Midnight in Paris es una película de comedia dramática fantástica de 2011escrita y dirigida por Woody Allen . Ambientada en París, la película sigue a Gil Pender, un guionista , que se ve obligado a enfrentar las deficiencias de su relación con su prometida materialista y sus objetivos divergentes, que se vuelven cada vez más exagerados a medida que viaja en el tiempo cada noche a medianoche. [3] La película explora temas de nostalgia y modernismo .
Medianoche en París | |
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Dirigido por | Woody Allen |
Producido por |
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Escrito por | Woody Allen |
Protagonizada | |
Cinematografía | Darius Khondji |
Editado por | Alisa Lepselter |
producción empresas |
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Distribuido por | Sony Pictures Classics (Estados Unidos) Alta Films (España) [1] |
Fecha de lanzamiento |
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Tiempo de ejecución | 94 minutos [2] |
Países |
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Idioma | inglés |
Presupuesto | $ 17 millones [1] |
Taquilla | $ 154,1 millones [1] |
Producida por el grupo español Mediapro y la estadounidense Gravier Productions de Allen, la película está protagonizada por Owen Wilson , Rachel McAdams , Kathy Bates , Adrien Brody , Carla Bruni , Tom Hiddleston , Marion Cotillard y Michael Sheen . Se estrenó en el Festival de Cine de Cannes de 2011 y se estrenó en los Estados Unidos el 20 de mayo de 2011. [3] [4] La película se abrió a la aclamación de la crítica y es considerada una de las mejores películas de Allen en los últimos años. En 2012, ganó el premio de la Academia para el mejor guión original y el Globo de Oro por mejor guión . Fue nominada a otros tres premios de la Academia: Mejor Película , Mejor Director y Mejor Dirección de Arte . [5]
Gráfico
En 2010, Gil Pender, un guionista de Hollywood exitoso pero desilusionado , y su prometida Inez, están en París de vacaciones con los padres republicanos ricos de Inez . Gil está luchando por terminar su primera novela, centrándose en un hombre que trabaja en una tienda de nostalgia . Inez descarta su ambición como un soñador delirante y lo anima a seguir con la escritura de guiones lucrativa. Gil está considerando mudarse a París (que, para disgusto de su prometida, observa que es más hermoso bajo la lluvia). Inez tiene la intención de vivir en Malibú . Por casualidad, se les unen el amigo de Inez, Paul, a quien se describe como pedante y pseudointelectual, y su esposa Carol. Paul habla con gran autoridad pero con precisión cuestionable sobre los aspectos más destacados de París hasta el punto de incluso contradecir a un guía turístico en el Musée Rodin e insistir en que su conocimiento de las relaciones de Rodin es más preciso que el del guía. Inez lo adora; Gil lo encuentra molesto.
Una noche de cata de vinos emborracha a Gil y decide caminar por las calles de París para regresar al hotel; Inez se va con Paul y Carol en taxi. Se detiene para orientarse. A la medianoche, un automóvil de la década de 1920 se detiene a su lado y los pasajeros, vestidos con el guardarropa de la década de 1920, lo instan a unirse a ellos. Asistieron a una fiesta para Jean Cocteau a la que asistieron personas notables del París de la década de 1920: Cole Porter y su esposa Linda Lee Porter, y Zelda y Scott Fitzgerald . Zelda se aburre en la fiesta y anima a Scott y Gil a que se vayan con ella. Primero se dirigen a Bricktops donde ven a Josephine Baker bailando, y luego a un café, donde se encuentran con Ernest Hemingway y Juan Belmonte . Zelda se enoja cuando Hemingway dice que su novela era débil, y se dirige con Belmonte a St. Germain, seguida poco después por Scott, a quien no le gusta la idea de su esposa y el matador. Después de hablar sobre la escritura, Hemingway se ofrece a mostrarle la novela de Gil a Gertrude Stein . Cuando Gil sale del edificio para buscar su manuscrito en su hotel, descubre que ha regresado a 2010; el bar donde bebían los literatos de la década de 1920 es ahora una lavandería .
La noche siguiente, Gil quiere compartir con Inez su experiencia de viaje en el tiempo. Ella abandona a Gil antes de que el reloj marque la medianoche. En poco tiempo, vuelve el mismo coche; Gil se une a Hemingway en su camino a visitar a un amigo. Gil conoce a Gertrude Stein y a otros amigos en su apartamento: Pablo Picasso y su amante Adriana. Adriana y Gil se atraen instantáneamente el uno al otro. Stein lee en voz alta la primera línea de la novela: [6]
'Out of the Past' era el nombre de la tienda, y sus productos consistían en recuerdos: lo que era prosaico e incluso vulgar para una generación había sido transmutado por el mero paso de los años en un estado a la vez mágico y acampanado .
Adriana dice que está enganchada por estas pocas líneas y siempre ha sentido añoranza por el pasado, especialmente por la Belle Époque .
Gil continúa con su viaje en el tiempo durante las próximas dos noches. Inez no está impresionada con los bulevares y bistros y la desaparición de Gil. Su padre sospecha y contrata a un detective privado para que lo siga. Adriana tiene su tiempo con Picasso y Hemingway, y eventualmente con Gil, aunque él está en conflicto con su atracción por ella. Gil explica su conflicto a Salvador Dalí , Man Ray y Luis Buñuel , pero siendo surrealistas no ven nada extraño en su afirmación de haber venido del futuro, encontrándolo perfectamente normal.
Cada uno discute la imposibilidad de la relación de Gil con Adriana y, como artistas, qué obra de arte de cada uno podría surgir del romance. Gil luego le sugiere a Buñuel la trama de la película El ángel exterminador , que él no comprende.
Inez y sus padres viajan al Mont Saint Michel mientras Gil conoce a Gabrielle, una anticuaria y admiradora de la Generación Perdida . Él le compra un disco de gramófono de Cole Porter y luego encuentra el diario de Adriana de la década de 1920 en un puesto de libros junto al Sena , que revela que estaba enamorada de él. Al leer que ella soñaba con recibir un regalo de aretes de él y luego hacer el amor con él, Gil intenta robar un par de aretes de Inez para dárselo a Adriana, pero se ve frustrado por el temprano regreso de Inez a la habitación del hotel.
Gil compra pendientes para Adriana. Volviendo al pasado, la encuentra en una fiesta y le dice: "Siento que tienes sentimientos complicados por mí". La lleva a pasear, se besan y le da los pendientes. Mientras se los pone, un carruaje tirado por caballos baja por la calle y una pareja lujosamente vestida dentro del carruaje invita a Gil y Adriana a dar un paseo. El carruaje transporta a los pasajeros a la Belle Époque , una época que Adriana considera la Edad de Oro de París . Gil y Adriana van primero al París de Maxim , luego al Moulin Rouge, donde se encuentran con Henri de Toulouse-Lautrec , Paul Gauguin y Edgar Degas . Gil pregunta cuál creen que fue la mejor época, y los tres determinan que la mejor era el Renacimiento . A la emocionada Adriana se le ofrece un trabajo diseñando trajes de ballet y le propone a Gil que se queden, pero Gil, al observar que diferentes personas anhelan diferentes "edades de oro", tiene una epifanía y se da cuenta de que a pesar del encanto de la nostalgia, cualquier momento puede eventualmente. conviértase en un "presente" aburrido, así que es mejor abrazar su presente real. Adriana, sin embargo, decide quedarse en la década de 1890 y se separan.
Gil reescribe los dos primeros capítulos de su novela y recupera el borrador de Stein, quien elogia su progreso como escritor y le dice que a Hemingway le gusta, pero pregunta por qué el personaje principal no se ha dado cuenta de que su prometida (basada en Inez) está teniendo problemas. un romance con un carácter pedante (basado en Paul).
Gil regresa al 2010 y desafía a Inez. Ella admite haberse acostado con Paul, pero lo ignora como una aventura sin sentido. Gil rompe con ella y decide trasladarse a París. En medio del resentimiento de Inez, Gil se va tranquilamente, después de lo cual el padre de Inez le dice a ella y a su madre que hizo que Gil siguiera, aunque el detective ha desaparecido misteriosamente. Se revela que el detective se encontró en el Versalles de Luis XIV , y fue visto por última vez huyendo de los guardias del palacio en medio de amenazas de "¡Fuera de cabeza!"
Caminando por el Sena a la medianoche, Gil se encuentra con Gabrielle y, después de que comienza a llover, se ofrece a acompañarla a casa y descubren que comparten el amor por París bajo la lluvia.
Elenco
Reparto principal
- Owen Wilson como Gil Pender
- Rachel McAdams como Inez
- Marion Cotillard como Adriana
- Tom Hiddleston como F.Scott Fitzgerald
- Alison Pill como Zelda Fitzgerald
- Corey Stoll como Ernest Hemingway
- Adrien Brody como Salvador Dalí
- Kathy Bates como Gertrude Stein
- Michael Sheen como Paul Bates
- Nina Arianda como Carol Bates
- Carla Bruni como guía del museo
- Kurt Fuller como John, el padre de Inez
- Mimi Kennedy como Helen, la madre de Inez
- Léa Seydoux como Gabrielle
Reparto de apoyo
- Yves Heck como Cole Porter
- Sonia Rolland como Josephine Baker
- Daniel Lundh como Juan Belmonte
- Thérèse Bourou-Rubinsztein como Alice B. Toklas
- Marcial Di Fonzo Bo como Pablo Picasso
- Emmanuelle Uzan como Djuna Barnes
- Tom Cordier como Man Ray
- Adrien de Van como Luis Buñuel
- Serge Bagdassarian como el detective Duluc
- Gad Elmaleh como Detective Tisserant
- David Lowe como TS Eliot
- Yves-Antoine Spoto como Henri Matisse
- Laurent Claret como Leo Stein
- Vincent Menjou Cortes como Henri de Toulouse-Lautrec
- Olivier Rabourdin como Paul Gauguin
- François Rostain como Edgar Degas
- Karine Vanasse como mujer Belle Époque
- Michel Vuillermoz como rey en Versalles
- Catherine Benguigui como anfitriona de Maxim
- Audrey Fleurot como Partygoer
- Guillaume Gouix como Partygoer
—Woody Allen, en notas de producción sobre la película [7]
Esta es la segunda vez que McAdams y Wilson coprotagonizan como pareja; lo hicieron antes en Wedding Crashers de 2005 . Al comparar los dos roles, McAdams describe el de Midnight in Paris como mucho más antagónico que el de Wedding Crashers . [8] Allen tuvo grandes elogios por su actuación y la de su coprotagonista Marion Cotillard. [9] Cotillard fue elegido como el otro interés amoroso de Wilson, la carismática Adriana.
Carla Bruni , cantautora y esposa del ex presidente francés Nicolas Sarkozy , fue reclutada por Allen para un papel como guía de museo. [10] Hubo informes falsos de que Allen volvió a filmar las escenas de Bruni con Léa Seydoux , pero Seydoux rechazó estos rumores y reveló que tenía un papel completamente diferente en la película. [11] Allen también derribó informes de que una escena con Bruni requería más de 30 tomas: "Estoy consternado. Leí estas cosas y no podía creer lo que veía ... No son exageraciones, sino inventos desde cero. No es verdad." Continuó describiendo a Bruni como "muy profesional" e insistió en que estaba satisfecho con sus escenas, afirmando que "todos los fotogramas aparecerán en la película". [12] [13]
Producción
Escritura
Allen empleó un enfoque inverso al escribir el guión de esta película, construyendo la trama de la película alrededor de un título de película concebido, 'Medianoche en París'. [14] Las porciones de viajes en el tiempo de la historia de Allen evocan el París de la década de 1920 descrito en las memorias de Ernest Hemingway de 1964, publicadas póstumamente, A Moveable Feast , con los personajes de Allen interactuando con personajes como Hemingway, Gertrude Stein y F. Scott. y Zelda Fitzgerald , y usa la frase "una fiesta movible" en dos casos, con una copia del libro que aparece en una escena. Allen originalmente escribió el personaje de Gil como un intelectual de la costa este, pero lo reconsideró cuando él y la directora de reparto Juliet Taylor comenzaron a considerar a Owen Wilson para el papel. [7] "Pensé que Owen sería encantador y divertido, pero mi temor era que no fuera tan oriental en su personalidad", dice Allen. Allen se dio cuenta de que convertir a Gil en un californiano en realidad haría que el personaje fuera más rico, así que reescribió el papel y se lo envió a Wilson, quien accedió de inmediato a hacerlo. Allen lo describe como "un actor natural". [7] La configuración tiene ciertos puntos de la trama en común con la comedia británica de la década de 1990 Goodnight Sweetheart .
Filming
Principal photography began in Paris in July 2010.[15] Allen states that the fundamental aesthetic for the camera work was to give the film a warm ambience. He describes that he likes it (the cinematography), "intensely red, intensely warm, because if you go to a restaurant and you're there with your wife or your girlfriend, and it's got red-flecked wallpaper and turn-of-the-century lights, you both look beautiful. Whereas if you're in a seafood restaurant and the lights are up, everybody looks terrible. So it looks nice. It's very flattering and very lovely."[14] To achieve this he and his cinematographer, Darius Khondji, used primarily warm colors in the film's photography, filmed in flatter weather and employed limited camera movements, in attempts to draw little attention to itself. This is the first Woody Allen film to go through a digital intermediate, instead of being color timed in the traditional photochemical way. According to Allen, its use here is a test to see if he likes it enough to use on his future films.[16]
Allen's directorial style placed more emphasis on the romantic and realistic elements of the film than the fantasy elements. He states that he "was interested only in this romantic tale, and anything that contributed to it that was fairytale was right for me. I didn't want to get into it. I only wanted to get into what bore down on his (Owen Wilson's) relationship with Marion."[14]
- Locations
The film opens with a 3+1⁄2-minute postcard-view montage of Paris, showing some of the iconic tourist sites. Kenneth Turan of the Los Angeles Times describes the montage as a stylistic approach that lasts longer than necessary to simply establish location. According to Turan, "Allen is saying: Pay attention — this is a special place, a place where magic can happen."[17] Midnight in Paris is the first Woody Allen film shot entirely on location in Paris, though both Love and Death (1975)[18] and Everyone Says I Love You (1996)[19][unreliable source] were partially filmed there.
Filming locations include Giverny, John XXIII Square (near Notre Dame), Montmartre, Deyrolle, the Palace of Versailles, the Opéra, Pont Alexandre III, the Sacré-Cœur, the Île de la Cité itself, and streets near the Panthéon.[10]
Márketing
—Patrick Goldstein, Los Angeles Times
The film is co-produced by Allen's Gravier Productions and the Catalan company Mediapro[21] and was picked up by Sony Pictures Classics for distribution. It is the fourth film the two companies have co-produced, the others being Sweet and Lowdown, Whatever Works and You Will Meet a Tall Dark Stranger.
In promoting the film, Allen was willing to do only a limited amount of publicity at its Cannes Film Festival debut in May. Wilson was already committed to promoting Pixar's Cars 2, which opened in late June, several weeks after Allen's film arrived in cinemas. Due to these challenges and the relatively small ($10 million) budget for promotion, Sony Classics had to perform careful media buying and press relations to promote the film.[20]
The film's poster is a reference to Vincent van Gogh's 1889 painting The Starry Night.[22]
Lanzamiento
Box office
The film made its debut at the 2011 Cannes Film Festival on Wednesday May 11, when it opened the festival as a first screening for both professionals and the public;[23] it was released nationwide in France that same day, Wednesday being the traditional day of change in French cinemas.[24] It went on limited release in six theaters in the United States on May 20 and took $599,003 in the first weekend, spreading to 944 cinemas three weeks later, when it went on wide release.[1]
Midnight in Paris achieved the highest gross of any of Allen's films in North America, before adjusting for inflation. The film earned $56.3 million in North America, overtaking his previous best, Hannah and Her Sisters, at $40 million.[25] Documents from the Sony Pictures hack revealed the film turned a profit of $24 million.[26]
As of 2016, Midnight in Paris is the highest-grossing film directed by Woody Allen, with $151 million worldwide on a $17 million budget.[1]
Critical reception
Midnight in Paris received critical acclaim. On Rotten Tomatoes the film has an approval rating of 93%, based on 224 reviews, with an average rating of 7.81/10. The site's critical consensus reads, "It may not boast the depth of his classic films, but the sweetly sentimental Midnight in Paris is funny and charming enough to satisfy Woody Allen fans."[27] The film has received Allen's best reviews and score on the site since 1994's Bullets Over Broadway.[28] On Metacritic, the film has a score of 81 out of 100, based on 40 reviews, indicating "universal acclaim".[29]
The film received some generally positive reviews after its premiere at the 64th Cannes Film Festival. Todd McCarthy from The Hollywood Reporter praised Darius Khondji's cinematography and claimed the film "has the concision and snappy pace of Allen's best work".[30]
A. O. Scott of The New York Times commented on Owen Wilson's success at playing the Woody Allen persona. He states that the film is marvelously romantic and credibly blends "whimsy and wisdom". He praised Khondji's cinematography, the supporting cast and remarked that it is a memorable film and that "Mr. Allen has often said that he does not want or expect his own work to survive, but as modest and lighthearted as Midnight in Paris is, it suggests otherwise: Not an ambition toward immortality so much as a willingness to leave something behind—a bit of memorabilia, or art, if you like that word better—that catches the attention and solicits the admiration of lonely wanderers in some future time."[31]
Roger Ebert gave the film 3+1⁄2 stars out of 4. He ended his review thus:[32]
This is Woody Allen's 41st film. He writes his films himself, and directs them with wit and grace. I consider him a treasure of the cinema. Some people take him for granted, although Midnight in Paris reportedly charmed even the jaded veterans of the Cannes press screenings. There is nothing to dislike about it. Either you connect with it or not. I'm wearying of movies that are for "everybody" — which means, nobody in particular. Midnight in Paris is for me, in particular, and that's just fine with moi.
Richard Roeper, an American film critic, gave Midnight in Paris an "A"; referring to it as a "wonderful film" and "one of the best romantic comedies in recent years". He commented that the actors are uniformly brilliant and praised the film's use of witty one-liners.[33]
In The Huffington Post, Rob Kirkpatrick said the film represented a return to form for the director ("it's as if Woody has rediscovered Woody") and called Midnight in Paris "a surprising film that casts a spell over us and reminds us of the magical properties of cinema, and especially of Woody Allen's cinema."[34]
Midnight in Paris has been compared to Allen's The Purple Rose of Cairo (1985), in that the functioning of the magical realism therein is never explained. David Edelstein, New York, commended that approach, stating that it eliminates, "the sci-fi wheels and pulleys that tend to suck up so much screen time in time-travel movies." He goes on to applaud the film stating that, "this supernatural comedy isn't just Allen's best film in more than a decade; it's the only one that manages to rise above its tidy parable structure and be easy, graceful, and glancingly funny, as if buoyed by its befuddled hero's enchantment."[35]
Peter Johnson of PopCitizen felt that the film's nature as a "period piece" was far superior to its comedic components, which he referred to as lacking. "While the period settings of Midnight in Paris are almost worth seeing the film ... it hardly qualifies as a moral compass to those lost in a nostalgic revelry," he asserts.[36]
Joe Morgenstern of The Wall Street Journal acknowledged the cast and the look of the film and, despite some familiarities with the film's conflict, praised Allen's work on the film. He wrote, "For the filmmaker who brought these intertwined universes into being, the film represents new energy in a remarkable career.".[37]
Peter Bradshaw of The Guardian, giving the film 3 out of 5 stars, described it as "an amiable amuse-bouche" and "sporadically entertaining, light, shallow, self-plagiarising." He goes on to add that it's "a romantic fantasy adventure to be compared with the vastly superior ideas of his comparative youth, such as the 1985 movie The Purple Rose of Cairo."[38] In October 2013, the film was voted by the Guardian readers as the ninth best film directed by Woody Allen.[39]
More scathing is Richard Corliss of Time, who describes the film as "pure Woody Allen. Which is not to say great or even good Woody, but a distillation of the filmmaker's passions and crotchets, and of his tendency to pass draconian judgment on characters the audience is not supposed to like. ... his Midnight strikes not sublime chimes but the clangor of snap judgments and frayed fantasy."[40]
Quentin Tarantino named Midnight in Paris as his favorite film of 2011.[41]
The film was well received in France. The website Allocine (Hello Cinema) gave it 4.2 out of 5 stars based on a sample of twenty reviews.[24] Ten of the reviews gave it a full five stars, including Le Figaro, which praised the film's evocation of its themes and said "one leaves the screening with a smile on one's lips".[42]
Faulkner estate
The William Faulkner estate later filed a lawsuit against Sony Pictures Classics for the film's bit of dialogue, "The past is not dead. Actually, it's not even past," a paraphrasing of an often-quoted line from Faulkner's 1950 book Requiem for a Nun ("The past is never dead. It's not even past."), claiming that the paraphrasing was an unlicensed use of the estate. Faulkner is directly credited in the dialogue when Gil claims to have met the writer at a dinner party (though Faulkner is never physically portrayed in the film). Julie Ahrens of the Fair Use Project at the Stanford University's Center for Internet and Society was quoted as saying in response to the charge, "The idea that one person can control the use of those particular words seems ridiculous to me. Any kind of literary allusion is ordinarily celebrated. This seems to squarely fall in that tradition." Sony's response stated that they consider the action "a frivolous lawsuit".[43] In July 2013, a federal judge in Mississippi dismissed the lawsuit on fair use grounds.[44]
Accolades
Award | Category | Recipient(s) | Result |
---|---|---|---|
84th Academy Awards[45][46] | Best Picture | Letty Aronson, Stephen Tenenbaum | Nominated |
Best Director | Woody Allen | Nominated | |
Best Original Screenplay | Woody Allen | Won | |
Best Art Direction | Anne Seibel, Hélène Dubreuil | Nominated | |
Alliance of Women Film Journalists | Best Film | Nominated | |
Best Director | Woody Allen | Nominated | |
Best Screenplay Original | Woody Allen | Won | |
Best Ensemble Cast | Nominated | ||
Australian Academy of Cinema and Television Arts[47] | Best Film – International | Nominated | |
Best Direction – International | Woody Allen | Nominated | |
Best Screenplay – International | Woody Allen | Nominated | |
65th British Academy Film Awards[48][49] | BAFTA Award for Best Original Screenplay | Woody Allen | Nominated |
Bradbury Award[50] | Bradbury Award | Woody Allen | Nominated |
British Fantasy Awards[51] | British Fantasy Award for Best Screenplay | Woody Allen | Won |
Broadcast Film Critics Association Awards | Best Picture | Nominated | |
Best Original Screenplay | Woody Allen | Won | |
Best Comedy | Nominated | ||
Chicago Film Critics Association Awards | Best Original Screenplay | Woody Allen | Nominated |
2012 Comedy Awards | Comedy Film | Nominated | |
Comedy Actor | Owen Wilson | Nominated | |
Comedy Director | Woody Allen | Nominated | |
Comedy Screenplay | Woody Allen | Nominated | |
Directors Guild of America | Outstanding Directorial Achievement in Feature Film | Woody Allen | Nominated |
69th Golden Globe Awards | Best Motion Picture – Musical or Comedy | Nominated | |
Best Director | Woody Allen | Nominated | |
Best Actor – Motion Picture Musical or Comedy | Owen Wilson | Nominated | |
Best Screenplay | Woody Allen | Won | |
Goya Awards | |||
Best Original Screenplay | Woody Allen | Nominated | |
Grammy Awards[52] | Best Compilation Soundtrack For Visual Media | Won | |
Houston Film Critics Society Awards | Best Film | Nominated | |
Best Director | Woody Allen | Nominated | |
Best Screenplay | Woody Allen | Nominated | |
Independent Spirit Awards | Best Supporting Male | Corey Stoll | Nominated |
Best Cinematography | Darius Khondji | Nominated | |
National Society of Film Critics | Best Screenplay | Woody Allen | Nominated |
New York Film Critics Online | Best Film | Nominated | |
Online Film Critics Society | Best Original Screenplay | Woody Allen | Won |
Producers Guild of America Awards | Best Theatrical Motion Picture | Letty Aronson, Stephen Tenenbaum | Nominated |
Satellite Awards | Best Film | Nominated | |
Best Director | Woody Allen | Nominated | |
Best Supporting Actress | Rachel McAdams | Nominated | |
Screen Actors Guild Awards | Outstanding Performance by a Cast in a Motion Picture | Nominated | |
Washington D.C. Area Film Critics Association | Best Director | Woody Allen | Nominated |
Best Original Screenplay | Woody Allen | Won | |
Writers Guild of America Awards | Original Screenplay | Woody Allen | Won |
11th Grande Prêmio Brasileiro de Cinema | Best Foreign Film | Woody Allen | Won |
Home media
The soundtrack was released on December 9, 2011, and released on Blu-ray and DVD on December 20, 2011.[53]
Referencias
- ^ a b c d e "Midnight in Paris". Box Office Mojo. Retrieved July 5, 2012.
- ^ "Midnight In Paris (12A)". British Board of Film Classification. September 2, 2011. Retrieved January 10, 2012.
- ^ a b "Kathy Bates, Michael Sheen join 'Paris'". The Hollywood Reporter. April 22, 2010. Retrieved July 29, 2010.
- ^ "Adrien Brody Enjoys Midnight In Paris". Empire (May 17, 2010). Retrieved March 18, 2011.
- ^ "Nominees and Winners for the 84th Academy Awards". Academy of Motion Picture Arts and Sciences. February 27, 2012. Retrieved February 27, 2012.
- ^ "Midnight in Paris: Woody Allen". No Ripcord. December 24, 2011. Retrieved February 9, 2012.
- ^ a b c Allen, Woody (November 22, 2010). "Production notes about the film". Sony Pictures Classics. Retrieved October 29, 2011.
- ^ "Press Kit" (PDF). Sony Pictures Classics. Retrieved October 29, 2011.
- ^ "Midnight In Paris: Behind the Scenes with Woody Allen". May 24, 2011. Retrieved 2011-10-29
- ^ a b "Carla Bruni-Sarkozy makes acting debut with Woody Allen". France 24. Associated Press. July 29, 2010. Retrieved July 29, 2010.
- ^ "Carla Bruni not fired from Woody Allen film". The Hollywood Reporter. September 9, 2010. Retrieved June 11, 2011.
- ^ "Woody Allen defends Carla Bruni". The Daily Telegraph (August 22, 2010). Retrieved June 11, 2011.
- ^ Leffler, Rebecca (July 13, 2010). "French comedians added to Woody Allen cast". The Hollywood Reporter. Retrieved March 18, 2011.
- ^ a b c "The Beloved Director Spends 'Midnight in Paris' with Stars Owen Wilson & Rachel McAdams". buzzinefilm.com. Archived from the original on November 16, 2011. Retrieved October 29, 2011.
- ^ "Woody Allen starts Paris shoot with Carla in the wings". Agence France-Presse. July 5, 2010. Retrieved October 29, 2011.
- ^ Goldman, Michael. "Vilmos and Woody, Together Again". American Cinematographer. American Society of Cinematographers. Retrieved August 8, 2012.
- ^ "Movie review: 'Midnight in Paris'". Kenneth Turan. May 20, 2011. Los Angeles Times. Retrieved 2011-10-29.
- ^ "Filming locations for 'Love and Death' (1975)". Internet Movie Database. Retrieved July 29, 2010.
- ^ "Filming locations for 'Everyone Says I Love You' (1996)". Internet Movie Database. Retrieved July 29, 2010.[unreliable source]
- ^ a b Goldstein, P. (July 12, 2011). "How marketing magic helped make 'Midnight in Paris' a summer hit". Los Angeles Times. Retrieved October 29, 2011.
- ^ Vivarelli, Nick (August 7, 2010). "Euro artfilm producers hunker down". Variety. Retrieved June 11, 2011.
- ^ Buckeridge J. (March 18, 2011). "Colourful Poster for Woody Allen's 'Midnight in Paris'". AtTheCinema. Retrieved July 5, 2012.
- ^ Leffler, Rebecca (February 2, 2011). "Woody Allen's Midnight in Paris to Open Cannes Film Festival". The Hollywood Reporter. Retrieved February 2, 2011.
- ^ a b Minuit à Paris allocine.fr Retrieved 05-04-2012.(in French)
- ^ McClintock, Pamela (2011-07-16). "Midnight in Paris Becomes Woody Allen's Top Film of All Time in North America". The Hollywood Reporter. Retrieved 2011-07-18.
- ^ "Physical Year End 2013-Budget Presentation". WikiLeaks. March 16, 2012. Retrieved May 18, 2020.
- ^ Midnight in Paris (2011). Rotten Tomatoes. Retrieved July 1, 2020.
- ^ "Woody Allen". Rotten Tomatoes. Retrieved November 6, 2011.
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enlaces externos
- Official website (US)
- Official website (France)
- Jonathan Jones: "Midnight in Paris: a beginner's guide to modernism" The Guardian, October 11, 2011.
- Midnight in Paris at IMDb
- Midnight in Paris at AllMovie
- Midnight in Paris at Box Office Mojo
- Midnight in Paris at Metacritic
- Midnight in Paris at Rotten Tomatoes
- Midnight in Paris at Sony Pictures Classics
- Midnight in Paris at the TCM Movie Database
- Midnight in Paris at The Numbers