Usuario: Cmglee

¡Hola Mundo!

Mi interés en la edición de Wikipedia está en la ilustración, así que avíseme si desea algún artículo sobre ciencia , tecnología , arquitectura o matemáticas ilustrado. A continuación se muestra parte de mi trabajo hasta la fecha ...

2021

commons: category: Wikimania_2021_Cambridge_Wikimedia_meetup_44 ☎ 12 de septiembre de 2021

Edward demostrando su herramienta osm.wikidata.link

El grupo Cambridge Wikimedian organizó una reunión en persona junto con Wikimania 2021 . Pensé que sería apropiado realizar un recorrido fotográfico a pie por los monumentos listados cercanos después.

WikiShootMe identificó varias tumbas incluidas en el cementerio de Mill Road . Aunque estaban demasiado grandes, logré capturar a la mayoría de ellos para Wikidata. También fue genial conocer viejos wikimates después de un largo bloqueo pandémico.

commons: category: Fuller_projection_lists ☎ 31 de julio de 2021

Las listas de los países, islas y lagos más grandes a veces se ilustran con siluetas de cada objeto a escala. Si bien es útil, el contexto se pierde porque faltan sus relaciones espaciales.

Me di cuenta de que los mapas de proyección Fuller o Dymaxion conservan sus posiciones relativas al tiempo que retienen aproximadamente la forma (conforme) y la escala (área igual), lo que permite comparar fácilmente las formas, tamaños y posiciones de estos objetos.

Después de encontrar mapas de Dymaxion en blanco, creé estas tres visualizaciones. Lamentablemente, tuve que detener los diagramas de islas y países en 30 para evitar mucho desorden, y el lago en 15, ya que el SVG original no tenía el lago Bangweulu.

En cuanto a SVG, no hay muchas novedades. Tuve que dividir algunas formas para obtener la parte relevante. El resto es solo resaltar las formas apropiadas con CSS.

• Países

• Islas

• Lagos

Colegios de la Universidad de Oxford timeline.svg ☎ 14 de junio de 2021

Después de hacer File: Cambridge_University_colleges_timeline.svg , intenté hacer uno para Oxford pero no encontré información suficiente para llegar lejos. Me sorprendió gratamente que TSventon se pusiera en contacto conmigo y, a través de esta discusión , él o ella y Jonathan A Jones lograron desenterrar suficientes datos para llevarlos a un nivel satisfactorio.

Cronología de las facultades de la Universidad de Oxford ordenadas por fundación (como en el Calendario Universitario 2020-21) en comparación con algunos eventos de la historia británica

pastel checker.svg ☎ 31 de mayo de 2021

Solo 536 bytes

Me topé con la excelente capacidad de Sarang para reducir el tamaño de un archivo SVG a unos pocos cientos de bytes y traté de aplicar sus técnicas a algunos archivos SVG. El truco más impresionante es usar stroke-dasharray para dibujar líneas o formas repetidas, como esta figura, cuya fuente se encuentra a continuación:

<? xml version = "1.0"?> <svg  xmlns = "http://www.w3.org/2000/svg"  viewBox = "0 0 8.05 8.05"  fill = "none"  stroke = "# 000" > < circle  r = "99"  fill = "# 582" /> <path  d = "M0, .5h7.5v1h-7v1h7v1h-7v1h7v1h-7v1h7v1h-7"  stroke = "#feb"  stroke-dasharray = "1" /> < ruta  d = "M4,0v9M0,4h9"  trazo-ancho = "9"  trazo-dasharray = ".05, .95" /> <g  trazo-ancho = ".5"  trazo-dasharray = "0,2"  trazo-linecap ="round" > <ruta  d = "M1.5, .5h6v1h-7v1h8v3h-8m1,1h6v1h-7"  trazo-ancho = ".6" /> <ruta  d = "M1.5, .48h6v1h-7v1h7"  trazo = "# c00" /> <path  d = "M.5,5.48h7v1h-7v1h7"  stroke = "#fff" /> </g> </svg>

¡Otro uso brillante de guiones SVG, además de tartán , cadenas y engranajes !

generation timeline.svg ☎ 26 de abril de 2021

Vista normal

Vista simplificada

Some1 me preguntó en Template_talk: Generations_sidebar si podría simplificar mi imagen para que aparezca en Template: Generations_sidebar en tamaños pequeños. La SVG ya contaba con la internacionalización catalana. En lugar de crear otra imagen, pensé en agregar otro "idioma" para ocultar detalles y agrandar el texto. lang = simple parecía el "lenguaje" perfecto para este propósito. Para ocultar objetos, encontré el uso de una etiqueta g en blanco más simple:

 < switch >  < g  systemLanguage = "simple" />  < use  xlink : href = "#common_legend" />  </ switch >

El cambio de tamaño de fuente se puede hacer usando una clase CSS:

 < Interruptor >  < texto  ID = "gy-ca"  transforman = "traducir (19720, -660)"  dy = "0.7ex"  systemLanguage = "ca" > < tspan  clase = "grande"  Identificación = "trsvg27-ca" > Millennials ⧸ Generació  Y </ tspan > < tspan  x = "0"  dy = "40"  id = "trsvg28-ca" >∗ 1981 - 96 </ tspan> </ text >  < text  id = "gy-simple"  transform = "translate (19700, -660)"  dy = "0.7ex"  class = "simple"  systemLanguage = "simple" > < tspan  class = "big"  id = "trsvg27" > Millennials </ tspan > < tspan  x = "0"  dy = "45"  id = "trsvg28" >∗ 1981 - 96 </ tspan> </ text >  < text  id = "gy"  transform = "translate (19720, -660)"  dy = "0.7ex" > < tspan  class = "big"  id = "trsvg27" > Millennials ⧸ Generation  Y </ tspan > < tspan  x = "0"  dy = "40"  id = "trsvg28" > ∗ 1981 - 96 </ tspan > </ texto >  </switch>

Egg of Columbus puzzle models.svg ☎ 8 Mar 2021

• Construction of the Egg of Columbus (tangram puzzle)

• Some models constructed from the 9-piece and 10-piece versions

A recent interaction with David Eppstein got me interested in colour blindness. Color blindness#Classification taught me that supporting deuteranomaly, protanomaly, protanopia and deuteranopia makes my diagrams accessible to 99.97% of the sighted. Using simulations from http://color-blindness.com/coblis-color-blindness-simulator, I wrote a Python script to come up with a websafe palette of four hues (plus grey) that maximises differences for these groups and people with normal vision, and found the best compromise

# ff0099

# ff0000

# 00cc99

# 3333ff

# 999999

ACTUALIZACIÓN EL 19 DE SEPTIEMBRE DE 2021: Las pautas de WCAG dan 4.5 como la relación de contraste mínima para la calificación AA para texto normal (o AAA para texto grande). Curiosamente, una proporción de color de alrededor de 4,6 frente al blanco también es de alrededor de 4,6 frente al negro. Por lo tanto, he encontrado 5 colores de este tipo que se distinguen principalmente por los daltónicos y se pueden representar con 3 dígitos hexadecimales:

# c0d

# e00

# 085

# 46f

N.º 777

Mecánica orbital contraintuitiva.svg ☎ 3 de febrero de 2021

Mecánica orbital extraña

Mientras depuraba un error de librsvg , aprendí sobre el uso de currentColor (no distingue entre mayúsculas y minúsculas) para heredar colores en CSS.

Supongamos que tenemos algunos objetos de diferentes colores, pero el color de relleno de cada uno es el mismo que el color del trazo , en cuanto a las manchas y las órbitas de este diagrama.

< style  type = "text / css" > . hacia  {  fill : # 0000ff ;  trazo : # 0000ff ;  } . adelante  {  relleno : # 999999 ;  trazo : # 999999 ;  } . órbita  {  llenar : ninguna ;  } . objeto  {  trazo : ninguno ;  } </ estilo > < g  class ="toward"> <use class="orbit" xlink:href="#orbit"/> <use class="object" xlink:href="#object"/></g>

works but repeats the colour codes, possibly leading one instance being updated but not the other. currentColor avoids it:

. hacia  {  color : # 0000ff ;  } . adelante  {  color : # 999999 ;  } . órbita  {  llenar : ninguna ;  stroke : currentColor ;  } . objeto  {  relleno : color actual ;  accidente cerebrovascular : ninguno ;  }

En la parte superior del diagrama, un satélite en una órbita circular en el sentido de las agujas del reloj (punto amarillo) lanza objetos de masa insignificante:

1. (azul) hacia la Tierra
2. (rojo) lejos de la Tierra
3. (gris) en el sentido de la marcha
4. (negro) al revés del sentido de la marcha

Las elipses punteadas son órbitas relativas a la Tierra. Las curvas sólidas son perturbaciones relativas al satélite: en una órbita, (1) y (2) regresan al satélite habiendo hecho un bucle en el sentido de las agujas del reloj a cada lado del satélite. De manera poco intuitiva, (3) gira en espiral cada vez más atrás mientras que (4) gira en espiral hacia adelante.

2020

Plantilla: animación de rotación de cuerpos del sistema solar.svg ☎ 31 dic.2020

Comparación del período de rotación (acelerado 10000 veces, valores negativos que denotan retrógrado), aplanamiento e inclinación axial de los planetas y la Luna (animación SVG)

Efecto de refracción animado

SVG proporciona un filtro de mapa de desplazamiento útil que permite que una imagen sea "refractada" por otra. La escena submarina animada de la izquierda emplea la idea de [1] y [2] pero alterna el tono del mapa para evitar artefactos de ida y vuelta.

En lugar de animar un filtro, experimenté animando el objeto sobre el que se aplica un filtro que "esférica" ​​un cuadrado en un círculo, simulando una proyección ortográfica. Escogí nueve objetos astronómicos con texturas de commons: categoría: Solar_System_Scope . Cada textura se repitió y se desplazó horizontalmente a la velocidad correcta. Después de aplicar el filtro, calculado usando fórmulas de orthographic_map_projection # Mathematics , el resultado se recortó y se sombreó con una máscara, y se rotó hasta la inclinación axial correcta. Lástima que no pude imitar el aplanamiento, ya que Firefox dio artefactos al intentar escalar imágenes filtradas.

Por último, con la ayuda de Wikipedia: SVG_help # Thumbnail_completely_black , agregué una textura no distorsionada que se oculta inmediatamente cuando comienza la animación, ya que el renderizador de miniaturas no reconoce feDisplacementMap.

La animación muestra que los gigantes gaseosos giran más rápido que los planetas terrestres, tanto que están sustancialmente aplanados. Venus en el otro extremo gira tan lentamente que tuve que establecer un compromiso de 10 000 × velocidad (y poner un marcador) para mostrar visiblemente el movimiento sin hacer que Júpiter y la Tierra giraran demasiado rápido. También me parece interesante que Mercurio casi no tiene inclinación ni aplanamiento, pero su órbita tiene una inclinación de 7 ° con respecto al plano de la eclíptica.

ACTUALIZACIÓN 20 DE JUNIO DE 2021: Mientras agregaba la traducción al turco como solicitó Harald the Bard , actualicé la clase dict2class en mi script de Python generador para trabajar de forma recursiva con dicts anidados :

class  dict2class ( dict ):  def  __getattr__ ( self ,  k ):  return  dict2class ( self [ k ])  if  isinstance ( self [ k ],  dict )  else  self [ k ]

Everest-3D-Map-Type-EN.jpg ☎ 30 de noviembre de 2020

Representación 3D del monte Everest y el terreno circundante

Serendipity me llevó a este atractivo mapa en 3D y me complació ver que su autor, Tom Patterson, lo había compartido generosamente y otros magníficos mapas en el dominio público.

Por lo tanto, subí sus tres versiones a Commons y nominé la versión en inglés como Imagen destacada . Me alegro de que varios otros editores y administradores estuvieran de acuerdo, y ahora es el mapa destacado más nuevo .

Le envié un correo electrónico para felicitar al Sr. Patterson y le pregunté si podría estar interesado en hacer uno de Challenger Deep o la región de Tharsis . ¡Manteniendo los dedos cruzados !

commons: categoría: orbe SVG ☎ 18 oct 2020

Junta apolínea de orbes

En los primeros días de la Web, a los desarrolladores web les encantaba usar imágenes de orbes vidriosos como viñetas en listas desordenadas. Un estilo que me gustó fue el efecto de orbe translúcido brillante de Apple , que podría recrearse usando dos degradados y un filtro (sin el cual el "reflejo" es más nítido):

 <filter id="filter_blur"><feGaussianBlur stdDeviation="4"/></filter> <radialGradient id="grad_sphere" cx="50%" cy="50%" r="50%" fx="50%" fy="90%"> <stop offset="0%" stop-color="#000000" stop-opacity="0"/> <stop offset="99%" stop-color="#000000" stop-opacity="0.3"/> </radialGradient> <linearGradient id="grad_highlight" x1="0%" y1="0%" x2="0%" y2="100%"> <stop offset="10%" stop-color="#ffffff" stop-opacity="0.9"/> <stop offset="99%" stop-color="#ffffff" stop-opacity="0"/> </linearGradient> <g id="orb" stroke="none"> <circle cx="0" cy="0" r="100"/> <circle cx="0" cy="0" r="100" fill="url (#grad_sphere)" />  <ellipse  cx = "0"  cy = "-45"  rx = "70"  ry = "50"  fill = "url (#grad_highlight)"  filter = "url (#filter_blur)" />  </g>

Como desde entonces hice varios diagramas con este efecto, decidí ponerlos en commons: category: orbe SVG , análogo a commons: category: 4-3-2_trimetric_projection .

Plantilla: Cancelación anómala en cálculo ☎ 28 de septiembre de 2020

${\displaystyle {\begin{array}{l}\;\;\;{\dfrac {d}{dx}}{\dfrac {1}{x}}\\={\dfrac {d}{d}}{\dfrac {1}{x^{2}}}\\={\dfrac {d\!\!\!\backslash }{d\!\!\!\backslash }}{\dfrac {1}{x^{2}}}\\=-{\dfrac {1}{x^{2}}}\end{array}}}$


Cancelación anómala
en cálculo

This month's post is about mathematical jokes and coincidences.

40,000 km (25,000 mi) curiously turns up repeatedly in statistics about Earth:

The radius of geostationary orbit, 42,164 kilometres (26,199 mi) is within 0.02% of the variation of the distance of the moon in a month (the difference between its apogee and perigee), 42,171 kilometres (26,204 mi), and 5% error of the length of the equator, 40,075 kilometres (24,901 mi). Similarly, Earth's escape velocity is 40,270 km/h (25,020 mph).

On the other hand, I find some fallacious reasoning amusing, such as the above anomalous cancellation that trumps
${\displaystyle {\begin{array}{ll}{\frac {19}{95}}\!\!=\!\!{\frac {1\not 9}{\not 95}}\!\!=\!\!{\frac {1}{5}}&{\frac {16}{64}}\!\!=\!\!{\frac {1\not 6}{\not 64}}\!\!=\!\!{\frac {1}{4}}\\{\frac {26}{65}}\!\!=\!\!{\frac {2\not 6}{\not 65}}\!\!=\!\!{\frac {2}{5}}&{\frac {49}{98}}\!\!=\!\!{\frac {4\not 9}{\not 98}}\!\!=\!\!{\frac {4}{8}}\!\!=\!\!{\frac {1}{2}}\end{array}}}$.

También es divertida esta observación verdadera:

Volumen y masa de una pizza cilíndrica de radio z , altura una y la densidad e ^ir

Estuve tentado de hacer la densidad η - arreglando eta , la masa se convierte en comer pizza . Además, su peso es pizzagate ; sin embargo , esta referencia podría quedar fechada muy pronto .

Principio mnemónico de la ley de Ohm.svg ☎ 23 de agosto de 2020

Covering the unknown in the Ohm's law image mnemonic gives the formula in terms of the remaining parameters.
It can be adapted to similar equations e.g. F = m a, v = f λ, E = m c ΔT, V = π r² h and τ = r F sin θ. When a variable with an exponent or in a function is covered, the corresponding inverse is applied to the remainder, i.e. r = √V/πh yθ= arcsin  τ / r F   .

Me acordé de los "triángulos de fórmula" que ideé para recordar fórmulas simples en la escuela, y descubrí que Wikipedia no tenía un diagrama que mostrara su uso, así que dibujé esto. Aunque es más conocido por la ley de Ohm, se puede aplicar a cualquier fórmula en la forma a = b  ·  c  ·  d  ·… (cada parámetro puede ser una función, pero se debe tomar la inversa del resto). Por lo tanto, dibujé un gráfico para los estudiantes de física de secundaria a continuación. La selección exacta depende del programa de estudios, pero creo que he cubierto los más comunes.

• Mnemotécnicos de imágenes al estilo del triángulo de fórmula de la ley de Ohm para la física de la escuela secundaria

• Comparison of the spectra obtained from diffraction and refraction

On the subject of mnemonics, I recently discovered one to remember the order of the colours (I know Roy G Biv, but in which direction?) in refraction and diffraction spectra: Red Refraction Reduced. I struggled to find an equivalent for diffraction until I noticed the follow-up: Diffraction is Different!

It seems the reverse in rainbows: one might expect red to be inside, but there is one reflection in the raindrops for primary, and two for secondary rainbows. An apt mnemonic is Red Rainbow Rim!

funciones trigonométricas históricas graph.svg ☎ 4 jul 2020

Gráficos de funciones trigonométricas históricas en comparación con sin y cos: en el archivo SVG, coloque el cursor sobre un gráfico o haga clic en él para resaltarlo

I've just found a way to further enhance SVGs as teaching aids by highlighting two different parts of a diagrams to compare them using only CSS (SMIL allows highlighting any number of parts, but the code is more unwieldy and there were plans to deprecate SMIL). In this example graphic, suppose a tutor wishes to point out that the vercosine function is just the cosine function plus one. On mouse-enabled device, he or she can click on cos graph to highlight it (other graphs are faded out) then mouse-over the vercosin graph to unfade it and put a yellow glow around it.

Mi método piratea hipervínculos enlazando al mismo archivo usando un ancla en blanco ( # ). Cuando se hace clic en un enlace, su estado se convierte en foco (en lugar de pasar el cursor sobre él). A continuación se muestra la hoja de estilo: esquema: ninguno; oculta el contorno de un enlace enfocado. Como antes, el brillo se logra con un filtro:

<style  type = "text / css" >.main: hover {fill-opacity: 0.2; opacidad del trazo: 0,2; }
.active: hover {fill-opacity: 1; opacidad del trazo: 1; filtro: url (#filter_glow); }
.active: focus {relleno-opacidad: 1; opacidad del trazo: 1; esquema: ninguno; }
.nofade {relleno-opacidad: 1; opacidad del trazo: 1; }</style><filter id="filter_glow"> <feGaussianBlur in="SourceAlpha" stdDeviation="2"/> <feColorMatrix in="blur" type="matrix" values="0,0,0,0,1 0,0,0,0,1 0,0,0,0,0 0,0,0,2,0"/> <feBlend in="SourceGraphic"/></filter>

Finally, each interactive part is defined as follows:

<a class="active" xlink:href="#">...</a>

Otro uso podría ser la revelación de información en múltiples etapas. Por ejemplo, un rompecabezas puede mostrar una pista al pasar el mouse y una respuesta al hacer clic. Me pregunto qué otros usos hay para este mecanismo ...

Círculos de ondas cuadradas de la serie de Fourier animation.svg ☎ 28 de junio de 2020

Paradoja de la rotación de monedas (animación)

Animación de transformada de Fourier de onda cuadrada (animación)

Anteriormente había creado una serie de animaciones GIF visualizando series de Fourier y quería convertirlas en animaciones SVG, pero entonces no sabía cómo hacer objetos animados anidados suaves; mi archivo: Rolling_circle_optical_illusion.svg fue bastante desigual.

When I encountered the coin rotation paradox, I gave it another go. It contains two animations: a circle rolling along a line, and another around another circle. I found that nesting transforms without any other transforms in between worked well:

<g class="move2"> <use class="rot1" xlink:href="#r"/></g>...<g class="rot2"> <g transform="translate(0,-944)"> <use class="rot1" xlink:href="#r"/> </g></g>

donde move2 , rot1 y rot2 son animaciones CSS y r es el círculo para animar.

Animación CSS de engranajes epicíclicos con engranaje anular de 56 dientes bloqueado (1), engranaje solar de 24 dientes bloqueado (2), portador con engranajes planetarios de 16 dientes bloqueado (3) y transmisión directa (4); los números indican la velocidad angular relativa

Tras su éxito, decidí abordar el problema de la transformada de Fourier. La parte más difícil fue sincronizar las animaciones. A diferencia de la animación en, digamos, JavaScript, en la que se pueden especificar las rotaciones y traducciones de cada fotograma, la animación CSS requiere especificar el período de cada animación. Los errores de redondeo se acumulan, por ejemplo, si el círculo A tiene un período de 1 s y B de 0,33 s, mientras que inicialmente A parece girar 3 veces más rápido que B, después de 300 rotaciones, B se retrasará una rotación. Una solución que encontré fue hacer que todos los períodos fueran fracciones de su mínimo común múltiplo . El θlos multiplicadores son 1, 3, 5 y 7. Además, para la figura combinada, necesitaba otro período para restar la rotación del círculo verde del círculo amarillo, etc., por lo tanto, un multiplicador efectivo de 2. Al ser coprime, su LCM es 2 × 1 × 3 × 5 × 7 = 210. Por tanto, elegí 21 s para el círculo amarillo, dando 7 s, 4,2 sy 3 s para los otros círculos y 10,5 s para la diferencia. (Sé que los quintos, por ejemplo, 4.2 no se pueden definir exactamente en binario (ya que 1/3 no puede estar en decimal), pero creo que el error es insignificante.) Después de mucho ensayo y error, ¡ funcionó !

ACTUALIZACIÓN 1 DE JULIO DE 2020: Hizo esta animación de engranajes planetarios ...

ACTUALIZACIÓN 26 JUL 2020: ... y esta animación de funciones trigonométricas en un círculo unitario .

Template:cubic_interpolation_visualisation.svg ☎ 7 Jun 2020

Linear interpolation visualised

Geometric interpretation of a cubic interpolation of the black point with uniformly spaced abscissae.^[1]

Back in 2012, I drew the diagram on the left to illustrate linear interpolation. I think it makes the formula much clearer. For eight years, I've sought an equivalent for cubic interpolation. After enquiring on the maths reference desk and reading up Lagrange polynomial and Cubic Hermite spline, I think I've finally found one.

I learnt that cubic interpolation is not unique as there is one unconstrained degree of freedom: Polynomial interpolation discusses various approaches. One I found suitable to visualise is the Catmull-Rom, which passes all four control points, and can thus be expressed using Lagrange basis polynomials. That's an algorithm I'll be using in my daily work!

comparison 7 bridges of Konigsberg 5 room puzzle graphs.svg ☎ 17 May 2020

Multigraphs of both Königsberg bridges and Five room puzzles have more than two odd vertices (in orange) hence have no solutions

A 3D-printing discussion revived my longtime interest in Euler walks – how to draw a path in one continuous stroke without double-backing. Many know that the key is having two or fewer vertices with odd edges.

Back in 2015, I found that the Eulerian path, Seven Bridges of Königsberg and Five room puzzle articles lacked diagrams that actually showed the edge count, so drew this diagram. After drawing File:Eulerian_path_puzzles.svg, I revisited it and thought the edges of the "9" vertex messy. At the time, I couldn't tell what was objectionable. I've just realised that it was likely the gaps between the paths not monotonically increasing or decreasing. I redrew them as on the right, making them start almost parallel then diverging.

A side benefit is that it looks like a small mammal like a cat or fox, with ears and whiskers 🐱

Corsica-geographic map-style no hash-en.svg ☎ 26 Apr 2020

Fixed File:Corsica-geographic_map-en.svg for SVG Translate tool

I joined a discussion on Commons_talk:SVG_Translate_tool about the SVG Translate tool. I helped User:Ikonact debug why the tool did not show any strings to translate on File:Corsica-geographic_map-en.svg and found that having a stylesheet with an ID selector style (those starting with #) causes the tool to fail. I reported it as a serious bug, as many SVGs use them. To work around the issue, I've decided to change id="main" to class="main" in my new ones.

Another problem with the tool is that it doesn't refresh the file cache, so if a new version of a file is uploaded, it does not see it until several hours later, making it very difficult to get anything done! I resorted to sequentially numbering the uploads, putting them under a category requesting that they be deleted appealing for an admin to delete them.

A really useful takeaway from the activity was learning about the Commons SVG Checker. It's so useful to be able to see the rendered thumbnail and discover SVG errors before uploading it. A hack is to use it to render a PNG file from an SVG without uploading it – I know I can download tools to do that, but this works from any computer without installing anything!

extract_lang.py ☎ 22 Mar 2020

I had a brief collaboration with @Juandamec: and @Kirill Borisenko: about my Seven Wonders of the Ancient World timeline infographic after they kindly translated it into Spanish and Russian, respectively.

Deciding to turn it into a multilingual SVG, I found no simple way to view the non-default languages in a browser before uploading them. One way is to install and change the language of the browser and restart it, but that's a pain and it affects the whole browser interface.

I thus wrote a Python3 script to extract and write a monolingual SVG file from a multilingual SVG file. As I couldn't upload a Python file, I copied its source code to user:cmglee/extract_lang.py for anyone to copy-paste.

• Find the 50% clay line

• Find the 20% silt line

• The intersect coincides with the 30% sand line

• Other points plotted

• USDA soil textural triangle

My first use of it was to hack the multilingual feature to create an SVG showing steps in making a ternary plot, as above. The nice thing about this technique is that editors can update common elements, e.g. the grid and axes in one file instead of several. Sadly, the choice of language codes is limited, so I picked aa, ba, ca and da to make a reasonable sequence.

Mapquiz USA states SMIL.svg ☎ 9 Feb 2020

Identify each US state on the map!

I've just discovered (I think) a new application for interactive SVG without JavaScript: a quiz to let students learn the locations of geographic features, components of a system etc (basically any 1-to-1 mapping). My first example concerns the states of the USA.

I wonder if anyone here knows of an elegant way to implement counters without JavaScript. In my example, a student could start with, say, three lives. Every wrong answer (triggered by the "reset" element) deducts one life. When all lives are lost, the game is over. A workaround is to have as many reset elements as lives and delete the elements as lives are used up. That would however lead to much redundant code :-(

A less strict version just counts the number of wrong answers and shows it at the end when all states have been identified.

Alternatively, I could implement a timer that counts the number of seconds (as in my morphing demo) but pause it when all states have been identified, to show how long the student took. A workaround is to addonmousemove="document.getElementsByTagName('svg')[0].pauseAnimations();"on the win screen, but:

1. Wikimedia now rejects files with on* attributes
2. The mouse must be moved to stop the timer

(I can make a version where a timer counts down to zero, the game ending if the student fails to identify all states in time, as in my missile game, though a time limit may frustrate students.)

Would you be able to help?

2019

http://commons.wikimedia.org/w/index.php?search=cmglee+aerial 31 Dec 2019

A joy on flights is seeing and photographing aerial views. One tip I found is to shoot as perpendicular to the window as possible, and avoid the turbulent exhaust. To remove the haze, use GIMP's quick mask to create a gradient selection from near to far and use the Curves tool to fix the colour channels, especially blue, and adjust the brightness and contrast. Reducing the colour saturation lessens the yellowness of clouds. When the air's clear, though, the results are spectacular.

• Cambridge

• Anglesey Abbey

• Twickenham Stadium

• Windsor Castle

• Bandar Sunway

• Bukit Jambul Complex

SVG highlight on hover template.svg ☎ 17 Nov 2019

In the SVG of this fictitious transit system, hovering over a line highlights it and all lines connected to it

User:Дрейгорич informed me that the trans-Neptunian object Ultima Thule had been renamed Arrokoth. While checking user:Mrmw's update to file:interstellar_probes_trajectory.svg, I thought that hovering over an interstellar probe ought to highlight all the astronomical objects it interacted with, and vice versa. Classifying the hovered object as active and its associated objects as associated, I realised that each active group could contain copies of the associated objects with pointer-events:none set, e.g.

<style type="text/css"> #main:hover { stroke-opacity:0.05; fill-opacity:0.05; } .nofade, .active:hover { stroke-opacity:1; fill-opacity:1; } .nofade, .associated { pointer-events:none; } ...</style>...<g class="active"> <g class="associated"> <use xlink:href="#p1"/><!-- Pioneer 11 --> <use xlink:href="#v1"/><!-- Voyager 1 --> <use xlink:href="#v2"/><!-- Voyager 2 --> </g> <use xlink:href="#s"/><!-- Saturn --></g>...

I made this toy example so that editors can reuse this technique, and updated file:interstellar_probes_trajectory.svg accordingly.

Collins Scrabble Words 2 letters history.svg ☎ 29 Oct 2019

History of two-letter words in Collins Scrabble Words

This year, the English Scrabble authorities added three two-letter words to the list of valid words: EW, OK and ZE – which I read as "ZE EWOK!" To mark the occasion, I made this table showing all valid two-letter words starting and ending in each letter, noting years of changes (it's a wonder PH got in).

Sadly, there's still none with V ☹ – if any of you ever become famous and invent some technology or concept involving vision, please please please call it a VI ☺

Primrose field peripheral drift illusion.svg ☎ 23 Sep 2019

Commons:User:Cwtyler messaged me about a peripheral drift optical illusion I made five years ago; he or she discovered that the colours fade out after staring at it.

Curiously, the Wikimedia thumbnail doesn't show what I had originally intended: it should've looked like the fixed version below. When I had trouble with an SVG linear gradient being transformed incorrectly for my landing systems diagram below, User:Glrx taught me to add gradientUnits="userSpaceOnUse" to make librsvg match modern web browsers. The drawback is that x and y values can't be specified in percentages.

• Illusion similar to Kitaoka Akiyoshi's Primrose Field

• Sunburst illusion with broken thumbnail

• Sunburst illusion with fixed thumbnail

• Comparison of visual landing systems

After fixing the thumbnail, I decided to render a very strong peripheral drift illusion. I found that colour is irrelevant: only luma is. Amazingly, I found that if I rotate it (e.g. on my phone) 45° in either direction, the drift stops! Can anyone explain why?

Catan Universe fixed setup.svg ☎ 14 Sep 2019

​

A Catan setup from the Catan Universe game

Trimetric projection of part of Brooklyn Bridge (not to scale)

Continuing my experimentation with SVG filters, I enjoyed making textures for Catan terrain types with feTurbulence:

1. Mountains using dense cells to simulate a stone texture
2. Forests using a low frequency and large amplitude
3. Hills with a higher frequency in the vertical direction
4. Fields and pastures with higher horizontal frequency
5. Desert and water using added lighting effects

Sadly, the texture intensity on Firefox and Chrome doesn't match that of the Wikimedia (librsvg) thumbnail, textures with lighting effects to faint, and vice versa. Nevertheless, the graphic depicts the starting map of Catan Universe, the main point being the relative probability of each settlement location in yielding produce. It appears a little unbalanced, the northeast corner having several 12s and the only generic port bordered by two terrain hexes.

UPDATE 17 NOV 2019: A more real-world use of SVG textures is in file:Brooklyn_bridge_section.svg.

Template:roll_pitch_yaw_mnemonic.svg ☎ 18 Aug 2019

​

Mnemonics to remember angle names

Greetings from Stockholm Wikimania 2019!

​​I had previously struggled to remember which rotations roll, pitch and yaw referred to, and came across a mnemonic of a baseball pitcher doing an overhand pitch. As sidearm pitches are more yaw instead, I thought of a water pitcher: only one sensible rotation avoids spilling water everywhere! Next, roll is unambiguous when applied to a dog or cat.

Finally, there's yaw. Sadly, a yawn, or nodding one's head to signal "yes" is more pitch-like. I then looked for words rhyming with "yaw". "Draw" describes the motion of an artist's forearm. But clearest is "door" (which rhymes in British English, without rolling the "r": /dɔː/) – not the garage variety, of course. Hence the drawing...

Nothing's special on the SVG side, except maybe using scale and rotate transforms, and stacking shapes to make the pseudo-3D arrow.

The Boat Race cumulative results.svg ☎ 29 Jun 2019

Shade regions between graphs with SVG clip-paths

1.	Simplified graphs
2.	The region below each graph
3.	The region above each graph
4.	Applying the region above as a clip-path to the opposing region below
5.	The appropriate intersections
6.	Putting it all together

Graphs of the cumulative wins by Oxford and Cambridge men's and women's blue and reserve boats. In the SVG file, hover over an item to highlight it.

While updating this graphic, I thought of shading the gaps between the graphs of competing teams to show who's leading at any moment but couldn't think of an elegant way in SVG. This year, it occurred to me to use two clip-paths: Applyi​​ng a clip-path which selects the region above graph A to the region below the graph B leaves only regions above A but below B, and vice versa. The figure on the right explains the steps visually. To avoid overlapping regions, I decided to do it for only the Blue Boats.

To complement the dates shown on hovering over a graph or the legend, I made hovering over a blank region show the results for nearest year. Wonder how I can draw attention to the dead heat in 1877...

Template:Symptoms man ☎ 5 Jun 2019

Shortness
of breath

Nausea

Tingling

Muscle weakness

Symptoms of Bieberitis

​Ian Furst contacted me for help on a video he's working on. He wanted a template showing an outline of a human body with various symptoms overlaid on the relevant parts. Editors can easily specify the combination of symptoms shown using Wikitext.

After some deliberation, I decided to create a template wrapping around template:Location mark+. I also learned about the use of

{{#invoke:String|find|haystack|needle}}

to check whether a string contains another. Any combination of the supported symptoms can be specified like this:

{{symptoms man|Bieberitis|nausea,shortness_of_breath,tingling,muscle_weakness}}

It would have been much better if SVG supported the ability to enable and disable its parts without JavaScript. Previously, I discovered the ability to hack the systemLanguage functionality, but with only 443 supported languages, complete freedom to support all 2ⁿ combinations allows only n=8 symptoms, despite extremely unintuitive mapping between language codes and combinations. There must be a better way...

commons:category:Cambridge Central Mosque ☎ 23 May 2019

Cambridge Central Mosque atrium, looking towards Mill Road

I had a most unexpected visit to the new mosque in Cambridge. I'd been fascinated by its modern wood architecture since it opened, and was having an evening stroll when I decided to venture through the gates. A gentleman invited my companion and me inside to join the breaking of fast.

It was a very pleasant experience meeting the friendly people there and getting a brief tour of the place. Wish people could be civil to one another as they were to me on my visit...

Needless to say, the architecture was truly amazing, in particular the abstract trees and pixelated Arabic in the brickwork. Must go back at day time!

Cambridge libraries opening times.svg ☎ 28 Feb 2019

Cambridge libraries opening times by library (left) and day of week (right)

Cambridge public libraries have very complicated opening times, so I made this chart to show both when each library opens (left column), and for a given day and time, which libraries are open (right column). The latter is useful particularly when I suddenly remember that I have an overdue book and need to rush to an open library to return it a.s.a.p. ∗ahem∗

In making it, I updated my Python 2 function to read and cache web pages, images etc:

# do_refresh_cache = Trueimport os, urllib2, timedef read_url(url, headers={}, path_cache=None, is_verbose=True): if (path_cache is None): file_cache = os.path.basename(url) path_cache = os.path.join('%s.cache' % (os.path.splitext(__file__)[0]), file_cache if (len(file_cache) > 0) else '%s.htm' % (os.path.basename(url.rstrip('/')))) if (('do_refresh_cache' in globals() and do_refresh_cache) or (not os.path.isfile(path_cache))): request = urllib2.Request(url, headers=headers) try: html = urllib2.urlopen(request).read() except urllib2.HTTPError as e: html = ''; print(e) try: os.makedirs(os.path.dirname(path_cache)) except OSError: pass with open(path_cache, 'wb') as f_html: f_html.write(html) if (is_verbose): print('%s > %s' % (url, path_cache)) time.sleep(1) ## avoid rate-limit-exceeded error else: with open(path_cache) as f_html: html = f_html.read() if (is_verbose): print('< %s' % (path_cache)) try: html = html.decode('utf-8') except UnicodeDecodeError: pass return html

The resource is cached to a given path [if unspecified, the basename of the URL (if blank, the name of the last folder in the URL followed by .htm) in a folder called the name of the Python script with the extension replaced with cache] so that subsequent runs need not fetch it again. If the global variable do_refresh_cache is True, it is always fetched. A one-second delay is added to avoid overwhelming the webserver. The resource is then returned as a Unicode string.

The following example fetches the Cambridgeshire County Council library opening times page using a simple fake header – I found that the webserver refuses requests without a sensible user-agent. html_all can then be parsed as needed with xml.etree.ElementTree or regular expressions.

url = 'http://cambridgeshire.gov.uk/residents/libraries-leisure-%26-culture/libraries/library-opening-hours/'headers = {'User-Agent':'Mozilla'}html_all = read_url(url, headers=headers)

I hope to talk about this and other techniques to automagically generate SVG using Python at Wikimania 2019 – fingers crossed!

interstellar probes trajectory.svg ☎ 9 Jan 2019

Heliocentric positions of the five interstellar probes (squares) and other bodies (circles) until 2020, with launch and flyby dates. Markers denote positions on 1 January of each year, with every fifth year labelled.
Plot 1 is viewed from the north ecliptic pole, to scale; plots 2 to 4 are third-angle projections at 20% scale.
In the SVG file, hover over a trajectory or orbit to highlight it and its associated launches and flybys.

It seems there's a certain fascination with my old graph file:Voyager_2_velocity_vs_distance_from_sun.svg – it regularly turns up at random places on the Web. I thought it'd be super to have a map of the five current interstellar probes, too, but that's surprisingly hard to find. Even NASA had only one up to the early 90s before New Horizons launched. So with some difficulty, I managed to find two sites that gave heliocentric coordinates of these spacecraft and the planets for each day over a period of several decades: COHOWeb and Horizons On-Line Ephemeris System.

On a long transit, I wrote a Python script to collate the data into a table, for the first of each month. I then updated my usual near-polyglot script to plot orthographic views, hopefully clearly showing each trajectory, especially the gravity assists.

Wonder if it's the first map showing all five probes to date?!

22 JAN 2019 UPDATE: I added Ultima Thule to the graphic. Guess that's one nice thing about rendering the SVG in Python: it's easy to add new bodies that New Horizons encounters in the future.

2018

Inscribed cone sphere cylinder.svg ☎ 6 Dec 2018

Illustration of 1:2:3 ratio of volumes and ϕ:2:3 ratio of total surface area of a cone, sphere and cylinder of the same radius and height

Graphs of surface area against volume showing that surface area decreases for rounder shapes, and the surface-area-to-volume ratio decreases with increasing volume

I had long known that the ratio of the volumes of a cone, sphere and cylinder of the same radius and height was 1:2:3, Archimedes considering his discovery of the 2:3 ratio his masterstroke.

I was thus amazed to independently discover that the ratio of their total surface areas, including caps, was ϕ:2:3 (OK, Archimedes discovered the 2:3 bit).* That's a completely unexpected appearance of the golden ratio, so I just had to update my old drawing with my finding. An equation with both ϕ and π – how cool is that?

* The cone's curved surface can be flattened into a sector of radius r√5 (using Pythagoras' theorem) and arc length 2πr (the circumference of the cap). As a full circle of radius r√5 has circumference of 2πr√5, our sector subtends 1/√5 of a revolution, giving an area of 1/√5 · π(r√5)² = πr²√5. Add the cap and the total area is πr²√5 + πr² = √5 + 1/2 · 2πr² = ϕ · 2πr².

P.S. Another coincidence is that ratios of both the volumes and surface areas of the sphere and cylinders are 2:3. As in the graph on the right, the surface-area-to-volume ratio of an object decreases with increasing roundness and volume. It's curious that, going from the sphere to the cylinder, the roundness decreases while the volume increases at exactly the same rate such that the ratio is maintained!

Cambridge Wikidata Workshop – Image Workshop ☎ 21 Oct 2018

Charles Matthews persuaded me to speak about images on Wikidata at yesterday's workshop. A night's mugging yielded this scrappy presentation touching on

1. Wikidata properties related to images
2. Adding images to SPARQL queries
3. Use of WikiData Free Image Search Tool
4. Use of WikiShootMe!
5. Tracing bitmaps in Inkscape

Magnus Manske kindly sat in, answered questions and pointed out mistakes in my understanding.

I also showed a few of my SMIL SVG – The Corpus Clock animation was especially popular.

All in all a superb little knowledge-sharing day!

Cambridge free tennis courts.svg ☎ 16 Sep 2018

Plato's number 3³ + 4³ + 5³ = 6³ illustrated with blocks

Cambridge City Council free-to-use tennis courts as listed on http://cambridge.gov.uk/tennis with numbers denoting the number of courts at each location

SVG filters allow fun effects as in the animated light in the snow animation below, but I found some practical uses for them, too. The simplest may be drop shadows to make pseudo-3D scenes more realistic, such as the soft drop-shadows in the Plato's number graphic. To keep the filter as simple as possible, one can make two copies of the objects; applying the filter to the lower copy turns opaque areas black and blurs them:

 <filter id="filter_blur"> <feGaussianBlur in="SourceAlpha" stdDeviation="2"/> </filter>

Conversely, one could blur and turn opaque areas white to make a glow around objects, such as text, to make it easier to read. The feColorMatrix tag both colours the blurred areas white and makes them less transparent, so that the outline is more distinct. Blending with the SourceGraphic avoids needing two copies of the object:

 <filter id="filter_glow"> <feGaussianBlur in="SourceAlpha" stdDeviation="1" result="blur"/> <feColorMatrix in="blur" type="matrix" values="0,0,0,0,1 0,0,0,0,1 0,0,0,0,1 0,0,0,8,0" result="white"/> <feBlend in="SourceGraphic" in2="white"/> </filter>

The final example is something I'd wanted to do since I posted this question about applying a graduated outline on a shape, in particular the second case. A filter solves it elegantly; after blurring, the outline is eroded to bold the boundary then composited using the out operator:

 <filter id="filter_outline"> <feGaussianBlur stdDeviation="4" result="blur"/> <feMorphology in="blur" operator="erode" radius="4" result="erode"/> <feComposite operator="out" in="SourceGraphic" in2="erode"/> </filter>

This free-tennis-court image shows my first use of the last two techniques, on the text labels and ward boundaries. Fun with filters!

Bible code example.svg ☎ 2 Sep 2018

Bible code example by McKay

This question made me wonder about the likelihood that profanity appears in Base64 strings which I use to embed bitmaps in my SVG. As an order-of-magnitude estimate, suppose the string comprises only letters and case doesn't matter, a random four-letter string has 1/26⁴ ≈ 1/456 976 chance of matching a given four-letter word. A 1 MB string has about 1 million of these strings, so I expect about two matches. I did a case-insensitive search of the F-word in my 1.9 MB File:Leonardo_da_Vinci_monument_in_Milan.svg (which had separate strings, but that's close enough) and indeed got three instances. Hope noone's offended by my SVG!

It reminded me of the Bible code debunking craze in Cambridge around 2010. Looking up its article, I found the PNG on the right hard to read as the text was in all-caps and the "codes" went from bottom right to top left. I thought I could make it more legible, and vectorise it at the same time: I made alternate words bold. Coincidentally, in the proper case, only the initial B was capitalised. But the best change was using 21 columns instead of 33; with the correct offset, this made the "code" left-to-right and not cross.

Since I'd written Python that actually searches through text, I decided to make a locally branded version with "wiki" and "pedia" (I couldn't find "wikipedia"). Genesis had many matches, so I picked one where they were densely packed. I couldn't avoid the crossing without distorting the "codes" too much or making them right-to-left. See below...

• 21-column version

• "Wikipedia" version

Template:Comparison of Revised Julian and Gregorian calendar century years ☎ 30 Aug 2018

Century year	Remain- der on divide by 900	Is a Revised Julian leap year	Is a Grego- rian leap year	Revised Julian is same as Grego- rian
1000	100	✗	✗	✓
1100	200	✓	✗	✗
1200	300	✗	✓	✗
1300	400	✗	✗	✓
1400	500	✗	✗	✓
1500	600	✓	✗	✗
1600	700	✗	✓	✗
1700	800	✗	✗	✓
1800	0	✗	✗	✓
1900	100	✗	✗	✓
2000	200	✓	✓	✓
2100	300	✗	✗	✓
2200	400	✗	✗	✓
2300	500	✗	✗	✓
2400	600	✓	✓	✓
2500	700	✗	✗	✓
2600	800	✗	✗	✓
2700	0	✗	✗	✓
2800	100	✗	✓	✗
2900	200	✓	✗	✗
3000	300	✗	✗	✓
3100	400	✗	✗	✓
3200	500	✗	✓	✗
3300	600	✓	✗	✗
3400	700	✗	✗	✓
3500	800	✗	✗	✓
3600	0	✗	✓	✗
3700	100	✗	✗	✓
3800	200	✓	✗	✗
3900	300	✗	✗	✓
4000	400	✗	✓	✗

• v
• t
• e

Comparison of Revised Julian and Gregorian
calendar century years. (In the original Julian
calendar, every century year is a leap year.)

I've just learnt about the Revised Julian calendar which improves on the Gregorian calendar. Its formula to decide whether a century year (year number ending in "00") is a leap year wasn't obvious, so I decided to draw this table, which makes it obvious how there are 2 leap years every 9 century years, as compared to 2 every 8 in the Gregorian one. Its designer cleverly arranged the two in the current span of 900 years to coincide with 2000 and 2400, meaning that the calendars will perfectly agree for years 1601 to 2799, notwithstanding the Gregorian calendar reform. That should be enough for a while!

The Wikitext itself isn't terribly exciting, just wrapping the table in a div floated right to simulate an infobox. I couldn't use the infobox class as the table cells stopped being centre-aligned. I also learnt the use of template:navbar to let editors more easily edit templates and was amused by the large number of tick and cross mark templates.

demo rotation centre using CSS and SMIL.svg ☎ 30 Jun 2018

Demonstration of arbitrary rotation centres using CSS and SMIL animation.

I'm delighted that Vincent Mia Edie Verheyen recently contacted me for help with interactive and animated SVG – finally found someone who shares my interest in dynamic SVG!

He found that many CSS or SMIL techniques still don't work with Internet Explorer/Edge. The only reliable interactivity seems to be hover, tooltips, hyperlinks and changing the pointer (cursor). Apparently, the :active selector also allows clicking, but the user must continuously depress the button. It seems the industry has shifted to JavaScript (no surprise really) – is there any hope of Wikimedia allowing at least some Javascript in file uploads? :-(

Anyway, I was glad to learn from Vincent of the symbol tag, as used in this animated SVG. It can do more than named objects in defs which I've been using, such as scaling the object to fit a given width and height (optionally preserving the aspect ratio). It also supports viewBox attribute like the svg tag. http://sarasoueidan.com/blog/structuring-grouping-referencing-in-svg/ has a tutorial.

One limitation is that parts of the symbol with negative coordinates get cropped. A solution is to add overflow="visible", e.g.

 <symbol id="stuff" overflow="visible"> <rect x="-10" y="-20" width="30" height="40"/> </symbol> <use xlink:href="#stuff" x="50" y="60"/>

Additionally, one can move the symbol by specifying x and y attributes in the use tag, where I might have previously used transform=translate(50,60). Three cheers for two-way knowledge exchange in Wikimedia!

Mars elevation.stl ☎ 1 May 2018

STL 3D model of Mars with elevation exaggerated 20 times

I've been experimenting with STL over the last month. User:Romanski reminded me that most of what I've made, including fractals, can already be done with other tools. Nevertheless, one area to which I think I can add are planetary elevation models, such as this one. To me, a 3D model, particularly a physical one, makes the shape much clearer than a topo map, especially features in polar regions. (Perhaps one thing lost is that the northern hemisphere is significantly lower than the southern one.) It's a shame that most STL viewers, including the Mediawiki one, doesn't support colours; that would definitely open a whole new world of possibilities.

Anyway, looking at the file's history, one can see how my technique evolved:

1. The naive way was to make rectangles along latitudes and longitudes. The drawback is that they become thinner towards the poles, wasting polygons and giving strange star shapes around the poles. (As STL works with triangles, I had to split each rectangle into two triangles – a good thing, actually, as by splitting along the diagonal with the smaller elevation difference, I could get a smoother shape, a trick I discovered while making File:Penang_island.stl.)
2. I thus tried an octahedron with each face recursively subdivided into four triangles. Each vertex is then projected to the appropriate radius. Though the resolution has increased despite using around the same number of polygons and the polar artifacts have disappeared, the surface looked very jagged, perhaps due to the triangles' acute angles.
3. Deciding to go back to rectangles in order to use the rectangle-splitting trick, I settled on projecting a subdivided cube onto a sphere. This article explains the maths well. Unfortunately, I oriented half of the polygons the wrong way! That was to be corrected in my final version...
4. In addition to fixing the orientation, I made the base model an oblate spheroid with different polar and equatorial radii. But the biggest improvement was to calculate the elevation of the centroid of each rectangle. If it was lower or higher than all four vertices, i.e. a peak or pit, I divide the rectangle into four triangles like the sides of a pyramid. Otherwise, I divide it into two as before. This considerably sharpened areas with a lot of detail at the expense of around 10% more polygons.

I made two other models with the final method:

1. Earth without liquid water
2. The Moon

The next step may be to use a triangulated irregular network, but that will need to wait for another day...

Template:gallery remainders ☎ 21 Apr 2018

c p	1	2	3	4	5	6	7	8	9	10	11	12
1	0	1	1	1	1	1	1	1	1	1	1	1
2	0	0	2	2	2	2	2	2	2	2	2	2
3	0	1	0	3	3	3	3	3	3	3	3	3
4	0	0	1	0	4	4	4	4	4	4	4	4
5	0	1	2	1	0	5	5	5	5	5	5	5
6	0	0	0	2	1	0	6	6	6	6	6	6
7	0	1	1	3	2	1	0	7	7	7	7	7
8	0	0	2	0	3	2	1	0	8	8	8	8
9	0	1	0	1	4	3	2	1	0	9	9	9
10	0	0	1	2	0	4	3	2	1	0	10	10
11	0	1	2	3	1	5	4	3	2	1	0	11
12	0	0	0	0	2	0	5	4	3	2	1	0
13	0	1	1	1	3	1	6	5	4	3	2	1
14	0	0	2	2	4	2	0	6	5	4	3	2
15	0	1	0	3	0	3	1	7	6	5	4	3
16	0	0	1	0	1	4	2	0	7	6	5	4
17	0	1	2	1	2	5	3	1	8	7	6	5
18	0	0	0	2	3	0	4	2	0	8	7	6
19	0	1	1	3	4	1	5	3	1	9	8	7
20	0	0	2	0	0	2	6	4	2	0	9	8
21 – 60 pictures Green: ideal, Yellow: under half full, Red: orphan c p 1 2 3 4 5 6 7 8 9 10 11 12 21 0 1 0 1 1 3 0 5 3 1 10 9 22 0 0 1 2 2 4 1 6 4 2 0 10 23 0 1 2 3 3 5 2 7 5 3 1 11 24 0 0 0 0 4 0 3 0 6 4 2 0 25 0 1 1 1 0 1 4 1 7 5 3 1 26 0 0 2 2 1 2 5 2 8 6 4 2 27 0 1 0 3 2 3 6 3 0 7 5 3 28 0 0 1 0 3 4 0 4 1 8 6 4 29 0 1 2 1 4 5 1 5 2 9 7 5 30 0 0 0 2 0 0 2 6 3 0 8 6 31 0 1 1 3 1 1 3 7 4 1 9 7 32 0 0 2 0 2 2 4 0 5 2 10 8 33 0 1 0 1 3 3 5 1 6 3 0 9 34 0 0 1 2 4 4 6 2 7 4 1 10 35 0 1 2 3 0 5 0 3 8 5 2 11 36 0 0 0 0 1 0 1 4 0 6 3 0 37 0 1 1 1 2 1 2 5 1 7 4 1 38 0 0 2 2 3 2 3 6 2 8 5 2 39 0 1 0 3 4 3 4 7 3 9 6 3 40 0 0 1 0 0 4 5 0 4 0 7 4 41 0 1 2 1 1 5 6 1 5 1 8 5 42 0 0 0 2 2 0 0 2 6 2 9 6 43 0 1 1 3 3 1 1 3 7 3 10 7 44 0 0 2 0 4 2 2 4 8 4 0 8 45 0 1 0 1 0 3 3 5 0 5 1 9 46 0 0 1 2 1 4 4 6 1 6 2 10 47 0 1 2 3 2 5 5 7 2 7 3 11 48 0 0 0 0 3 0 6 0 3 8 4 0 49 0 1 1 1 4 1 0 1 4 9 5 1 50 0 0 2 2 0 2 1 2 5 0 6 2 51 0 1 0 3 1 3 2 3 6 1 7 3 52 0 0 1 0 2 4 3 4 7 2 8 4 53 0 1 2 1 3 5 4 5 8 3 9 5 54 0 0 0 2 4 0 5 6 0 4 10 6 55 0 1 1 3 0 1 6 7 1 5 0 7 56 0 0 2 0 1 2 0 0 2 6 1 8 57 0 1 0 1 2 3 1 1 3 7 2 9 58 0 0 1 2 3 4 2 2 4 8 3 10 59 0 1 2 3 4 5 3 3 5 9 4 11 60 0 0 0 0 0 0 4 4 6 0 5 0
Green: ideal, Yellow: under half full, Red: orphan Number of pictures on last row of gallery with c columns (browser-dependent) and p pictures (editor can control) i.e. good number of pictures to have in a gallery: 1, 2, 3, 4, 6, 8, 12, 14, 18, 20, ...

As in last month's entry below, Wikipedia allows collections of images that wrap to the browser width using the <gallery> tag. My aspie side gets annoyed when there's just one lonely image on the last row, though ☹

I realised that, though I can't control how many columns there will be, I can control how many images are in the gallery, so made a little Python script to generate a table highlighting "good" numbers. Obviously, it's inevitable that there will be one left over when p = kc + 1 for any integer k, but what about other numbers?

Besides highly composite numbers like 6, 12 and 60, there are surprisingly "good" numbers like 14, 38 and 44. On the other hand, 10 and 36 are "bad" as they leave 1 remainder with 3 and 5, respectively. And numbers after highly composite ones, like 13 and 25 are especially "bad"...

As a footnote, I learned that in typography, a single word on a line at the end of a paragraph is called an orphan. Looks like I'm not the only one who finds it annoying!

commons:category:STL_files_by_cmglee ☎ 29 Mar 2018

I was delighted to learn from Charles Matthews that Wikimedia Commons now allows upload of 3D files, in the form of STL – if only it supported colour, transparency, animation etc.

As I'd enjoyed 3D modelling in a past life, I set about creating the models below using Python scripts. Since STL files don't allow embedding the scripts as comments, I added them to their file description pages. Sadly, I came across artifacts in the Wikimedia viewer and occasionally the thumbnail. I've checked that the direction of facet vertices is anticlockwise, the normals are sensible and polygons are not duplicated. It seems to happen more where the polyhedron is thin. All these polyhedra render correctly on http://viewstl.com . Let's see if they're fixable...

• My very first STL, modelling a solid that rolls in a very curious manner

• Visualising the diamond cubic lattice, hard to picture in 2D

• One of my favourite shapes, with a frame to match

• This tetrix collection's 87 380 facets don't seem to tax modern computers

• From my biggest to my smallest STL, the Császár polyhedron is sheer elegance

• The Szilassi polyhedron is another beauty – though not the rendering of my STL!

• My first terrain model, with even worse Z-fighting...

• Eight of the half-cubes can be 3D-printed and taped together to make the curious Yoshimoto Cube

• Another model for 3D-printing: 6 panels slot together around a cubic hole to form a rhombic triacontahedron

• The first of my models of celestial bodies with exaggerated terrain: Mars

• The moon

• Earth without liquid water (but with ice caps)

Foucault pendulum precession vs latitude.svg ☎ 31 Jan 2018

Graphs of precession period and precession per sidereal day vs latitude. The sign changes as a Foucault pendulum rotates anticlockwise in the Southern Hemisphere and clockwise in the Northern Hemisphere. The example shows that one in Paris precesses 271° each sidereal day, taking 31.8 hours per rotation.

I had the good fortune to visit the Griffith Observatory and had a personalised explanation of its Foucault pendulum. Seeing the marks from 0 to 41 around the rim, I asked how long it takes to rotate 360° for a given place and was told it's the sine of the latitude.

Checking Wikipedia, the angle a Foucault pendulum precesses is indeed linearly proportional to sin(latitude), but there was no illustration showing the precession period. I thus drew this graph showing both the precession per day and its period. Curiously, at the axes' scales, 24 hours coincides with −360° and 4 days with 360°, letting me share the gridlines.

Footnote: I found out that the "day" is a sidereal day; the earth itself orbits the sun, so the direction of noon changes from day to day. Instead of 24 hours, it's ~23.93447 hours, but that's indistinguishable on the graph. Griffith Observatory's 34.11856°N yields a precession period of 42.67 hours, a bit more than the markings!

2017

commons:Template:source thumb ☎ 8 Dec 2017

When uploading a derived image, I previously found specifying the file(s) from which it wad derived a bit clumsy; I could use, for instance,

• Its upload.wikimedia.org URL,
• Its file description page URL,
• Its filename,
• A link like [[:File:FILENAME]], or
• A thumbnail like [[File:FILENAME|thumb]],

none of which simultaneously lets

1. The user see an inline preview of the image,
2. The user see its filename,
3. The uploader not having to bother with wikitext, and
4. The code and presentation to be consistent among uploads perhaps years apart.

I thus decided to create a template on Commons:

<table style="display:inline;border-collapse:collapse;"><tr><td>[[File:{{{1}}}|thumb|none|[[:File:{{{1}}}|{{String replace|{{{1}}}|_|&nbsp;}}]]]]</td></tr></table>

This automatically generates a thumbnail with the filename as a caption linking to the file description page (I'd have preferred it to link directly to the actual file, but couldn't find a way to derive its URL from just the filename):

IBBPBB inter frame group of pictures.svg

The uploader can now simply transclude the template with the filename (without "File:") as the first parameter:

{{source thumb|FILENAME}}

To make the caption more readable, I replaced underscores with non-breaking spaces. I also enclosed the thumbnail with an inline table, so that multiple thumbnails can flow side by side instead of being stacked one above another.

If there's demand, I'll add more parameters to fine-tune the thumbnail.

UPDATE 14 MARCH 2018: {{filepath:FILENAME}} gives the file URL, hence

<table style="display:inline;border-collapse:collapse;"><tr><td>[[File:{{{1}}}|thumb|none|link={{filepath:{{{1}}} }}|[[:File:{{{1}}}#filelinks|{{String replace|{{{1}}}|_|&nbsp;}}]]]]</td></tr></table>

UPDATE 21 OCTOBER 2018: I added the option of specifying the language for internationalised SVG using a second parameter, as in these thumbnails:

{{source thumb|FILENAME|LANG}}

Template:Earth Impact Database world map.svg ☎ 17 Nov 2017

World map in equirectangular projection of the craters on the Earth Impact Database as of November 2017 (in the SVG file, hover over a crater to show its details)

I've finally found out how to have "inline" tooltips in an SVG which appear when hovered, yet allow fill and stroke opacity to be fully controlled on hover: set the unhovered font-size to a tiny value, say, 0.1 px, and the hovered one to the normal size. In this world map of confirmed impact craters, this allows both stroke and fill of a circle to fade when the user hovers over the map, but not the circle. The advantage of "inline" text is that it appears immediately on hover, unlike a regular tooltip, and allows limited styling, such as 2-columns or left and right-aligned text.

I also found that using the link paramter of the thumbnail directly loads the SVG on clicking the thumbnail, instead of the file description page. The file description page can still be accessed by clicking the icon at the right of the caption.

North West Cambridge Development ☎ 1 Oct 2017

Fata Morgana tea house and Brook Leys

Berthold Hörbelt and Wolfgang Winter in Fata Morgana

It's great that Cambridge has an annual event where private establishments open their doors, normally a weekend before London Open House.

This year's Open Cambridge saw the public opening of Eddington, the centre of the North West Cambridge Development.

Being the resident village busybody, I couldn't help visiting, joining some tours and capturing the sights. My favourite was Fata Morgana, a "tea house" made almost entirely from steel mesh. The semi-transparent surfaces made the experience surreal. I got to chat with its artists, too, and learn about its creation.

Not realising that someone had just created an article on Eddington itself, I created North West Cambridge Development and nominated it for Did You Know. (Well, at least I didn't know how many hoops one had to jump through to get an article into Did You Know.)

And when I have more time and inclination, I'll try merging both articles...

One million dots 1080p.png ☎ 28 Aug 2017

Visualisation of powers of ten from 1 to 1 million

One million black dots (pixels) – each tile with white or grey background contains 1000 dots (full image)

I noticed that a full HD screen has just over 2 million pixels (1920 × 1080 = 2 073 600) and had the idea of a two-dimensional visualisation of the size of one million to complement my three-dimensional one to the left.

By using a checkerboard pattern, I could show one dot for every two dots. The naive approach would result in a big blob of a million dots without any grouping, so I wondered if there might be a way to separate them into 1000 tiles of a thousand each. Having 10 rows of 100 columns would "use up" 9 rows and 99 columns of pixels to separate the tiles, resulting in 1821 × 1071 = 1 950 291 pixels, just shy of the 2 million pixels needed. However, 10 rows of 10 columns gives 1911 × 1071 = 2 046 681 pixels, so I'm on the right track...

I could use the background of the dots to separate tiles of 1000 dots. I settled on white and very light grey to make the difference just visible yet not too distracting. Interestingly, 19 × 106 = 2014, i.e. 1007 dots, so each group of 10000 dots can be 190 pixels wide and 106 pixels tall. A 10×10 matrix of these would leave a neat 20 rows and 20 columns of pixels to separate the groups. To make the groups easier to count, I divided them as follows: 2_1_2_1_2_4_2_1_2_1_2, where _ represents a group, in both dimensions. As 7 dots had to be removed from each tile, I removed 3 from one corner and 4 from another, conveniently resulting in ticks appearing in each group.

Hacking up the Python script (which uses the png.py module) on file:one_million_dots_1080p.png, a bit of tweaking to make the graphic symmetrical, and ta-da – 1 million black dots in full HD!

Universe blocks timeline visualisation.svg ☎ 31 Jul 2017

A brief (proportional) history of the time

ℑ

magine a 138-page book chronicling the history of time. Each page has exactly 100 lines, and each line, exactly 100 letters. The first letters on the first page describe the most recent events; the last letters on the last page, the beginning of the Universe as we know it. If the amount of text is linearly proportional to time, how much of this tome narrates written human history?

Well, with 13.8 billion years denoted by 138 pages of 10000 letters, each letter represents 10000 years. Thus, written history is worth about half a letter!

This graphic shows where some other notable events lie. Note that everything involving humans lies on the first line, representing the most recent 1 million years.

Going down two-thirds of a page, we come to the big die-off of the dinosaurs 66 million years ago. At the end of the first page, 100 million years ago, we're firmly in dinosaur and reptilian territory. Just five pages later (500 million years earlier), complex animals hadn't evolved. After the tenth page (1 billion) years, the most complex lifeforms were green algae.

A third of the book in, the 45th page marks the formation of the Earth, the Sun and much of the rest of the Solar System. Most is unknown about the Universe until perhaps the last 8 or so pages when the first galaxies formed.

The final page, likely the 138th, is once again a hive of activity, where much of the early Universe takes place. Exactly how many lines and letters it has, noone knows...

I hope this analogy gives another perspective on the timeline of the Universe. Though one might bemoan our insignificance in the big picture, I find it amazing that scientists were able to discover these milestones in just the first half-letter.

P.S. At the same scale, how long is the Diary of the Universe to people who think it started in 4004 BC? Six-tenths of a letter! ୯ ͡°  ͜১͡° ੭

horizon distance graphs.svg ☎ 24 Jun 2017

Distances to the horizon along the Earth's surface h, straight-line distance d, and approximate straight-line distance assuming h << Earth's radius ~d, for altitude h

The graph on the left employs a clever technique to have gridlines in different units, such as metric and imperial, on the same graph: by having them straddle the line!

I wondered if it might work for any odd number of graphs, and drew this month's graphic. Getting the gridlines to alternate between the curves was tricky, but creating clip-paths by alternating the directions of the paths worked. Each set of gridlines could then be made up of rects textured with their corresponding patterns. I even managed to reasonably smoothly transition from feet to miles for imperial altitude. And of course, multiplicative factors between units appear simply as translations on a logarithmic scale.

It was fun picking reference altitudes, though I couldn't find a good one between ISS and GPS orbits. It's also rather surprising how good the approximation is, and how similar the straight-line and along-Earth's-surface distances are, all the way to the official boundary of outer space.

North Korean missile range.svg ☎ 20 May 2017

Azimuthal equidistant projection of estimated maximum range of some North Korean missiles

User:Ethanmayersweet suggested that I update my unexpectedly popular graphic and I thought it would be the perfect opportunity to update the map to an azimuthal equidistant projection – I'd found it mildly annoying that the radii of the rings weren't to scale, and much of the globe (especially mainland USA, whose readers would most likely be interested in) was hidden.

User:Jason Davies had usefully uploaded File:North-korean-missile-ranges.svg, but I preferred a coloured globe without coastline shading. The other thing I wasn't so keen about was the 5 MB file size. So I wrote this Python script to

1. convert absolute to relative coordinates in the SVG path,
2. round to the nearest integer, and
3. simplify horizontal and vertical movements to "h" and "v" commands, respectively.

The script could have combined multiple "h" and "v", and handle commands other than "M", "L" and "Z", but that will have to wait until another day. That reduced the total file size (even after "beautification" and updating the ranges) to 162 KB, a reduction of 97%!

By the way, I found it curious that UK and mainland USA (and Africa) are just beyond 8 000 km – coincidence?

Menger sponge diagonal section.gif ☎ 29 Apr 2017

GIF animation of cross-sections of a level-4 Menger sponge perpendicular to a space diagonal. The cross-section through its centroid comprises regular hexagrams arranged in six-fold symmetry. The cross-sections are true-view and to scale.

GIF animation showing how an orthographic projection of a tetrix can exactly fill a plane

After hearing about the Menger sponge at a talk about fractals in this year's Cambridge Science Festival, I challenged my companion to guess what a cross-section along a space diagonal and passing through its centroid looks like.

Back home, it occurred to me that I could use the constructive solid geometry feature of POV-Ray to automatically generate cross-sections, and decided to make an animation of the cross-sections along the space diagonal similar to http://youtube.com/watch?v=fWsmq9E4YC0 but viewed perpendicular to the section so that each section is a true view.

The biggest challenge was coming up with an efficient way to create the sponge. The method I used to render the level-4 tetrix on the left would result in 20⁴ = 160 000 cubes – far too strenuous for my measly computer!

I eventually decided to subtract three orthogonal sets of long holes from a simple cube. My initial arrangement resulted in artifacts due to holes from different levels overlapping, but I managed to find a set without overlap – see my POV-Ray source code below if you're interested.

Additionally, I wanted to use a perspective projection for a more realistic look, but still wanted to keep every section at the same scale, so I had to translate the cube at exactly the rate which keeps the cross-section plane in place. To confirm that I got it right, I replaced the sponge with a simple cylinder with its axis perpendicular to the plane.

After a day rendering the 55 frames (27 × 2 + 1 – chosen so that every vertex has a plane passing through it), I thought the colour was a bit bland, so modified the palette after converting them into GIF in XnView's batch mode. Good thing I decided to turn off anti-aliasing to increase rendering speed.

I also decided to add pauses at the level-0 vertices, and of course, a longer one at the cross-section through the centroid.

Lastly, I came up with a tidier presentation of my POV-Ray source on the file description page, so that anyone can continue my work:

Menger_sponge_diagonal_section.pov

Menger_sponge_diagonal_section.ini

#declare HOLE1 = box { <1/6,1/6,0.50001>,<-1/6,-1/6,-0.50001> }#declare HOLE2_8 = union { object { HOLE1 translate < 1, 1,0> } object { HOLE1 translate < 0, 1,0> } object { HOLE1 translate <-1, 1,0> } object { HOLE1 translate <-1, 0,0> } object { HOLE1 translate <-1,-1,0> } object { HOLE1 translate < 0,-1,0> } object { HOLE1 translate < 1,-1,0> } object { HOLE1 translate < 1, 0,0> } scale <1/3,1/3,1> }#declare HOLE3_8 = union { object { HOLE2_8 translate < 1, 1,0> } object { HOLE2_8 translate < 0, 1,0> } object { HOLE2_8 translate <-1, 1,0> } object { HOLE2_8 translate <-1, 0,0> } object { HOLE2_8 translate <-1,-1,0> } object { HOLE2_8 translate < 0,-1,0> } object { HOLE2_8 translate < 1,-1,0> } object { HOLE2_8 translate < 1, 0,0> } scale <1/3,1/3,1> }#declare HOLE4_8 = union { object { HOLE3_8 translate < 1, 1,0> } object { HOLE3_8 translate < 0, 1,0> } object { HOLE3_8 translate <-1, 1,0> } object { HOLE3_8 translate <-1, 0,0> } object { HOLE3_8 translate <-1,-1,0> } object { HOLE3_8 translate < 0,-1,0> } object { HOLE3_8 translate < 1,-1,0> } object { HOLE3_8 translate < 1, 0,0> } scale <1/3,1/3,1> }#declare HOLE4 = union { object { HOLE1 } object { HOLE2_8 } object { HOLE3_8 } object { HOLE4_8 } }#declare SPONGE4 = difference { box { <0.5,0.5,0.5>, <-0.5,-0.5,-0.5> } union { object { HOLE4 } object { HOLE4 rotate <0,90,0> } object { HOLE4 rotate <90,0,0> } } }#declare CLOCK = 1 - 2 * clock;//#declare CLOCK = 0;#declare CLOCK_PLANE = 1.5 * CLOCK;#declare CLOCK_ALL = -0.5 * CLOCK;#debug concat(str(CLOCK, 8, 3), "\n")difference { object { //cylinder { <1,1,1>, <-1,-1,-1>, 0.5 } /// check scale constant SPONGE4 pigment { rgb <0.5,1,1> } } plane { <-1,-1,-1>, 0 translate <CLOCK_PLANE,0,0> } translate <CLOCK_ALL,CLOCK_ALL,CLOCK_ALL> rotate <0,45,degrees(-atan(1/sqrt(2)))> no_shadow}background { color 1 }camera { right x * image_width / image_height location <3.1,0,0> look_at <0,0,0> angle 30}light_source { <0,9,0> color 1 parallel }light_source { <9,0,0> color 2 parallel }

; POV-Ray animation ini fileAntialias=Off;Antialias=OnAntialias_Threshold=0.1Antialias_Depth=1Input_File_Name="Menger_sponge_diagonal_section.pov"Initial_Frame=0Initial_Clock=0Final_Frame=54Final_Clock=1Cyclic_Animation=offPause_when_Done=offDebug_File=on

Now I'm tempted to make more animated cross-sections, and one that comes to mind is a rotating double cone to generate conic sections!

nucleosynthesis periodic table.svg ☎ 29 Mar 2017

Periodic table showing origin of elements in the Solar System

Three years on from its first publication, I've updated my periodic table of the origin of the chemical elements, made infamous by NASA choosing it as Astronomy Picture of the Day. I was surprised by its selection (it wasn't me who submitted it for consideration – I wasn't even particularly proud of it, as I'd quickly hacked it together after attending a talk showing the figure from which it was derived) and the subsequent criticism of its veracity.

Since then, astronomer Jennifer Johnson created a more well-researched version and I decided to combine with her data with some "improvements":

• The percentages of each origin are represented by squares (out of a hundred) instead of oblique areas to make it easier to estimate proportions – hovering over the SVG gives precise figures as tooltips, too.
• It uses a light colour scheme to aid printing.

ancient seven wonders timeline.svg ☎ 21 Jan 2017

Timeline and map of the Seven Wonders. Dates in bold green and dark red are of their construction and destruction, respectively.

I became interested in the Seven Wonders of the Ancient World after watching a documentary and read the Wikipedia article. Seeing room for improvement of their timeline, I set about drawing one.

It felt a little clumsy as the massive range of the Great Pyramid of Giza compared to the others caused huge gaps to appear.

I wondered, "Why not fill them with useful information?" and thus added a map and silhouettes to scale, with dimensions obtained as far as possible from their respective Wikipedia articles.

The outlines show how amazing an achievement the building of not one, but two pyramids of comparable size was, 2000 years before the other wonders.

Lastly, from the scale of the timeline, it seems a shame that we just missed living in a time when three wonders existed. If only they hung on for 600 more years!

2016

snow css3 animation example.svg ☎ 31 Dec 2016

Merry Christmas/Happy New Year ambigram

I learnt that SVG filters can be animated using SMIL and added an ambigram that reads Merry/Happy and Christmas/New Year to my CSS snow animation. Happy 2017!

block stacking problem.svg ☎ 6 Nov 2016

The first eight blocks in the solution to the single-wide block-stacking problem

The source texture bitmap

I had just realised that the block-stacking problem article lacked an illustration despite my interest in harmonic series. This presented a good opportunity to experiment with an idea to use affine transformation matrices (which I explored last month) to transform bitmaps to make more realistic pseudo-3D graphics.

In the SVG, the upper-right 3×3 swatches in the image on the left were split into individual textures, each assigned to a pattern. Appropriate affine transformations were applied to the faces of each block, some overlaid with semi-transparent black to simulate shading, and defined as a group. The fill parameter of each group was assigned a texture pattern, and the block moved into position.

It's a shame that SVG doesn't do perspective transforms (even though CSS does), so I'm limited to parallel projection. Still, that suits technical illustrations where conceptual clarity takes precedence over geometric fidelity.

Expect to see more textured SVGs!

Extended two-cube calendar cubes arranged to show Wednesday, 25 April

UPDATE 24 FEB 2020: This example simulates wood textures with SVG filters – uniting blur-filter shadows, turbulence-filter textures, affine transforms and my 4-3-2 projection ideas.

cmglee trimetric template.svg ☎ 21 Oct 2016

My trimetric projection roughly approximates a cube with small integers

Back in 2012, I discovered an aesthetically pleasing 3D trimetric projection that lets one construct semi-realistic-looking scenes using vectors with components comprising small integers, namely

• (⁴
  ₋₂) for the x-axis (up and right)
• (⁻³
  ₋₃) for the y-axis (up and left)
• (⁰
  ₋₄) for the z-azis (directly upwards)

assuming the image y-axis is positive downwards. An added advantage over dimetric or isometric projections is that the rear edges and vertex of a cube does not overlap with a front one, so that they can be clearly shown. Curiously, a 2 × n × 1 block has the same width and height.

I also found some useful affine transformation matrices to automagically apply rectangular textures onto the three faces of a cuboid:

• Top face: matrix( 4,-2, -3,-3, 0,0)
• Left face: matrix(-3,-3, 0, 4, 0,0)
• Right face: matrix( 4,-2, 0, 4, 0,0)

As can be seen from the "F" pattern, I had to mirror the left face horizontally and the top face vertically so that they could all start at the nearest vertex. This has negligible effect on symmetrical patterns such as gridlines, but asymmetrical ones have to be either pre-flipped or the matrices must be changed.

With this useful shape, I drew a variety of illustrations including these:

• Parts-per-million diagram of water distribution on Earth

• Model of Container City I and II

• Visual proof of the Nicomachus theorem

• Solution to the five-room puzzle

27 SEP 2019 UPDATE: commons:category:4-3-2 trimetric projection created.

Template:quadratic_function_graph_complex_roots.svg ☎ 30 Sep 2016

Visualisation of the complex roots of y = ax² + bx + c: the parabola is rotated 180° about its vertex (orange). Its x-intercepts are rotated 90° around their mid-point, and the Cartesian plane is interpreted as the complex plane (green).^[2]

Graph of y = ax² + bx + c, where a and the discriminant b² − 4ac are positive, with

• Roots and y-intercept in red
• Vertex and axis of symmetry in blue
• Focus and directrix in pink

A few days ago, I found that Wikipedia lacked an illustration showing the key values of the general univariate quadratic function y = ax² + bx + c and so drew the graphic on the left. Just as I thought my work was done, I found out about a method to graphically find the complex roots of such a function without real roots – eons since I left high school!

Back to the drawing board, I modified my earlier graphic to visualise the method and created the template on the right for easy inclusion in Wikipedia articles.

The trickiest bit was creating the text objects containing mathematical expressions. I employed a neat device in which a fraction is constructed from

1. A set of tspans containing the numerator,
2. Another tspan resetting the x-coordinate and containing as many "_" characters as needed – harking back to the original function of the underscore on typewriters!
3. A set of tspans resetting the x-coordinate, incrementing the y-coordinate by 1em and containing the denominator. For a middle-aligned text object, Firefox and Chrome browsers middle-align the entire denominator, but the Wikimedia renderer middle-aligns only its first tspan. To get "2a " to align correctly, the x-coordinate had to be specified for each tspan.

For example, −b/2a is created with the following SVG code (note the wrapping of the line before the ">" character to avoid introducing meaningful whitespace):

 <text transform="translate( 130, 40)" x="0" y="0" ><tspan>&#8722;</tspan><tspan font-style="italic">b</tspan><tspan x="0">__</tspan ><tspan x="-10" dy="1em">2</tspan><tspan x="10" font-style="italic">a</tspan></text>

I would have preferred the minus sign outside the fraction: −b/2a , but that would have required the extra hack below...

For the coordinates (−b/2a_, −(b²−4ac)/4a) , I had to manually create a separate "( , )" text object in larger font (with some stretching in the y direction to avoid the brackets looking too thick) to wrap around the two functions. Is there a better way? Let me know!

http://wikimania2016.wikimedia.org/wiki/panoramas ☎ 8 Aug 2016

Stereographic (top) and equirectangular (bottom) projections of the Last Supper sculpture at Via Crucis in Esino Lario during Wikimania 2016

I thought I'd do a little part of documenting Wikimania 2016 and the village of Esino Lario by shooting 360° spherical panoramas of notable places using the Photo Sphere feature of the native Android camera app of my Nexus 7:

http://wikimania2016.wikimedia.org/wiki/panoramas

The page also features Dschwen's Pano360 panoramic viewer and "Tiny Planets" generated by the same app.

For optimum results, one should really use a tripod or a specialised camera, as doing it by hand results in many stitching errors – nevertheless, the poor man's method doesn't require much beyond an Android phone or tablet with gyroscopes, and lots of patience!

As I discussed with user:Pigsonthewing on my Commons talk page, in case anyone wants to shoot some, here are some techniques for better results:

• Choose scenes far from the camera to reduce parallax – best are landscapes, but at least stand up and stay away from railings.
• If possible, choose scenes without obvious geometric patterns e.g. large floor tiles and roof beams – grass, rocks, foliage etc are best.
• Avoid taking a shot when moving people are in the scene to avoid half bodies.
• Pick an identifyable point on the ground and try to keep the camera over it.
• Pivot around the camera rather than standing still and turning the body; I grasp the device around the lens with one stationary hand and use the other to swing it around the pivot.
• Reposition or wait until the sun is not directly visible, to avoid overly high dynamic range and lens artifacts.

Shame I discovered them only as I went along, but I suppose one gets better with practice...

Template:Tallest towers in the world.svg ☎ 17 Jul 2016

Comparison of the CN Tower with the world's seven tallest towers

The collapsed pyramid of Meidum shaded

I noticed editors adding translations into File:Phase_diagram_of_water.svg and learnt that, using the switch tag and systemLanguage parameter, an SVG file can contain multiple languages. While visiting Milan's Pinacoteca di Brera after Wikimania, I realised that I could hack this mechanism to highlight different parts of an illustration in different articles. Back home, I successfully tested it on File:comparison_of_pyramids.svg as on the left. I'll use another example as I'd written on the pyramids SVG below.

In its SVG, each highlighted version is amended as follows:<switch><use xlink:href="#id" systemLanguage="CODE"/></switch>where CODE is one of these codes. As codes must be valid, I picked ones which look similar, yet are relatively rare to not conflict with real use: from left to right, ts, ca, cu, os, or, ml and kl.

To use the SVG, add lang=CODE in the image's Wikitext and it appears as on the right:[[File:Tallest_towers_in_the_world.svg|thumb|lang=cu|Comparison of the CN Tower with the world's seven tallest towers]].

I create the template:Tallest towers in the world.svg to make it easier to use. The first parameter is the code (set to blank for no highlighting) and the second is a custom caption snippet (set to blank to use the name of the page it appears on, a trick described below):{{tallest towers in the world.svg|CODE|CAPTION SNIPPET}}.

SMIL missile demo zh-hant.svg ☎ 9 Jul 2016

Missile game in Chinese

"Wheel of fortune" demo

I had the privilege to share accommodation with user:Shangkuanlc at Wikimania. While chatting about my adventures in dynamic SVG, he was fascinated with this silly little game I made to showcase what could be done with SMIL, and very kindly translated it to Chinese. We talked about other ideas for SVG games – including an Angry Birds parody I named "Anti-Birds", a skeet shooting game where the player tries to snipe, in mid-air, birds about to crash into the usual porcine architecture!

I realised, however, was that games often have random elements but SMIL and SVGs without JavaScript are normally deterministic. After discussion with user:Niedzielski, I thought of a way to simulate random events by rapidly rotating an invisible pinwheel of triggers in front of a button. Due to its rapid rotation and invisibility, the trigger that is clicked is practically random. I created this "wheel of fortune" prototype to demonstrate the concept ("Show triggers" toggles the visibility of the triggers).

The translation effort also revived the idea to rewrite an updated SVG translation tool. I had previously used Jarry1250's SVG Translate but it no longer works, and also requires the user to manually fill in all the fields. I learnt that Pywikibot is a good platform to use, and attended a training session and spoke with user:Yuvipanda. Let's see what I can come up with one of these weekends...

Wikimania 2016 ☎ 22 Jun 2016

... so I'm giving a talk and training at Wikimania 2016. Come join us on Saturday 25 June 2016 if you're in town. For a preview, below is my slide deck...

Presentation 1 Techniques   1.1 Animation   1.2 Tooltips   1.3 Hyperlinks   1.4 Progressive disclosure 2 Applications   2.1 Interactive timelines   2.2 Simple 3D viewer 3 GIF animation to SVG converter 4 Best practice 5 Cheers

German tank problem graphs.svg ☎ 12 Apr 2016

Graphs of estimated population size, N for number of samples, k and largest sample serial number, m using frequentist (dotted lines) and Bayesian analysis (solid line shows mean and shading shows range from minimum possible value to mean plus 1 standard deviation). The example shows if 4 racquets are observed and the highest serial number is 60, frequentist analysis predicts N = 74 whereas Bayesian analysis predicts a mean of 88.5 and standard deviation of 138.72 − 88.5 = 50.22, and a minimum of 60 racquets. In the SVG file, hover over a graph to highlight it.

An advantage I thought Perl had over Python was the ability to interpolate or embed variables directly into a string, such as

print "Hello $name";

where Python uses format or % :

print "Hello %s" % (name)print "Hello {0}".format(name)

which gets clumsy for long strings or a large number of variables.

That was until I learnt that I could do this (as long as name is a local variable):

print "Hello %(name)s" % locals()print "Hello {name}".format(**locals())print "Hello {name:s}".format(**locals())print "Hello {name!s}".format(**locals())

I wondered if it would be even better if name could be an arbitrary expression and not just a variable e.g. name.upper() to capitalise the whole string or len(name) for its number of characters (zero-padded to eight hexadecimal characters). And so I wrote the following:

import redef fmt(string): ## string.format(**vars()) using tags {expression!format} by CMG Lee def f(tag): i_sep = tag.rfind('!'); return (re.sub('\.0+$', '', str(eval(tag[1:-1]))) if (i_sep < 0) else ('{:%s}' % tag[i_sep + 1:-1]).format(eval(tag[1:i_sep]))) return (re.sub(r'(?<!{){[^{}]+}', lambda m:f(m.group()), string) .replace('{{', '{').replace('}}', '}'))

which lets me do this:

print fmt("Hello {name.upper()}")print fmt("characters:{len(name)!08x}")

If there is no format string, 's' is assumed, but if the expression contains !, such as {'differ' if 1 != 2 else 'equal'!s}, the format string must be specified. To escape braces, repeat it: fmt("{{this is not a tag}} {'but this is'}")

It's far from perfect: if the expression contains }, such as {{'a':1,'b':2}['a']!d}, it can't tell which } the closing brace of the interpolation is, as regular expressions cannot count nested brackets, and error messages are quite ugly.

The example graphic illustrates the German tank problem dating back to WW2. As paraphrased for a sporting mate:

“	Suppose our badminton club has released a limited-edition series of racquets consecutively numbered starting from 1. You find that your dinner-mates have racquets #3, #19, #42 and #60. If each racquet released had the same chance of being observed, can you estimate how many racquets the club has released?	”
— The answer's in the caption!

Earth lights vs population density.png ☎ 26 Mar 2016

Earth Lights vs Population Density

	Red:	dense population	Purple:	dense population + highland	Blue:	highland, shallow water or ice cap
	Yellow:	dense population + lights	Green:	lights	Cyan:	lights + highland

Earlier this year, Cambridge hosted an e-Luminate festival. Among artistic displays of light were talks highlighting the inaccessibility or unaffordability of home lighting in some developing countries.

I thought it would be useful to show the disparity of light usage on a world map, and decided to encode different dimensions of data in different channels of a colour image, as I had done in this heightmap. I found assorted bitmaps in equirectangular projection at NASA, and rescaled and copied them into different channels in The GIMP:

• Lights, having finest structure, in the green channel, the channel which appears brightest
• Population density in the red channel
• Elevation in the blue channel, the channel which appears darkest and is also reminiscent of water
• Coastlines and country borders in the alpha channel, which can be turned on and off in some image viewers

Elevation was derived from topography and bathymetry maps. After some experimentation, I found that each could be independently normalised, with low elevation being dark and vice versa, and added together. This resulted in a sharp boundary between land and sea, and also darkness in lowlands where there is more population and lights. Coastlines and country borders were rendered from a modified blank Commons map after setting the fill and stroke of each SVG path to contrasting colours.

To avoid the Chukchi Peninsula in east Russia from being chopped in half, the map was shifted by 10° west so that it wraps around at the 170th meridian west — I later found that the peninsula is still broken up and could have chosen 168.98°W, passing between the Diomede Islands.

The finished piece shows the stark contrast between developed and developing countries: USA and Europe mostly swathed in green, and India, China, Indonesia and Nigeria in red – as others have pointed out, there is a large shift just across the border between the two Koreas. Large cities, especially in Europe and Japan, glow yellow from both high population density and light output.

As expected, most habitation is in the lowlands, but there are lights in the Rockies and Andes (cyan) and dense population around the lofty shores of Lake Victoria and Ethiopia (purple).

And that's my new wallpaper!

Template:Diagonal split header ☎ 7 Feb 2016

An HTML/CSS holy grail that I had been seeking for several years is the ability to split a table cell diagonally into 2 triangular halves, so that all the row and column headers can be compactly labelled, as in this simplified version of the template:Table of phase transitions:	To From Solid Liquid Gas Solid Solid-solid transformation Melting Sublimation Liquid Freezing — Boiling/evaporation Gas Deposition Condensation —
Unfortunately, HTML doesn't actually provide such a construct. Workarounds include using non-rectangular tables or arrows:
To Solid Liquid Gas From Solid Solid-solid transformation Melting Sublimation Liquid Freezing — Boiling/evaporation Gas Deposition Condensation —	or	To → From ↓ Solid Liquid Gas Solid Solid-solid transformation Melting Sublimation Liquid Freezing — Boiling/evaporation Gas Deposition Condensation —

I had tried using a CSS background image of a diagonal line, but this doesn't scale well with arbitrary text.

Then one day, I suddenly thought of using a background gradient, as I had done for the table in Electromagnetic spectrum. The gradient runs from the bottom-left to the top-right of the cell, and is the default header-cell grey everywhere except from 49% to 51% of the way where it transitions to a darker grey:

background:linear-gradient(to top right,#f2f2f2 49%,#aaa,#f2f2f2 51%)

The darker colour and transition width were chosen so that, for typical cell sizes, it looks like a diagonal line running across the cell, similar in appearance to regular cell borders. The cell is really still one entity, so the spacing of the text labels has to be adjusted to straddle the line. Though it works on Chrome, Internet Explorer and Firefox, two limitations are that the labels easily overrun the "line" if the user is not careful, and that the background of the header cell cannot be easily changed. An alternative I tried is to have a div completely fill the cell and overlay a transparent-dark grey-transparent gradient, but my tests resulted in small gaps between the diagonal line and the cell borders, ruining the effect.

To use the template, create a header cell using ! followed by {{diagonal split header|HEADER-OF-ROW-HEADERS|HEADER-OF-COLUMN-HEADERS}}. Pad the header text with   to straddle the line. Adding rowspan or colspan attributes allows it to span multiple rows or columns, as in this example for Chinese New Year:

The date of Chinese New Year's Day (1912-2101)

Year Date	1-19AM#	20-38AM	39-57AM	58-76AM	77-95AM	96-114AM	115-133AM	134-152AM	153-171AM	172-190AM
	1912-1930	1931-1949	1950-1968	1969-1987	1988-2006	2007-2025	2026-2044	2045-2063	2064-2082	2083-2101
…
8 Feb	Rooster Xīnyǒu	Dragon Gēngchén	Pig Jǐhaì	Horse Wùwǔ −	Ox Dīngchǒu −	Monkey Bíngshēn	Rabbit Yǐmǎo	Dog Jiǎxū	Snake Guìsì −	Rat Rènzǐ −
…

Dynamic SVG for Wikimedia projects ☎ 24 Jan 2016

Interactive SVG map using CSS and SMIL

So I've submitted an application for a scholarship and talk at Wikimania 2016 to present my ideas for interactive and animated SVG, and meet potential collaborators who might be interested to further develop them. I wrote up the article

Dynamic SVG for Wikimedia projects

See what you think!

2015

SEA Games logo.svg ☎ 31 Dec 2015

The Southeast Asian Games Federation logo

A log-lin vapor pressure chart for various liquids

A year ago, my computer died on me and I thought I had lost a useful little tool which shows coordinates of any point in an SVG file under development to allow the user to quickly trace a shape from a bitmap, even when zoomed in. I discovered that I had saved a copy as a comment in File:Descriptive_geometry_lines.svg and took the opportunity to update it with new things I've learnt about JavaScript:

 <script type="text/ecmascript"> /// SVG coordinate picker by CMG Lee (Dec 2015) /// based on http://stackoverflow.com/questions/2930625 and 610406 function _r(p, c) { return p.replace(/~/, c); } function pickCoords(evt, doSave) { var pos = document.getElementsByTagName('svg')[0].createSVGPoint(); pos.x = evt.pageX; pos.y = evt.pageY; var ctm = evt.target.getScreenCTM().inverse(), ROUND_TO = 10; if (ctm) { pos = pos.matrixTransform(ctm); } var x = Math.floor(pos.x / ROUND_TO + 0.5) * ROUND_TO, y = Math.floor(pos.y / ROUND_TO + 0.5) * ROUND_TO, log = [x,y, x,y].reduce(_r, '#~,~ x="~" y="~"'); if (doSave) { location.href += log; } else { history.replaceState(null, '', location.href.substring(0, location.href.lastIndexOf("#")) + log); } document.getElementById('cursor' ).setAttribute('transform', [pos.x,pos.y, ROUND_TO].reduce(_r,'translate(~,~) scale(~)')); document.getElementById('crosshair').setAttribute('transform', [ x, y, ROUND_TO].reduce(_r,'translate(~,~) scale(~)')); pos = null; } </script> <path id="crosshair" d="M9999,0H-9999V9999H0V-9999H9999 M0.5,0.5H-0.5V-0.5H0.5 M1,1H-1V-1H1" fill-rule="evenodd" fill-opacity="0.5" fill="#99cc00"/> <circle id="cursor" cx="0" cy="0" r="0.1" fill-opacity="0.5" fill="#669900"/> <circle cx="0" cy="0" r="99999" fill-opacity="0" style="cursor:none" onmousemove="pickCoords(evt)" onmouseup="pickCoords(evt, true)"/>

Now it not only shows the cursor's coordinates in the address bar in Firefox (sadly I couldn't update the window title by setting window.document.title ) but saves points clicked (actually when the mouse button is released). By changing the ROUND_TO value, one can change the granularity of the values, which is reflected by an overlay — leaving the inner 4 squares moves to a different value, of which centre point is the corner of the larger square of the quadrant that will be moved into.

Eager to try it out, I found a relatively simple logo on commons:Top_200_images_that_should_use_vector_graphics and managed to fix the non-uniformity in the rings in no time. As another test, I vectorised a graph from commons:Top_200_graph_images_that_should_use_vector_graphics to avoid the user having to look up the legend.

Not a bad diversion on Christmas week ୯ ͡°  ͜১͡° ੭

Bahtinov mask principle.svg ☎ 4 Jul 2015

Illustration of the operation of a Bahtinov mask for refracting optics, showing that rotating it by 180° reverses the direction of the pattern.

On a visit to an astronomy observatory, I learnt about the use of a Bahtinov mask to focus a telescope. Invented only 7 years ago by an amateur astronomer, it ingeniously exploits what is normally considered an undesirable artifact: diffraction spikes. As I couldn't find a diagram on the Internet which explains its operation, I decided to draw one while awaiting the airport bus back to Cambridge.

The next time I had some time to kill waiting for another flight to board, I drew the graphic below, which describes the effect of the struts holding up a reflector's secondary mirror on the spikes.

Perhaps I've found a new way to make better use of down time at the airport!

Comparison of diffraction spikes for various strut arrangements of a reflecting telescope

cmglee Cambridge Science Festival 2015 Menger sponge.jpg ☎ 13 Apr 2015

A model of a tetrix viewed through the centre of the Cambridge Level 3 MegaMenger at the 2015 Cambridge Science Festival

Stellar evolution of low-mass (left cycle) and high-mass (right cycle) stars, with examples in italics

I was delighted to see a model of a Menger sponge made of interlocking folded business card at this year's Cambridge Science Festival, so had to take this interesting perspective through its middle. Learning more about the fractal, I added several tidbits to its article, including an image of its curious cross-section through its middle.

Since the festival had been lacking its own article for many years, I also decided to write it up and include some of my more representatitve shots: Cambridge Science Festival

Inspired by a slide in one of the talks, I drew up this graphic of stellar evolution based on an unannotated rendering from NASA.

SVG animation ☎ 1 Feb 2015

Wikipedia, Wikibooks and Wikiversity are excellent in describing things textually and graphically. However, some concepts are better explained interactively, for example, comparing members of a set or investigating the components of a system, but we are currently limited to video clips and GIF animations.

Now that Scalable Vector Graphics (SVG) is becoming well-supported in web browsers, I believe that we should explore ways to enhance articles with dynamic SVG. JavaScript or ECMAScript allows almost limitless ability for interaction and animation.

A major obstacle is that uploads with JavaScript are barred, understandably for security reasons — on a popular site like Wikipedia, cross-site scripting issues are a concern. Fortunately, SVG provides two other techniques for interactivity and animation: SMIL and CSS.

My project explores them, and aims to create demonstrations and tutorials to allow users to create dynamic content. Here are some demonstrators developed so far:

Animated (non-interactive) SVG	SMIL demonstrating change in transformation and CSS attributes	SMIL demonstrating motion along a path and simulation of 3D	SMIL demonstrating morphing of shapes
Interactive SVG	SMIL map showing change through time	SMIL graphic with expandable and collapsible parts	CSS graphic highlighting features of interest on hover and linking to Wikipedia on click

2014

Template:Classical mechanics derived SI units ☎ 16 Nov 2014

At the 24th Cambridge meetup, Charles showed us the use of templates to create navigation boxes, so I decided to create one which I would have found really useful when I studied mechanics:

	Linear	Angular
—	→: × m ↓: ÷ s	→: × rad ↓: ÷ s
× kg (linear), kgm2rad−1 (angular)	→: × m ↓: ÷ s	→: × rad ↓: ÷ s

The left table has translational properties, common symbols and units, while the right table has rotational ones. They are classified according to the SI base units from which they are derived, according to the scheme on the right. My only gripes about the template are what to title it (it's really more a linear-angular analogy) and the wasted whitespace especially on wide browser windows.

Pete (the wub) also showed me File:London_Underground_Overground_DLR_Crossrail_map.svg which highlights London Underground lines on mouse-click, and I've been experimenting with SVG interactivity lately, but that will have to wait for my next update...

territorial disputes in the South China Sea ☎ 2 Nov 2014

Summary of disputes

Area of dispute	Brunei	China	Indonesia	Malaysia	Philippines	Taiwan	Vietnam
The nine-dash line area	✔	✔		✔	✔		✔
Maritime boundary along Vietnamese coast		✔				✔	✔
Maritime boundary north of Natuna Islands		✔	✔			✔
Maritime boundary north of Borneo	✔	✔		✔	✔	✔	✔
Maritime boundary off Palawan and Luzon		✔			✔	✔
Maritime boundary & islands in Luzon Strait					✔	✔
Islands in southern South China Sea	✔	✔		✔	✔	✔	✔
Islands in northern South China Sea		✔				✔	✔
Land in eastern Sabah				✔	✔

Summary of popular destinations

	Rhodes	Santorini	Mykonos	Naxos	Sifnos	Corfu
Beaches	✔		✔	✔		✓
History	✔
Harbour	✔		✔	✔		✓
Medieval town	✔				✔	✔
Night life	✓	✔	✔			✓
Walking					✔
Christianity
Landscape		✔		✓
Close to Athens					✓
Airplane access	✔	✔	✔			✓
Luxury hotels	✔	✔
Honeymoon	✔	✓

I attended an educational Cambridge Festival of Ideas talk yesterday and was intrigued by the complexity of the territorial disputes in East and Southeast Asia.

Back home, I found that though Wikipedia's Territorial disputes in the South China Sea article describes the ongoing ones, it was difficult to see which countries were involved in which disputes. I thus decided to add a table to summarise them.

I recycled an idea I'd used on this page on the Greek Islands in Wikivoyage (the table on the right): some column headers are rotated 90° so that the table isn't too wide. I've tested it on Chrome, Firefox, Opera and Internet Explorer. Credit goes to Timwi who was instrumental in helping me developed it.

It's a shame that this technique requires manual tweaking, such as adjusting the width and height of table cells' CSS to avoid the sideways text overflowing its cell. Pity, too, that the 'BLACK FLAG' U+2691 (⚑) and 'CROSSED SWORDS' U+2694 (⚔) Unicode characters don't display correctly on my browsers — either would have made a much more appropriate icon than the tick!

animal hearing frequency range.svg ☎ 26 Oct 2014

Lin-log graph of the hearing ranges of some animals

Once in a while, I hear or read a comment on the exceptional hearing range (in terms of frequency) of bats, dogs and other animals. Inspired by this interesting BBC article, I decided to compare the ranges of animals for which I could find sources, including humans. For comparison, I added C (musical note) of octaves in the range, calculated from A440 (pitch standard). It seems that while bats can hear very high frequencies, their overall range (in terms of octaves) is poorer than ours. Humans aren't actually too bad, but the overall leaders are porpoises and cats, as well as, surprisingly, ferrets and cows — who would've expected that?!

This was also my first attempt at (almost) polyglot code combining SVG and Python (programming language). I had previously appended the generator Perl and Python scripts in my SVG contributions as a comment. I think that including generator code in the SVG avoids its loss and keeps it up-to-date (storing it on, say, its Commons file description page is liable to cause it to become unsynchronised, as I found with file descriptions).

However, where the static SVG contained embedded images such as File:Volcanic eruption map.svg, this increased the file size horribly. To minimise file size, I divided the SVG into two parts:

1. Static SVG — SVG hardcoded into the Python script, such as CSS and object definitions
2. Dynamic SVG — SVG generated by Python, such as plotted graphs

Unfortunately, I couldn't make the SVG completely valid Python code as it must start with <?xml which is invalid in Python. My poor-man's solution was to instruct the user to delete the first line. The following is an outline of the SVG file.

The first line ends with an SVG comment to comment out the start of the Python comment plus the note to the user on the second line. When the first line is deleted, the Python script immediately starts with a block comment to comment out all the SVG code:

<?xml version="1.0" encoding="utf-8"?><!--""" To recover the Python script to generate this SVG, delete the line above --><svg version="1.1" xmlns="http://www.w3.org/2000/svg" xmlns:xlink="http://www.w3.org/1999/xlink" width="100%" height="100%" viewBox="[x] [y] [width] [height]"> <title>...</title> <desc>...</desc> <defs> ...<!-- BEGIN_DYNAMIC_SVG -->...<!-- END_DYNAMIC_SVG --> </defs> <use xlink:href="#main"/></svg><!-- Please retain this and other comments, which contain Python code to generate this SVG. """

The BEGIN_DYNAMIC_SVG and END_DYNAMIC_SVG sentinel values tell the Python script where to insert the SVG generated dynamically. The top-level group with id="main" is "used", and the SVG is wrapped up with the Python code proper as an SVG comment.

Anything which the Python script wishes to dynamically output is stored in a string list called outs, which is later "joined" into a string. The final line closes the SVG comment to make it a valid SVG file. Note that the Python script must not have two consecutive dashes, as it appears like the comment is closing; the variable double_dash is a workaround.

# Store output as a group with id="main" in string array "outs"import re...# Code to compile everything into a .svg file follows...double_dash = '-' + '-' # because SVG comments cannot have 2 consecutive '-'smyself = open(__file__, 'r').read() # the contents of this very filefile_out = open(re.sub(r'\..*?$', '', __file__) + '.svg', 'w') # *.* -> *.svgtry: # use try/finally so that file is closed even if write fails file_out.write('''<?xml version="1.0" encoding="utf-8"?><!%s%s''' % (double_dash, re.sub(r'(BEGIN[_]DYNAMIC_SVG.*\n?)[\s\S]*(\n.*END[_]DYNAMIC_SVG)', r'\1%s\2' % (''.join(outs).strip('\n')), myself))) # replace dynamic SVG block with contents of "outs"finally: file_out.close()# SVG-Python near-polyglot framework by CMG Lee (Oct 2014) -->

All this seems unnecessarily convoluted; if you can think of a better way, do let me know!

cmglee Cambridge Wikimedia Meetup 23 tour Chesterton Tower.jpg ☎ 23 Sep 2014

Brian Josephson before the tour

I had the honour of meeting 1973 Nobel physics prize winner Emeritus Professor Brian Josephson on Saturday at a walking tour in northeast Cambridge led by Charles Matthews, one of the pioneers of Wikipedia. In conjunction with Wiki Loves Monuments, Charles decided to hold a tour of lesser-known listed buildings in Cambridge, viz. the Cambridge Museum of Technology and Chesterton Tower, before the regular Cambridge meetup.

We also saw the Riverside Bridge, swift tower, Logan Meadow nature reserve and Elizabeth Way Bridge, before returning to CB2 cafe for hot chocolate. Perhaps due to the rain, only 3 people turned up. I suggest that we have more walks, but after meetups, so that attendees may be persuaded to join in!

• In front of Chesterton Tower

• At the Museum of Technology

Malaysia tree diagram.svg ☎ 8 Sep 2014

Redrawn as SVG

Original PNG

User:Wdcf had contributed an insightful graphic giving an overview of the complicated history of Malaysia. Over three years ago, I coloured the background stripes and added a map to show the locations of these political entities.

After learning SVG, I thought that it could be redrawn as in vector graphics and finally set about the task this weekend. I took the opportunity to add recent developments viz. the formation of the Federal Territories. I also enlarged the text so that smaller thumbnails are legible. Balancing font size, letter spacing and fitting everything in its respective column was quite a challenge! Sadly, MediaWiki has trouble rendering centre-aligned tspan elements on the same line, as can be seen in the Fourier series square wave circles animation.gif animations below, so I had to use uppercase for the place names instead of red text (at least they don't look like links to be clicked).

equidistribution theorem.svg ☎ 9 Aug 2014

Illustration of filling the unit interval (horizontal axis) with the first n terms using the equidistribution theorem with 4 common irrational numbers, for n from 0 to 999 (vertical axis). The 113 distinct bands for π are due to the closeness of its value to the rational number 335/113.
(click for detailed view)

Illustration of the filling of the unit interval (x-axis) using the first n terms of the Van der Corput sequence, for n from 0 to 999 (y-axis)

Greetings from Wikimania 2014!

These plots were inspired by a question User:Alex_Great asked me on my talk page: how to automatically generate random colours for graphs etc. After referring him to http://martin.ankerl.com/2009/12/09/how-to-create-random-colors-programmatically/ , I became curious about low-discrepancy sequences, and learnt about the van der Corput sequence and the equidistribution theorem.

As I was curious about what the sequences look like on a number line, using a visualisation technique User:Timwi had used on the irregularity of distributions article, I wrote a Python script to render the graphs. It's my first attempt at using Python to output SVG (I had previously used Perl). The unexpected result was that of π, which had distinct bands, because milü, the rational number 355/113 is very close to its value.

I also discovered a 2-dimensional version named the Halton sequence, but instead of plotting a graph, which User:Jheald had already done, I decided to show the evolution of the sequence:

Illustration of the first 8 points of the 2,3 Halton sequence

comparison optical telescope primary mirrors.svg ☎ 7 Jul 2014

Comparison of nominal sizes of apertures of some notable optical telescopes

I had been reading about the Very Large Telescope, European Extremely Large Telescope and Overwhelmingly Large Telescope (when will they run out of adverbs?!) but couldn't picture how much larger each progressively gets, so I drew this graphic comparing the nominal sizes of the primary mirrors of some large existing and future optical telescopes with various objects like tennis and basketball courts, and the Arecibo radio telescope.

The telescopes are colour-coded by country in which they are located, and whether they currently exist. Their dimensions are as found on the Web, though holes in most mirrors are not shown due to insufficient data. Dotted circles show mirrors with equivalent light-gathering ability.

I'm amazed how enormous the cancelled Overwhelmingly Large Telescope would have been, and conversely, how relatively small the space telescopes (even the JWST). Also note that the hole in the E-ELT is as big as the entire mirror of the largest current telescopes!

SVG-wise, this is my first time using CSS in an original SVG. Quite a neat idea — I must do it more often...

Very nice picture! But I notice that the segmented mirrors show the central aperture, while all the circular mirrors are shown as solid The LSST, for example, has an extremely large central aperture (5116 mm hole in 8360 mm outer diameter), which greatly reduces its collecting area. Likewise, OWL had a very large (33m) central aperture due to the decision to use a flat secondary. Would you like a list of sizes for the various telescopes? 71.41.210.146 (talk) 01:12, 10 July 2014 (UTC)

Thanks for your comment and compliment (sorry I didn't get your name). I would have certainly preferred to show the apertures, though as I noted in the file description, I could show only those for which I could find published data (Wikipedia discourages original research). If you could link me to the missing ones, I'd most appreciate it! cmɢʟee⎆τaʟκ 17:57, 25 July 2014 (UTC)

Yes, sorry, I saw that after I wrote the above comment and didn't want to delete it two days later. I'll see what I can do. 71.41.210.146 (talk) 15:20, 26 July 2014 (UTC)

A list of central hole sizes for all the depicted solid mirrors is now at File talk:Comparison optical telescope primary mirrors.svg 71.41.210.146 (talk) 09:28, 28 July 2014 (UTC)

UPDATE 23 SEP 2014: User:71.41.210.146 brought to my attention this very graphic appearing in Gizmodo/Sploid. Cheers!

Titanic casualties.svg ☎ 14 Jun 2014

Breakdown of survivors and victims of the RMS Titanic (click for more detail)

Visualisation of some British currency terms before decimalisation (click for more detail)

I recently decided to explore a sometimes-derided type of statistical chart: Pictograms.

Often considered eye-candy, particularly when used where a bar chart is more appropriate, pictograms are usually relegated to infographics in mass media.

I wondered in which use cases pictograms were superior. One example I could think of was where the reader might want to count the number of icons, instead of looking up a scale. This fits well with small discrete numbers, especially where each icon naturally represents a single unit.

To that end, I drew these pictograms, which I think gives a better picture (mind the pun!) of the subject than any other type of chart. Any thoughts?

Fourier series square wave circles animation.gif ☎ 4 May 2014

This video has an excellent visualisation of the effect of taking progressively more terms in a Fourier series. I wish I had seen it when I was learning about Fourier transforms etc, and so, to help future students, I decided to compare four functions using the same technique:

• Visualisation of an approximation of a square wave by taking the first 1, 2, 3 and 4 terms of its Fourier series. θ is 2πt.

• Visualisation of an approximation of a sawtooth wave of the same amplitude and frequency for comparison

• That of a symmetric triangle wave of the same amplitude and frequency (note the much faster convergence)

• That of the cubic function θ³ for -π < θ < π (compare with the sawtooth wave)

The animations were made by first creating SVGs of their 60 frames and uploading them to Wikimedia Commons to render them into PNGs, which unfortunately centre-aligned the first tspan (instead of the entire row) of each denominator. They were then downloaded, and sliced and combined into GIF animations with these ImageMagick commands:

convert.exe Fourier_series_square_wave_circle_animation.svg.png -crop 1x60@ +repage +adjoin Fourier_series_square_wave_circle_animation_%%03d.png
convert.exe -delay 10 -loop 0 -page +0+0 ^ Fourier_series_square_wave_circle_animation_000.png ^ Fourier_series_square_wave_circle_animation_001.png ^ Fourier_series_square_wave_circle_animation_002.png ^ Fourier_series_square_wave_circle_animation_003.png ^ Fourier_series_square_wave_circle_animation_004.png ^ Fourier_series_square_wave_circle_animation_005.png ^ Fourier_series_square_wave_circle_animation_006.png ^ Fourier_series_square_wave_circle_animation_007.png ^ Fourier_series_square_wave_circle_animation_008.png ^ Fourier_series_square_wave_circle_animation_009.png ^ Fourier_series_square_wave_circle_animation_010.png ^ Fourier_series_square_wave_circle_animation_011.png ^ Fourier_series_square_wave_circle_animation_012.png ^ Fourier_series_square_wave_circle_animation_013.png ^ Fourier_series_square_wave_circle_animation_014.png ^ Fourier_series_square_wave_circle_animation_015.png ^ Fourier_series_square_wave_circle_animation_016.png ^ Fourier_series_square_wave_circle_animation_017.png ^ Fourier_series_square_wave_circle_animation_018.png ^ Fourier_series_square_wave_circle_animation_019.png ^ Fourier_series_square_wave_circle_animation_020.png ^ Fourier_series_square_wave_circle_animation_021.png ^ Fourier_series_square_wave_circle_animation_022.png ^ Fourier_series_square_wave_circle_animation_023.png ^ Fourier_series_square_wave_circle_animation_024.png ^ Fourier_series_square_wave_circle_animation_025.png ^ Fourier_series_square_wave_circle_animation_026.png ^ Fourier_series_square_wave_circle_animation_027.png ^ Fourier_series_square_wave_circle_animation_028.png ^ Fourier_series_square_wave_circle_animation_029.png ^ Fourier_series_square_wave_circle_animation_030.png ^ Fourier_series_square_wave_circle_animation_031.png ^ Fourier_series_square_wave_circle_animation_032.png ^ Fourier_series_square_wave_circle_animation_033.png ^ Fourier_series_square_wave_circle_animation_034.png ^ Fourier_series_square_wave_circle_animation_035.png ^ Fourier_series_square_wave_circle_animation_036.png ^ Fourier_series_square_wave_circle_animation_037.png ^ Fourier_series_square_wave_circle_animation_038.png ^ Fourier_series_square_wave_circle_animation_039.png ^ Fourier_series_square_wave_circle_animation_040.png ^ Fourier_series_square_wave_circle_animation_041.png ^ Fourier_series_square_wave_circle_animation_042.png ^ Fourier_series_square_wave_circle_animation_043.png ^ Fourier_series_square_wave_circle_animation_044.png ^ Fourier_series_square_wave_circle_animation_045.png ^ Fourier_series_square_wave_circle_animation_046.png ^ Fourier_series_square_wave_circle_animation_047.png ^ Fourier_series_square_wave_circle_animation_048.png ^ Fourier_series_square_wave_circle_animation_049.png ^ Fourier_series_square_wave_circle_animation_050.png ^ Fourier_series_square_wave_circle_animation_051.png ^ Fourier_series_square_wave_circle_animation_052.png ^ Fourier_series_square_wave_circle_animation_053.png ^ Fourier_series_square_wave_circle_animation_054.png ^ Fourier_series_square_wave_circle_animation_055.png ^ Fourier_series_square_wave_circle_animation_056.png ^ Fourier_series_square_wave_circle_animation_057.png ^ Fourier_series_square_wave_circle_animation_058.png ^ Fourier_series_square_wave_circle_animation_059.png ^ -coalesce -depth 3 -colors 32 -dither FloydSteinberg Fourier_series_square_wave_circle_animation.gif

nucleosynthesis periodic table.svg ☎ 31 Mar 2014

Periodic table showing the origin of elements

As Neil deGrasse Tyson movingly put it [3], an astounding fact is that we are star dust — most of the elements in our bodies (barring some recent radioactive-decay products) were created in stars, by cosmic rays or during the Big Bang itself.

At a talk at the Cambridge Institute of Astronomy, the speaker presented a slide similar to this periodic table showing the origins of the elements. I was surprised to find Wikipedia without an equivalent graphic, so decided to make one!

Simplified Git data flow

The SVG itself is straightforward, the only interesting bit being the Appley skeuomorphic gradient shading I "invented" when making the Git chart on the left:

<linearGradient id="grad_shade" x1="0%" y1="0%" x2="0%" y2="100%"> <stop offset="10%" stop-color="#ffffff" stop-opacity="0.5"/> <stop offset="90%" stop-color="#000000" stop-opacity="0"/> </linearGradient>

Applying this to a shape makes its top 10% half-transparent white, and its bottom 10% black but fully transparent. The middle region has a curious gradient which, in my opinion, looks quite attractive when overlaid on a copy of the shape filled with the intended solid colour.

comparison ISS HST orbits globe centered in Cape Verde.svg ☎ 28 Feb 2014

Comparison of ISS and Hubble Space Telescope orbits

I caught Gravity on a flight and marvelled at the amazing special effects and way-above-average accuracy of its portrayal of space travel, particularly how the alarm sounds came back when the hallucination turned up the air pressure and how the Soyuz righted itself during reentry.

Nevertheless, one of the popular gripes is how easy it was to travel between the Hubble, ISS and Tiangong. Of course, one could imagine an alternate universe where they are put into almost identical orbits. When the film first came out, I drew this graphic to show how different the real ISS and Hubble's orbits are. Even if they were at the same height and almost the same longitude/latitude, their orbital inclinations would require huge change in delta-v which I doubt a backpack could provide.

As for the creation of the image, I faced the classic problem of "drawing Saturn with its rings": How to draw a circle with an ellipse both behind and in front of it?

The solution I used was to erase half the ellipse using an SVG clip-mask, and draw it over the globe which already has the full ellipse drawn under it. Because of anti-aliasing, the twice-drawn half is slightly thicker than the other half, but it's not noticeable at normal resolutions. I could have made the ellipse below also a half-ellipse but thought that any gap in the joint would look even worse...

Burj Khalifa floors.svg ☎ 14 Jan 2014

This dimetric projection of the tallest building in the world is my first SVG animated using CSS3. I had previously used JavaScript/ECMAScript to animate SVG but the Wikimedia uploader rejected it as JavaScript was considered a security risk. Using CSS3 is more limited, allowing noninteractive animation of various attributes, the transform attribute in this case.

Using the technique to simulate 3D rotation below, I rotated each different floor plan, replicated it in the appropriate colour as many times as needed, and scaled the whole group vertically by half. The illusion was reinforced by the sheer number of floors. The only niggles were...

1. The framerate of the animation: each floor being made of 12 elements (6 for each fill and stroke — combining both resulted in an ugly redundant line at the apex of each lobe) and there being over 200 floors meant that there were over 1200 elements to animate in each frame,
2. The sharp angles of the base and spire "floors" giving a jagged appearance in silhouette, and
3. The Mediawiki renderer ignoring the CSS3 — it would have been perfect if it rendered an animated GIF (animated PNGs being less well-supported).

Firefox 26.0 breaks animation

I was so satisfied that I retroactively applied it to the Absolute World Tower model and was even more impressed with the quality of the rendering. As there were fewer elements and the floors were more rounded, both the animation and the silhouette were much smoother. That the Mediawiki renderer ignores CSS3 was used to show the rightmost text label only in a static thumbnail.

Sadly, browser support for CSS3 is still patchy: the test animation of falling snowflakes works in Chrome, but not in Firefox 26.0. At time of writing, noone has suggested a fix or workaround for this bug :-(

Incidentally, it's now been 2 years since I started this behind-the-scene look at my work with Wikipedia/Wikimedia. Does anyone actually look at this? If so, I'd love to hear from you — cheers!

UPDATE 26 JAN 2016: user:RaphaelRBarbosa reminded me that the snowflakes animation now works in Firefox — thanks, Raphael!

2013

coupon collector problem.svg ☎ 28 Dec 2013

Graph of number of coupons, n vs the expected number of tries needed to collect them all, E (T )

I play a game which has characters making various sculptures, each attempt generating 1 of 12 possible sculptures at random. Every time I complete a "collection" of 12, I get a bonus and get to start a new collection.

I wondered how many tries I need, on average, to complete a collection from scratch. A search introduced me to the Coupon collector's problem. Paraphrasing the article,

In probability theory, the coupon collector's problem describes the "collect all coupons and win" contests. ... Given n coupons, how many coupons, E (T ) do you expect you need to draw with replacement before having drawn each coupon at least once?

The answer uses a series which I had read about but never known an application for: the Harmonic series, in the form

H_n = 1/1 + 1/2 + 1/3 + 1/4 + 1/5 + ... + 1/n

Mathematical induction gives E (T ) = n H_n , which I've plotted for n from 1 to 60 (to cover the case of 52 playing cards — I'd have preferred 100, but that makes the smaller bars too hard to see).

I added dotted lines to show the number of tries needed for each coupon. Though this value increases, it increases rather slowly, as E (T ) being linearly proportional to n logn implies.

Back to my game, my 12 sculptures would thus require 38 attempts, on average. In practice, I found that it takes fewer tries, perhaps because it wasn't as random as I'd thought.

By the way, I love the elegant proof that the harmonic series diverges (goes to infinity as n approaches infinity), unlike a geometric series with a ratio between -1 and 1 (not inclusive). I'll consider drawing a proof without words of it one day...

rolling shutter effect.svg ☎ 10 Nov 2013

Simulated effect of a rolling shutter on a spinning disc (Click for animation)

My, what flexible rotors you have!

I used to be baffled by photographs like the one of the helicopter on the left, wondering what on Earth could have caused such distortion on the blades! I recently learnt that it is an effect of the rolling shutter on many digital cameras, especially those on mobile phones.

Unlike film cameras which expose the entire frame at the same time (actually they have rolling blinds too, but the effect is only apparent at very fast shutter speeds), cameras without a mechanical shutter expose and read off a line at a time. This means that by the time the last row is captured, a fast-moving subject will have moved significantly from where it was when the first row was captured.

To illustrate the warping more precisely, I came up with a sequence of 24 frames of a rotating disc and simulated a rolling shutter scanning a row at a time. In each frame, the left half shows the state of the disc and the position of the captured row, while the right half shows the image captured until that point. Sadly, there is a bug in Mediawiki (not in Firefox or Chrome) that renders some artifacts in the top rows; I guess it didn't like my 24 levels of nesting to generate the captured image sequence, the most I've used to date.

Nevertheless, it's now clear to me that the part of the disc moving in the direction of the scan (the right side) is smeared out into large shapes while those moving the other way (the left side) is compressed. The small number of rows cause the jagged appearance; more rows in a real camera lead to smoother curves.

To complete the simulation, I sliced the image into 24 layers in Gimp and stitched them into GIF animation.

I later found this video which explains it even better. I might make a similar animation in the future...

UPDATE 31 MAR 2014: Really proud to see my animation not only used on Vsauce, but host Michael Stevens even built on it to explain that our view of the Andromeda Galaxy suffers from a rolling-shutter effect.

Hipparcos Catalogue equirectangular plot.svg ☎ 21 Oct 2013

File:Hipparcos_Catalogue_equirectangular_plot.svg marked the completion of my trio of charts of objects in the night sky, all of right ascension against declination in an equirectangular grid:

	The first plot is of the 88 modern constellations. Surprisingly, constellations are now defined as regions of the sky rather than groups of stars, so the graphic shows their boundaries rather than the traditional lines-between-stars. I also added the ecliptic and a negative bitmap to show the Milky Way. User:Timwi kindly helped me shade the regions using the four-colour theorem, which help tell adjacent ones apart.
	The next graphic is of the fuzzy things catalogued in the 18th century by astronomer Charles Messier. As science progressed, it was discovered that they were very different objects, some being clouds of gas while others being clusters of stars. Yet others were whole galaxies far, far away... (but that was a long time ago!)
	The finale is a chart of the 2000 or so brightest stars more recently catalogued by the Hipparcos project. That was an opportunity to revive the lines-between-the-stars, which was obtained from data files of the excellent virtual planetarium, Stellarium. I'm tempted to draw them on the first plot, too, but that will have to wait for another day...

cmglee London FCO Grand Staircase.jpg ☎ 28 Sep 2013

The Grand Staircase of the Foreign and Commonwealth Office

Another year, another Open House London!

This time, I managed to win the ballot for a place on the Arriva Heritage Bus Tour, which used the last classic Routemaster, RM2217 to take us to 5 landmarks:

1. The Royal Society,
2. Apothecaries' Hall,
3. Maughan Library of King's College London,
4. Middle Temple, and
5. One Bishops Square.

I also visited the Foreign and Commonwealth Office (FCO), and the Brunel Museum and its recently-reopened entrance shaft of the Thames Tunnel.

Of course, my trusty camera came along, so here's another batch of photos for your viewing pleasure...

• Driver's cab of Routemaster RM2217

• Great Hall of the Apothecaries' Hall

• Weston Room of the Maughan Library

• Middle Temple hall

• View of Spitalfields from One Bishops Square

• FCO Durbar Court

million award logo.svg ☎ 27 Aug 2013

Logo for Million Award

This user has not won a Million Award but is nevertheless proud to have designed a logo for it!

Today, I got my first Wikimedia request for a logo design (a very old hobby) for the so-called Million Award, which I think is a good idea — much as I enjoy drawing pretty pictures of my interests, I've long thought that my efforts benefit society most when spent on popular topics which are somehow lacking.

The requester, User:Khazar2 had adapted my visualization of 1 million graphic (see below), so I continued in that direction. Befitting the theme of "million", the middle cube has 1 millionth the virtual volume of the large cube, while the CMYK colours evoke the idea of "articles" in the traditional printing sense. "1M" is hopefully language-independent and the star is a common motif for awards such as the Barnstar.

The skewed text is also my first use of SVG matrix affine transformation, and I was delighted that the bottom-right edge of the star (simply Unicode character U+272A) lined up with the bottom-right side of the cube. It was also my first attempt to specify a particular font, in this case, one with tapering (not slab) serifs so that the "1" and "M" look more elegant and reminiscent of printed text.

All in all, it was a fun little project for the day!

cmglee Horniman London skyline.jpg ☎ 25 Jul 2013

I revisited the Horniman Museum, one of my favourite museums in London because of their approach to education by comparing artifacts from different cultures. I also love their skeleton-skin preparations, which show just the skeleton in half of a stuffed animal, as it shows how the bones (and consequently, muscles and internal organs) fit in the body. These are some examples:

• Pigeon

• Fruit bat

• Rabbit

• Hedgehog

• Dolphin

• Turtle

I also reshot the London skyline from Forest Hill to show a completed Shard. Sadly, the summer air was quite hazy, but some image-processing helped. In the style of Horniman, see how the city has changed in 1½ years!

London skyline from Forest Hill in July 2013

London skyline from Forest Hill in Jan 2012

More photos are at Commons

Template:Alcohol metabolism formulae ☎ 25 Jun 2013

A CrossCountry train passing behind the new building of the Laboratory of Molecular Biology in the Cambridge Biomedical Campus, view from the southwest on the Cambridgeshire Guided Busway bridge on 22 June 2013.

The Laboratory of Molecular Biology opened its doors to the public on Sat, 22 June, so my friends and I attended some talks, exhibitions and a tour of their new home. (I also used the opportunity to take some photos!)

One of the speakers talked about a mutation causing possibly the greatest cancer risk in the world: ALDH2*2

With China rapidly adopting a drinking culture, about 25% of the East Asians (perhaps 300 million people) face increased risk of esophageal cancer. If I understood correctly, the risk of an affected person drinking, compared to an unaffected one, is greater than that of lung cancer from smoking (of course, the quantity matters...)

I couldn't find a graphic of the breakdown of alcohol in the alcohol flush reaction page, so tried to create one. I could have done it in SVG, but thought it was an interesting experiment to do it in the L^AT_EX-like maths "equation editor". I had to tweak the spacing quite a bit and couldn't draw diagonal double bonds, but managed the following:

${\displaystyle {\begin{smallmatrix}&{\text{H}}&&{\text{H}}&&&&{\text{H}}&&{\text{H}}&&&{\text{H}}&&&\\&|&&|&&{\mathsf {ADH}}&&|&&|&{\mathsf {ALDH}}&&|&&&\\{\text{H}}\,-\!&{\text{C}}&\!-\!&{\text{C}}&\!-\,{\text{O}}\,-\,{\text{H}}&{\xrightarrow {\qquad }}&{\text{H}}\,-\!&{\text{C}}&\!-\!&{\text{C}}&{\xrightarrow {\qquad \ }}&{\text{H}}\,-\!&{\text{C}}&\!-\!&{\text{C}}&\!-\,{\text{O}}\,-\,{\text{H}}\\&|&&|&&&&|&&\|&&&|&&\|&\\&{\text{H}}&&{\text{H}}&&&&{\text{H}}&&{\text{O}}&&&{\text{H}}&&{\text{O}}&\\\end{smallmatrix}}}$

Metabolism of alcohol (ethanol) to acetaldehyde (ethanal) and then acetic acid (ethanoic acid)

Whatjsay? :-)

perpetual calendar cycle.svg ☎ 14 Jun 2013

Table showing the 400-year cycle of the 14 possible calendars in the Gregorian calendar, arranged in columns to show a semi-regular 28-year pattern. The days of week denote the day of week that January 1st of the numbered year falls on. "+" and darkened cells indicate leap years.

Timwi's image at http://imgur.com/gallery/eUMMCtb got me interested in calendars again — I must be getting old!

His most amazing find was that the 400-year cycle of the Gregorian calendar (the one in everyday use today) has a multiple of 7 days, meaning that the cycle repeats exactly every 400 years. But interesting and colourful as his graphic was, it didn't help with my understanding of how the 14 possible calendars actually change, so I decided to draw my own...

While on holiday, I wrote a quick program to output into a simple text file as one line separated by spaces:

• The day-of-week of January 1st of each year from 2001 to 2400 (unlike Timwi's choice of 2000 to 2399, I started with 2001 so that the rare 400-year leap on 29 Feb 2000 after 1 Jan wouldn't disrupt the pattern), and
• Whether the year was a leap year.

Changing the width of my text editor window let me see in how many years the pattern more-or-less repeated.

The answer was 28, not surprisingly the lowest common multiple of 7 (days in a week) and 4 (almost every 4th year is leap), the pattern disrupted only by the non-leap years 2100, 2200 and 2300. 28 columns would, however, be too wide, so I decided to go down then across, instead of across then down.

The pattern appeared more regular now, but the non-leap century years still played havoc, until I got the idea of skipping the necessary number of cells until the pattern resumed. There are actually 2 possible places each non-leap century year can go. I chose the later one so that 2300 doesn't end up at the top of its column.

This resulted in the graphic on the right. It's now much clearer to me how the calendars cycle — one day forward each non-leap year, and two days forward each leap year, except for the non-leap century years which leave large gaps.

P.S. I redrew the graphic in Wikitext below, if anyone wants an HTML copy.

Day of week of Jan 1	Leap year	Gregorian calendar for years from 2001 to 2400
Monday		2001	2029	2057	2085		2125	2153	2181		2221	2249	2277		2317	2345	2373
Tuesday		2002	2030	2058	2086		2126	2154	2182		2222	2250	2278		2318	2346	2374
Wednesday		2003	2031	2059	2087		2127	2155	2183	2200	2223	2251	2279		2319	2347	2375
Thursday	✔	2004	2032	2060	2088		2128	2156	2184		2224	2252	2280		2320	2348	2376
Saturday		2005	2033	2061	2089	2101	2129	2157	2185		2225	2253	2281		2321	2349	2377
Sunday		2006	2034	2062	2090	2102	2130	2158	2186		2226	2254	2282		2322	2350	2378
Monday		2007	2035	2063	2091	2103	2131	2159	2187		2227	2255	2283	2300	2323	2351	2379
Tuesday	✔	2008	2036	2064	2092	2104	2132	2160	2188		2228	2256	2284		2324	2352	2380
Thursday		2009	2037	2065	2093	2105	2133	2161	2189	2201	2229	2257	2285		2325	2353	2381
Friday		2010	2038	2066	2094	2106	2134	2162	2190	2202	2230	2258	2286		2326	2354	2382
Saturday		2011	2039	2067	2095	2107	2135	2163	2191	2203	2231	2259	2287		2327	2355	2383
Sunday	✔	2012	2040	2068	2096	2108	2136	2164	2192	2204	2232	2260	2288		2328	2356	2384
Tuesday		2013	2041	2069	2097	2109	2137	2165	2193	2205	2233	2261	2289	2301	2329	2357	2385
Wednesday		2014	2042	2070	2098	2110	2138	2166	2194	2206	2234	2262	2290	2302	2330	2358	2386
Thursday		2015	2043	2071	2099	2111	2139	2167	2195	2207	2235	2263	2291	2303	2331	2359	2387
Friday	✔	2016	2044	2072		2112	2140	2168	2196	2208	2236	2264	2292	2304	2332	2360	2388
Sunday		2017	2045	2073		2113	2141	2169	2197	2209	2237	2265	2293	2305	2333	2361	2389
Monday		2018	2046	2074		2114	2142	2170	2198	2210	2238	2266	2294	2306	2334	2362	2390
Tuesday		2019	2047	2075		2115	2143	2171	2199	2211	2239	2267	2295	2307	2335	2363	2391
Wednesday	✔	2020	2048	2076		2116	2144	2172		2212	2240	2268	2296	2308	2336	2364	2392
Friday		2021	2049	2077		2117	2145	2173		2213	2241	2269	2297	2309	2337	2365	2393
Saturday		2022	2050	2078		2118	2146	2174		2214	2242	2270	2298	2310	2338	2366	2394
Sunday		2023	2051	2079		2119	2147	2175		2215	2243	2271	2299	2311	2339	2367	2395
Monday	✔	2024	2052	2080		2120	2148	2176		2216	2244	2272		2312	2340	2368	2396
Wednesday		2025	2053	2081		2121	2149	2177		2217	2245	2273		2313	2341	2369	2397
Thursday		2026	2054	2082		2122	2150	2178		2218	2246	2274		2314	2342	2370	2398
Friday		2027	2055	2083	2100	2123	2151	2179		2219	2247	2275		2315	2343	2371	2399
Saturday	✔	2028	2056	2084		2124	2152	2180		2220	2248	2276		2316	2344	2372	2400

Dewan Rakyat 2013 Equal Area.svg ☎ 9 May 2013

Results of the Malaysian Dewan Rakyat based on the 2013 general election, showing parliamentary constituencies represented by equal-area hexagons with approximate geographic locations.

Once again, I'm honoured to see this cartogram of the parliamentary constituency results of the Malaysian general election, 2013 appearing on the main page of the Chinese Wikipedia.

To be honest, most of the credit should go to User:Hytar who made the cartogram for the Malaysian general election, 2008. I just fixed a few minor cosmetic issues, tidied up the SVG code and updated the data to reflect the 2013 results. Due to his or her judicious use of CSS, the task was pretty straightforward.

I must give kudos to Hytar, too, for being so supportive and polite — a model Wikipedian if there was one!

The next job is to update File:Dewan_Undangan_Negeri_2008_Equal_Area.svg with this year's results. Hytar referred to some spreadsheets going around. Obtaining one would make updating the 505 hexagons much easier.

Template:Blakey_65moll.jpg_K/T_impact_site ☎ 9 Apr 2013

{{Blakey_65moll.jpg_K/T_impact_site}} Today, I discovered a new technique to annotate images, using the Annotated image template. I had previously converted bitmaps to Base64 and embedded them in SVG files. With the template, I could add labels to any image directly in the Wiki markup.

For example, the code below produces the graphic on the right. The template also let me crop the sides of the Mollweide projection, to make the graphic fit inside text and yet allow detail on the map to be clearly seen. To isolate the label from the bitmap, I repeated it twice in black with slight offsets to simulate an outline — an alternative was to use a CSS shadow but CSS support for it is dicey.

I was surprised to find plenty of maps of the Chicxulub crater, the location of the Cretaceous–Paleogene_extinction_event, but no world maps showing this location on Wikimedia. Of course, the world looked a bit different 65 million years ago!

{{ Annotated image | image = | caption = K/T impact site on a contemporary world map (65 mya)<ref>[http://www.scotese.com/K/t.htm K/T extinction]</ref> | width = 300 | height = 190 | image-width = 400 | image-left = -45 | image-top = -3 | annotations = {{Annotation|74|64|* Impact site|font-weight=bold|color=black}} {{Annotation|76|66|* Impact site|font-weight=bold|color=black}} {{Annotation|75|65|* Impact site|font-weight=bold|color=white}}
}}

UPDATE 26 JAN 2016: It seems the maps have been removed due to copyright violation; I'll see if I can redraw them in the future.

chain hoist.svg ☎ 10 Mar 2013

Example of a differential pulley

Tightening border security

Ever since I learnt about the differential pulley, I have been intrigued by the mechanism. Although it superficially resembles a block and tackle, at least two of its pulleys are sprockets, which engage with a chain, hence its other name, "chain hoist". Additionally, these two pulleys are joined together, and the ratio of their diameters (or radii) determines its mechanical advantage.

Drawing a graphic of it was an interesting exercise in SVG-hacking:

First, the teeth of the sprockets were simply the dotted stroke (outline) of the circle representing the pulley, set to the same colour as its fill, and with the duty cycle, phase and width adjusted to fit.

Next, I needed a path that looked like a chain, and found a way to do it with three dashed lines of different duty cycles, phases, widths and colours, one of them in the background colour to "erase" the hole in the links. This looked fine until I overlaid the chain on the pulleys, making the background colour incorrectly appear over the pulleys. If only clip paths had an inverse function which let one ignore pixels inside the path, rather than outside!

I left the problem for over a year before discovering masks. I could now draw the chain without the holes and overlay the whole thing on any background. The experiment on the left, a world map with borders replaced with chains, proved that this technique was feasible as long as turns were not too sharp. The hack was successfully applied to the differential pulley graphic (right), though I later found that Google Chrome had trouble with my mask. Oh well...

UPDATE 20 AUG 2019: While showing it to Deryck Chan on the NYO airport bus to Wikimania ’19, I remembered two bugs:

1. Links thinned where the chain crosses itself
2. Links having square cross sections

and fixed them en route back to Cambridge.

commons:Category:Historical images of Penang ☎ 3 Mar 2013

Mount Erskine in 1824

Botanic garden waterfall in 1818

I met User:Charles Matthews, User:Deryck Chan and User:Magnus Manske at the Cambridge Wikimedia Meetup Number 17 again yesterday and they convinced me that artwork from 1850 and before is globally considered public domain. I've therefore completed upload of 50 historical paintings and drawings of Penang housed in the Penang Museum and Art Gallery. The works show a much quieter island compared to the bustling city of today, but likely presents a European colonist's romanticised perspective. Nevertheless, it serves as a good historical record of the island.

There are 11 other pieces dating from after 1850, and 2 with dates unstated. Perhaps someone can upload them as they come out of copyright in the coming years...

• Pinang from Richmond Hill (1852)
• A Sketch on the Penang Hill (1852)
• A Sketch on the Penang Hill (1852)
• Dr Mackinnon's Residence, near the Bermah Village, Penang (1852)
• Penang from the sea (1854)
• Penang from the sea (1854)
• Harbour Scene (1856)
• Waterfall near Penang (1870)
• Edinburgh House occupied by the Duke (1870)
• Georgetown, Penang near Perak in the Malay Peninsula (1876)

• View from Penang Hill (c1924)
• The Duke of Edinburgh at Penang, the Levee at the court of Request (unknown)
• The Duke of Edinburgh at Penang, the Levee at the court of Requests (unknown)

Dr. Mackinnon's Residence, near the Bermah Village

UPDATE 9 SEP 2018: After reading through commons:Commons:Village_pump/Copyright/Archive/2017/03#Cut-off_date_for_the_PD-old_template, I decided it safe to upload all but the last three paintings (1876 is 142 years ago – longer than the most conservative 140 years proposed – but 1924 is only 94)

sexagenary cycle years.svg ☎ 9 Feb 2013

Relationship between the current Sexagenary cycle and Common Era years

An optical illusion similar to Rotating Snakes by Kitaoka Akiyoshi

As several Asian cultures celebrate the lunar new year tomorrow, I made a couple of somewhat related illustrations.

I have sometimes wondered how the Chinese decide that a particular year is the Year of the Water Snake (for example). I knew that the 12 animals of the Chinese zodiac go in sequence but the element was a mystery. The Sexagenary cycle article makes it clear: The element cycles in the order wood, fire, earth, metal and water, changing every two years (the first year being yang and the second, yin). With that in mind, I drew the graphic on the right, adding in the numeric years. As it wasn't immediately obvious, I also added a tortuous line to show the progression — hope it's not too messy... I initially laid the years out in a table before realising that they wrap around in both X and Y axes: The surface of a toroid! Alas, drawing a toroidal surface isn't that easy, so the best I could manage was to make an annulus (mathematics) and wrapping the element radially.

The graphic on the left is based on a clever optical illusion which tricks the brain into seeing movement where there is none. The original, named Rotating Snakes, by psychologist Kitaoka Akiyoshi is an example of peripheral drift illusion which works on the viewer's peripheral vision. For best effect, one should use as large an image as possible, such as this one. An even more stunning illusion is found on the cover of the indie album Merriweather Post Pavilion.

Happy lunar new year to all who celebrate it!

comparison of pyramids.svg ☎ 31 Jan 2013

English version with collapsed pyramid at Meidum

German version with Bosnian "Pyramid of the Sun"

I've just updated my comparison of some pyramidal buildings, adding the collapsed pyramid at Meidum to replace the Bosnian "Pyramid of the Sun" which was forcefully removed due to the misconception that I had tried to promote the Bosnian hill as a building. That was never my intention — I thought that including it in the graphic only served to highlight how ridiculously enormous it was compared to other pyramids. Nevertheless, an editor removed it, leaving an unsightly gap in the labels.

Meanwhile, I had been thinking about including the Meidum pyramid but felt that my SVG skills were inadequate at the time. Now that I had more experience with Bézier curves and a gap to fill, I traced this illustration and added it to the graphic, renumbering the pyramids in the process (I had checked that no pages that used it referred to the numbers).

Guess you can't win every battle, but you can make the most of the outcome!

UPDATE 16 NOV 2014: I've hyperlinked the label and profile of each "pyramid" so that hovering highlights them and clicking opens its Wikipedia article.

Template:Distance from Sun using EasyTimeline ☎ 2 Jan 2013

Today marks the Perihelion of the Earth, the moment in a year that the Earth is closest to the Sun, paradoxically near the coldest time of year in the Northern Hemisphere!

A while back, I discovered the ability to render graphics in an article by just writing some code, instead of uploading an image (such as SVG) and transcluding it: EasyTimeline.

Originally designed to create timelines, it can be repurposed to draw bar charts in general. My first use of it is the chart below graphically illustrating the range of distances some bodies of the solar system can be from the Sun. It can be seen that the inner planets have almost circular orbits whereas the outer dwarf planets and Halley's Comet have very eccentric orbits.

Distances of selected bodies of the Solar System from the Sun. The left and right edges of each bar correspond to the perihelion and aphelion of the body, respectively, hence long bars denote high orbital eccentricity. The radius of the Sun is 0.7 million km, and the radius of Jupiter (the largest planet) is 0.07 million km, both too small to resolve on this image.

2012

Mesoamerican Long Count Calendar visualization.svg ☎ 21 Dec 2012

Visualisation of the Mesoamerican Long Count calendar

Visualisation of powers of ten from 1 to 1 million

I'm pleasantly suprised at the lack of media coverage of the 2012 phenomenon, considering the frenzy when the 2012 movie was released — it's certainly nothing like what accompanied the Y2K scare.

Nevertheless, I was curious to find out the relevance of today's date in the Mayan calendar and read about their units of time. 21st December 2012 marks the end of the 13th (written 12 in their dates as they start counting at zero), and the start of the 14th b'ak'tun, a unit of time 144000 days long (around 400 years).

Using the idea I developed to visualise largish numbers at the same scale (one million in the illustration on the right, and one billion in this one for high-resolution screens), I drew similar blocks representing the Mesoamerican time units up to a piktun (around 8000 years), in principle representing almost 3 million small cubes in the largest block! I added colours and a scale showing equivalent dates on the Western calendar. To reduce the width of the image, I flipped my trimetric projection horizontally.

From this image, I can see that while the date is interesting, it's not exceptional as it occurs once every 394 years. Moreover, nothing major happened at the last few changeovers: 1618, 1224 and 830.

On that note, I'll just wish everyone, "Happy new b'ak'tun!"

Heathrow Airport map with third runway.svg ☎ 17 Dec 2012

Map of London Heathrow Airport showing proposed extension and third runway

Fukushima I and II Nuclear Accidents Overview Map as of 15 March 2011

The map on the left is my first attempt to combine an SVG export of OpenStreetMap data with annotation to show the terminals of London Heathrow Airport and its proposed extension, although I had previously embedded bitmaps of OpenStreetMap maps in the illustration of the Fukushima Daiichi nuclear disaster (right).

Though I have used Heathrow Airport for many years, I had no idea about its layout, other than the Central Bus Station and Underground station serving Terminals 1 and 3 (and formerly Terminal 2) while Terminal 4 had its own stations. The map now makes it clear how the buildings are laid out with respect to the runways and one another. I took the opportunity to illustrate the controversial third runway and extension, which has garnered plenty of press coverage in the UK.

Technical-wise, I found adding annotations straightforward but modifying existing SVG objects (even just changing their colours) quite difficult, particularly since there were so many objects that I had to hunt down the target object by colour, which was specified as, for instance, rgb(80%,60%,100%) instead of the more common #cc99ff format. I also thought the SVG was extremely inefficient in terms of file size. I would have, for example, grouped all objects of the same style and applied the styling to the group, rather than style each object individually. If I ever need to annotate an exported OpenStreetMap SVG again, I'll consider using an editor like Inkscape.

parallax barrier vs lenticular screen.svg ☎ 30 Nov 2012

Comparison of parallax-barrier and lenticular autostereoscopic displays

Principle of operation of a pound lock

Another thing that we talked about at the CUWPS gathering was three-dimensional (3D) displays, such as those in the Nintendo 3DS. I showed the group the drawing on the left to illustrate the principle, and the subject changed to drawing SVG.

We looked at the source code and discussed use of groups, transforms and defined blocks to reduce the effort of producing one, while also saving on file size.

This drawing is one of my forays into simulating a 3D scene in a 2D medium, ironic considering the subject of the drawing is technology to simulate 3D with 2D!

The projection used is the approximate isometric projection used in isometric graphics in video games and pixel art, actually a dimetric projection. It simplifies mapping between 3D and 2D coordinates in this case, so I could work out the coordinates by hand, but traditionally, it allowed pixels to fall neatly into the raster graphics matrix without needing antialiasing. It looks slightly more aesthetic than true isometric to me, too, as more of the sides is visible than the top, just like how I would sketch a 3D object.

Another drawing done with the same projection is the sequence on the right is showing how some canal locks work.

Penang Harbour HMS Magpie 1884 Penang map.jpg ☎ 26 Nov 2012

Detail of an 1884 map showing Penang Island and part of Province Wellesley

1799 map of early George Town, Penang

I have always been interested in the small island of Penang and was over the moon when I found this scan (left) of an ancient map dating from 1799. Though it was only 13 years since Penang's founding, the map had landmarks such as Fort Cornwallis, Penang Road and the grid of streets near Beach Street. It was fascinating that while land to the southeast had been reclaimed to build Weld Quay, land to the north had been lost to the sea, which may explain why the Esplanade was built.

It then occurred to me that Penang being a British colony meant that there must be extensive historical records of early Penang within a stone's throw at the Cambridge University Library. I found that very book from which the 1799 map came, and also a more recent map in the Map Room (right) — how Penang had grown in 85 years!

I spoke of my experience with the Cambridge University Wikipedia Society at their gathering yesterday and discussed with President Deryck about expanding GLAM to include the University Library archives. I know I'd certainly be interested in their ancient maps ୯ ͡°  ͜১͡° ੭

Cambridge University colleges timeline.svg ☎ 29 Oct 2012

Timeline of the colleges of the University of Cambridge compared with some events in British history.

I attended the 16th Cambridge Wikimedia meetup and inaugural Cambridge University Wikipedia Society meeting yesterday and had the pleasure of meeting several enthusiastic Wikimedians/Wikipedians and learning about the projects and ideas of User:Charles Matthews and User:Magnus Manske. I'm looking forward to the planned collaboration with the University of Cambridge and local museums.

Speaking of Cambridge University, on the right is a chart I made a while ago to illustrate the complex history of the colleges of the University of Cambridge. It shows the years of formation of the colleges, when they changed their names, and most importantly, when they started admitting women (or men, in the case of Girton College and Hughes Hall). Obtaining all this data from disparate sources was quite a challenge, and I'm still missing one crucial date:

When St Edmund's College became mixed.

Repeated emails to various parties in the college were unanswered, so I've shaded the transition to the range of years this could have happened. Anyone got any idea?

UPDATE 28 NOV 2012: User:Deryck Chan managed to get a statement from St Edmund's Emeritus Fellow Dr Michael A Hoskin that he remembered it as 1969. Pending confirmation of historical records, I've tentatively indicated 1969 as the year St Edmund's became mixed.

UPDATE 17 DEC 2012: Thanks to the tireless effort by the St Edmund's College Combination Room Women’s Officer, Miss Maryam Farooq, the year women could be admitted to St Edmund's College, as postgrads, has been established to be 1965.

Container City massing model.svg ☎ 28 Sep 2012

Container City II.

Illustration of the structure of Container City showing how the containers are stacked.

Interior of Studio 12 in Container City I.

Last weekend, hundreds of establishments in London welcomed visitors for Open House London, and so I took the opportunity to visit a pioneering work of shipping container architecture at Trinity Buoy Wharf: Container City.

The structure consists of two buildings named Container City I and Container City II, made out of 52 old 40-foot shipping containers. Even the lift shaft and stairwell are containers standing on end. I really like the balconies made from the containers' open doors, and the bright colours.

Unlike the exterior, its interior looks pretty much like ordinary flats except for the portholes and occasional glimpses of the exterior, and tall people may find the low ceiling claustrophobic! Being an open house, a studio was open to the public, though I cynically think it's just a ploy to get people to rent it :-)

To better understand its structure, I reused my patented (not!) trimetric projection to depict the containers, one layer at a time. The SVG code was wholly done in Notepad++, believe it or not, though the hardest part was finding out what colour each container was painted!

using watch and sun as compass.svg ☎ 24 Sep 2012

A method to identify north and south directions using the sun and a 12-hour analogue clock or watch set to the local time, 10:10 a.m. in this example.

Continuing the theme of clock faces, I recently found out about a method scouts and similar groups learn to locate north and south using the sun and an analogue clock or watch:

As the sun appears to complete one rotation around the sky in 24 hours while the hour hand of a 12-hour clock takes 12 hours, bisecting the angle lets one identify the cardinal directions.

Unfortunately, modern timekeeping complicates matters with time zones and daylight saving. Most countries (except perhaps China and Kiribati) have time zones roughly corresponding to the local time. Daylight saving normally move clocks forward by an hour.

Using this information, the more detailed description at Cardinal_direction#Watch_face and the infamous marketing time, I illustrated these four scenarios:

1. In the northern hemisphere, with daylight saving.
2. In the northern hemisphere, without daylight saving.
3. In the southern hemisphere, with daylight saving.
4. In the southern hemisphere, without daylight saving.

The SVG itself is rather straightforward, the only difficulty being calculating the rotational transforms. What I'm a little proud of, though, is the sun rendered with 8 quadratic Bezier curves and a radial gradient!

Template:comparison four face clocks.jpg ☎ 25 Aug 2012

Comparison of some notable four-face clocks at the same scale.

Top-left:	Metropolitan Life Insurance Company Tower
Bottom-left:	Allen-Bradley Clock Tower (previous record holder)
Middle:	Abraj Al Bait
Top-right:	Palace of Westminster clock tower
Bottom-right:	Kremlin Clock

The Abraj Al-Bait towers

I had read about the Abraj Al-Bait Towers (left) and was curious to know how large its new-world-record clock actually was. The statistics, such as its 46-metre-diameter clock faces don't really do it justice, so I decided to create a photomontage of notable four-face clocks and clock towers, all at the same scale.

I chose the Allan-Bradley (the previous record-holder), Big Ben clock tower and Met Life Tower clocks, and later added the Kremlin one, as I felt that they gave a fair representation of famous large four-face clocks.

Orthorectified negative (top) and positive (bottom) representations of the picture, partially obscured.

Next was sourcing photographs of these clocks. I used the crop tool in Photoshop to orthorectify them, so that they appear like they were taken head-on. This process was simplified by the fact that the faces were nearly two-dimensional and I could assume that they were circular. I had had recent practice orthorectifying images, such as one of The Great Picture on the left.

I then had to find a way to get all the images to the same scale. Using the more common "diameter of dial" was troublesome, as the extent of the dial varied from clock to clock. Instead, I used the published lengths of their minute hands as it is easy to measure and one of the longest measurements specified, to reduce uncertainties.

Composite the montage, write a caption, create a template to present it uniformly, and that was basically it...

Now one can see how enormous the new clock is; the entire Big Ben clock tower (to be named the Elizabeth Tower for the British Queen's 60th year at the throne) could fit in the Abraj Al-Bait spire, and if the new clock had numbers on the dial (it has ticks), each number would be almost as big as one Big Ben clock!

Turning Torso structure.svg ☎ 19 Aug 2012

Simplified plan and massing model of Tower 1 of Absolute World residential condominium in Ontario.

Turning Torso by night.

Illustration of the general structure of the Turning Torso by Santiago Calatrava. (1) shows a typical floor plan, where the grey circle denotes the core and blue shapes denote the steel framework. (2) shows the way the nine segments fit around the core, and (3) is a dimetric projection of the tower.

I met an architect who is a fan of Santiago Calatrava and we started talking about his Turning Torso. I found it difficult to visualise its shape, especially because most photograph show only the view taken from the ground (far left).

A little Googling later uncovered plans at http://www.calatrava.info/imageViewer/turningtorso/stor_plan.gif and http://blogfiles7.naver.net/data19/2006/10/27/22/Turning_Torso_Plans-43rd_Floor_1-jinsub0707.jpg .

With a trick I learnt from Adobe Flash to simulate 3D shapes with 2D ones (rotate then scale horizonatally and vertically by different amounts, and rotate again if needed), I drew this illustration (near left). I can now see the building's shape much more clearly! By the way, guess what influenced the choice of colours...

UPDATE 10 MARCH 2013: The idea was reused for the illustration of Absolute World on the right.

comparison convolution correlation.svg ☎ 10 Jul 2012

One corner of a squircle (blue) compared with that of a rounded rectangle (red)

Visual comparison of convolution, cross-correlation and autocorrelation.

I had wondered how to draw the intersection of two SVG shapes, such as the purple areas in the image on the right. One simple method is to set the opacity of the upper (drawn later) shape between 0 and 1, to make it semitransparent. However, this also causes the non-overlapping area to be semi-transparent.

It occurred to me that I could draw that shape twice. Calling the shapes A and B, we can draw A and then B fully opaque, and finally draw a semitransparent version of A on top. The opaque A ensures that the non-overlapping areas remain opaque. In theory, this is slightly different from a single opaque A due to anti-aliasing at its edges, but I haven't found any problems in practice.

The same idea was used in the graphic comparing convolution and correlation functions on two signals. This image additionally uses a more advanced technique with clip paths to shade the common areas under the graphs, but a description of it will have to wait until another day...

Template:CiviltàValleIndoMappa-en ☎ 28 Jun 2012

Location of Cmglee in the Indus Valley and extent of Indus Valley Civilization (green).

I've just discovered a way to embed the name of the current page in a transcluded template, using the {{PAGENAME}} system variable.

For example, the caption of the image on the right should read, "Location of Cmglee in the Indus Valley and extent of Indus Valley Civilization (green)." (unless someone has changed the template!)

Of course, that doesn't make much sense! That's because the name of this page is Cmglee (its full name being User:Cmglee).

When the CiviltàValleIndoMappa-en template is used in the articles for the cities labelled, such as Mohenjo-daro and Harappa, it does its magic. For instance, in the Mohenjo-daro article, the caption reads, "Location of Mohenjo-daro in the Indus Valley and extent of Indus Valley Civilization (green)."

This allows the same image with an appropriate caption to be placed in multiple articles without having to copy and paste the same wikitext and then amend the city name in all of these pages. Moreover, updating the template instantly updates all pages using it. Nice!

2012 Summer Olympics torch relay map.svg ☎ 14 Jun 2012

Simplified route of the 2012 Summer Olympics torch relay.

Illustration of use of cubic Bezier splines to smooth a polyline, The different colours indicate different curviness values (black lowest and red highest). Triangles and squares indicate control points for the Bezier spline of the corresponding colour.

One of the frustrating limitations of SVG is the lack of a feature to automatically draw a smooth curve through a set of points. Sure, one can draw Bézier curves and elliptical arcs between pairs of points, but the coordinates of control points or arc radii must be specified.

Based on an algorithm at Stack Overflow, I developed a Perl function to automatically calculate the control points of cubic Bezier splines to smooth a polyline.

Each point (except the end points) can take up to two curviness values which determine how curvy or straight the curve on each side of the point is. Zero curviness results in a simple polyline. Applied to individual points, this can be used to create sharp corners. Negative curviness is used to create loops. The test curves on the left illustrate its use.

One of the first applications of this function (adapted to gradually change the colour of the curve along its length) is the creation of the simplified torch relay route map to the right. The actual route is far more tortuous than this. To make it easy to trace at this scale, I just wanted the curve to smoothly pass through all the marked places. To make crossings clearer, the curviness of certain points were tweaked until visually acceptable.

Another application, which I shall use more often as the need arises, is the drawing of the smooth curve of many mathematical functions. Currently, I have to generate hundreds of points to get a reasonably smooth curve. With this function, far fewer points will be required.

cmglee ArcelorMittal Orbit.jpg ☎ 7 Jun 2012

ArcelorMittal Orbit viewed from Stratford High Street (A118).

I was pleasantly surprised and honoured to see my photograph of ArcelorMittal Orbit appearing on the Wikipedia main page on 17 May.

It was almost an accident that I shot this photo. On that fateful day, I had taken a coach from Cambridge to London to catch a London Prepares test event at the Olympic Park. I had expected to alight at Stratford, as I had done several times before. I was aghast that National Express had changed the 010 coach schedule to bypass Stratford, forcing me to get off at Bow and walk back to Stratford.

I remembered a great view of the Olympic Stadium and Orbit visible from the flyover above the A118 roundabout — I had uploaded a much lower-quality version of the same scene from a coach to London a few months before, as can be seen from the file's history. So, I decided to climb it.

Though there were no signs forbidding pedestrian entry, the overpass was mighty hairy, with nary a footpath to avoid the fast-moving traffic. Nevertheless, I was rewarded with this magnificent view — if you could call the Orbit "magnificent" ;-)

And that's the story behind the picture... Keep tuning in for more behind-the-scenes!

comparison gender life expectancy CIA factbook.svg ☎ 26 May 2012

Comparison of male and female life expectancy at birth for countries and territories as defined in the 2011 CIA Factbook, with selected bubbles labelled. The dotted line corresponds to equal female and male life expectancy. The apparent 3D volumes of the bubbles are linearly proportional to their population, i.e. their radii are linearly proportional to the cube root of the population.

Earthquakes of moment magnitude 8.0 and greater since 1900. The apparent 3D volumes of the bubbles are linearly proportional to their respective fatalities.

This BBC News article reminded me of the graphic on the right, which I made to compare the life expectancies (at birth) of males and females in different countries. As is widely known, women generally outlive men, particularly in the Eastern European countries labelled. The BBC article discusses possible reasons for this. There is, however, a reversal of this trend in sub-Saharan Africa. It is even more extreme in Montserrat, where (if the figures are to be believed), men live a whole 3¾ years longer than women, on average.

I initially found it a challenge to depict the size of the countries' populations, ranging from about 5000 to almost 7 billion. I could have used a logarithmic scale, but decided to imagine the markers as 3-dimensional "bubbles" with volumes proportional to their population. That let me cover the 6 orders of magnitude with radii covering 2 orders of magnitude, so that if, for example, the smallest bubble were 1 pixel wide, the largest would be a manageable 100 pixels wide.

Additionally, the transparent bubbles let multiple bubbles overlap and still be visible. A small dot at their centres allow the reader to read off the life expectancies in years.

The same idea was reused for the graphic on the left, showing fatalities in earthquakes of magnitude 8 and greater since 1900.

comparison of highest mountains.svg ☎ 9 Apr 2012

Comparison of the heights of the Eight-thousanders, Seven Summits and Seven Second Summits

Mark I

Mark II

Diagram comparing the height of Burj Khalifa to other buildings and structures

A recent exchange I had with RacerX11 reminded me of the benefits of constructive cooperative editing.

I (and presumably some others) have wondered how the famous tall mountains around the world, such as Aconcagua and Kilimanjaro compare with the giants of the Himalayas. Of course, I could look up their heights to the metre in various tables, but there's nothing like a scale image to provide instant understanding, as in the comparison of skyscrapers on the left.

So I decided the compare the Eight-thousanders, Seven Summits and Seven Second Summits in the top-right graphic. Sadly, I had to use triangles as I did not have the actual elevation profiles of the mountains.
Neither RacerX11 nor I were satisfied with my use of symbols to show which list each mountain belonged to. There were actually 5 lists:

1. The Eight-thousanders
2. Bass's Seven Summits
3. Bass's Seven Second Summits
4. Messner's Seven Summits
5. Messner's Seven Second Summits

After throwing ideas at each other, I realised that I could group their labels as in the bottom-right graphic. RacerX11's finishing touch was to use symbols to distinguish just the 4 mountains in the Bass and Messner lists.

It would have been superb to add the Volcanic Seven Summits and Volcanic Seven Second Summits, too, but the image was already a bit cluttered, and there is controversy on the membership of the list itself.

UPDATE 31 JAN 2013: I just found out that Thomas Laussermair has written on http://visualign.wordpress.com/2012/06/04/graphic-comparing-highest-mountains/ very kind words about the image and a mod I made for him — thanks, tlausser/visualign!

Cambridge Kings Hedges Jenny Wren bus stop RL.jpg ☎ 29 Feb 2012

Stereo image

Right frame

Left frame

Cross-eye view ()

Parallel view ()

The Jenny Wren pub and bus stop with an approaching Citi 1 bus.

I borrowed a Fujifilm FinePix Real 3D W3 and went around taking photos of Cambridge in the summer of 2011.

I then developed the stereoscopic image template to let the reader view the pictures in various arrangements — though cross-eye viewing lets one view much larger images, some people find parallel viewing more comfortable. The template supports side-by-side sterescopic images in both parallel and cross-eye formats.

The first stereoscopic photograph I've uploaded to Wikimedia shows a Stagecoach Citi 1 bus in King's Hedges, a residential suburb to the north of Cambridge city centre.

ideal projectile motion for different angles.svg ☎ 25 Feb 2012

Trajectories of projectiles launched at different elevation angles but the same speed of 10 m/s in a vacuum and uniform downward gravity field of 10 m/s². Points are at 0.05 s intervals and the length of their tails is linearly proportional to their speed. t = time from launch, T = time of flight, R = range and H = highest point of trajectory (indicated with arrows).

Being a markup language, SVG code can be easily generated using a program or script, as contrasted with, say, a Microsoft PowerPoint or Adobe Illustrator drawing.

As I'm already familiar with Perl (the less-abstruse constructs, at least!) I wrote scripts to automatically generate SVG code which would otherwise need lots of calculator work, such as drawing graphs. Labels and other decoration can then be manually added to complete the illustration. So that a future editor can easily tweak the code, the Perl code appends itself to the SVG as a comment.

An example is this diagram which shows how a projectile behaves when launched at different angles of elevation, in the absence of air resistance.

As is often taught in high school, a 45° angle indeed gives the greatest range. What is less known is that the time of flight increases with the angle. Since there are two complementary angles giving the same range (other than the maximum), it is possible for artillery to fire a shell at the larger angle, then another at the smaller one after an appropriate delay, so that both shells hit the target at the same time — a basic form of Multiple Rounds Simultaneous Impact.

moon names.svg ☎ 17 Feb 2012

Lunar nearside with major maria and craters labeled.

Erdzugewandte Seite des Mondes mit den größten Maria und Kratern gekennzeichnet.

One of the features of SVG which initially attracted me was the ability to embed a bitmap, such as a JPEG or PNG image.

This allows labels to be relatively easily updated or translated into different languages, by simply replacing the English terms in its SVG file with a text editor, as Timwi has done with the lower image on the right.

Original JPEG with "burnt-in" labels.

Before I learnt this, I had to tediously edit the image on the left to correct "sea of storms" to "sea of crises" (unable to find a matching font, I manually cut and pasted individual letters from other labels).

Even after doing so, saving the file slightly reduced the image quality, due to the lossy compression JPEG uses.

UPDATE 31 JAN 2013: http://www.motobit.com/util/base64-decoder-encoder.asp provides a useful facility to convert an image to Base64 which can then be embedded in an SVG as follows (replace png with jpeg, gif etc as needed):

<image x="0" y="0" width="WIDTH_IN_PIXELS" height="HEIGHT_IN_PIXELS" xlink:href="data:image/png;base64,IMAGE_BASE64_DATA"/>

tensegrity simple 3.gif ☎ 21 Jan 2012

Stereo image

Right frame

Left frame

Cross-eye view ()

Parallel view ()

Animation Each compression member (green) is symmetric with the other two, and symmetric from end to end. Each end is connected to three cables (red) which provide compression and define the position of that end.

The simplest tensegrity structure

I had once toyed with the POV-Ray raytracer. Similar to SVG, one writes code to render an image, but in this case in 3D!

As I thought that the tensegrity article could benefit from an animation to better show the spatial relationship of structural parts, I decided to create a GIF animation of a rotating structure, as on the left.

Alas, a reader found the animation distracting, so we settled on a static image with a link to the animation. It then occurred to me to use the stereoscopic image template I had once written to display the static image, as on the right...

Herbert Backstage Pass cmglee 65.jpg ☎ 2 Jan 2012

Group photograph at the end of Herbert Backstage Pass.

Following the success of Derby Backstage Pass, the UK chapter of the Wikimedia Foundation and Herbert Art Gallery and Museum, Coventry organised Herbert Backstage Pass on 1 October 2011. The first major Wikipedia-related event I've attended, it seemed a perfect collaboration: The museum giving Wikimedia members access to parts not normally accessible to the public as well as time and attention of curators and other staff, while the members contribute to Wikipedia articles relevant to the collection.

This photograph (right) was taken at the end of the day, sadly after several attendees had left. More photos of the event can be viewed here.

ThrustSSC

UPDATE 15 OCTOBER 2013: My visit to the Coventry Transport Museum to see ThrustSSC on that Coventry trip has just resulted in my third (as far as I can tell) image to appear on the Wikipedia main page (today's). ☻✌

symmetrical 5-set Venn diagram.svg ☎ 1 Jan 2012

Five-set Venn diagram using congruent ellipses in a radially symmetrical arrangement devised by Branko Grünbaum. Labels have been simplified for greater readability; for example, A denotes A ∩ B^c ∩ C^c ∩ D^c ∩ E^c (or A ∩ ~B ∩ ~C ∩ ~D ∩ ~E), while BCE denotes A^c ∩ B ∩ C ∩ D^c ∩ E (or ~A ∩ B ∩ C ∩ ~D ∩ E).

This image marked the start of my regular contribution of SVG drawings to Wikipedia. I found using SVG to mark up images (especially by hand or with a script) rather fascinating, albeit at times frustrating due to

1. Some design decisions of the SVG syntax (e.g. specifying label text colour with fill but line colour with stroke), and
2. Limitations of the Wikimedia SVG renderer (e.g. not properly supporting markers making arrows hard to code, and differences in text size and alignment between the rendered PNG and browser render, as can be seen by the image's long editing history).

Making this image taught me various SVG basics, such as setting the viewport, creating and transforming primitives, and using defined blocks. A trick I found is how to properly outline overlapping shapes with semi-transparent fills (the naive method causes strokes (outlines) to be overlaid, giving outlines of inconsistent colour):

Make the collection of shapes a block, and use it once with zero stroke-opacity to paint the fills, then again with zero fill-opacity to paint the strokes.

The Venn diagram itself is an aesthetic solution to the puzzle of how to represent, with just ellipses, all possible combinations of five sets with each combination appearing exactly once.^[3]

Do you still have the code you used to generate the 5 way Venn diagram? I would like to know the center of the ellipsis; hence I'm asking. Thank you. Carstensen (talk) 10:00, 16 April 2013 (UTC)

Kudos for this, capturing all 31 possibilities (2^5-1). @Carstensen the code is closer than you might think. Go to the svg file and use your browser to View | Source. The bulk is the text markers. The essence is six lines: one <ellipse> and three <use>s. The center of rotation appears to be offset 17.5% of the major radius, and 22.5% of the minor radius. Very smartly crafted SVG code. Bob Stein - VisiBone (talk) 19:23, 28 October 2014 (UTC)

Sweet! Thanks! Carstensen (talk) 11:09, 10 December 2014 (UTC)

UPDATE 18 APRIL 2016: Appeared in The Guardian^[4] on John Venn's 180th birthday!

1. Cubic interpolation is not unique: this model using a Catmull-Rom spline and Lagrange basis polynomials passes through all four points. Note: On the left third, the yellow horizontal distance is negative as the black point is on the left of the yellow point; on the right third, the green horizontal distance is negative as the black point is on the right of the green point.
2. "Complex Roots Made Visible – Math Fun Facts". Retrieved 1 October 2016.
3. Grünbaum, Branko, "Venn Diagrams and Independent Families of Sets." Math. Mag. 48, 12-23, 1975.
4. "John Venn Google doodle: the right way to do a Venn diagram". The Guardian. Retrieved 18 April 2016.