Avatar: The Last Airbender , conocido como Avatar: The Legend of Aang en algunas regiones, es una serie de televisión animada estadounidense producida por Nickelodeon Animation Studios . Fue co-creado por Michael Dante DiMartino y Bryan Konietzko , con Aaron Ehasz como escritor principal. Se emitió en Nickelodeon durante tres temporadas, desde febrero de 2005 hasta julio de 2008. [2] Avatar se desarrolla en un mundo de estilo asiático en el que algunas personas pueden manipular uno de los cuatro elementos —agua, tierra, fuego o aire— con telequinética. variantes de las artes marciales chinasconocido como "flexión". El único individuo que puede doblar los cuatro elementos, el "Avatar", es responsable de mantener la armonía entre las cuatro naciones del mundo y sirve como puente entre el mundo espiritual y el mundo físico. El espectáculo se presenta en un estilo que combina anime con dibujos animados estadounidenses y se basa en las imágenes de la cultura principalmente del este de Asia , con algunas influencias del sur de Asia , el Nuevo Mundo , Inuit y Sireniki .
Avatar, el último maestro del aire | |
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También conocido como | Avatar: La leyenda de Aang [1] |
Género | |
Creado por | |
Voces de |
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Compositores | Jeremy Zuckerman por Benjamin Wynn |
País de origen | Estados Unidos |
Idioma original | inglés |
No. de temporadas | 3 |
No. de episodios | 61 ( lista de episodios ) |
Producción | |
Productores ejecutivos |
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Animadores | JM Animation (32 episodios) [a] DR Movie (19 episodios) [b] Moi Animation (10 episodios) [c] |
Tiempo de ejecución | 23 minutos |
Compañías de producción | |
Distribuidor | ViacomCBS Redes de medios nacionales |
Lanzamiento | |
Red original | Nickelodeon |
Formato de imagen | NTSC ( 480i ) |
Lanzamiento original | De febrero de 21 de, de 2005 - 19 de de julio de, 2008 |
Cronología | |
Seguido por |
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La serie se centra en el viaje de Aang , de 12 años , el Avatar actual y último superviviente de su nación, los Air Nomads, junto con sus amigos Katara , Sokka y más tarde Toph , mientras se esfuerzan por poner fin a la guerra de la Nación del Fuego. contra las otras naciones del mundo. También sigue la historia de Zuko , el príncipe exiliado de la Nación del Fuego, que busca restaurar su honor perdido capturando a Aang, acompañado de su sabio tío Iroh, y más tarde, la de su ambiciosa hermana Azula .
Avatar: The Last Airbender fue un éxito de audiencia, elogiado por sus personajes, referencias culturales, dirección de arte, banda sonora, humor y temas. Estos incluyen conceptos que rara vez se tocan en el entretenimiento juvenil, como la guerra , el genocidio , el imperialismo , el totalitarismo y la libre elección . [3] Ganó cinco premios Annie , un premio Genesis , un premio Primetime Emmy , un premio Kids 'Choice y un premio Peabody . Avatar ha sido descrito como una de las mejores series de televisión (animadas) de todos los tiempos.
La franquicia extendida de Avatar incluye una serie de cómics en curso , una serie de novelas precuelas , una serie de secuelas animadas y una película de acción en vivo , así como una próxima nueva versión de acción en vivo del programa producido para Netflix . [4] La serie completa se lanzó en Blu-ray en junio de 2018 en honor al décimo aniversario de su final, [5] y estuvo disponible para su transmisión en Netflix en los Estados Unidos y Canadá en mayo de 2020, [6] [ 7] en Paramount + en junio de 2020, [8] y en Amazon Prime Video en enero de 2021. [9]
Resumen de la serie
Configuración
Avatar: The Last Airbender está ambientado en un mundo donde la civilización humana consta de cuatro naciones, que llevan el nombre de los cuatro elementos clásicos : las Tribus del Agua, el Reino Tierra, la Nación del Fuego y los Nómadas del Aire. En cada nación, ciertas personas, conocidas como "maestros" (maestros agua, maestros tierra, maestros fuego y maestros aire), tienen la capacidad de manipular y controlar telequinéticamente el elemento correspondiente a su nación, utilizando gestos basados en las artes marciales chinas . El Avatar es la única persona con la capacidad de doblar los cuatro elementos.
El Avatar es un árbitro internacional cuyo deber es mantener la armonía entre las cuatro naciones y actuar como mediador entre humanos y espíritus. Cuando el Avatar muere, su espíritu se reencarna en un nuevo cuerpo, que nacerá de padres en la próxima nación en un orden establecido conocido como el ciclo Avatar: Fuego, Aire, Agua y Tierra. Por tradición, un nuevo Avatar viajará por el mundo para aprender las cuatro artes de flexión, después de lo cual comenzará en serio su papel de pacificador global. El Avatar puede entrar en una condición conocida como "el Estado Avatar", en la que adquieren temporalmente las habilidades y el conocimiento de todas sus encarnaciones pasadas. Aunque aquí es cuando el Avatar es más poderoso, si el Avatar fuera a ser asesinado mientras está en el Estado Avatar, el ciclo de reencarnación terminaría y el Avatar nunca volvería a renacer.
Sinopsis
Hace un siglo, el joven Avatar Aang , temeroso de sus nuevas responsabilidades, huyó de su casa y fue forzado al océano por una tormenta y se encerró en animación suspendida en un iceberg cerca del Polo Sur. Poco después, el Señor del Fuego Sozin, el entonces gobernante de la Nación del Fuego, lanzó una guerra mundial para expandir el imperio de su nación. Sabiendo que el Avatar debe ser un Air Nomad, llevó a cabo un genocidio contra los Air Nomads con la ayuda de un cometa que mejoraba el poder de los Maestros Fuego. Cien años después, Katara y Sokka , adolescentes de la Tribu Agua del Sur, descubren accidentalmente a Aang y lo reviven.
En la primera temporada, Aang viaja con Katara y Sokka a la Tribu Agua del Norte para que pueda aprender Agua Control y estar preparado para derrotar a la Nación del Fuego. El príncipe Zuko , el hijo desterrado del actual Señor del Fuego Ozai, los persigue, acompañado por su tío Iroh , con la esperanza de capturar al Avatar para restaurar su honor. Aang también es perseguido por Zhao, un almirante de la Nación del Fuego que aspira a ganarse el favor de Ozai. Cuando su armada ataca a la Tribu Agua del Norte, Zhao mata al espíritu lunar; Yue, la princesa de la tribu, sacrifica su vida para revivirla y Aang ahuyenta a la flota enemiga.
En la segunda temporada, Aang aprende Tierra Control de Toph Beifong , un prodigio de la Tierra Control ciego de doce años. Zuko e Iroh, ahora fugitivos del Señor del Fuego, se convierten en refugiados en el Reino Tierra y finalmente se establecen en su capital, Ba Sing Se. Ambos grupos son perseguidos por Azula , la hermana menor de Zuko y un maestro fuego prodigio. El grupo de Aang viaja a Ba Sing Se para buscar el apoyo del Rey Tierra para un ataque a la Nación del Fuego programado para un próximo eclipse solar , durante el cual los Maestros Fuego serán impotentes. Azula instiga un golpe de estado , poniendo la capital bajo el control de la Nación del Fuego, y Zuko se pone del lado de su hermana. Aang es herido de muerte por Azula, pero Katara lo revive.
En la tercera temporada, Aang y sus aliados invaden la capital de la Nación del Fuego durante el eclipse solar, pero se ven obligados a retirarse. Zuko abandona la Nación del Fuego para unirse a Aang y enseñarle Fuego Control. Aang, criado por monjes para respetar toda vida, lucha con la posibilidad de que tenga que matar a Ozai para poner fin a la guerra. Cuando el cometa de Sozin regresa, Aang se enfrenta a Ozai y usa sus poderes de Avatar para despojar a Ozai de su habilidad de Fuego Control; mientras tanto, los amigos de Aang liberan a Ba Sing Se, destruyen la flota de dirigibles de la Nación del Fuego y capturan a Azula. Zuko es coronado como el nuevo Señor del Fuego y pone fin a la guerra.
Episodios
La serie consta de sesenta y un episodios. El primer episodio, estreno de una hora, se emitió el 21 de febrero de 2005 en Nickelodeon . [10] La serie concluyó con una película de televisión de dos horas transmitida el 19 de julio de 2008. [11] Cada temporada de la serie se conoce como un "libro", en el que cada episodio se conoce como un "capítulo". Cada libro toma su nombre de uno de los elementos que Aang debe dominar: agua, tierra y fuego. [10] Las dos primeras temporadas del programa constan cada una de veinte episodios y la tercera temporada tiene veintiuno. Toda la serie se ha lanzado en DVD en las regiones 1, 2 y 4. [12]
A partir de mayo de 2020, la serie completa está disponible en Netflix en los Estados Unidos. [13] Se convirtió en el programa más popular de Netflix de EE. UU. Durante la primera semana de su lanzamiento allí, a pesar de no aparecer en la página principal. [6] El programa rompió el récord de aparición consecutiva más larga en la lista de los diez mejores diarios de Netflix, con 60 días consecutivos en la lista, uno de los dos únicos programas entre los diez principales poseedores de récords que no era una serie original de Netflix en julio de 2020. . [14] más tarde, en junio de 2020, la serie completa se convirtió disponibles en Paramount + (en el momento de la CBS All Access) [8] y más tarde en Amazon Prime video [9] en enero de 2021.
Libro | Nombre | Episodios | Originalmente emitido | |||
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Emitido por primera vez | Emitido por última vez | |||||
1 | Agua | 20 | 21 de febrero de 2005 | 2 de diciembre de 2005 | ||
2 | tierra | 20 | 17 de marzo de 2006 | 1 de diciembre de 2006 | ||
3 | Fuego | 21 | 21 de septiembre de 2007 | 19 de julio de 2008 |
Desarrollo
Concepción y producción
Avatar: The Last Airbender fue co-creado y producido por Michael Dante DiMartino y Bryan Konietzko en Nickelodeon Animation Studios en Burbank, California . Su animación fue realizada principalmente por los estudios surcoreanos JM Animation, DR Movie y MOI Animation. Según Konietzko, la serie fue concebida a principios de 2001 cuando tomó un viejo boceto de un hombre calvo de mediana edad e imaginó al hombre como un niño. Dibujó al personaje pastoreando bisontes en el cielo y le mostró el boceto a DiMartino, que estaba viendo un documental sobre exploradores atrapados en el Polo Sur . Konietzko describió su desarrollo temprano del concepto; "Hay un tipo del aire junto con esta gente del agua atrapada en un páramo nevado ... y tal vez algunos bomberos los están presionando". [15] Los co-creadores le presentaron con éxito la idea al vicepresidente y productor ejecutivo de Nickelodeon, Eric Coleman, dos semanas después. [dieciséis]
La serie se presentó al público en un avance en la Comic-Con 2004, [17] y se estrenó el 21 de febrero de 2005. [18]
En una entrevista, Konietzko dijo: "Mike y yo estábamos realmente interesados en otras propiedades épicas de 'Legends & Lore', como Harry Potter y El señor de los anillos , pero sabíamos que queríamos adoptar un enfoque diferente para ese tipo de género. Nuestro amor por el anime japonés, la acción de Hong Kong y el cine de kung fu , el yoga y las filosofías orientales nos llevaron a la inspiración inicial para Avatar: The Last Airbender ". [19]
Pilot
A pilot episode for the series was made in 2003. It was animated by Tin House, Inc., written by Michael Dante DiMartino and Bryan Konietzko, and directed by Dave Filoni. Mitchel Musso voiced Aang in this pilot but was later replaced by Zach Tyler Eisen when the show began production. In the episode, Sokka and his sister Kya (renamed to Katara by the time the series aired) must travel the world to find masters for Aang, who is the Avatar; however, they must evade a critical foe, Prince Zuko of the Fire Nation, who wants to capture Aang.
This episode was first publicly released as one of the extras in the NTSC season 1 DVD box set, which were not available with the previously-released individual volumes. As the PAL box set lacks extras, the episode was not made available on DVD in PAL regions. The episode was released with audio commentary from the creators, which unlike commentary on other episodes in the season is not possible to disable on the DVD set.[20] On June 14, 2010, the unaired pilot was made available with and without commentary for the first time via the iTunes Store.[21]
In 2020, the pilot was shown on Twitch.[22]
Influences
The series is notable for borrowing extensively from East Asian art and mythology for its universe. Its creators employed cultural consultants Edwin Zane and calligrapher Siu-Leung Lee to help determine its art direction and settings.[23][24] Its character designs are influenced by Chinese art and history, Hinduism, Taoism and Buddhism, and Yoga.[23][25] Jeremy Zuckerman and Benjamin Wynn created the series' music and sound design together in the early developmental stages and then went on to divide the tasks, Zuckerman taking on the musical responsibility and Wynn the sound design. They experimented with a wide range of instruments, including the guzheng, pipa, and duduk, to match the show's Asia-influenced setting.[26] The art style of the fictitious locations used in the series are based on real locations in Asia. Sites such as the Forbidden City and the Great Wall of China in Beijing were inspirations for the Earth Kingdom city of Ba Sing Se,[27] and Water Tribe locations were based on Inuit and Sireniki cultures.[3] According to writer Aaron Ehasz, early Fire Nation designs were based on Japanese culture. To avoid accidentally making broad statements, they redesigned many settings and peoples to be more "broadly inspired".[3] For the final design, the creators went with a more Chinese style for the Fire Nation's clothing and architecture.[28] For instance, the Fire Temple was based on the Yellow Crane Tower, as its flame-like architectural elements were a perfect motif for the Fire Nation architecture according to the creators.[29]
The gestures used by the "bender" characters are derived from Chinese martial arts, for which the creators employed Sifu Kisu of the Harmonious Fist Chinese Athletic Association as a consultant.[30] Each fighting style is unique to the "benders" who use them or characters who are aligned to a certain element. For example, practitioners of "waterbending" use movements influenced by T'ai chi and focused on alignment, body structure, breath, and visualization. Hung Gar was the inspiration for practitioners of "earthbending", and was chosen for its firmly rooted stances and powerful strikes as a representation of the solidity of earth. Northern Shaolin, which uses strong arm and leg movements, was chosen to represent "firebending". Ba Gua, which uses dynamic circular movements and quick directional changes, was used for "airbending".[31] The Chu Gar Southern Praying Mantis style can be seen practiced by the earthbender Toph, who develops a unique fighting style as a result of her blindness.[32] Asian cinema influenced the presentation of these martial-art bending moves.[15]
Temas
The series addresses many topics rarely touched on in youth entertainment, including issues relating to war, genocide, imperialism, colonialism and totalitarianism, gender discrimination and female empowerment, marginalization and oppression, as well as the philosophical questions surrounding fate, destiny and free will.[3]
The show is set during a period in which the world is engulfed in an imperialistic war initiated by the Fire Nation. While war is a constant backdrop, the show depicts these effects through the eyes of common people—the oppressed Earth Kingdom citizens as well as indoctrinated Fire Nation schoolchildren—to show how war makes victims of everyone.[3] And while the Fire Nation is presented as the instigator of violence, the show also depicts the systemic inequality experienced by residents in the Earth Kingdom city of Ba Sing Se as well as the nefarious activities of the city's secret police. These situations show the corrupting nature of power and the nuances of good and evil.[3] The show introduces viewers to genocide early on when protagonist Aang visits his former home in the Southern Air Temple. He arrives to discover his people have been massacred, and allows him to display a range of emotions, from rage to loss.[33]
The character Zuko and his relationship with his father and Uncle Iroh is the series' main redemption arc, and represents the show's message that destiny and fate are not binding or set by other people, but can be changed.[34] In season two, Zuko struggles to conform to the destiny and path determined by his father,[3] but Iroh prods him, asking, "who are you, what do you want?"[35]
The show also represents a diverse cast of characters in order to tackle the issue of marginalization. For example, in introducing a blind character like Toph and a paraplegic boy like Teo, the show depicted characters with vulnerabilities overcoming their physical and societal limitations.[3] This is also true when it comes to the show's female characters. For example, female protagonist Katara faces systemic sexism when she reaches the Northern Water Tribe to learn waterbending. In another instance, her brother Sokka is initially dismissive of the all-female Kyoshi Warriors, but learns to respect and appreciate their skills.[3] According to Kirk Hamilton of Kotaku, these themes represent the show's message that it's more important to be yourself than to hew to the roles society expects of you.[35]
Recepción
Ratings
Avatar: The Last Airbender was the highest-rated animated television series in its demographic at its premiere;[36] an average of 3.1 million viewers watched each new episode.[36] It had 5.6 million viewers for its highest-rated episode and was a highly rated part of the Nicktoons lineup beyond its 6-to-11-year-old target demographic.[37][38] A one-hour special, The Secret of the Fire Nation, consisting of the episodes "The Serpent's Pass" and "The Drill", aired on September 15, 2006, and attracted 5.1 million viewers. According to the Nielsen Media Research, the special was the highest-rated cable-television program that week.[39] In 2007, Avatar: The Last Airbender was syndicated to more than 105 countries and was one of Nickelodeon's top-rated programs. The series ranked first on Nickelodeon in Germany, Indonesia, Malaysia, the Netherlands, Belgium, and Colombia.[40]
The four-part series finale, "Sozin's Comet", had the series' highest ratings. Its first airing averaged 5.6 million viewers, 95 percent more than Nickelodeon had in mid-July 2007.[41] During the week of July 14, it was the most-viewed program by the under-14 demographic.[42][43] The finale's popularity was reflected in online media; Rise of the Phoenix King, a Nick.com online game based on "Sozin's Comet", had almost 815,000 game plays in three days.[44] IGN ranked the series 35th on its list of top 100 animated TV shows.[45]
Critical response
Avatar: The Last Airbender received widespread critical acclaim. As of July 2020[update], the show has a critics score of 100% on Rotten Tomatoes based on 23 reviews.[46] Max Nicholson of IGN called it a "must-watch" and described it as "one of the greatest animated series of all time".[47] Nick Hartel of DVD Talk called the series a remarkable, "child friendly show" whose legacy "should endure for years to come".[34] Erik Amaya of Bleeding Cool described the series as "impressive in its sophistication" and "fantastic".[48] Henry Glasheen of SLUG Magazine called the series "adventurous and exciting", a "classic" and occasionally moving.[49] According to Brittany Lovely of Hypable, it tells "complex and beautiful" stories.[50] Joe Corey of Inside Pulse described the series as an anime-action hybrid.[51] Chris Mitchell of Popzara called it one of best shows to air on Nickelodeon, praising the series' background music and voice acting.[52] D. F. Smith of IGN recommended it to viewers who enjoy action-adventure cartoons.[53]
Rob Keyes of Screen Rant called the series "one of the greatest cartoons ever made".[54] Mike Noyes of Inside Pulse recommended it to viewers who enjoy "great" adventure.[55] Gord Lacey of TVShowsOnDVD.com called the series "one of the finest animated shows ever".[56] According to Todd Douglass, Jr. of DVD Talk, adults will enjoy the series as much as children do.[57] Joshua Miller of CHUD.com called it "phenomenal" and "one of the most well animated programs (children's or adult) American TV has ever had"; according to Miller, the series is heavily influenced by anime.[58] Tim Janson of Cinefantastique described it as "one of the most engaging animated shows produced".[59] Dennis Amith of J!ENT called the series "one of the best animated TV series shown in the US by American creators". Amith praised its sophisticated storylines, edginess, humor, and action.[60] Franco "Cricket" Te of Nerd Society described Avatar: The Last Airbender as "one of the best cartoon[s]" he had ever seen, recommending the series for its characters and plot.[61] Scott Thill of Wired called the series engaging and its setting, influenced by the Eastern world, "fantastic".[62] Kirk Hamilton of Kotaku said the series should be part of the Golden Age of Television, and recommended "the sophisticated kids show" to others.[35]
The show's writing and themes have been widely lauded by critics. Michael S. Mammano of Den of Geek called the plot "smartly-written" and praised the animation.[63] Nicole Clark, writing for Vice News, stated that the show's narrative depth was "its greatest asset", and praised the story's "emotional authenticity" and how it "expose[d] very young viewers to darker subject matter, like genocide and authoritarianism, while giving them a framework for understanding these issues."[3] Jenifer Rosenberg of ComicMix liked the program's emphasis on family, friends, community, and education.[64] According to Nick Hartel, the series touches on themes of "genocide and self-doubt" without frightening younger children; rogue characters are redeemable, sending an important message that people can change and are not bonded to "destiny".[34] Chris Mitchell called the plot "fantastic".[52] D. F. Smith compared the series' plot to Japanese action cartoons, calling its tone and dialogue "very American" and praising the humor leavening an epic, dramatic theme suitable for all ages.[53] Rob Keyes also praised the series' humor and affecting plot: "[It] will capture your hearts".[54]
According to Mike Noyes, the series amalgamates elements of "classic fantasy epics".[55] Todd Douglass, Jr. called the plot engaging, well-thought-out, and meaningful. The series' concept is "well-realized", with a consistent story. Douglass wrote that the characters "[have] a real sense of progression", and praised the writers for their humor, drama, and emotion.[57] Joshua Miller called the series surprisingly dark despite its "silly" theme; the plot is livelier than that of Lost and, similar to the latter show, emphasizes character development. According to Miller, its writing was "true adult levels of storytelling".[58] Tim Janson described the series as more than fantasy- and superhero-themed, seeing the characters as central and relatable.[59] "Cricket" Te praised the series' use of Buddhist philosophies and the diverse presentation of its themes of courage and life.[61] Kirk Hamiltion praises the series for expressing towards its audience to be themselves and for its quiet progressivism.[35]
Critics also praised Avatar: The Last Airbender's character development, art, animation, and choreography; Eric Amaya enjoyed the expressive animation that complements the writing. According to Amaya, the elements were influenced by Hayao Miyazaki.[48] Todd Douglass, Jr. called the character development interesting,[57] while Nicole Clark wrote that the show "managed to do what so few shows even today have: assemble a cast of characters that depicts the world as it is, with a range of identities and experiences."[3] Jenifer Rosenburg praised the series' portrayal of females as "strong, responsible, [and] intelligent".[64] According to Joshua Miller, the bender characters' use of bending for everyday activities brings "depth and believability" to the Avatar world. Miller called the series' designs "rich and immersive", with each nation having its own, detailed look. He praised the action scenes as "well rendered", comparing the development of the Avatar world to that of The Lord of the Rings, and the fight choreography as "wonderful in its most minor details".[58] D. F. Smith enjoyed the series' painstaking backgrounds.[53] "Cricket" Te praised each episode's color palette and the choreography's combination of martial arts and magic.[61] Nick Hartel criticized the animation, although he found it an improvement over previous Nickelodeon shows.[34] Chris Mitchell called the animation fluid.[52] "Cricket" Te agreed, noting its manga influence.[61] According to Brittany Lovely, non-bender characters in battle are "overshadowed" by their bender counterparts.[50] Joe Corey called the animation's action and environments a "great achievement",[51] and Rob Keyes praised the series' fight choreography.[54] According to Kirk Hamilton, the action sequences in the series are amazing while being child-appropriate and exciting.[35]
Legacy
Avatar: The Last Airbender has become a cult classic and had a large impact in the 2010s on how networks viewed animated programs; subsequent children's shows would often blur the lines between youth and adult programming, featuring more adult themes.[65][66]
Multiple media publications have hailed Avatar as one of the best (animated) television series of all time.[67][3][68][69][70][71][72][73] In 2013, TV Guide included Avatar among the 60 greatest cartoon of all time list.[74] In 2018, Vanity Fair ranked the series as the 11th-best animated TV show.[75] IndieWire ranked Avatar at number 36 on its 2018 list of the "50 Best Animated Series Of All Time".[76]
The series experienced a resurgence in popularity following its addition to Netflix on May 15, 2020; it reached the number-one position on the platform's top series in the U.S. four days after release, and was the most-popular film or show for the week of May 14–21.[77] The series maintained a spot within Netflix's top ten series for a record-setting 60 days, the most of any show since the company debuted its list of top series in February 2020.[78] The series would become the most-streamed children's series on the platform for the year.[79] Both fans and co-creators Michael Dante DiMartino and Bryan Konietzko attributed Avatar's renewed popularity to its relevance to contemporary events, including the COVID-19 pandemic and racial unrest in the U.S., with DiMartino remarking: "The major issues in the stories—genocide, totalitarianism, systemic injustice, abuse—sadly, these have been pervasive issues throughout history and continue to be. The show is a reflection of our world. But now, we happen to be living through a time in which all these problems have been exacerbated."[80]
Awards and nominations
Year | Award | Category | Nominee | Status |
---|---|---|---|---|
2005 | Pulcinella Awards | Best Action Adventure TV Series | Avatar: The Last Airbender | Won[81] |
Best TV Series | Avatar: The Last Airbender | Won[81] | ||
2006 | 33rd Annie Awards | Best Animated Television Production | Avatar: The Last Airbender | Nominated[82] |
Storyboarding in an Animated Television Production | Lauren MacMullan for "The Deserter" | Won[82] | ||
Writing for an Animated Television Production | Aaron Ehasz and John O'Bryan for "The Fortuneteller" | Nominated[82] | ||
2007 | Nickelodeon Australian Kids' Choice Awards 2007 | Fave Toon | Avatar: The Last Airbender | Nominated[83] |
34th Annie Awards | Character Animation in a Television Production | Yu Jae Myung for "The Blind Bandit" | Won[84] | |
Directing in an Animated Television Production | Giancarlo Volpe for "The Drill" | Won[84] | ||
Genesis Awards | Outstanding Children's Programming | "Appa's Lost Days" | Won[85] | |
59th Primetime Emmy Awards | Outstanding Animated Program | "City of Walls and Secrets" | Nominated[86] | |
Outstanding Individual Achievement in Animation | Sang-Jin Kim for "Lake Laogai" | Won[87] | ||
2008 | 2008 Kids' Choice Awards | Favorite Cartoon | Avatar: The Last Airbender | Won[88] |
Annecy International Animated Film Festival | TV series | Joaquim Dos Santos for "The Day of Black Sun, Part 2: The Eclipse" | Nominated[89] | |
Peabody Awards | N/A | Avatar: The Last Airbender | Won[90] | |
13th Satellite Awards | Best Youth DVD | Book 3: Fire, Volume 4 | Nominated[91] | |
2009 | 36th Annie Awards | Best Animated Television Production for Children | Avatar: The Last Airbender | Won[92] |
Directing in an Animated Television Production | Joaquim Dos Santos for "Sozin's Comet, Part 3: Into the Inferno" | Won[92] | ||
Golden Reel Awards | Best Sound Editing: Television Animation | "Sozin's Comet, Part 4: Avatar Aang" | Nominated[93] | |
Nickelodeon Australian Kids' Choice Awards 2009 | Fave Toon | Avatar: The Last Airbender | Won[94] | |
2010 | Nickelodeon Australian Kids' Choice Awards 2010 | Top Toon | Avatar: The Last Airbender | Nominated[95] |
Otros medios
Books
Several books based on the show have been published. Dark Horse Comics published an art book titled Avatar: The Last Airbender – The Art of the Animated Series on June 2, 2010, with 184 pages of original art from the series.[96]
Comics
Several comic-book short stories were published in Nickelodeon Magazine, and Dark Horse published Avatar: The Last Airbender – The Lost Adventures—a collection of these and new comics—on June 15, 2011.[97]
Dark Horse published a graphic-novel series by Gene Yang that continues Aang's story after the Hundred Years' War. Avatar: The Last Airbender – The Promise, published in three volumes in 2012, explores the fate of the Fire Nation colonies that become The Legend of Korra's United Republic. This series was translated into Hebrew in 2016–2017.[98] A second set of three comic books, Avatar: The Last Airbender – The Search, focuses on Zuko and Azula, and the fate of their mother Ursa.[99] The second set was translated into Hebrew in 2018–2019.[100] The third set, Avatar: The Last Airbender – The Rift, shifts the focus to Aang, the creation of Republic City, and Toph's relationship with her family.[101] The Rift was followed by Avatar: The Last Airbender – Smoke and Shadow about a resistance force in the Fire Nation against Firelord Zuko, who at the end of the original series assumed the throne.[102] The fifth graphic novel was Avatar: The Last Airbender – North and South, which follows the events of Smoke and Shadow and is about Katara and Sokka returning to the Water Tribe to see various changes to their homeland.[103] The next graphic novel is titled Imbalance and was released in October 2018. The series explores the emerging conflict between the benders and non-benders that becomes the center for the conflict in the first season of the sequel, The Legend of Korra. Unlike the previous five books it was written by Faith Erin Hicks.[104]
Prequel novel series
A two-part young adult novel series focusing on Avatar Kyoshi written by F. C. Yee was published in July 2019 by Abrams Children's Books. The first book of the Kyoshi Novels is Avatar: The Last Airbender – The Rise of Kyoshi.[105] The second part in the series, titled The Shadow of Kyoshi, was released on July 21, 2020.[106]
Video games
A video-game trilogy based on the series has been released. The Avatar: The Last Airbender video game was released on October 10, 2006,[107] and Avatar: The Last Airbender – The Burning Earth was released on October 16, 2007.[108] Avatar: The Last Airbender – Into the Inferno was released on October 13, 2008.[109] Avatar: Legends of the Arena, a massively multiplayer online role-playing game (MMORPG) for Microsoft Windows, was released on September 15, 2008, by Nickelodeon. Players can create their own character and interact with other players around the world.[110] Avatar: The Last Airbender was THQ's bestselling Nickelodeon game in 2006 and was one of Sony CEA's Greatest Hits.[111] Aang and Zuko appear as skins for Merlin and Susano, respectively, in Smite.[112] Avatar: The Last Airbender characters and locations are featured in Nickelodeon Kart Racers 2: Grand Prix.[113]
Film adaptation
The series' first season was the basis of the 2010 live-action film The Last Airbender, which was written and directed by M. Night Shyamalan. It was intended as the first of a trilogy of films, each of which would be based upon one of the three television seasons. The film was universally panned for its writing, acting, whitewashed cast, and Shyamalan's direction; it earned a 5% approval rating on Rotten Tomatoes as well as five Razzies at the 31st Golden Raspberry Awards, including Worst Picture,[114][115][116] and some critics described it as one of the worst films ever made.[117][118][119] Although the film originally shared the title of the television series, the title The Last Airbender was used because producers feared it would be confused with James Cameron's film Avatar.[120] The Last Airbender stars Noah Ringer as Aang, Nicola Peltz as Katara, Jackson Rathbone as Sokka, Dev Patel as Zuko, and Shaun Toub as Iroh.[114]
Sequel series
The Legend of Korra, a sequel series to Avatar: The Last Airbender, premiered on Nickelodeon on April 14, 2012.[121] It was written and produced by Michael Dante DiMartino and Bryan Konietzko, the creators and producers of the original series.[122] The show was initially titled Avatar: Legend of Korra, then The Last Airbender: Legend of Korra; its events occur seventy years after the end of Avatar: The Last Airbender.[123] The series' protagonist is Korra, a 17-year-old girl from the Southern Water Tribe who is the incarnation of the Avatar after Aang's death.[121]
Live-action series remake
Netflix announced in September 2018 that a "reimagined" live-action remake of Avatar was to start production in 2019. The series' original creators, DiMartino and Konietzko, were to be the executive producers and showrunners.[4] The two said that they intended to adapt the series "with a culturally appropriate, non-whitewashed cast".[124] It was announced that Jeremy Zuckerman, who composed music for the original show, would also be returning to do the music for the remake.[125]
On August 12, 2020, Michael Dante DiMartino and Bryan Konietzko both revealed on their social media that they had departed the show due to creative differences.[126][127][128][129] In February 2021, Albert Kim was reported to have been brought on as the showrunner.[130]
Avatar Studios
On February 24, 2021, ViacomCBS announced Avatar Studios, a new division of Nickelodeon centered on developing animated series and films set in the Avatar universe, to be distributed via Nickelodeon's linear and digital services, Paramount+, theatres, and other third-party platforms. The division is helmed by original series creators DiMartino and Konietzko, who are its co-chief creative officers and report to Nickelodeon Animation president Ramsey Ann Naito.[131] In addition to this announcement, the company also stated the studio would begin production of an animated film sometime in 2021. Konietzko and DiMartino remarked that "with this new Avatar Studios venture we have an unparalleled opportunity to develop our franchise and its storytelling on a vast scale, in myriad exciting ways and mediums",[132] while ViacomCBS Kids & Family president Brian Robbins declared "Avatar: The Last Airbender and Korra have grown at least ten-fold in popularity since their original hit runs on Nickelodeon, and Ramsey Naito and I are incredibly excited to have Mike and Bryan's genius talent on board to helm a studio devoted to expanding their characters and world into new content and formats for fans everywhere".[131]
Merchandise
Merchandising for the series included action figures, a trading card game, three video games, stuffed animals distributed by Paramount Parks, and two Lego sets.
Avatar en la cultura de Internet
The Avatar franchise has led to many memes over the years, with a particular uptick coming from the Avatar the Last Airbender's arrival on Netflix.[133] The Google search term had a boom in mid-May 2020. This overlaps with the search term for the word “Avatar Netflix”.[134][135] An inside joke of the community is the Cabbage merchant. It is about a man who coincidentally meets Team Avatar with his cabbages in different cities in the earth kingdom, and his cabbages always get destroyed when they meet. The cabbage merchant eventually founded Cabbage Corp, a company that produces automobiles and other technologies.[136]
That’s rough buddy is one of the most famous quotes from Avatar and was said by Zuko to Sokka in the episode "The boiling rock part1".[137] Sokka had revealed to Zuko that his girlfriend Yue gave her life to become the moon spirit.[138][139]
Notas
- ^ JM Animation animated episodes #1–2, 4, 6, 9–10, all even numbered from 12–24, 26–27, all even numbered from 30–54, 57–58 and 60–61.
- ^ DR Movie animated episodes #3, 5, 7–8, all odd numbered from 11–25, 28–29 and all odd numbered from 31–39.
- ^ Moi Animation animated all odd numbered episodes from #41–53, 55–56 and 59.
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- ^ "Avatar Google trends". Google trends. Retrieved June 6, 2021.
- ^ "Neftlix Avatar Google Trends". Google Trends. Retrieved June 6, 2021.
- ^ "Cabbage Merchant". fandom. Retrieved June 6, 2021.
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enlaces externos
- Avatar: The Last Airbender at IMDb
- Avatar: The Last Airbender at the Big Cartoon DataBase