] The lingam is conceptualized both as an emblem of generative and destructive power,[7][14] particularly in the esoteric Kaula and Tantra practices, as well as the Shaivism and Shaktism traditions of Hinduism.[15]

"Lingam" is found in Sanskrit texts, such as Shvetashvatara Upanishad, Samkhya, Vaisheshika and others texts with the meaning of "evidence, proof" of God and God's existence,[20] or existence of formless Brahman.[21] Lingam iconography found at archaeological sites of the Indian subcontinent and southeast Asia includes simple cylinders set inside a yoni; mukhalinga rounded pillars with carvings such as of one or more mukha (faces); and anatomically realistic representations of a phallus such as on the Gudimallam Lingam.[note 1][25] In the Shaiva traditions, the lingam is regarded as a form of spiritual iconography.[26][27][28]

Lingam, states Monier Monier-Williams, appears in the Upanishads and epic literature, where it means a "mark, sign, emblem, characteristic".[18][27] Other contextual meanings of the term include "evidence, proof, symptom" of God and God's power.[18][19] The term also appears in early Indian texts on logic, where an inference is based on a sign (linga), such as "if there is smoke, there is fire" where the linga is the smoke.[18] It is a religious symbol in Hinduism representing Shiva as the generative power,[27] all of existence, all creativity and fertility at every cosmic level.[5][29]

The lingam of the Shaivism tradition is a short cylindrical pillar-like symbol of Shiva, made of stone, metal, gem, wood, clay or precious stones.[30][1][31] According to Encyclopædia Britannica, the lingam is a votary aniconic object found in the sanctum of Shiva temples and private shrines that symbolizes Shiva and is "revered as an emblem of generative power".[1] It often is found within a lipped, disked structure that is an emblem of goddess Shakti and this is called the yoni. Together they symbolize the union of the feminine and the masculine principles, and "the totality of all existence", states Encyclopædia Britannica.[1]


A Shiva lingam with tripundra, projected on a yoni base.
Lingam as interpreted in the Shaiva Siddhanta tradition, a major school of Shaivism. The upper and lower parts represent Parashiva and Parashakti perfections of Lord Shiva.
Stone lingam and yoni pedestal found in Cát Tiên, Vietnam, circa 8th century. At 2.1 meter tall, this is the largest lingam ever found in Southeast Asia
A Buddhist stupa (above) may have influenced the later iconography of the Hindu Shiva-linga, according to Swami Vivekananda.[47][note 2]
Lingam from Angkor period on display at the National Museum of Cambodia. Discovered in Battambang Province (Cambodia), it is made of bronze, quartz and silver.
Lingodbhava is a Shaiva sectarian icon where Shiva is depicted rising from the Lingam (an infinite fiery pillar) that narrates how Shiva is the foremost of the Trimurti; Brahma on the left and Vishnu on the right are depicted bowing to Shiva in the centre.
A linga-yoni in Nepal carved with four seated Buddhas.
Linga-yoni worship in different ways; Left: river, Right: temple.
Lingam iconography exists in many forms, and their design are described in the Agama texts. Left: a 5th-century Mukha-linga (with face), Right: a Sahasra-linga (with 1001 carvings).
A necklace with linga-containing pendant is constantly worn by the Lingayats.[138]
Left: 2 sphatika (quartz) lingams in the Shri Parkasheshwar Mahadev Temple, Dehradun; Right: Ice Lingam in the cave at the Amarnath Temple, Kashmir.