The Truth About Love es el sexto álbum de estudio de la cantante y compositora estadounidense Pink . Fue lanzado el 14 de septiembre de 2012 a través de RCA Records . Después de dar a luz a su primer hijo en 2011, Pink comenzó a trabajar en el álbum con su colaborador Billy Mann . Con la esperanza de involucrarse más en la producción del álbum, también se reunió con Greg Kurstin y Butch Walker . Las sesiones de grabación se llevaron a cabo entre enero y mayo de 2012. The Truth About Love es principalmente undisco pop e incluye elementos de electropop , dance-pop y música rock.. Sus letras exploran temas de amor, monogamia y sexualidad, como lo demuestra el título del álbum. Las canciones del álbum expresan varias perspectivas hacia el romance y profundizan en las realidades de las relaciones a largo plazo. Cuenta con apariciones especiales de Eminem , Lily Allen y Nate Ruess .
La verdad sobre el amor | ||||
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Álbum de estudio de Rosa | ||||
Liberado | 14 de septiembre de 2012 | |||
Grabado | Enero-mayo de 2012 | |||
Estudio | Varios
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Género | Música pop | |||
Largo | 50 : 49 | |||
Etiqueta | RCA | |||
Productor | ||||
Cronología rosa | ||||
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Solteros de La verdad sobre el amor | ||||
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El álbum recibió críticas generalmente positivas de los críticos musicales , quienes elogiaron la dirección temática y musical de Pink. Animado por un extenso marketing, The Truth About Love fue un éxito comercial, encabezando las listas de éxitos en ocho países, incluidos Australia, Canadá, Alemania y Suecia. En los Estados Unidos, se convirtió en el primer álbum número uno de Pink en la lista Billboard 200 y luego fue certificado triple platino por la Recording Industry Association of America (RIAA) por ventas de tres millones de unidades equivalentes a álbumes . En Australia, The Truth About Love se convirtió en el primer álbum en encabezar la lista de fin de año durante dos años consecutivos y fue certificado nueve veces platino por la Asociación Australiana de la Industria de la Grabación (ARIA). Fue clasificado como el séptimo álbum más vendido de 2012, con ventas de 2.6 millones de copias vendidas en todo el mundo. Para 2016, el álbum había vendido más de siete millones de copias en todo el mundo.
Se lanzaron seis pistas del álbum como singles . " Blow Me (One Last Kiss) ", el sencillo principal del álbum , fue lanzado el 2 de julio de 2012 y alcanzó el puesto número cinco en el Billboard Hot 100 de Estados Unidos . El segundo sencillo, " Try ", alcanzó la posición de los diez primeros en varios países del mundo, incluidos Australia, Canadá, Alemania, Reino Unido y Estados Unidos. Le siguió " Just Give Me a Reason ", que encabezó las listas de éxitos en más de diez países en todo el mundo y se convirtió en el cuarto sencillo número uno de Pink en el Billboard Hot 100. " True Love " se ubicó moderadamente en varios países, mientras que el resto del álbum los sencillos, " Walk of Shame " y "Are We All We Are", tuvieron un lanzamiento limitado. El álbum se promocionó aún más a través de The Truth About Love Tour (2013-2014), que recaudó $ 183 millones una vez finalizado. The Truth About Love fue nominada a Mejor Álbum Vocal Pop en la 55ª Entrega Anual de los Premios Grammy .
Antecedentes y desarrollo
En noviembre de 2010, Pink lanzó su primer álbum de grandes éxitos , titulado Greatest Hits ... So Far !!! . [1] El álbum generó dos sencillos, " Raise Your Glass " y " Fuckin 'Perfect ", que alcanzaron el éxito comercial, alcanzando el número uno y el número dos, respectivamente, en el Billboard Hot 100 de EE . UU . [2] [3] El 2 de junio de 2011, Pink dio a luz a su primer hijo, una hija llamada Willow Sage Hart. [4] A pesar de las especulaciones de los medios de que Pink se tomaría un descanso prolongado de la música para centrarse en la maternidad, su equipo de gestión sugirió en una entrevista con American Top 40 que la cantante podría lanzar un nuevo álbum el próximo año. [5]
En marzo de 2012, Pink confirmó a través de Twitter que había comenzado a trabajar en su sexto álbum de estudio. [6] En una carta abierta a sus fans publicada en su sitio web oficial, detalló el proceso de elaboración del disco, diciendo: "Estoy poniendo mi corazón y mi alma en cada canción y hay mucho de eso en estos días. Este pequeño chica me ha expandido y lo que soy capaz de sentir como humano ”. [7] Pink apareció más tarde en la portada de Cosmopolitan en junio de 2012. [8] Mientras discutía su regreso a la escena musical, Pink reveló que el álbum estaba programado para ser lanzado durante el otoño del mismo año, y que ella trabajó en nueva música con Billy Mann , entre otros. [8] Ella agregó: "He estado en modo mami y estoy empezando a volver al mundo real. Estuve en el estudio grabando mi nuevo álbum, así que ahora parece que todo está cayendo de nuevo en su lugar ". [8]
Escritura y grabación
El proceso de desarrollo de The Truth About Love tuvo lugar entre enero y mayo de 2012. [9] Pink grabó el álbum en sesiones en Earthstar Creation Center en Venecia , Conway Recording Studios en Los Ángeles , Suite 203 y The Modern Dirt Laboratories en Londres. Reino Unido . [10] Antes de comenzar a trabajar en el álbum, Pink contempló cómo equilibrar con éxito su carrera musical y ser madre. [11] En una entrevista para Rolling Stone , explicó: "En cada álbum, me preocupa que sea una idiota y una fraude. ¿Qué pasa si no puedo cantar más? Entonces dejo de pensar y empiezo a tocar la guitarra, y Me doy cuenta de que está bien chupar y seguir adelante ". [12] Si bien sus álbumes anteriores fueron creados trabajando todos los días hasta la madrugada, Pink dijo que convertirse en madre ha cambiado el proceso de hacer música, esencialmente cumpliendo con una rutina estricta. [13] Por lo tanto, las sesiones de grabación se realizaron solo de lunes a viernes entre las 13.00 y las 22.00 horas, con descansos para amamantar a su hija y cenar. Los fines de semana estaban libres y dedicados al tiempo en familia. [11] [14]
Para The Truth About Love , Pink contó con la ayuda de sus colaboradores de toda la vida, Billy Mann, Butch Walker y Max Martin , así como de los colaboradores por primera vez Jeff Bhasker y Dan Wilson . [16] Pink recordó que comenzó a trabajar en el álbum como "un experimento", y se reunió por primera vez con Mann porque se sentía segura en una "zona sin vergüenza" con él. [17] [18] También se reunió con el productor de discos Greg Kurstin , con quien la cantante no había colaborado desde su cuarto álbum de estudio, I'm Not Dead (2006). Al notar que compartían una gran camaradería, Pink sintió que Kurstin se alinearía con sus ideas musicales y elevaría su producción y musicalidad. [19] Aproximadamente 40 canciones fueron escritas durante el proceso de desarrollo del álbum; Pink dijo que escribiría ideas para canciones en su diario. [17] La canción principal fue la canción que le hizo darse cuenta de que el proyecto estaba tomando una forma definida y tenía un tema coherente de amor. [18] [20]
Pink se inspiró para escribir canciones en las diversas emociones que había experimentado en su "búsqueda agotadora" de amor, así como en el año en que ella y su esposo Carey Hart se separaron, admitiendo que "todavía estaba exorcizando algunos demonios". [18] [21] Al explicar su proceso de escritura, Pink le dijo a Daily News que el disco refleja su vida en ese momento y su nueva felicidad, inspirada por la maternidad. Ella continuó: "Todo es una canción. Es mucho más divertido. [...] Creo que eso es algo nuevo para mí. Me estaba divirtiendo mucho más que antes". [22] También buscó incorporar más musicalidad y elevar el listón para sí misma, estando más interesada en los aspectos de producción. [12] [22] Kurstin consideró que el proceso creativo no fue difícil porque Pink compondría letras rápidamente una vez que se sintiera inspirada, comparando su ética de trabajo con una corriente de conciencia . [22] [15] Cada día que pasaba en el estudio resultaba en la finalización de una nueva canción, y Pink grababa sólo "una o dos tomas", que, según Kurstin, eran "normalmente increíbles". [22]
Cada canción del álbum fue coescrita por Pink, con la excepción de " Try ", [19] que fue escrita por Michael Busbee y Ben West, y originalmente grabada en 2010 por su antigua banda GoNorthToGoSouth. [23] Más tarde lanzaron "Try" a Rani Hancock, un ejecutivo de A&R de RCA Records , con la esperanza de darle la canción a Kelly Clarkson o Daughtry . Adam Lambert también grabó una versión demo , pero según Busbee, "simplemente no era el adecuado". [24] Después de escucharlo en una reunión de sello discográfico, el director de RCA acordó presentarle la canción a Pink. Pink aceptó la oferta de grabar "Try", que Busbee dijo que "era una de las primeras canciones externas que había grabado en mucho tiempo". [24] El concepto de " Just Give Me a Reason " se desarrolló durante una sesión de composición con Bhasker y Nate Ruess . [25] Bhasker fue presentado a Pink por Peter Edge , un ejecutivo de RCA Records. Pink se acercó a Ruess porque estaba cautivada por su voz "intensa e increíble". [26] [27] Después de que se escribió el primer verso, Pink trabajó en la letra en casa. Se imaginó que la naturaleza conversacional de la canción exigía otro colaborador y seleccionó a Ruess como vocalista invitada. [27] Sin embargo, se mostró ambivalente acerca de cantar a dúo con Pink porque solo grabó una demo para la pista. [25] [28] No obstante, Pink persuadió a Ruess de grabar "Just Give Me a Reason" a dúo después de "muchos, muchos meses de convencer". [28] Ella concluyó; "Lo engañé totalmente para que lo hiciera y estoy muy contento de haberlo hecho porque nadie podría haberlo hecho mejor, y creo que ahora está muy contento de haberlo hecho". [27]
Interpretación musical y lírica
Descripción general
The Truth About Love se ha caracterizado como un álbum pop [29] [30] que incorpora elementos de electropop , dance-pop y música rock . [31] [32] [33] El álbum se compone principalmente de canciones pop "chillonas" con "ganchos de radio" y baladas poderosas confesionales . [29] [34] [35] Según Jon Pareles de The New York Times , la instrumentación del álbum hace uso de " ritmos de baile , guitarras de rock , himnos de piano, orquestas de cuerdas y loops de hip-hop ". [36] Pink describió The Truth About Love como un disco personal de rock and roll sobre relaciones monógamas y diferentes perspectivas hacia el amor, incluyendo "oscuro, claro, feliz [y] triste", así como "explorar cuánto puede doler y cuánto puede sentirse bien ". [27] [37] [38] Los contenidos líricos del álbum se centran en los temas recurrentes de Pink como el amor, el sexo, la autosuficiencia, las relaciones a largo plazo y la rebelión. [31] [32] The Truth About Love es un cambio marcado en el estilo vocal de Pink; había dejado de fumar y había ampliado su rango vocal superior en una octava. [39]
Stephen Thomas Erlewine de AllMusic señaló que el álbum exploró más "emociones adultas" y Pink "abrazando cada una de sus contradicciones". [29] Kyle Anderson de Entertainment Weekly comentó el concepto del álbum de expresar el lado oscuro del amor con "ira justa [e] irreverencia", [34] mientras que Sarah Godfrey de The Washington Post identificó sus pistas como "canciones de amor agresivas y de actitud". . [40] Mesfin Fekadu de Associated Press resumió The Truth About Love como una "montaña rusa de emociones", comparando el álbum con "ver un reality show sobre los altibajos de su relación con su marido". [41] De manera similar, Christina Lee de Idolator sugirió que el álbum documentaba la separación de Pink de su esposo durante un año y su tumultuosa relación en general, señalando que la cantante se dio cuenta de que "el amor de tu vida también puede causar la angustia de tu vida". [42]
Análisis de canciones
El álbum se abre con "Are We All We Are", una canción de protesta que se empodera a sí misma [16] [44] con instrumentación de "tambores chocando", teclados y sintetizadores desorientados . [35] [45] Según Diane Anderson-Minshall de The Advocate , letras como "Somos la gente de la que nunca obtendrás lo mejor" están inspiradas en la desigualdad económica y el movimiento Occupy Wall Street . [46] Descrito como un himno de ruptura , [47] La siguiente pista, " Blow Me (One Last Kiss) ", es una canción electropop alegre con " riffs de rock al estilo de Modest Mouse " y "guitarras ágiles". [44] [43] [48] La canción hizo comparaciones con " Stronger (What Doesn't Kill You) " de Kelly Clarkson por tener un sonido similar; ambas canciones fueron producidas por Kurstin. [47] [49] La tercera pista, "Try", es una poderosa balada influenciada en los 80 sobre una relación dañada y tomar riesgos con el amor. [16] [35] [46] Le sigue "Just Give Me a Reason", un dueto con Nate Ruess. La letra encuentra a Pink suplicando a un compañero mientras se esfuerzan por permanecer juntos. [33] [30]
La quinta pista del álbum, " True Love ", es una canción humorística de ska-pop y pop-rock , con la voz invitada de Lily Allen . [50] [51] Líricamente, se ha descrito como "una celebración del amor disfuncional" y vuelve a contar aspectos de la desenfrenada relación de Pink. [34] [35] Un tema de glam rock y blues inspirado en los setenta , "¿Cómo es que no estás aquí?" muestra el lado furioso de Pink con una pareja que puede estar enamorada de otra persona. [16] [36] Contiene voces distorsionadas, guitarras en capas y campanas tocadas por la hija de Pink, Willow. [46] [14] "Slut Like You" es una canción de electroclash cuya letra irónica habla sobre el empoderamiento femenino y la posesión de la propia sexualidad. [46] [43] [52] Los críticos encontraron similitudes entre la pista y el sencillo de Blur de 1997, " Song 2 ", así como referencias a la película de drama criminal estadounidense de 1983 , Scarface . [16] [32] [36] La siguiente pista de The Truth About Love es la canción principal, una canción retro con influencia de los sesenta. [29] [53] Su tema se centra en las realidades de una relación a largo plazo. [45]
"Beam Me Up" es una balada acústica sobre tomar un descanso de la realidad y anhelar estar con alguien que ha muerto. [16] [52] Pink reveló que la canción fue escrita "a través de muchas lágrimas" y fue inspirada por un amigo cercano cuyo hijo había muerto. [9] La décima pista, " Walk of Shame ", es un himno de la nueva ola sobre la vergüenza y el arrepentimiento de la mañana después de una aventura de una noche . [36] Descrito como un "banger de club alternativo", "Here Comes the Weekend", con influencias de baile, incluye voces invitadas de Eminem . La canción gira en torno a soltarse en una fiesta, mientras canta en el coro, "Aquí viene / Llega el fin de semana escúchalo llamando como una sirena / No buscamos problemas / Solo lo suficiente para ver doble". [54] [55] Le sigue "Where Did the Beat Go?", Una canción de R&B a medio tiempo con batería militar y voces de varias capas. [16] [36] Sus letras muestran a un Pink vulnerable cuestionando una relación que se desmorona y ya no se siente deseada. [16] [36] La última canción del álbum de la edición estándar, "The Great Escape", es una balada de piano. Sus letras sombrías exploran temas de medicación, atravesar momentos difíciles y contemplar el suicidio. [16] [56]
La versión de lujo de The Truth About Love continúa con la pista "My Signature Move", un himno pop-rock producido por Walker, [10] [57] mientras que "Is This Thing On?" contiene influencias de cuatro en el suelo . [16] La siguiente canción es "Run", una poderosa balada emocional dedicada a la hija de Pink, con letras como las líneas iniciales, "Recuerda, hazme creer en ti / Todas las cosas que dije que haría / No haría daño tú, como el mundo me hizo / Te mantendría a salvo, te mantendría dulce ". [16] [20] La pista final de la edición de lujo, "Good Old Days", se caracteriza por un mensaje "refrescante, vivo en el momento" y letras melancólicas. [16] [57]
Lanzamiento e ilustraciones
En 2011, RCA Music Group anunció que disolvería Jive Records , Arista y J Records . Con el cierre, todos los artistas previamente firmados con esos sellos, incluido Pink, lanzarían su material futuro a través de RCA Records. [58] Pink anunció el título del álbum durante una entrevista en Australia's Today el 4 de julio de 2012. [38] Al día siguiente, confirmó la fecha de lanzamiento del álbum el 17 de septiembre de 2012 en el Reino Unido y un día después en el Reino Unido. Estados. [59] La obra de arte del álbum se dio a conocer a través del sitio web oficial de Pink el 16 de julio de 2012. [60] Fotografiado por Andrew Macpherson, [10] muestra a la cantante con su "firma" cabello rosado agachado y vistiendo un top corto negro, corto pantalones cortos negros, ligas y tacones rojos. [60] [61] [62]
El 4 de septiembre de 2012, Pink anunció que se asoció con la empresa minorista estadounidense Target para una campaña promocional. [63] La asociación incluyó el lanzamiento de una edición de lujo exclusiva del álbum The Truth About Love , con cuatro pistas adicionales, y Pink apareció en comerciales de televisión para Target para promover el álbum. [63] [64] Una edición especial para fans del álbum fue lanzada en noviembre de 2012. [10] Además de la versión estándar del álbum, la edición para fans contiene seis canciones adicionales, así como un DVD con los videos musicales de "Blow Me (One Last Kiss)" y "Try", cuatro presentaciones en vivo de un concierto especial de The Truth About Love celebrado en Los Ángeles, y escenas exclusivas de la sesión de fotos del álbum. [10]
Promoción
Espectáculos en vivo
Para impulsar las ventas de álbumes, Pink y RCA Records implementaron un extenso plan de marketing para el álbum. [65] En los MTV Video Music Awards 2012 , Pink dio la primera presentación televisada de "Blow Me (One Last Kiss)", [66] que también actuó el 10 de septiembre de 2012, en The Ellen DeGeneres Show y Le Grand Journal. . [67] [68] Tres días después, Pink cantó en el Festival de iTunes de 2012 en Roundhouse , en Londres. [69] El 14 de septiembre de 2012, Pink apareció en Alan Carr: Chatty Man , donde fue entrevistada y realizó "Blow Me (One Last Kiss)". [70] Simultáneamente con el lanzamiento del álbum en Alemania, Pink celebró un concierto especial en Circus Krone , en Munich . [71] Las canciones interpretadas incluyeron "Are We All We Are", "¿Cómo es que no estás aquí?", "True Love", "Try", "Blow Me (One Last Kiss)" y "Slut Like You". , junto con otros temas de su discografía. [72] [73] Más tarde interpretó "Blow Me (One Last Kiss)" y "Try" en Today como parte de su Toyota Concert Series. [74] Pink también apareció en The View y The Daily Show cantando "Blow Me (One Last Kiss)". [57] [75] Más tarde, ese mismo mes, la cantante actuó en el iHeartRadio Music Festival 2012 , donde su lista de canciones incluía "Blow Me (One Last Kiss)" y "Try". [76]
En Australia, Pink promovió The Truth About Love interpretando "Blow Me (One Last Kiss)" y "True Love" en Today . [77] También interpretó "Try" durante la cuarta temporada de The X Factor Australia [78] y realizó un concierto de una sola noche en el Forum Theatre , en Melbourne . [79] El 12 de noviembre de 2012, actuó durante el concierto benéfico "Power of Pink" en Sony Pictures Studios , cantando sus sencillos anteriores, así como "How Come You're Not Here?", "Try" y "Blow Yo (un último beso) ". [80] Un día después, Pink apareció en un episodio de VH1 Storytellers . [81] Su lista de canciones incluía "Blow Me (One Last Kiss)", "How Come You're Not Here?", Y Lily Allen y Nate Ruess la acompañaron en el escenario durante las actuaciones de "True Love" y "Just Dame una razón ", respectivamente. [82] En los American Music Awards de 2012 , Pink interpretó "Try" y recreó la rutina altamente coreografiada del video musical junto a su bailarín, Colt Prattes . [83] La actuación fue recibida con críticas positivas de los críticos. [84] [85]
Pink luego regresó a Europa para promover aún más el álbum. El 30 de noviembre de 2012, Pink tocó en un concierto privado organizado por NRJ en la Salle Wagram de París, Francia. [86] Al día siguiente, apareció en el programa de televisión suizo Benissimo y cantó "Try". [87] Pink interpretó la canción nuevamente en la semifinal de la novena temporada de The X Factor UK . [88] El 8 de diciembre de 2012, interpretó "Try" en el programa de televisión alemán Wetten, dass ..? , acompañado de Prattes. [89] El cantante fue uno de los artistas principales de la edición de 2012 de Jingle Bell Ball , un evento anual promovido por Capital FM , que tuvo lugar en el O 2 Arena de Londres. [90] Entre las canciones interpretadas se encuentran "Blow Me (One Last Kiss)" y "Try". [90] Más tarde interpretó "Try" en The Graham Norton Show , en una aparición emitida el 31 de diciembre de 2012. [91] En la 56ª Entrega Anual de los Premios Grammy el 26 de enero de 2014, Pink interpretó un popurrí de "Try" y " Sólo dame una razón". [92] Pink descendió del techo con cuerdas e interpretó "Try" mientras volaba por encima de la audiencia y ejecutaba una rutina de baile aéreo. [93] [94] Luego aterrizó en el escenario y cantó "Just Give Me a Reason" acompañada por Nate Ruess. [93]
Individual
El sencillo principal del álbum, "Blow Me (One Last Kiss)", fue lanzado el 2 de julio de 2012, una semana antes de lo previsto debido a una demostración que se filtró en Internet. [95] Recibió comentarios positivos de críticos musicales ; los críticos felicitaron la voz de Pink y el coro del himno de la canción, siendo anunciado como un regreso a la forma. [47] [49] El sencillo encabezó las listas de Australia y Hungría mientras alcanzaba el puesto número cinco en el Billboard Hot 100 . [96] Un video musical adjunto, dirigido por Dave Meyers , fue lanzado el 26 de julio de 2012. [97] Representa a Pink tomando venganza y rompiendo la boda de un ex amante. [98] [99]
"Try" fue lanzado como el segundo sencillo del álbum el 6 de septiembre de 2012. [100] La canción alcanzó el estatus de los diez primeros en los Estados Unidos y otros 15 países, incluidos Australia, Canadá, Alemania y el Reino Unido. [96] Su video musical fue dirigido por Floria Sigismondi y coreografiado por GoldenBoyz y Sebastien Stella . [101] Lanzado el 10 de octubre de 2012, el video retrata a Pink y su amante, interpretados por Prattes, expresando su intensa historia de amor y frustraciones a través de una elaborada coreografía inspirada en la danza Apache . [102] [103]
"Just Give Me a Reason" fue lanzado como el tercer sencillo del álbum, el 26 de febrero de 2013. [104] La canción fue un éxito comercial, encabezando las listas en más de diez países y alcanzando los diez primeros en otros lugares. [96] En los Estados Unidos, "Just Give Me a Reason" pasó tres semanas consecutivas en el número uno en la lista Billboard Hot 100, convirtiéndose en el cuarto sencillo número uno de Pink en el país. [105] El video musical que lo acompaña, dirigido por Diane Martel , está ambientado principalmente en un colchón flotante rodeado de niebla y agua y presenta un cameo del esposo de Pink. [106] [107]
El cuarto sencillo del álbum, "True Love", fue lanzado el 28 de junio de 2013. [108] La canción tuvo un desempeño moderado en las listas, alcanzando su punto máximo dentro de las 40 listas principales en más de 15 países, incluidos Australia, Canadá e Italia. [96] El 1 de julio de 2013 se lanzó un video musical que muestra escenas de Pink jugando, peleando y andando en bicicleta con su familia, intercaladas con clips de una actuación de la gira. [109] "Walk of Shame" se realizó en Australia. estaciones de radio de éxito contemporáneo el 25 de septiembre de 2013, como el quinto sencillo del álbum. [110] El video musical de la canción consiste en una compilación de un concierto y metraje detrás de escena de The Truth About Love Tour . [111] En Europa, "Are We All We Are" fue lanzado como el último sencillo de The Truth About Love el 31 de octubre de 2013. [112] [113]
Excursión
El álbum recibió más promoción de The Truth About Love Tour, que comenzó el 13 de febrero de 2013 en Phoenix, Arizona . [114] La primera etapa consistió en 26 fechas, visitando lugares en América del Norte, [115] mientras que la segunda fila de espectáculos comprendió 30 conciertos en toda Europa. [116] La tercera etapa incluyó 46 fechas en Australia y se desarrolló de junio a septiembre. [117] Pink tocó 40 shows adicionales en Norteamérica, que comenzaron el 10 de octubre de 2013 y concluyeron el 31 de enero de 2014. [118] [119] La gira obtuvo críticas positivas, y los críticos elogiaron su voz, presencia en el escenario, y acrobacias aéreas. [120] [121] [122] Se convirtió en la tercera gira más taquillera de 2013 y recaudó un total de $ 183 millones con más de 1,9 millones de entradas vendidas. [123] [124] Un álbum de video de la gira fue lanzado el 15 de noviembre de 2013, como DVD, Blu-ray y descarga digital. [125]
Recepción de la crítica
Puntuaciones agregadas | |
---|---|
Fuente | Clasificación |
AnyDecentMusic? | 6,3 / 10 [126] |
Metacrítico | 77/100 [127] |
Revisar puntuaciones | |
Fuente | Clasificación |
Toda la música | [29] |
El AV Club | B– [128] |
Cartelera | [dieciséis] |
Chicago Tribune | [44] |
Semanal de entretenimiento | A [34] |
El guardián | [129] |
MSN Music ( Testigo experto ) | A [130] |
Piedra rodante | [31] |
Revista inclinada | [53] |
Girar | 7/10 [45] |
The Truth About Love recibió críticas generalmente positivas. En Metacritic , que asigna una calificación normalizada de 100 a las reseñas de las publicaciones principales, el álbum recibió una puntuación promedio de 77, según 16 reseñas. [127] Agregador AnyDecentMusic? le dieron al álbum un 6,3 sobre 10, según su valoración del consenso crítico. [126]
Kyle Anderson de Entertainment Weekly elogió la naturaleza confesional de las canciones y describió el disco como "honestidad con la que se puede bailar". [34] En una crítica positiva para MSN Music , Robert Christgau vio que, aparte de sus dos últimas canciones, el álbum "golpea [s] todas las veces" y lo resumió como "una imagen grabada de [Pink] enérgico, sincero, todo -Vida sexual / amorosa en el exterior ". [130] Stephen Thomas Erlewine de AllMusic aplaudió el álbum por "expandir y profundizar la música [de Pink] sin sucumbir a la pretensión sofocante", llamándolo "extraño y voluntariosamente, orgullosamente humano". [29] Robert Copsey de Digital Spy consideró La verdad sobre el amor como un "disco feroz y completamente entretenido". [43] Billboard ' s Andrew Hampp clasificación del registro 4.5 de 5 estrellas y lo calificó como un 'sin par ingenioso, gira sin fin melódica de la fuerza'. [dieciséis]
Caryn Ganz of Spin compared the album favorably to Stronger (2011) by Kelly Clarkson, stating that both records "are stocked with confidence-jolting up-tempo jams, broken-hearted weepers, and candid explorations of their own flaws". Ganz also remarked that both singers "have dug in their heels even harder for guitar pop", as opposed to following current musical trends.[45] The Boston Globe's writer Sarah Rodman praised the album for juxtaposing "rock muscle, pop froth, and expressions both heartfelt and petulant".[30] Jon Pareles of The New York Times found the recording to be "[recognizing] some nonstorybook sides of romance".[36] Writing for The Guardian, Caroline Sullivan noted that the singer "funnels her thoughts into some of the most pungent songs in pop" and commended her for having "the nous to convert raw emotion into pop-punk earworms". However, she criticized the ballads which "detract from an otherwise fierce record".[129]
Hermoine Hoby of The Observer favored its "workmanlike ballads delivered with beyond-workmanlike shading" over its "chunky guitar pop stuffed with shouty, bad-girl choruses", which she considered dominant on the album.[131] Greg Kot of the Chicago Tribune perceived "formula production and hack songwriting", but complimented Pink's personality showcased in its "handful" of worthy tracks.[44] Jody Rosen, writing for Rolling Stone, viewed The Truth About Love as "supercatchy", although he opined that the album "devolves into self parody" as "Pink strains to shock, peppering songs with gratuitous curse words".[31] Sal Cinquemani from Slant Magazine gave the album a mixed review, rating it three out of five stars. He felt that the record was formulaic and denounced it as "competently, often frustratingly more of the same from an artist who still seems capable of much more".[53]
Accolades
Spin listed the album at number 11 on their list of best pop albums released in 2012, with editor Ganz noting that Pink "got over her pop-star identity crisis" and presented her "genuine" side.[132] In his list for The Barnes & Noble Review, Christgau named The Truth About Love the fourth best album of 2012.[133] Billboard ranked it as one of the best albums of the 2010s decade, with reviewer Sarah Grant affirming that Pink "created a ramshackle masterpiece that reminds us of what it's really like to be human" by "figuring out how the foreign experiences of a family-woman fit into [her] repertoire".[134] The album was nominated for Best Pop Vocal Album at the 55th Annual Grammy Awards,[135] while "Just Give Me a Reason" received nominations for Song of the Year and Best Pop Duo/Group Performance, respectively, at the 56th ceremony.[136] In Canada, the album was nominated for International Album of the Year at the Juno Awards of 2014.[137]
Desempeño comercial
The Truth About Love became Pink's first number-one album in the United States, debuting at the summit of the Billboard 200 chart with 280,000 copies sold and earning her biggest first-week sales at the time.[138] The following week, the album fell to number four with sales of 94,000 copies.[139] It sold 945,000 copies by the end of 2012, finishing as the country's 12th highest-selling album of the year.[140] By December 2013, the album had sold over 1.83 million copies.[65] It was certified 3× Platinum by the Recording Industry Association of America (RIAA) in August 2017 for selling over three million album-equivalent units in the US.[141] In Canada, The Truth About Love debuted atop the Canadian Albums Chart. With 28,000 copies sold in the first week, it became Pink's first number-one album there.[142] It was certified 3× Platinum by Music Canada (MC) for shipments of 240,000 copies.[143]
In the United Kingdom, The Truth About Love entered the UK Albums Chart at number two, selling 80,000 copies, behind The Killers' Battle Born which sold 94,000 copies.[144] As of February 2019, the album has sold 907,000 sales in the UK and has been certified 3× Platinum by the British Phonographic Industry (BPI).[145][146] In France, it debuted at number four on the official album chart with 17,855 traditional units.[147] The Syndicat National de l'Édition Phonographique (SNAP) certified the album platinum, which denotes sales of 100,000 copies.[148] In other regions, The Truth About Love reached number one on charts in Austria, Germany, Sweden, and Switzerland,[149][150][151][152] and peaked within the top ten in Denmark, Italy, the Netherlands, and Spain, among others.[153][154][155][156]
In Australia, The Truth About Love debuted at number one on the ARIA Albums Chart with first-week sales of 74,293 copies, becoming Pink's fourth number-one album in the country and claiming the biggest single-week sales of 2012.[157][158] The album spent ten non-consecutive weeks at the summit of the chart, becoming the longest-running number-one album since Adele's 21 (2011).[159] The Truth About Love was the nation's highest-selling album of both 2012 and 2013, thus becoming the first album to ever achieve this feat.[160][161] As of January 2014, it has sold 560,000 copies and was certified 9× Platinum by the Australian Recording Industry Association (ARIA) for selling over 630,000 units.[162][163] The album experienced similar success in New Zealand, debuting at the top of the Official New Zealand Music Chart and spending six non-consecutive weeks there.[164] It received a 4× Platinum certification from Recorded Music NZ (RMNZ) for shipments of over 60,000 units.[165] Globally, The Truth About Love was the seventh best-selling album of 2012, with sales of 2.6 million copies,[166] and by November 2016, it had sold an estimated seven million copies worldwide.[167]
Listado de pistas
No. | Title | Writer(s) | Producer(s) | Length |
---|---|---|---|---|
1. | "Are We All We Are" |
|
| 3:37 |
2. | "Blow Me (One Last Kiss)" |
| Kurstin | 4:16 |
3. | "Try" |
| Kurstin | 4:07 |
4. | "Just Give Me a Reason" (featuring Nate Ruess) |
| Bhasker | 4:02 |
5. | "True Love" (featuring Lily Allen) |
| Kurstin | 3:50 |
6. | "How Come You're Not Here?" |
| Kurstin | 3:12 |
7. | "Slut Like You" |
|
| 3:42 |
8. | "The Truth About Love" |
|
| 3:50 |
9. | "Beam Me Up" |
| Mann | 4:27 |
10. | "Walk of Shame" |
| Kurstin | 2:42 |
11. | "Here Comes the Weekend" (featuring Eminem) |
|
| 4:24 |
12. | "Where Did the Beat Go?" |
|
| 4:18 |
13. | "The Great Escape" |
| Wilson | 4:24 |
Total length: | 50:49 |
No. | Title | Writer(s) | Producers | Length |
---|---|---|---|---|
14. | "Chaos & Piss" |
| Eg White | 3:59 |
15. | "Timebomb" |
| Kurstin | 3:34 |
Total length: | 58:22 |
No. | Title | Writer(s) | Producers | Length |
---|---|---|---|---|
14. | "My Signature Move" |
| Walker | 3:44 |
15. | "Is This Thing On?" |
| Walker | 4:21 |
16. | "Run" |
| Walker | 4:11 |
17. | "Good Old Days" |
|
| 4:02 |
Total length: | 67:07 |
No. | Title | Writer(s) | Producers | Length |
---|---|---|---|---|
18. | "Chaos & Piss" |
| White | 3:59 |
19. | "Timebomb" |
| Kurstin | 3:34 |
Total length: | 74:40 |
No. | Title | Writer(s) | Producers | Length |
---|---|---|---|---|
18. | "The King Is Dead but the Queen Is Alive" |
|
| 3:44 |
Total length: | 70:51 |
No. | Title | Writer(s) | Producers | Length |
---|---|---|---|---|
14. | "My Signature Move" |
| Walker | 3:44 |
15. | "Is This Thing On?" |
| Walker | 4:21 |
16. | "Run" |
| Walker | 4:11 |
17. | "Good Old Days" |
|
| 4:02 |
18. | "Chaos & Piss" |
| White | 3:59 |
19. | "Timebomb" |
| Kurstin | 3:34 |
20. | "The King Is Dead but the Queen Is Alive" |
|
| 3:44 |
Total length: | 78:24 |
No. | Title | Length |
---|---|---|
1. | "Blow Me (One Last Kiss)" (Music video) | 3:47 |
2. | "Try" (Music video) | 4:09 |
3. | "Are We All We Are" (live from Los Angeles) | 3:52 |
4. | "Blow Me (One Last Kiss)" (live from Los Angeles) | 4:39 |
5. | "Try" (live from Los Angeles) | 4:30 |
6. | "F**kin' Perfect" (live from Los Angeles) | 3:33 |
7. | "The Truth About Love Photoshoot" (Behind the Scenes) | 3:43 |
Notes
- ^a signifies a co-producer
- ^b signifies an additional producer
Créditos y personal
Credits are adapted from the liner notes of The Truth About Love.[10]
Studios
Recording locations
- Earthstar Creation Center (Venice, California)
- Conway Studios (Los Angeles)
- Suite 203
- Effigy Studios (Ferndale, Michigan)
- The Modern Dirt laboratories (London)
- Fishhead Music (Gothenburg, Sweden)
- Ruby Red Studios (Santa Monica, California)
- West Triad Studios (Venice, California)
Additional recording locations
- Enormous Studios – guitars recording
- Capitol Studios (Hollywood) – strings recording
Engineering locations
- Earthstar Creation Center (Venice, California)
- Ruby Red Studios (Santa Monica, California)
- Sonora Recorders (Los Angeles)
- Echo Studio (Los Angeles)
- Modern World Studios (Tetbury)
- Turtle Sound Studios (Weston, Connecticut)
- Monster Island (Nashville, Tennessee)
- New Track City (London/Los Angeles)
- Ballroom West (Los Angeles)
- Mission Sound (Brooklyn)
Mixing and mastering locations
- Eldorado Recording Studios (Los Angeles)
- MixStar Studios (Virginia Beach, Virginia)
- The Ballroom Studio (Los Angeles)
- Super Sonic Scale (France)
- Ruby Red Studios (Santa Monica, California)
Musicians
- Pink – lead vocals, background vocals
- Butch Walker – background vocals, arranger
- Phillip A. Peterson – strings
- Zachary Baird – keyboards
- Greg Kurstin – keyboards, guitar, bass, piano
- Kevin Dukes – guitars
- Jeff Bhasker – keyboards, synthesizer
- Nate Ruess – featured vocals
- Anders Mouridsen – guitars
- Lily Rose Cooper – featured vocals
- Willow Sage Hart – bells, bass
- Max Martin – keyboards, background vocals
- Shellback – guitars, bass, drums, keyboards, background vocals
- Billy Mann – arranger, acoustic guitars, electric guitars, bass, piano, live percussion
- David Schuler – arranger, acoustic guitars, electric guitars, bass, drums
- Jonathan Yudkin – strings
- Eminem – featured vocals
- Erik Alcock – guitars
- Chin Injeti – bass
- DJ Khalil – keyboards
- Danny Keyz – keyboards
- Liz Rodrigues – background vocals
- Tracklacers – arranger, bass, keyboards
- Pete Wallace – string arrangements
- Dan Wilson – piano, acoustic guitar, keyboards
- Steve Wolf – tambourine
- David Campbell – string arrangements, conducting
- Charlie Bisharat – strings concertmaster
- Sara Parkins – violin
- Tamara Hatwan – violin
- Andrew Duckels – viola
- Steve Richards – cello
- Dave Stone – bass
- Oli Kraus – additional cello, viola, violin
- Jake Sinclair – background vocals
- Boyce Buchanan – children's vocal
- Barbara Klaskin Silberg – children's vocal directing
- Eg White – instruments, background vocals
- Robin Lynch – electric guitars
- Niklas "Nikey" Olovson – bass
- Mark Shulman – drums
- Justin Derrico – lead electric guitars
Production
- Butch Walker – producer, music, songwriting, keyboard programming
- John Hill – producer, music, songwriting
- Emile Haynie – producer, music, songwriting
- Jake Sinclair – music, engineer
- Pink – songwriting, executive producer
- Laura Sisk – engineer
- Rich Costey – mixing
- Chris Kasych – Pro Tools engineer
- Eric Isip – assistant engineered for mix
- Greg Kurstin – songwriting, producer, programming, engineer, mixing
- Jesse Shatkin – additional engineering
- Serban Ghenea – mixing
- John Hanes – engineered for mix
- Phil Seaford – assistant engineered for mix
- Busbee – songwriting
- Ben West – songwriting
- Jeff Bhasker – songwriting, producer, programming
- Nate Ruess – songwriting
- John X Volaitis – recording, assistant vocal recording
- Pawel Sek – guitars recording
- Tyler Johnson – guitars recording
- Tony Maserati – mixing
- Justin Hergett – assistant engineered for mix
- James Krausse – assistant engineered for mix
- Lily Rose Cooper – songwriting
- Max Martin – songwriting, producer
- Shellback – songwriting, producer, programming
- Sam Holland – recording
- Billy Mann – songwriting, producer, drum programming, engineer, keyboard programming
- David Schuler – songwriting, additional production, drum programming, engineer, keyboard programming
- Mark Needham – mixing
- Will Brierre – assistant engineered for mix
- Pete Wallace – engineer
- Veronica Ferraro – mixing
- DJ Khalil – songwriting, producer
- Chin Injeti – songwriting, producer
- John Brown – additional production
- Mike Strange – vocal recording
- Jon Keep – songwriting
- Steve Daly – songwriting
- Tracklacers – additional production, drum programming
- Jonathan Yudkin – engineer
- Dan Wilson – songwriting, producer
- John Rausch – engineer
- Phil Allen – engineer
- Oliver Straus – engineer
- Charlie Paakkari – strings recording
- Eg White – songwriting, producer, engineer, programming
- Tom Coyne – mastering
- Machopsycho – producer, keyboard programming, engineer
- Niklas "Nikey" Olovson – songwriting
- Robin Lynch – songwriting
- Pete Wallace – keyboard programming
Management & design
- Roger Davies – management
- Shady Farshadfar – management
- Irene Taylor – management
- Lisa Garrett – management
- Andrew Macpherson – photography
- Deborah Anderson – photography
- Jeri Heiden – art direction, designing
- Nick Steinhardt – art direction, designing
- Donald Passman – legal
- Gene Solomon – legal
- Helen Stotler – legal
- Nancy Chapman – business affairs
- Teresa Polyak – business affairs
- Otto Perez – business affairs
Gráficos
Weekly charts
Year-end charts
|
Decade-end charts
All-time charts
|
Certificaciones
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA)[163] | 9× Platinum | 630,000^ |
Austria (IFPI Austria)[248] | Platinum | 20,000* |
Canada (Music Canada)[143] | 6× Platinum | 480,000 |
Denmark (IFPI Denmark)[249] | Platinum | 20,000 |
Finland (Musiikkituottajat)[250] | Gold | 15,084[250] |
France (SNEP)[148] | Platinum | 150,000[251]* |
Germany (BVMI)[252] | 5× Gold | 500,000^ |
Hungary (MAHASZ)[253] | Gold | 3,000^ |
Ireland (IRMA)[254] | Platinum | 15,000^ |
Italy (FIMI)[255] | Platinum | 60,000* |
Mexico (AMPROFON)[256] | 2× Platinum | 120,000 |
New Zealand (RMNZ)[165] | 4× Platinum | 60,000^ |
Poland (ZPAV)[257] | 2× Platinum | 40,000* |
Spain (PROMUSICAE)[258] | Gold | 20,000^ |
Sweden (GLF)[259] | Platinum | 40,000 |
Switzerland (IFPI Switzerland)[260] | 3× Platinum | 90,000^ |
United Kingdom (BPI)[146] | 3× Platinum | 907,000[145] |
United States (RIAA)[141] | 3× Platinum | 3,000,000 |
* Sales figures based on certification alone. |
Historial de versiones
Region | Date | Edition(s) | Format(s) | Label | Ref. |
---|---|---|---|---|---|
Australia | September 14, 2012 |
|
| Sony Music Australia | [261][262][263] |
Denmark | Digital download | RCA Records | [264][265] | ||
France | [266] | ||||
Germany |
| [171][267][268] | |||
Ireland |
| [269][270] | |||
Japan | Digital download | [271][272] | |||
Netherlands |
| [273][274][275] | |||
Switzerland |
| [276][277] | |||
Denmark | September 17, 2012 |
| Sony Music | [278][279] | |
France | [280][281] | ||||
United Kingdom |
| RCA Records | [282][283][284] | ||
Canada | September 18, 2012 |
| [169][285][170] | ||
United States | [168][286][170] | ||||
Mexico | Standard | [287][288] | |||
Japan | October 3, 2012 | Japanese edition | CD | Sony Music Japan | [173] |
Germany | November 30, 2012 | Fan edition | CD+DVD | RCA Records | [174] |
France | December 3, 2012 | [289] | |||
Netherlands | [290] | ||||
Various | May 4, 2018 | Standard | LP | Legacy Recordings | [291][292][293] |
Ver también
- List of Billboard 200 number-one albums of 2012
- List of number-one albums of 2012 (Australia)
- List of number-one albums of 2013 (Australia)
- List of number-one hits of 2012 (Austria)
- List of number-one albums of 2012 (Canada)
- List of number-one albums from the 2010s (New Zealand)
- List of best-selling albums of the 2010s in the United Kingdom
- List of number-one singles and albums in Sweden
- List of number-one hits of 2012 (Switzerland)
Referencias
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- ^ The first list is the list of best-selling domestic albums of 2012 in Finland and the second is that of the best-selling foreign ones:
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Bibliography
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- Rowell, Rebecca (January 2014). Pink: Pop Singer & Songwriter (Digital ed.). United States: ABDO Publishing. pp. 81–89. ISBN 978-1-62403-226-4 – via Google Books.