La música vocal de Johann Sebastian Bach incluye cantatas , motetes , misas, magnificats , pasiones , oratorios , corales a cuatro voces , canciones y arias . Su música instrumental incluye conciertos , suites , sonatas , fugas y otras obras para órgano , clavecín, laúd , violín, viola da gamba, violonchelo, flauta, conjunto de cámara y orquesta .
Hay más de 1000 composiciones conocidas de Bach. Casi todos ellos figuran en el Bach-Werke-Verzeichnis (BWV), que es el catálogo más conocido y más utilizado de las composiciones de Bach.
Listado de las composiciones de Bach
Some of the early biographies of Johann Sebastian Bach contain lists of his compositions. For instance, his obituary contains a list of the instrumental compositions printed during the composer's lifetime, followed by an approximate list of his unpublished work.[1] The first separately published biography of the composer, by Johann Nikolaus Forkel, follows the same approach: its ninth chapter first lists printed works (adding four-part chorales which had been published in the second half of the 18th century), followed by a rough overview of the unpublished ones.[2] In the first half of the 19th century more works were published, so the next biographies (Schauer and Hilgenfeldt in 1850) had more elaborate appendices listing printed works, referring to these works by publisher, and the number or page number given to the works in these publications. So, for example, the Prelude and Fugue in E-flat major can be indicated as "C. F. Peters Vol. III No. 1", or any of the variants ("Griepenkerl and Roitzsch Vol. 3 p. 2", "Peters Book 242 p. 2", "P. S. V., Cah. 3 (242), No. 1", etc.)
BG
In the second half of the 19th century the Bach-Gesellschaft (BG) published all of Bach's works in around 50 volumes, the so-called Bach Gesellschaft Ausgabe (BGA).[3] This offered a unique identification of all of Bach's known works, a system that was quickly adopted, for instance by the biographers: Philipp Spitta used it complementarily to the Peters edition numbering for the BG volumes that had appeared when he was writing his Bach-biography in the second half of the 19th century (e.g. "B. G., III., p. 173" for the above-mentioned Prelude in E-flat major), and Terry used it in the third Appendix to his 20th-century translation of Forkel's biography.[4]
But there was still a lot of confusion: some authors preferred to list Bach's works according to Novello's editions, or Augener's, or Schirmer's,... giving rise to various conversion tables at the end of books on Bach's compositions (e.g. Harvey Grace's in a 1922 book on Bach's organ compositions).
NBG
In 1900 the BG published its last volume, and dissolved itself, as its primary goal, publishing all of Bach's known works, was accomplished. The BG was succeeded by the Neue Bachgesellschaft (NBG), with a new set of goals (Bach yearbook, Bach festivals, and a Bach museum). Occasionally however the NBG published newly discovered works, or variants not published in the BGA. For instance the 1740s version of O Jesu Christ, meins Lebens Licht was published in NBG XVII1 in 1916 (the 1730s version of the same piece, with a different orchestration, had been published in BG 24, pp. 185–192).[4]
BWV
In 1950 the Bach-Werke-Verzeichnis was published, allocating a unique number to every known composition by Bach. Wolfgang Schmieder, the editor of that catalogue, grouped the compositions by genre, largely following BG for the collation (e.g. BG cantata number = BWV number of the cantata):[5]
- Kantaten (Cantatas), BWV 1–224
- Motetten (Motets), BWV 225–231
- Messen, Messensätze, Magnificat (Masses, Mass movements, Magnificat), BWV 232–243
- Passionen, Oratorien (Passions, Oratorios), BWV 244–249
- Vierstimmige Choräle (Four-part chorales), BWV 250–438
- Lieder, Arien, Quodlibet (Songs, Arias and Quodlibet), BWV 439–524
- Werke für Orgel (Works for organ), BWV 525–771
- Werke für Klavier (Keyboard compositions), BWV 772–994
- Werke für Laute (Lute compositions), BWV 995–1000
- Kammermusik (Chamber music), BWV 1001–1040
- Orchesterwerke (Works for orchestra), BWV 1041–1071, originally in two separate chapters: Concertos (BWV 1041–1065) and Overtures (BWV 1066–1071)
- Kanons (Canons), BWV 1072–1078
- Musikalisches Opfer, Kunst der Fuge (Musical Offering, Art of the Fugue), BWV 1079–1080
For instance, the Prelude and Fugue in E-flat major now became BWV 552, situated in the range of the works for organ. In contrast to other catalogues such as the Köchel catalogue for Mozart's compositions there is no attempt at chronological organization in the BWV numbering, for instance BWV 992 is an early composition by Bach. Exceptionally BWV numbers are also indicated as Schmieder (S) numbers (e.g. S. 225 = BWV 225).[6]
Another consequence of the ordering principles of the BWV was that it tore known collections apart, for instance Clavier-Übung III was partly in the organ compositions range (BWV 552 and 669–689), with the four duets listed among the keyboard compositions (BWV 802–805).
BWV Anh.
The Anhang (Anh.), i.e. Appendix, of the BWV listed works that were not suitable for the main catalogue, in three sections:
- I – lost works, or works of which only a tiny fraction had survived (Anh. 1–23)
- II – works of dubious authenticity (Anh. 24–155)
- III – works that were once attributed to Bach, but for which it had been established they were not composed by him (Anh. 156–189)
Within each section of the Anhang the works are sorted by genre, following the same sequence of genres as the main catalogue.
BWV2 and BWV2a
Both Minuets were moved from Anh. II (doubtful works) to Anh. III (spurious works) in BWV 2a, after they were attributed to Christian Petzold.
Schmieder published the BWV's second edition in 1990, with some modifications regarding authenticity discriminations, and more works added to the main catalogue and the Anhang. A strict numerical collation was abandoned to insert additions, or when for another reason compositions were regrouped. For example, BWV 11, formerly listed as a Cantata, was moved to the fourth chapter of the main catalogue as an Oratorio. Rather than renumbering a composition, an arrow indicated where the composition was inserted: "BWV 11/249b→" meaning "BWV 11, inserted after BWV 249b" (4th chapter). Similarly, BWV 1083/243a→ meant BWV 1083, inserted after BWV 243a (3rd chapter). Also authenticity discriminations, based on new research, could lead to such repositionings within the catalogue, e.g. "BWV Anh. II 114" became "Anh. II 114/Anh. III 183→ indicating it was now considered a spurious work.[7]
In 1998 Alfred Dürr and Yoshitake Kobayashi published a small edition of the catalogue, based on the 1990 second edition. This edition, known as BWV2a, contained a few further updates and collation rearrangements.[8]
New additions (Nachträge) to BWV2/BWV2a included:
- BWV 1081–1126
- BWV Anh. 190–213
A few exceptions to the principle that compositions weren't renumbered were when a composition from the Anhang could be recovered and/or authenticated as Bach's, so that it deserved a place in the main catalogue, in which case it was given a number above 1080. So, for example, BWV Anh. 205 (BWV2) → BWV 1121 (BWV2a, where it is in section 7 as a work for organ).[9]
Other renumberings and additional numbers involved alternative or earlier versions of basically the same composition, which were indicated by adding a lower case letter to the BWV number. Examples:
- BWV 243a: 1723 E♭ major version of the 1733 Magnificat in D major BWV 243
- BWV 1071 renumbered to BWV 1046a (early version of the first Brandenburg Concerto)
- BWV Anh. 198 renumbered to BWV 149/1a (earlier abandoned version of the opening movement of Cantata BWV 149)
Some versions were completely removed from the catalogue, e.g. BWV 655b and c.
Slashes indicate movements: e.g. BWV 149/1 indicates the first movement of the Cantata BWV 149. Another example: the Agnus Dei of the Mass in B minor can be indicated as BWV 232/22 (22nd movement of the composition), or alternatively as BWV 232IV/4 (BWV 232, fourth movement of Part IV).
21st-century additions
Numbers above BWV 1126 were added in the 21st century.
Reconstructed versions
An upper case R added to a BWV number indicates a reconstructed version, that is a conjectured earlier version of a known composition. One of such reconstructions, the Concerto for oboe and violin, as published in NBA VII/7 (Supplement) p. 75, based on the double harpsichord concerto BWV 1060, is known as BWV 1060R.
BWV3
As of mid-2018 the Bach digital website started to implement the new numbers of the 3rd edition of the Bach-Werke-Verzeichnis, which has been announced for publication in 2020.[10] For example, the Leipzig version of the Christ lag in Todes Banden cantata used to be BWV 4 in previous versions of the catalogue, and, in BWV3, has become BWV 4.2.[11]
NBA
In the meantime, the New Bach Edition (Neue Bach-Ausgabe, abbreviated as NBA) was being published,[12][13] offering a new system to refer to Bach's works, e.g. NBA IV/4: 2, 105, which is Series IV, Volume 4, p. 2 (Prelude) and p. 105 (Fugue), for BWV 552.
NBArev
Some years after the completion of the NBA in 2007 its publisher Bärenreiter joined with the Bach Archive again to publish revised editions of some of Bach's scores. These revised editions, aligning with the NBA editions (format, layout), but outside that group of publications, were published under the name Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition (Johann Sebastian Bach: Neue Ausgabe sämtlicher Werke – Revidierte Edition), in short: New Bach Edition – Revised (Neue Bach-Ausgabe – Revidierte Edition), abbreviated as NBArev. Where the original NBA editions were exclusively in German, the volumes of the Revised series have their introductions both in German and English. Its first volume, NBArev 1, was a new edition of the Mass in B minor, appearing in 2010.[14]
BC
The Bach Compendium (BC), a catalogue covering Bach's vocal works was published in 1985.[15] Occasionally works that have no BWV number can be identified by their BC number, e.g. BC C 8 for "Der Gerechte kömmt um" an arrangement attributed to Bach on stylistic grounds, however unmentioned in the BWV.[16]
BNB
Bachs Notenbibliothek (BNB) is a list of works Bach had at his disposition. Works of other composers which were arranged by Bach and/or which he (had) copied for performance usually have a BNB number.[17]
SBB
The Berlin State Library (Staatsbibliothek zu Berlin = SBB) holds an important collection of composition manuscripts relating to Bach. Some versions of works are best known by their principal manuscript in the SBB, for instance BWV 525a = SBB St 345, or according to the abbreviations used at the Bach-digital website D-B Mus. ms. Bach St 345.
By opus number, and chronological lists
Apart from indicating his first published keyboard composition as Opus 1, Bach did not use opus numbers. Lists following publication chronologies are for example implied in the first list in Bach's obituary, and BG numbers (within the BGA sequence of publication) – overall lists covering all of Bach's compositions in order of first publication are however not a way Bach's compositions are usually presented.
Listing Bach's works according to their time of composition cannot be done comprehensively: for many works the period in which they were composed is a very wide range. For Bach's larger vocal works (cantatas, Passions,...) research has led to some more or less generally accepted chronologies, covering most of these works: a catalogue in this sense is Philippe (and Gérard) Zwang's list giving a chronological number to the cantatas BWV 1–215 and 248–249.[18] This list was published in 1982 as Guide pratique des cantates de Bach in Paris, ISBN 2-221-00749-2. A revised edition was published in 2005 ( ISBN 2747598888).
Other composers
Various catalogues with works by other composers have intersections with collections of works associated with Bach:[19]
- BR-WFB (or) BR
- Bach-Repertorium numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = BR A49
- Other BRs:
- BR-CPEB: works by Carl Philipp Emanuel Bach (for this composer Helm and/or Wotquenne numbers are however more often used)
- BR-JCFB: works by Johann Christoph Friedrich Bach
- Fk (or) F
- Falck catalogue numbers for works by Wilhelm Friedemann Bach, e.g. BWV 970 = F 25/2
- H
- Helm numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = H 569
- HWV
- Works by George Frideric Handel, e.g. BWV Anh. 106 = HWV 605
- TWV
- Compositions by Georg Philipp Telemann, e.g. BWV 824 = TWV 32:14
- Warb (or) W
- Warburton numbers for works by Johann Christian Bach, e.g. BWV Anh. II 131 = W A22 (or: Warb A 22)
- Wq
- Wotquenne numbers for works by Carl Philipp Emanuel Bach, e.g. BWV 1036 = Wq 145
Obras en catálogos y colecciones de Bach
Hay más de 1500 obras que figuran en un catálogo de obras de Bach, como Bach-Werke-Verzeichnis , y / o en una colección de obras asociadas a Bach (por ejemplo, en uno de los Cuadernos de Anna Magdalena Bach ). De ellas, alrededor de mil son composiciones originales de Bach, es decir, más que una mera copia o transcripción de una obra anterior de él mismo o de otro compositor.
columna | contenido | |
---|---|---|
1 | BWV | Números de Bach-Werke-Verzeichnis ( lit. 'Catálogo de obras de Bach'; BWV). Los números de Anhang (Anexo; Anh.) Se indican de la siguiente manera:
|
2 | 2a | Sección en la que aparece la composición en BWV 2a :
|
3 | Fecha | Fecha asociada con la finalización de la versión enumerada de la composición. Las fechas exactas (por ejemplo, para la mayoría de las cantatas) suelen indicar la fecha supuesta de la primera interpretación (pública). Cuando la fecha va seguida de una abreviatura entre paréntesis (por ejemplo, JSB para Johann Sebastian Bach), indica la fecha de la participación de esa persona en la composición como compositor, escriba o editor. |
4 | Nombre | Nombre de la composición: si la composición es conocida por un incipit alemán , ese nombre alemán está precedido por el tipo de composición (por ejemplo, cantata, preludio coral, motete, ...) |
5 | Clave | Clave de la composición |
6 | Puntuación | Consulte la tabla de puntuación a continuación para ver las abreviaturas utilizadas en esta columna. |
7 | BG | Bach Gesellschaft -Ausgabe (edición BG; BGA): los números antes de los dos puntos indican el volumen de esa edición. Después de los dos puntos, un número arábigo indica el número de página donde comienza la partitura de la composición, mientras que un número romano indica una descripción de la composición en el Vorwort (Prefacio) del volumen. [3] |
8 | NBE | New Bach Edition ( alemán : Neue Bach-Ausgabe , NBA): números romanos de la serie, seguidos de una barra oblicua y el número de volumen en números arábigos. Un número de página, después de dos puntos, se refiere a la parte "Partitura" del volumen. Sin dicho número de página, la composición solo se describe en la parte "Comentario crítico" del volumen. Los volúmenes agrupan las composiciones de Bach por género: [13]
|
9 | información adicional | puede incluir:
La procedencia de los textos y melodías estándar, como los himnos luteranos y sus melodías corales , los textos litúrgicos latinos (por ejemplo, Magnificat ) y las melodías comunes (por ejemplo, Folia ), no suelen indicarse en esta columna. Para obtener una descripción general de dichos recursos utilizados por Bach, consulte artículos de composición individual y resúmenes en, por ejemplo, Chorale cantata (Bach) # Cantatas de coral de Bach , Lista de armonizaciones de coral de Johann Sebastian Bach # Armonizaciones de coral en varias colecciones y Lista de composiciones de órgano por Johann Sebastian Bach # Chorale Preludes . |
10 | BD | Página de trabajo digital de Bach |
Color | Significado |
---|---|
verde | manuscrito (copia) parcial o completo existente o claramente documentado de Bach y / o primera edición bajo la supervisión de Bach |
amarillo | manuscrito (copia) o edición impresa existente o claramente documentado, en su totalidad o en parte, por un pariente cercano, es decir, hermano ( J. Christoph ), esposa ( A. M. ), hijo ( W. F. / C. P. E. / J. C. F. / J. Christian ) o hijo- suegro ( Altnickol ) |
marrón anaranjado | manuscrito (copia) existente o claramente documentado por un amigo cercano y / o alumno (Kellner, Krebs, Kirnberger, Walther , ...) o un familiar lejano |
BWV (rangos originales entre paréntesis) |
---|
1. Cantatas (1–224) • 2. Motetes (225–231) • 3. Misas, Movimientos de masas, Magnificat (232–243) • 4. Pasiones, Oratorios (244–249) • 5. Corales a cuatro voces ( 250–438) • 6. Canciones, Arias y Quodlibet (439–524) • 7. Obras para órgano (525–771) • 8. Composiciones para teclado (772–994) • 9. Composiciones para laúd (995–1000) • 10 Música de cámara (1001–1040) • 11. Obras para orquesta (1041–1071) • 12. Cánones (1072–1078) • 13. Ofrenda musical , El arte de la fuga (1079–1080) • Adiciones posteriores (1081–. ..) • Reconstrucciones |
BWV Anhang (Apéndice) |
I: Perdido / fragmentario (1–23) • II: Dudoso (24–155) • III: Espurio (156–189) • N: Nachträge (Nuevas adiciones, 190–213) |
No en BWV (deest BWV) |
Ordenado por BC , BGA , BNB , NBA , etc. |
Sin reponer la mesa (es decir, la colección se mantiene junta en BWV 2a ) |
---|
Suites para violonchelo BWV 1007–1012 • Oratorio de Navidad , BWV 248 • Clavier-Übung IV = Variaciones Goldberg BWV 988 • Invenciones BWV 772–786 • Sinfonias BWV 787–801 • Sonatas y partitas para violín solo BWV 1001–1006 |
Uso de la función de clasificación (no disponible en todos los navegadores) |
|
BWV | 2a | Fecha | Nombre | Clave | Puntuación | BG | NBE | información adicional | BD |
---|---|---|---|---|---|---|---|---|---|
1. | Cantatas (ver también: Lista de cantatas de Bach , Cantata de iglesia (Bach) y Lista de cantatas seculares de Johann Sebastian Bach ) | Arriba ↑ | |||||||
1 | 1. | 1725-03-25 | Cantata Wie schön leuchtet der Morgenstern (Anunciación) | F maj. | stbSATB 2Hn 2Odc 2 Vl Str Bc | 1: 1 | I / 28.2: 3 | después de Z 8359 ; texto después de Nicolai | 00001 |
2 | 1. | 1724-06-18 | Cantata Ach Gott, vom Himmel sieh darein (Trinidad II) | G min. | atbSATB 4Tbn 2Ob Str Bc | 1:53 | Yo / 16: 81 | después de Z 4431 ; texto después de Lutero | 00002 |
2/6 | engaste coral "Ach Gott, vom Himmel sieh darein" (s. 6) | G Dor. | SATB | 1:72 | III / 2.1: 25 III / 2.2: 156 | después de Z 4431 ; texto de Lutero | 11189 | ||
3 | 1. | 1725-01-14 | Cantata Ach Gott, wie manches Herzeleid (Epifanía II) | Un maj. | satbSATB Hn Tbn 2Oba Str Bc | 1:73 | Yo / 5: 189 | después de Z 533a ; texto después de Moller | 00003 |
3/6 | ambientación coral "Ach Gott, wie manches Herzeleid" (art. 18) | SATB | 1:94 | III / 2.1: 26 III / 2.2: 90 | después de Z 533a ; texto de Moller | 11191 | |||
4.2 | 1. | 1724-04-09 | Cantata Christ lag en Todes Banden (Semana Santa) | E min. | satbSATB Cnt 3Tbn Str Bc | 1:95 | I / 9: 1 | después de BWV 4 .1; texto de Lutero | 00004 |
4/8 | engaste coral "Cristo rezagado en Todes Banden" (art. 7) | E min. D min. | SATB | 1: 124 | III / 2.2: 104 | después de Z 7012a ; texto de Lutero | 11295 | ||
4.1 | 1. | 1707-04-24 | Cantata Christ lag en Todes Banden (Pascua; versión anterior, perdida) | satbSATB 2Vl 2Va Bc | I / 9 | después de Z 7012a ; → BWV 4 .2; texto de Lutero | 00005 | ||
5 | 1. | 1724-10-15 | Cantata Wo soll ich fliehen hin (Trinidad XIX) | G min. | satbSATB Tdt 2Ob Str Bc | 1: 125 | Yo / 24: 133 | después de Z 2164 ; texto después de Heermann | 00006 |
5/7 | engaste coral "Wo soll ich fliehen hin" (art. 11) | SATB | 1: 150 | III / 2.1: 66 III / 2.2: 180 | después de Z 2164 ; texto de Heermann | 11232 | |||
ambientación coral "Auf meinen lieben Gott" | después de Z 2164 | ||||||||
6 | 1. | 1725-04-02 | Cantata Bleib bei uns, denn es will Abend werden (Pascua 2) | C min. | satbSATB 2Ob Odc Str Vc Bc | 1: 151 | I / 10: 43 | después de Z 439 (/ 3: → BWV 649 ), Z 350a (/ 6); texto después de Lc 24,29 (/ 1), de Melanchthon & Selnecker (/ 3), Lutero (/ 6) | 00007 |
6/6 | engaste coral "Erhalt uns, Herr, bei deinem Wort" (art. 2) | G min. | SATB | 1: 176 | III / 2.2: 40 | después de Z 350a ; texto de Lutero | 11338 | ||
7 | 1. | 1724-06-24 | Cantata Christ unser Herr zum Jordan kam (24 de junio: fiesta de Juan el Bautista) | E min. | atbSATB 2Oba 2 Vl Str Bc | 1: 177 | Yo / 29: 25 | después de Z 7246 ; texto después de Lutero | 00008 |
8.1 | 1. | 1724-09-24 | Cantata Liebster Gott, wenn werd ich sterben? (Trinidad XVI; primera versión) | E maj. | satbSATB Hn Fl 2Oba Str Bc | 1: 211 | Yo / 23: 105 | después de Z 6634 ; por Vetter, D. (/ 6); texto después de Neumann ; → BWV 8 .2 | 00009 |
8.2 | 1. | 1747-09-17 | Cantata Liebster Gott, wenn werd ich sterben? (Trinidad XVI; 2da versión) | D maj. | satbSATB Fl 2Oba Tai 2 Vl Str Bc | Yo / 23: 163 | después de BWV 8 .1 | 00010 | |
9 | 1. | 1732-07-20 | Cantata Es ist das Heil uns kommen her (Trinidad VI) | E maj. | satbSATB Fl Oba Str Bc | 1: 243 | I / 17.2: 83 | después de Z 4430 ; texto después de Speratus | 00011 |
9/7 | engaste coral "Es ist das Heil uns kommen her" (art. 12) | SATB | 1: 274 | III / 2.1: 52 III / 2.2: 172 | después de Z 4430 ; texto de Speratus | 11213 | |||
10 | 1. | 1724-07-02 | Cantata Meine Seel erhebt den Herren también conocido como German Magnificat (Visitación) | G min. | satbSATB Tr 2Ob Str Bc | 1: 275 | I / 28.2: 131 | después de Magnificat peregrini toni ; texto según Magnificat ; → BWV 648 | 00012 |
10/7 | engaste coral "Meine Seel erhebt den Herren" (doxología, artículos 10-11) | SATB | 1: 303 | III / 2.1: 82 III / 2.2: 205 | después de Magnificat peregrini toni ; texto: Magnificat alemán | 11248 | |||
12 | 1. | 1714-04-22 | Cantata Weinen, Klagen, Sorgen, Zagen (Jubilate; dos versiones) | F Dor. | atbSATB Tr Ob 2Vl 2Va Bas Bc | 2:59 | I / 11.2: 1 | después de Z 5629 (/ 7: → BWV 69 .1 / 6); texto de Franck, S. ?; texto después de Hechos 14:22 (/ 3); texto de Rodigast (/ 7); / 2 → BWV 232 /14 | 00014 |
1724-04-30 | G min. | ||||||||
13 | 1. | 1726-01-20 | Cantata Meine Seufzer, meine Tränen (Epifanía II) | D min. | satbSATB 2Fl Odc Str Bc | 2:79 | Yo / 5: 229 | después de Z 6543 (/ 3), Z 2293b (/ 6); texto de Lehms , Heermann (/ 3), Fleming (/ 6) | 00015 |
13/6 | Marco coral "In allen meinen Taten" (art. 9) | B ♭ maj. | SATB | 2:98 | III / 2.2: 58 | después de Z 2293b ; texto de Fleming | 11347 | ||
ambientación coral "Nun ruhen alle Wälder" | G maj. | III / 2.2: 216 | |||||||
14 | 1. | 1735-01-30 | Cantata Wär Gott nicht mit uns diese Zeit (Epifanía IV) | G min. | stbSATB Hn 2Ob Str Bc | 2: 99 | Yo / 6: 139 | después de Z 4434 ; texto después de Lutero | 00016 |
14/5 | engaste coral "Wär Gott nicht mit uns diese Zeit" (art. 3) | SATB | 2: 132 | III / 2.1: 88 III / 2.2: 103 | después de Z 4434 ; texto de Lutero | 11250 | |||
dieciséis | 1. | 1726-01-01 | Cantata Herr Gott, dich loben wir (Año Nuevo / Circuncisión) | Un min. | atbSATB Hn 2Ob Odc Str Bc | 2: 173 | I / 4: 103 | después de Z 8652 (/ 1), 5267 (/ 6; → BWV 419 ); texto de Lehms , Luther (/ 1), Eber (/ 6) | 00018 |
1731-01-01 | atbSATB Hn 2Ob Va Str Bc | ||||||||
16/6 | 1726-01-01 | engaste coral "Helft mir Gotts Güte preisen" (art. 6) | SATB | 2: 198 | III / 2.2: 56 | después de Z 5267 ; texto de Eber | 11324 | ||
17 | 1. | 1726-09-22 | Cantata Wer Dank opfert, der preiset mich (Trinidad XIV) | Un maj. | satbSATB 2Ob Str Bc | 2: 199 | Yo / 21: 147 | después de Z 8244 (/ 7); texto: Meiningen , a partir de Sal 50 : 23 (/ 1; → BWV 236/6 ), Lc 17: 15-16 (/ 4), de Gramann (/ 7) | 00019 |
17/7 | engaste coral "Nun lob, mein Seel, den Herren" (art. 3) | SATB | 2: 225 | III / 2.2: 4 | después de Z 8244 ; texto de Gramann | 11330 | |||
18,2 | 1. | 1724-02-13 | Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) | Un min. | stbSATB 2Fl Bas 4Va Vc Bc | 2: 227 (en g ) | I / 7: 107 | después de BWV 18 .1; texto de Neumeister , después de Is 55:10 - 11 (/ 2), Lutero (/ 3), de Spengler (/ 5) | 00020 |
18/5 | ambientación coral "Durch Adams Fall ist ganz verderbt" (art. 8) | SATB | 2: 252 (en g ) | III / 2.2: 71 | después de Z 7549 ; texto de Spengler | 11301 | |||
1. | 1715-02-24 | ajuste coral "Ich ruf zu dir, Herr Jesu Christ" | G min. | III / 2.2: 56 | después de Z 7549 ; texto de Agricola | ||||
18,1 | Cantata Gleichwie der Regen und Schnee vom Himmel fällt (Sexagesima) | stbSATB Bas 4Va Vc Bc | Yo / 7: 81 | después de Z 7549 (/ 5); texto de Neumeister , después de Is 55:10 - 11 (/ 2), Lutero (/ 3), de Spengler (/ 5); → BWV 18 .2 | 00021 | ||||
19 | 1. | 1726-09-29 | Cantata Es erhub sich ein Streit (Michaelmas) | C maj. | stbSATB 3Tr Tmp 2Ob 2Oba Tai Str Bc | 2: 253 | Yo / 30: 55 | después de Z 6543 (/ 7); texto después de Picander | 00022 |
19/7 | engaste coral "Freu dich sehr, o meine Seele" (art. 9) | SATB | 2: 288 | III / 2.1: 62 III / 2.2: 177 | después de Z 6543 | 11227 | |||
ambientación coral "Weg, mein Herz, mit den Gedanken" | después de Z 6543 ; texto de Gerhardt | ||||||||
20 | 1. | 1724-06-11 | Cantata O Ewigkeit, du Donnerwort (Trinidad I) | F maj. | atbSATB Tdt Tmp 3Ob Str Bc | 2: 291 | Yo / 15: 133 | después de Z 5820 ; texto después de Rist | 00023 |
20/7 20/11 | engaste coral "O Ewigkeit, du Donnerwort" (ss. 11, 16) | SATB | 2: 317, 327 | III / 2.2: 17 | después de Z 5820 ; texto de Rist | 11332 | |||
21,1 | 1. | antes de diciembre de 1713 | Cantata Ich hatte viel Bekümmernis (1a versión: in ogni tempore ; 1714-06-17: Trinity III) | C min. | satbSATB 3Tr Tmp Ob Str Bc | Yo / 16: 109 | después de Z 2778 (/ 9); texto de Franck, S. ?; texto después de Sal 94 : 19 (/ 2), 42 : 12 (/ 6), 116 : 7 (/ 9), Ap 5: 12-13 (/ 11), de Neumark (/ 9); → BWV 21 .2 | 00024 | |
21,2 | 1. | C. otoño de 1720 | Cantata Ich hatte viel Bekümmernis (2a versión: in ogni tempore ) | D min. | satbSATB 3Tr Tmp Ob Str Bas Bc | I / 16 | después de BWV 21 .1 (mismo texto); → BWV 21 .3 | 00025 | |
21,3 | 1. | 1723-06-13 | Cantata Ich hatte viel Bekümmernis (3a versión: Trinity III) | C min. | satbSATB 3Tr Tmp 4Tne Ob Str Bas Bc | 5 1 : 1 | I / 16 | después de BWV 21 .2 (mismo texto) | 00026 |
22 | 1. | 1723-02-07 | Cantata Jesús nahm zu sich die Zwölfe (Estomihi) | satbSATB Ob Str Bc | 5 1 : 65 | I / 8: 1 | después de Z 4297a (/ 5); texto después de Lucas 18:31, 34 (/ 1), por Cruciger (/ 5) | 00027 | |
23,1 | 1. | 1723 | Cantata Du wahrer Gott und Davids Sohn (1a versión, 3 movimientos: Estomihi) | C min. | satbSATB 2Ob Str Bc | 5 1 : 93 | I / 8: 33 | → BWV 23 .2, .3 | 00028 |
23,2 | 1. | 1723-02-07 | Cantata Du wahrer Gott und Davids Sohn (2a versión, 4 movimientos: Estomihi) | B min. | satbSATB Cnt 3Tbn 2Oba Str Bc | Yo / 8: 69 | después de BWV 23 .1, Z 58 (/ 4); texto de Lutero según Agnus Dei (/ 4); → BWV 23 .3, 245.2 / 40 | 00029 | |
23,3 | 1. | 1728-1731 | Cantata Du wahrer Gott und Davids Sohn (3.a versión, 4 movimientos: Estomihi) | C min. | satbSATB 2Ob Str Bc | 5 1 : 93 | I / 8: 33 | después de BWV 23 .1, .2; texto de Lutero según Agnus Dei (/ 4) | 00030 |
24 | 1. | 1723-06-20 | Cantata Ein ungefärbt Gemüte (Trinidad IV) | F maj. | satbSATB Tr 2Ob 2Oba Str Bc | 5 1 : 125 | I / 17.1: 47 | después de Z 5148 (/ 6); texto de Neumeister , Heermann (/ 6), después de Mt 7:12 (/ 3) | 00031 |
24/6 | engaste coral "O Gott, du frommer Gott" (art. 1) | SATB | 5 1 : 150 | III / 2.2: 195 | después de Z 5148 ; texto de Heermann | 11333 | |||
engaste coral "Was frag ich nach der Welt" | después de Z 5148 ; texto de Kindermann | ||||||||
25 | 1. | 1723-08-29 | Cantata Es ist nichts Gesundes an meinem Leibe (Trinidad XIV) | E min. | stbSATB Cnt 3Tbn 3Fl 2Ob Str Bc | 5 1 : 153 | Yo / 21: 79 | después de Z 6543 (/ 6); texto después de Rambach | , Sal 38 : 4 (/ 1), de Heermann (/ 6)00032 |
25/6 | ambientación coral "Treuer Gott, ich muss dir klagen" (art. 12) | C maj. | SATB | 5 1 : 188 | III / 2.1: 15 III / 2.2: 150 | después de Z 6543 ; texto de Heermann | 11177 | ||
ambientación coral "Weg, mein Herz, mit den Gedenken" | después de Z 6543 ; texto de Gerhardt | ||||||||
engaste coral "Freu dich sehr, o meine Seele" | III / 2.2: 168 | después de Z 6543 | |||||||
26 | 1. | 1724-11-19 | Cantata Ach wie flüchtig, ach wie nichtig (Trinidad XXIV) | Un min. | satbSATB Hn Fl 3Ob Str Bc | 5 1 : 189 | I / 27: 29 | después de Z 1887b ; texto según Franck, M. | 00033 |
26/6 | engaste coral "Ach wie flüchtig, ach wie nichtig" (art. 8) | SATB | 5 1 : 216 | III / 2.2: 28 | después de Z 1887b ; texto de Franck, M. | 11289 | |||
27 | 1. | 1726-10-06 | Cantata Wer weiß, wie nahe mir mein Ende? (Trinidad XVI) | C min. | satbSSATB Hn 2Ob Odc Str Org Bc | 5 1 : 217 | Yo / 23: 221 | después de Z 2778 (/ 1); de Rosenmüller (/ 6 = BWV Anh. 170 ); texto de E. J. de Schwarzburg-Rudolstadt (/ 1), Albinus (/ 6), después de Neumeister (/ 3) | 00034 |
28 | 1. | 1725-12-30 | Cantata Gottlob! nun geht das Jahr zu Ende (Navidad I) | Un min. | satbSATB Cnt 3Tbn 2Ob Tai Str Bc | 5 1 : 245 | I / 3.2: 75 | después de Z 8244 (/ 2), 5267 (/ 6); texto de Neumeister , Gramann (/ 2), Eber (/ 6), después de Jer 32 : 41 (/ 3); → BWV 28 / 2a , Anh. 160 /2 | 00035 |
28/6 | engaste coral "Helft mir Gotts Güte preisen" (art. 12) | SATB | 5 1 : 272 | III / 2.1: 13 III / 2.2: 49 | después de Z 5267 ; texto de Eber | 11175 | |||
ajuste coral "Zeuch ein zu deinen Toren" | III / 2.2: 15 | después de Z 5267 ; texto de Gerhardt | |||||||
28 / 2a | 1. | 1725? | Motet Sei Lob und Preis mit Ehren | C maj. | SATB | 39: 167 | III / 3: 15 | después de BWV 28/2 ; ↔ Anh. 160/2 ; era BWV 231 | 00036 |
29 | 1. | 1731-08-27 | Cantata Wir danken dir, Gott, wir danken dir (elección del consejo) | D maj. | satbSATB 3Tr Tmp 2Ob Str Org Bc | 5 1 : 273 | I / 32.2: 1 | después de BWV 120.2 / 4 (/ 1), Z 8244 (/ 8); texto después del Sal 75 : 2 (/ 2; → BWV 232/7 , / 23), de Gramann (/ 8) | 00037 |
29/8 | engaste coral "Nun lob, mein Seel, den Herren" (art. 5) | SATB | 5 1 : 316 | III / 2.2: 65 | después de Z 8244 ; texto de Gramann | 11331 | |||
30,2 | 1. | 1738-06-24 | Cantata Freue dich, erlöste Schar (24 de junio: fiesta de Juan el Bautista) | D maj. | satbSATB 2Fl 2Ob Oba Vl Str Bc | 5 1 : 321 | Yo / 29: 59 | después de BWV 30.1 , Z 6543 (/ 6); texto de Picander ?, Olearius, J. (/ 6) | 00038 |
30,2 / 6 | engaste coral "Tröstet, tröstet, meine Lieben" (art. 3) | Un maj. | SATB | 5 1 : 360 | III / 2.2: 42 | después de Z 6543 ; texto de Olearius, J. | 11318 | ||
engaste coral "Freu dich sehr, o meine Seele" | G maj. | después de Z 6543 | |||||||
30,1 | 1. | 1737-09-28 | Cantata profana Angenehmes Wiederau (para Hennicke | en Wiederau manor)D maj. | satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Bc | 5 1 : 399 34: 325 | Yo / 39: 51 | texto de Picander ; → BWV 30 .2, 195 .2 / 6, / 8 | 00039 |
31,2 | 1. | 1724-04-09 | Cantata Der Himmel lacht! Die Erde jubilieret (versión de Leipzig: Pascua) | C maj. | stbSSATB 3Tr Tmp Ob 2Oba Bas 2Vl 2Va Bc | 7: 1 | Yo / 9: 41 | después de BWV 31 .1 (mismo texto) | 00040 |
31/9 | engaste coral "Wenn mein Stündlein vorhanden ist" (art. 5) | SATB | 7:50 | III / 2.1: 56 | después de Z 4482a ; texto de Herman | 11221 | |||
31,1 | 1. | 1715-04-21 | Cantata Der Himmel lacht! Die Erde jubilieret (versión de Weimar: Pascua) | C maj. | stbSSATB 3Tr Tmp 3Ob Tai Bas 2Vl 2Va Bc | I / 9 rev 2:37 | después de Z 4482a (/ 9); texto de Franck, S , Herman (/ 9); → BWV 31 .2 | 00041 | |
32 | 1. | 1726-01-13 | Cantata Liebster Jesu, mein Verlangen (Epifanía I) | E min. | sbSATB Ob Str Bc | 7:53 | Yo / 5: 143 | después de Z 6543 (/ 6); texto de Lehms , Gerhardt (/ 6) | 00042 |
32/6 | engaste coral "Weg, mein Herz, mit den Gedenken" (art. 12) | G maj. | SATB | 7:80 | III / 2.2: 18 | después de Z 6543 ; texto de Gerhardt | 11317 | ||
engaste coral "Freu dich sehr, o meine Seele" | después de Z 6543 | ||||||||
33 | 1. | 1724-09-03 | Cantata Allein zu dir, Herr Jesu Christ (Trinidad XIII) | Un min. | atbSATB 2Ob Str Bc | 7:81 | Yo / 21: 23 | después de Z 7292b ; texto después de Hubert | 00043 |
33/6 | ambientación coral "Allein zu dir, Herr Jesu Christ" (s. 4) | SATB | 7: 114 | III / 2.1: 58 III / 2.2: 10 | después de Z 7292b ; texto de Hubert | 11223 | |||
34,1 | 1. | 1727-06-01 | Cantata O ewiges Feuer, o Ursprung der Liebe (Pentecostés) | D maj. | atbSATB 3Tr Tmp 2Fl 2Ob Str Bc | 7: 115 | Yo / 13: 129 | texto después de Sal 128 : 6 (/ 5); → BWV 34,2 | 00044 |
34,2 | 1. | después de 1727 | Cantata O ewiges Feuer, o Ursprung der Liebe (boda; incompleta) | D maj. | satbSATB Vl Va Bc | 41: 117 | I / 33: 27 | después de BWV 34.1 ; texto después de Sal 128 : 4–6 (/ 3– / 4), Nm 6: 24–26 (/ 7) | 00045 |
35 | 1. | 1726-09-08 | Cantata Geist und Seele wird verwirret (Trinidad XII) | D min. | a 2Ob Tai Str Org Bc | 7: 171 | I / 20: 215 | texto de Lehms ; → BWV 1059 | 00046 |
36,4 | 1. | C. 1726-1730 | Cantata Schwingt freudig euch empor (Adviento I; versión temprana) | D maj. | stbSATB Oba Str Bc | 7: 395 | Yo / 1:17 | después de BWV 36.1 , Z 8359 (/ 5); texto de Picander ?, de Nicolai (/ 5); → BWV 36 .5 | 00048 |
36,4 / 5 | ambientación coral "Wie schön leuchtet der Morgenstern" (art. 7) | SATB | 7: 399 | III / 2.1: 28 | después de Z 8359 ; texto de Nicolai | 11193 | |||
36,5 | 1. | 1731-12-02 | Cantata Schwingt freudig euch empor (Adviento I) | D maj. | satbSATB 2Oba Str Bc | 7: 221 | I / 1: 41 | después de BWV 36 .4, Z 1174 (/ 2, / 6, / 8), Z 8359 (/ 4); texto de Picander ?, de Lutero (/ 2, / 6, / 8), Nicolai (/ 4) | 00047 |
36,5 / 4 | ambientación coral "Wie schön leuchtet der Morgenstern" (art. 6) | SATB | 7: 243 | III / 2.2: 48, 109, 180 | después de Z 8359 ; texto de Nicolai | 11346 | |||
36,5 / 8 | engaste coral "Nun komm, der Heiden Heiland" (art. 8) | B min. | SATB | 7: 258 | III / 2.2: 18 | después de Z 1174 ; texto de Lutero | 11329 | ||
36,2 | 1. | 1726-11-30 o 1725-11-30 | Cantata secular Steigt freudig in die Luft (cumpleaños de Charlotte Friederike Wilhelmine de Anhalt-Köthen; música perdida) | stbSATB Oba Va Str Bc (?) | I / 35 | texto de Picander ; después de BWV 36.1 / 1, / 3, / 5, / 7, / 9 | 00049 | ||
36,3 | 1. | 1735-07-27 | Cantata secular Die Freude reget sich (cumpleaños de Rivinus, JF | ?)D maj. | satSATB Fl Oba Str Bc | 34: 39 | Yo / 38: 255 | después de BWV 36.1 / 1, / 3, / 5, / 7, / 8 | 00050 |
36,1 | 1. | Abril-mayo de 1725 | Cantata secular Schwingt freudig euch empor (cumpleaños de Mencke, JB | ?)D maj. | stbSATB Oba Str Va Bc | 34: 39 | I / 39: 1 | → BWV 36,2 - .4 | 00051 |
37 | 1. | 1724-05-18 | Cantata Wer da gläubet und getauft wird (Ascensión) | Un maj. | satbSATB 2Oba Str Bc | 7: 259 | Yo / 12: 79 | después de Z 8359 (/ 3), 5354 (/ 6); texto después de Mc 16:16 , de Nicolai (/ 3), Kolross (/ 6) | 00052 |
37/6 | engaste coral "Ich dank dir, lieber Herre" (s. 4) | SATB | 7: 282 | III / 2.2: 197 | después de Z 5354 ; texto de Kolross | 11304 | |||
38 | 1. | 1724-10-29 | Cantata Aus tiefer Not schrei ich zu dir (Trinidad XXI) | E min. | satbSATB 2Ob 4Tbn Str Bc | 7: 283 | Yo / 25: 217 | después de Z 4437 ; texto después de Lutero | 00053 |
38/6 | engaste coral "Aus tiefer Not schrei ich zu dir" (art. 5) | SATB | 7: 300 | III / 2.1: 67 III / 2.2: 8 | después de Z 4437 ; texto de Lutero | 11233 | |||
39 | 1. | 1726-06-23 | Cantata Brich dem Hungrigen dein Brot (Trinidad I) | G min. | sabSATB 2Fl 2Ob Str Bc | 7: 336 | I / 15 179 | después de Z 6543 (/ 7); texto: Meiningen , después de Is 58 : 7-8 (/ 1), Hb 13 : 16 (/ 4), por Denicke (/ 7) | 00054 |
39/7 | engaste coral "Kommt, lasst euch den Herren lehren" (art. 6) | B ♭ maj. | SATB | 7: 348 | III / 2.1: 81 III / 2.2: 37 | después de Z 6543 ; texto de Denicke | 11247 | ||
engaste coral "Freu dich sehr, o meine Seele" | después de Z 6543 | ||||||||
40 | 1. | 1723-12-26 | Cantata Darzu ist erschienen der Sohn Gottes (Navidad 2) | F maj. | atbSATB 2Hn 2Ob Str Bc | 7: 349 | I / 3.1: 3 | después de Z 2072 (/ 3), 4870 (/ 6), 7880a (/ 8); texto después de 1Jh 3: 8 (/ 1; → BWV 233/6 ), por Füger (/ 3), Gerhardt (/ 6), Keymann (/ 8) | 00055 |
40/3 | ambientación coral "Wir Christenleut" (art. 3) | G min. | SATB | 7: 377 | III / 2.2: 186 | después de Z 2072 ; texto de Füger | 11315 | ||
40/6 | engaste coral "Schwing dich auf zu deinem Gott" (art. 2) | D min. | SATB | 7: 387 | III / 2.2: 82 | después de Z 4870 ; texto de Gerhardt | 11343 | ||
40/8 | ambientación coral "Freuet euch, ihr Christen alle" (art. 4) | F min. | SATB | 7: 394 | III / 2.2: 6 | después de Z 7880a ; texto de Keymann | 11339 | ||
41 | 1. | 1725-01-01 | Cantata Jesu, nun sei gepreiset (Año Nuevo) | C maj. | satbSATB 3Tr Tmp 3Ob Str Vc Bc | 10: 1 | I / 4: 37 | después de Z 8477a ; texto después de Hermann ; / 6 → BWV 171 /6 | 00056 |
41/6 | Marco coral "Jesu, nun sei gepreiset" (art. 3) | SATB | 10:58 | III / 2.1: 90 III / 2.2: 8 | después de Z 8477a ; texto de Hermann | 11253 | |||
42 | 1. | 1725-04-08 | Cantata Am Abend aber desselbigen Sabbats (Quasimodogeniti) | D maj. | satbSATB 2Ob Bas Str Bc | 10:63 | I / 11.1: 61 | después de Z 1945b (/ 7); texto después de Jh 20:19 (/ 2), por Fabricius | (/ 4), Lutero después de Da pacem, Domine & Walter después de 1Tm 2 : 2 (/ 7)00057 |
42/7 | ambientación coral "Verleih uns Frieden gnädiglich" (ss. 1-2) | F♯ min. | SATB | 10:91 | III / 2.1: 21 III / 2.2: 51, 154 | después de Z 1945b ; texto de Lutero después de Da pacem, Domine & Walter después de 1Tm 2 : 2 | 11186 | ||
43 | 1. | 1726-05-30 | Cantata Gott fähret auf mit Jauchzen (Ascensión) | C maj. | satbSATB 3Tr Tmp 2Ob Str Bc | 10:93 | Yo / 12: 133 | después de Z 5741b (/ 11: por Peter | ); texto: Meiningen , después de Sal 47 : 6-7 (/ 1), Mc 16 : 19 (/ 4), de Rist (/ 11)00058 |
44 | 1. | 1724-05-21 | Cantata Sie werden euch in den Bann tun (Exaudi) | G min. | satbSATB 2Ob Str Bc | 10: 127 | I / 12: 165 | después de Z 533a (/ 4), 2293b (/ 7); texto después de Jh 16 : 2 (/ 1–2), por Moller (/ 4), Fleming (/ 7) | 00059 |
44/7 | engaste coral "In allen meinen Taten" (art. 7) | B ♭ maj. | SATB | 10: 150 | III / 2.1: 75 III / 2.2: 203 | después de Z 2293b ; texto de Fleming | 11242 | ||
ambientación coral "Nun ruhen alle Wälder" | después de Z 2293b ; texto de Gerhardt | ||||||||
45 | 1. | 1726-08-11 | Cantata Es ist dir gesagt, Mensch, was gut ist (Trinidad VIII) | E maj. | atbSATB 2Fl Ob Oba Str Bc | 10: 151 | Yo / 18: 197 | después de Z 5206b –c (/ 7); texto: Meiningen , después de Mh 6: 8 (/ 1), Mt 7:22 - 23 (/ 4), por Heermann (/ 7) | 00060 |
45/7 | engaste coral "O Gott, du frommer Gott" (art. 7) | SATB | 10: 186 | III / 2.2: 47 | después de Z 5206b –c; texto de Heermann | 11297 | |||
46 | 1. | 1723-08-01 | Cantata Schauet doch und sehet, ob irgend ein Schmerz sei (Trinidad X) | D min. | atbSATB Tdt Hn 2Fl 2Odc Str Bc | 10: 187 | Yo / 19: 109 | después de Z 5105a (/ 6); texto después de Lm 1:12 (/ 1), por Meyfart (/ 6) | 00061 |
46/6 | engaste coral "O großer Gott von Macht" (art. 9) | G min. | SATB | 10: 236 | III / 2.2: 45 | después de Z 5105a ; texto de Meyfart | 11341 | ||
47 | 1. | 1726-10-13 | Cantata Wer sich selbst erhöhet, der soll erniedriget werden (Trinidad XVII) | G min. | sbSATB 2Ob Str Org Bc | 10: 239 | Yo / 23: 319 | después de Z 1689a (/ 5); texto de Helbig , después de Lc 14, 11 (/ 1) | 00062 |
47/5 | ambientación coral "Warum betrübst du dich, mein Herz" (art. 11) | SATB | 10: 274 | III / 2.2: 52 | después de Z 1689a | 11336 | |||
48 | 1. | 1723-10-03 | Cantata Ich elender Mensch, wer wird mich erlösen (Trinidad XIX) | G min. | atSATB Tr 2Ob Str Bc | 10: 275 | I / 24: 105 | después de Z 2051 (/ 3), 4486 (/ 7); texto después de Rm 7:24 , de Rutilius | (/ 3)00063 |
48/3 | engaste coral "Ach Gott und Herr" (art. 4) | B ♭ maj. | SATB | 10: 288 | III / 2.1: 30 III / 2.2: 166 | después de Z 2051 ; texto de Rutilius | 11197 | ||
48/7 | ambientación coral "Herr Jesu Christ, ich schrei zu dir" (art. 12) | G min. | SATB | 10: 298 | III / 2.1: 33 III / 2.2: 158 | después de Z 4486 | 11320 | ||
ambientación coral "Herr Jesu Christ, du höchstes Gut" | después de Z 4486 ; texto de Ringwaldt | ||||||||
49 | 1. | 1726-11-03 | Cantata Ich geh und suche mit Verlangen (Trinidad XX) | G min. | sb Oba Str Vl Org Bc | 10: 299 | Yo / 25: 107 | después de Z 8359 ; texto de Birkmann , Nicolai y después de Jer 31 : 3, Ap 3:20 (/ 6); / 1 → BWV 1,053 / 3 | 00064 |
50 | 1. | Cantata Nun ist das Heil und die Kraft (movimiento único; ¿arreglo o fragmento de una cantata para Michaelmas?) | D maj. | 2SATB 3Tr Tmp 3Ob Str Bc | 10: 341 | Yo / 30: 141 | texto después de Apocalipsis 12:10; en SBB P 136 | 00065 | |
51 | 1. | 1730-09-17 | Cantata Jauchzet Gott en allen Landen (Trinity XV) | C maj. | s (2) Tr (Tmp) Str Bc | 12 2 : 1 | Yo / 22: 77 | después de Z 8244 (/ 4); texto después de Sal 128 : 2 y 26 : 2 (/ 2), de Gramann (/ 4) | 00066 |
52 | 1. | 1726-11-24 | Cantata Falsche Welt, dir trau ich nicht (Trinidad XXIII) | F maj. | sSATB 2Hn 3Ob Bas Str Bc | 12 2 : 25 | Yo / 26: 131 | después de BWV 1046a / 1 (/ 1), Z 2461 (/ 6); texto de Birkmann , Reusner (/ 6) | 00067 |
54 | 1. | 1714-1717? | Cantata Widerstehe doch der Sünde (Oculi) | E ♭ maj. | a 2Vl 2Va Bc | 12 2 : 59 | Yo / 18: 3 | texto de Lehms ; → BWV 247/53 ? | 00069 |
55 | 1. | 1726-11-17 | Cantata Ich armer Mensch, ich Sündenknecht (Trinidad XXII) | G min. | tSATB Fl Oba Str Bc | 12 2 : 73 | Yo / 26: 55 | después de Z 6551 (/ 5); texto de Birkmann , Rist (/ 5) | 00070 |
55/5 | ambientación coral "Werde munter, mein Gemüte" (art. 6) | B ♭ maj. | SATB | 12 2 : 86 | III / 2.2: 53 | después de Z 6551 ; texto de Rist | 11319 | ||
56 | 1. | 1726-10-27 | Cantata Ich will den Kreuzstab gerne tragen (Trinidad XIX) | G min. | bSATB 2Ob Tai Str Vc Bc | 12 2 : 87 | Yo / 24: 173 | después de Z 6773 (/ 5); texto de Birkmann , Franck, J. (/ 5) | 00071 |
56/5 | ambientación coral "Du, o schönes Weltgebäude" (art. 6) | C Dor. | SATB | 12 2 : 104 | III / 2.2: 48 | después de Z 6773 ; texto de Franck, J. | 11300 | ||
57 | 1. | 1725-12-26 | Cantata Selig ist der Mann (Navidad 2) | G min. | sbSATB 2Ob Tai Str Bc | 12 2 : 105 | I / 3.1: 83 | después de Z 1912a –c (/ 8); texto de Lehms , Fritsch (/ 8), después de Juan 1:12 (/ 1) | 00072 |
57/8 | ambientación coral "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" (art. 6) | B ♭ maj. | SATB | 12 2 : 132 | III / 2.2: 50 | después de Z 1912a –c; texto de Fritsch | 11323 | ||
58,2 | 1. | 1733-01-04 o 1734-01-03 | Cantata Ach Gott, wie manches Herzeleid (Año Nuevo I) | C maj. | sb 2Ob Tai Vl Str Bc | 12 2 : 133 | I / 4: 217 | después de BWV 58 .1; texto de Birkmann , Moller (/ 1), Behm (/ 5) | 00073 |
58,1 | 1. | 1727-01-05 | Cantata Ach Gott, wie manches Herzeleid (Año Nuevo I; versión temprana) | C maj. | sb Vl Str Bc | I / 4: 241 | después de Z 533a (/ 1, / 5); texto de Birkmann , Moller (/ 1), Behm (/ 5); → BWV 58 .2 | 00074 | |
59 | 1. | 1724-05-28 | Cantata Wer mich liebet, der wird mein Wort halten (Pentecostés) | C maj. | sbSATB 2Tr Tmp Str Bc | 12 2 : 151 | Yo / 13: 65 | después de Z 7445a (/ 3); texto de Neumeister , Luther (/ 3), después de Jh 14 : 23 (/ 1); → BWV 74 / 1- / 2, 175 /7 | 00075 |
60 | 1. | 1723-11-07 | Cantata O Ewigkeit, du Donnerwort (Trinidad XXIV) | D maj. | atbSATB Hn 2Oba Str Bc | 12 2 : 169 | I / 27: 1 | después de Z 5820 (/ 1), 7173 (/ 5); texto de Rist (/ 1), Burmeister (/ 5), después de Ap 14:13 (/ 4) | 00076 |
60/5 | engaste coral "Es ist genug, so nimm" (art. 5) | Un maj. | SATB | 12 2 : 190 | III / 2.1: 37 III / 2.2: 127 | después de Z 7173 ; texto de Burmeister | 11203 | ||
61 | 1. | 1714-12-02 | Cantata Nun komm, der Heiden Heiland (Adviento I - primer ajuste) | Un min. | stbSATB Fag 2Vl 2Va Bc | 16: 1 | I / 1: 1 | después de Z 1174 (/ 1), 8359 (/ 6); texto de Neumeister , Lutero (/ 1), Nicolai (/ 6), después de Apocalipsis 3:20 (/ 4) | 00077 |
62 | 1. | 1724-12-03 | Cantata Nun komm, der Heiden Heiland (Adviento I - segundo ajuste) | B min. | satbSATB Hn 2Ob Str Bc | 16: 19 | I / 1: 75 | después de Z 1174 ; texto después de Lutero | 00078 |
62/6 | engaste coral "Nun komm, der Heiden Heiland" (art. 8) | SATB | 16: 50 | III / 2.1: 68 | después de Z 1174 ; texto de Lutero | 11234 | |||
Un min. | III / 2.2: 97 | ||||||||
63 | 1. | 1714-12-25 1723-12-25 | Cantata Christen, ätzet diesen Tag (Navidad; dos versiones) | C maj. | satbSATB 4Tr Tmp 3Ob Bas Str Bc | 16: 51 | I / 2: 1 | texto de Heineccius ? | 00079 |
64 | 1. | 1723-12-27 | Cantata Sehet, welch eine Liebe hat uns der Vater erzeiget (Navidad 3) | E min. | sabSATB Cnt 3Tbn Oba Str Bc | 16: 111, 371 | I / 3.1: 113 | después de Z 1947 (/ 2), 5206b –c (/ 4), 8032 (/ 8); texto después de Knauer | , 1Jh 3: 1 (/ 1), por Luther (/ 2), Kindermann (/ 4), Franck, J. (/ 8)00080 |
64/2 | Marco coral "Gelobet seist du, Jesu Christ" (art. 7) | G maj. | SATB | 16: 371 | III / 2.1: 16 III / 2.2: 92 | después de Z 1947 ; texto de Lutero | 11179 | ||
64/4 | engaste coral "Was frag ich nach der Welt" (art. 1) | D maj. | SATB | 16: 372 | III / 2.1: 16 III / 2.2: 151 | después de Z 5206b –c; texto de Kindermann | 11180 | ||
64/8 | Marco coral "Jesu, meine Freude" (art. 5) | E min. | SATB | 16: 132 | III / 2.1: 15 III / 2.2: 80 | después de Z 8032 ; texto de Franck, J. | 11178 | ||
sesenta y cinco | 1. | 1724-01-06 | Cantata Sie werden aus Saba alle kommen (Epifanía) | C maj. | tbSATB 2Hn 2Fl 2Odc Str Bc | 16: 133 | I / 5: 1 | después de Z 192b (/ 2), 7568 (/ 7); texto después de Is 60 : 6 (/ 1), por Spangenberg (/ 2), Gerhardt (/ 7) | 00081 |
65/2 | engaste coral "Ein Kind geboren zu Bethlehem" (art. 4) | Un min. | SATB | 16: 152 | III / 2.2: 9 | después de Z 192b ; texto de Spangenberg | 11342 | ||
ambientación coral "Puer natus in Belén" | después de Z 192b | ||||||||
65/7 | ambientación coral "Ich hab in Gottes Herz und Sinn" (art. 10) | Un min. | SATB | 16: 166 | III / 2.2: 24 | después de Z 7568 ; texto de Gerhardt | 11337 | ||
ajuste coral "Was mein Gott will, das gscheh allzeit" | después de Z 7568 ; texto de Alberto de Prusia | ||||||||
66,2 | 1. | 1724-04-10 | Cantata Erfreut euch, ihr Herzen (Pascua 2) | D maj. | atbSATB Tr 2Ob Str Bc | 16: 167 | I / 10: 1 | después BWV 66,1 / 8, / 1- / 4, Z 8,584 / 3 | 00082 |
66,2 / 6 | Marco coral "Alleluja", s. 3 de "Christ ist erstanden" | F♯ min. | SATB | 16: 214 | III / 2.1: 57 | después de Z 8.584 / 3 | 11222 | ||
66,1 | 1. | 1718-12-10 | Cantata profana Der Himmel dacht auf Anhalts Ruhm und Glück (cumpleaños de Leopoldo de Anhalt-Köthen ) | atbSATB 2Ob Bas Str Bc (?) | I / 35 | texto de Hunold ; → BWV 66.2 / 1– / 5 | 00083 | ||
67 | 1. | 1724-04-16 | Cantata Halt im Gedächtnis Jesum Christ (Quasimodogeniti) | Un maj. | atbSATB Hn Fl 2Oba Str Bc | 16: 215 | I / 11.1: 1 | después de Z 1743 (/ 4), 4373 (/ 7); texto después de 2Ti 2 : 8 (/ 1), Jh 20:19 (/ 6; → BWV 234/2 ), por Herman (/ 4), Ebert (/ 7) | 00084 |
67/7 | ambientación coral "Du Friedefürst, Herr Jesu Christ" (s. 1) | SATB | 16: 246 | III / 2.1: 10 III / 2.2: 25 | después de Z 4373 ; texto de Ebert | 11174 | |||
68 | 1. | 1725-05-21 | Cantata también sombrero Gott die Welt geliebt (Pentecostés 2) | D min. | sbSATB Hn Cnt 3Tbn 2Ob Tai Str Vc Bc | 16: 247 | Yo / 14: 31 | después de Z 5920 (/ 1), BWV 208/13 (/ 2) y / 7 (/ 4); texto de Ziegler, C. M. , Liscow (/ 1), después de Jh 3:18 (/ 5) | 00085 |
69,2 | 1. | 1748-08-26 | Cantata Lobe den Herrn, meine Seele (elección del consejo) | D maj. | satbSATB 3Tr Tmp 3Ob Oba Bas Str Bc | 16: 281 | I / 32.2: 111 | después de BWV 69.1 / 1, / 3, / 5, Z 7247 (/ 6); texto después de Knauer | , Sal 103 : 2 (/ 1), por Lutero (/ 6)00086 |
69,2 / 6 | engaste coral "Es woll uns Gott genädig sein" (art. 3) | SATB | 16: 325 | III / 2.2: 192 | después de Z 7247 ; texto de Lutero | 11303 | |||
69,1 | 1. | 1723-08-15 | Cantata Lobe den Herrn, meine Seele (Trinidad XII) | D maj. | satbSATB 3Tr Tmp Fl 3Ob Oba Odc Bas Str Bc | 16: 373 | I / 20: 117 | después de BWV 12/7 (/ 6); texto según Knauer | , Sal 103 : 2 (/ 1), de Rodigast (/ 6); → BWV 69,2 / 1, / 3, / 500087 |
69,1 / 6 | engaste coral "Was Gott tut, das ist wohlgetan" (art. 6) | G maj. | SATB | 16: 379 | III / 2.1: 55 III / 2.2: 174 | después de BWV 12/7 ; texto de Rodigast | 11219 | ||
70,2 | 1. | 1723-11-21 | Cantata Wachet! Betet! Betet! ¡Wachet! (Trinidad XXVI) | C maj. | satbSATB Tr Ob Str Vc Bc | 16: 327 | I / 27: 107 | después de BWV 70 .1, Z 6543 (/ 7); texto de Franck, S , Keymann (/ 11) | 00088 |
70,2 / 11 | 1716-12-06 | engaste coral "Meinen Jesum laß ich nicht, weil" (art. 5) | C maj. | SATB | 16: 368 | III / 2.2: 200 | = BWV 70 .1 / 6 | 11308 | |
70,1 | 1. | Cantata Wachet! Betet! Betet! ¡Wachet! (Adviento II) | satbSATB Tr Ob Str Vc Bc | 16: 327 | Yo / 1 | después de Z 3449 (/ 6); texto de Franck, S , Keymann (/ 6); → BWV 70 .2 / 1, / 3, / 5, / 8, / 10, / 11 | 00089 | ||
71 | 1. | 1708-02-04 | Cantata Gott ist mein König (elección del consejo) | D maj. | satbSATB 3Tr Tmp 2Fl Vc 2Ob Bas Str Vne Org | 18: 1 | I / 32.1: 3 | después de Z 5148 (/ 2); texto de Eilmar ?, Heermann y después de 2Sm 19:35 & 37 (/ 2), Sl 74 : 12 (/ 1), 16-17 (/ 4), 19 (/ 6), Dt 33:25 & Gn 21 : 22b (/ 3) | 00090 |
72 | 1. | 1726-01-27 | Cantata Alles nur nach Gottes Willen (Epifanía III) | Un min. | sabSATB 2Ob Str Bc | 18: 55 | I / 6: 59 | después de Z 7568 (/ 6); texto de Franck, S , Alberto de Prusia (/ 6); / 1 → BWV 235 /2 | 00091 |
73 | 1. | 1724-01-23 | Cantata Herr, wie du willt, so schicks mit mir (Epifanía III) | G min. | stbSATB Hn 2Ob Str Bc | 18: 85 | I / 6: 3 | después de Z 4441a (/ 1), 5264b (/ 5); texto de Bienemann | (/ 1), Helmbold (/ 5)00092 |
73/5 | ambientación coral "Von Gott will ich nicht lassen" (art. 9) | C min. Un min. | SATB | 18: 104 | III / 2.2: 107 | después de Z 5264b ; texto de Helmbold | 11310 | ||
74 | 1. | 1725-05-20 | Cantata Wer mich liebet, der wird mein Wort halten (Pentecostés) | C maj. | satbSATB 3Tr Tmp 2Ob Odc Str Bc | 18: 105 | Yo / 13: 83 | después de BWV 59/1 & / 4 (/ 1– / 2), Z 2496 (/ 8); texto de Ziegler, C. M. , Gerhardt (/ 8), después de Jh 14 : 23 (/ 1), 28 (/ 4), Rm 8 : 1 (/ 6) | 00093 |
74/8 | ambientación coral "Gott Vater, sende deinen Geist" (art. 2) | Un min. | SATB | 18: 146 | III / 2.1: 78 III / 2.2: 212 | después de Z 2496 ; texto de Gerhardt | 11245 | ||
ambientación coral "Kommt her zu mir, spricht Gottes Sohn" | después de Z 2496 ; texto de Grünwald | ||||||||
75 | 1. | 1723-05-30 | Cantata Die Elenden sollen essen (Trinidad I) | E min. | satbSATB Tr 2Ob Oba Bas Str Bc | 18: 147 | Yo / 15: 85 | después de Z 5629 (/ 7 = / 14: → BWV 100/6 ); texto después de Sal 22 : 27 (/ 1), de Rodigast (/ 7, / 14) | 00094 |
76 | 1. | 1723-06-06 | Cantata Die Himmel erzählen die Ehre Gottes (Trinidad II) | C maj. | satbSATB Tr 2Ob Oba Str Vdg Bc | 18: 189 | Yo / 16: 1 | después de Z 7247 (/ 7 = / 14); texto después de Sal 12 : 2 y 4 (/ 1), de Lutero (/ 7, / 14); / 8 ↔ BWV 528 /1 | 00095 |
77 | 1. | 1723-08-22 | Cantata Du sollt Gott, deinen Herren, lieben (Trinidad XIII) | C maj. | satbSATB Tdt 2Ob Str Bc | 18: 233 | Yo / 21: 1 | después de Z 4431 (/ 6); texto después de Knauer , Lc 10:27 (/ 1), por Denicke ? (/ 6) | 00096 |
77/6 | ambientación coral "Wenn einer alle Ding verstünd" (s. 8)? | G min. | SATB | 18: 254 | III / 2.1: 14 III / 2.2: 150 | después de Z 4431 ; texto de Denicke | 11176 | ||
ajuste coral "Ach Gott, vom Himmel sieh darein" | después de Z 4431 ; texto de Lutero | ||||||||
78 | 1. | 1724-09-10 | Cantata Jesu, der du meine Seele (Trinidad XIV) | G min. | satbSATB Hn Fl 2Ob Str Vne Bc | 18: 255 | Yo / 21: 115 | después de Z 6804 ; texto después de Rist | 00097 |
78/7 | Marco coral "Jesu, der du meine Seele" (art. 12) | SATB | 18: 286 | III / 2.1: 60 III / 2.2: 150 | después de Z 6804 ; texto de Rist | 11225 | |||
79 | 1. | 1725-10-31 | Cantata Gott der Herr ist Sonn und Schild (Día de la Reforma; dos versiones: Fl asociada con el 2do c. 1730) | G maj. | sabSATB 2Hn Tmp (2Fl) 2Ob Str Bc | 18: 287 | I / 31: 1 | después de Z 5142 (/ 3), 159 (/ 6); texto después de Sal 84 : 12 (/ 1), de Rinkart (/ 3), Helmbold (/ 6); → BWV 236 /2, / 4, 234 /5 | 00098 |
80,3 | 1. | C. 1735 ? | Cantata Ein feste Burg ist unser Gott (Día de la Reforma; 2do Leipzig v .; Tr & Tmp en BGA probablemente adición de W. F. Bach ) | D maj. | satbSATB 3Ob 2Oba Odc Str Bc | 18: 317 | Yo / 31: 71 | después de BWV 80.2 (mismo texto) | 00099 |
80,1 | 1. | 1715-03-24 | Cantata Alles, fue von Gott geboren (Oculi; música perdida) | satb (?) SATB Ob Str Bc | I / 8.2: V | después de Z 7377 (/ 1, / 6) ?; texto de Franck, S , Luther (/ 6); → BWV 80,2 | 00100 | ||
80,2 | 1. | C. 1729-1731 | Cantata Ein feste Burg ist unser Gott (Día de la Reforma; 1a versión de Leipzig) | D maj. | sbSATB Ob Str Bc | 18: 351 | Yo / 31: 65 | después de Z 7377 , BWV 80.1 (/ 2– / 4, / 6– / 7); texto de Franck, S , Luther (/ 1, / 2, / 5, / 8); → BWV 80,3 | 00101 |
80/8 | engaste coral "Ein feste Burg ist unser Gott" (art. 4) | SATB | 18: 378 | III / 2.1: 29 III / 2.2: 162 | después de Z 7377 ; texto de Lutero | 11195 | |||
81 | 1. | 1724-01-30 | Cantata Jesus schläft, was soll ich hoffen? (Epifanía IV) | E min. | atbSATB 2Fl 2Oba Str Bc | 20 1 : 1 | I / 6: 111 | después de Z 8032 (/ 7); texto después de Sal 10 : 1 (/ 2), Mt 8:26 (/ 4), de Franck, J. (/ 7) | 00102 |
81/7 | Marco coral "Jesu, meine Freude" (art. 2) | SATB | 20 1 : 24 | III / 2.2: 188 | después de Z 8032 ; texto de Franck, J. | 11305 | |||
82,1 | 1. | 1727-02-02 | Cantata Ich habe genug (Purificación; primera versión) | C min. | b Ob Str Bc | 20 1 : 25 | I / 28.1: 77 | texto de Birkmann ; → BWV 82 .2 – .4 | 00103 |
82,2 | 1. | 1731-02-02 | Cantata Ich habe genug (Purificación; 2da versión) | E min. | s Fl Str Bc | I / 28.1: 155 | después de BWV 82 .1 (mismo texto); → 82 .3 – .4 | 00104 | |
82,2 / 2– / 3 | 1. | C. 1731 (AMB) | Cuaderno AM Bach (1725) Nº 34 Recitativo "Ich habe genug"; Aria "Schlummert ein, ihr matten Augen" | E min. | s Bc | 43 2 : 46 | V / 4: 122 | después de BWV 82,2; texto de Birkmann | 00104 |
82,2 / 3 | 1. | C. 1731 (AMB) | Cuaderno AM Bach (1725) No. 38 Aria "Schlummert ein, ihr matten Augen" (incompleto) | E min. | s Bc | 43 2 : 49 | V / 4: 122 | después de BWV 82,2; texto de Birkmann | 00104 |
82,3 | 1. | C. 1735 | Cantata Ich habe genug (Purificación; tercera versión) | C min. | b o mezzo Ob Str Bc | I / 28.1: 109 | después de BWV 82 .1 – .2 (mismo texto); → 82 .4 | 00105 | |
82,4 | 1. | 1746-1748 | Cantata Ich habe genug (Purificación; cuarta versión) | C min. | b (o mezzo) Ob Odc Str Bc | I / 28.1: 109 | después de BWV 82 .1 – .3 (mismo texto) | 00106 | |
83 | 1. | 1724-02-02 | Cantata Erfreute Zeit im neuen Bunde (Purificación) | F maj. | atbSATB 2Hn 2Ob Vl Str Bc | 20 1 : 51 | I / 28.1: 3 | después de Z 3986 (/ 5); texto después de Lc 2: 29-31 (/ 2), Hb 4:16 (/ 3), de Lutero (/ 5) | 00107 |
83/5 | ambientación coral "Mit Fried und Freud ich fahr dahin" (art. 4) | D min. | SATB | 20 1 : 76 | III / 2.2: 188 | después de Z 3986 ; texto de Lutero | 11309 | ||
84 | 1. | 1727-02-09 | Cantata Ich bin vergnügt mit meinem Glücke (Septuagesimae) | E min. | sSATB Ob Str Bc | 20 1 : 77 | Yo / 7:21 | después de Z 2778 (/ 5); texto después de Picander , por E. J. de Schwarzburg-Rudolstadt (/ 5) | 00108 |
84/5 | ambientación coral "Wer weiß, wie nahe mir mein Ende" (art. 12) | B min. | SATB | 20 1 : 98 | III / 2.1: 27 III / 2.2: 63 | después de Z 2778 ; texto de E. J. de Schwarzburg-Rudolstadt | 11192 | ||
ambientación coral "Wer nur den lieben Gott lässt walten" | después de Z 2778 ; texto de Neumark | ||||||||
85 | 1. | 1725-04-15 | Cantata Ich bin ein guter Hirt (Misericordias Domini) | C min. | satbSATB 2Ob Str Vc Bc | 20 1 : 99 | I / 11.1: 157 | después de Z 4457 (/ 3), 2542 (/ 6); texto después de Jh 10:12 (/ 1), por Becker (/ 3), Homburg | (/ 6)00109 |
85/6 | engaste coral "Ist Gott mein Schild und Helfersmann" (art. 4) | SATB | 20 1 : 118 | III / 2.1: 74 III / 2.2: 69 | después de Z 2542 ; texto de Homburg | 11240 | |||
86 | 1. | 1724-05-14 | Cantata Wahrlich, wahrlich, ich sabio euch (Rogate) | E maj. | satbSATB 2Oba Str Bc | 20 1 : 119 | Yo / 12:45 | después de Z 2496c (/ 3), 4430 (/ 6); texto después de Jh 16 : 23 (/ 1), de Grünwald (/ 3), Speratus (/ 6) | 00110 |
86/6 | engaste coral "Es ist das Heil uns kommen her" (art. 11) | SATB | 20 1 : 134 | III / 2.2: 3 | después de Z 4430 ; texto de Speratus | 11322 | |||
87 | 1. | 1725-05-06 | Cantata Bisher habt ihr nichts gebeten in meinem Namen (Rogate) | D min. | atbSATB 2Ob 2Odc Str Bc | 20 1 : 135 | Yo / 12: 61 | después de Z 8032 (/ 7); texto según Ziegler, C. M. , Jh 16:24 (/ 1), por Müller, H. (/ 7) | 00111 |
87/7 | engaste coral "Selig ist die Seele" (art. 9) | SATB | 20 1 : 152 | III / 2.1: 73 III / 2.2: 54 | después de Z 8032 ; texto de Müller, H. | 11239 | |||
Marco coral "Jesu, meine Freude" | después de Z 8032 ; texto de Franck, J. | ||||||||
88 | 1. | 1726-07-21 | Cantata Siehe, ich will viel Fischer aussenden (Trinity V) | D maj. | satbSATB 2Hn 2Oba Tai Str Bc | 20 1 : 153 | I / 17.2: 33 | después de Z 2778 (/ 7); texto: Meiningen , después de Jer 16:16 (/ 1), Lc 5:10 (/ 4), por Neumark (/ 7) | 00112 |
88/7 | ambientación coral "Wer nur den lieben Gott lässt walten" (art. 7) | B min. | SATB | 20 1 : 178 | III / 2.2: 58 | después de Z 2778 ; texto de Neumark | 11312 | ||
89 | 1. | 1723-10-24 | Cantata Was soll ich aus dir machen, Ephraim? (Trinidad XXII) | C min. | sabSATB Hn 2Ob Str Bc | 20 1 : 179 | Yo / 26: 1 | después de Z 2164 (/ 6); texto después de Hs 11 : 8 (/ 1), por Heermann (/ 6) | 00113 |
89/6 | engaste coral "Wo soll ich fliehen hin" (art. 7) | G min. | SATB | 20 1 : 194 | III / 2.2: 167 | después de Z 2164 ; texto de Heermann | 11292 | ||
90 | 1. | 1723-11-14 | Cantata Es reißet euch ein schrecklich Ende (Trinidad XXV) | D min. | atbSATB (Tr) Str Bc | 20 1 : 195 | I / 27: 59 | después de Z 2561 (/ 5); texto de Moller (/ 5) | 00114 |
90/5 | engaste coral "Nimm von uns, Herr, du treuer Gott" (art. 7) | SATB | 20 1 : 214 | III / 2.1: 33 III / 2.2: 158 | después de Z 2561 ; texto de Moller | 11199 | |||
ambientación coral "Vater unser im Himmelreich" | después de Z 2561 ; texto de Lutero | ||||||||
91,2 | 1. | 1746-1747 | Cantata Gelobet seist du, Jesu Christ (Navidad; versión posterior) | G maj. | satbSATB 2Hn Tmp 3Ob Str Bc | 22: 1 | I / 2: 131 | después de BWV 91 .1 (mismo texto) | 00115 |
91,1 | 1. | 1724-12-25 | Cantata Gelobet seist du, Jesu Christ (Navidad; versión anterior) | G maj. | satbSATB 2Hn Tmp 3Ob Str Bc | 22: 1, 333 | I / 2: 164 | después de Z 1947 ; texto después de Lutero ; → BWV 91 .2 | 00116 |
91/6 | Marco coral "Gelobet seist du, Jesu Christ" (art. 7) | SATB | III / 2.1: 89 III / 2.2: 30 | después de Z 1947 ; texto de Lutero | 11252 | ||||
92 | 1. | 1725-01-28 | Cantata Ich hab en Gottes Herz und Sinn (Septuagesimae) | B min. | satbSATB 2Oba Str Bc | 22: 33 | Yo / 7:41 | después de Z 7568 ; texto después de Gerhardt | 00117 |
93 | 1. | 1724-07-09 | Cantata Wer nur den lieben Gott läßt walten (Trinity V) | C min. | satbSATB 2Ob Str Bc | 22: 69 | I / 17.2: 3 | después de Z 2778 ; texto después de Neumark ; / 4 → BWV 647 | 00118 |
94 | 1. | 1724-08-06 | Cantata Was frag ich nach der Welt (Trinidad IX) | D maj. | satbSATB Fl 2Ob 2Oba Str Bc | 22: 95 | Yo / 19: 43 | después de Z 5206b –c; texto después de Kindermann | 00119 |
94/8 | engaste coral "Was frag ich nach der Welt" (art. 8) | SATB | 22: 127 | III / 2.1: 53 III / 2.2: 173 | después de Z 5206b –c; texto de Kindermann | 11215 | |||
95 | 1. | 1723-09-12 | Cantata Christus, der ist mein Leben (Trinidad XVI) | G maj. | stbSATB Hn o Cnt 2Ob 2Oba Str Bc | 22: 129 | Yo / 23: 65 | después de Z 132 y 3986 (/ 1: → BWV 282 ), 5404a (/ 3), 4482 (/ 7); texto de Simon Graf | & Luther (/ 1), Herberger (/ 3), Herman (/ 7)00120 |
95/7 | engaste coral "Wenn mein Stündlein vorhanden ist" (art. 4) | SATB | 22: 153 | III / 2.1: 64 | después de Z 4482 ; texto de Herman | 11229 | |||
96 | 1. | 1724-10-08 | Cantata Herr Christ, der einge Gottessohn (Trinidad XVIII) | F maj. | satbSATB Hn o Tbn Fl / Fl o Vl 2Ob Str Bc | 22: 155 | I / 24: 1 | después de Z 4297a ; texto después de Cruciger | 00121 |
96/6 | ambientación coral "Herr Christ, der einge Gottessohn" (s. 5) | SATB | 22: 184 | III / 2.1: 66 III / 2.2: 179 | después de Z 4297a ; texto de Cruciger | 11231 | |||
97 | 1. | 1734-07-25? después de 1735 | Cantata In allen meinen Taten (dos versiones; Trinity V?) | B ♭ maj. | satbSATB 2Ob Str Bc | 22: 185, 336 | Yo / 34: 197 | después de Z 2293b ; texto de Fleming ; / 9 → BWV 392 | 00122 |
97/9 | Marco coral "In allen meinen Taten" (art. 9) | SATB | 22: 230 | III / 2.1: 49 | después de Z 2293b ; texto de Fleming ; → BWV 392 | 11210 | |||
ambientación coral "Nun ruhen alle Wälder" | después de Z 2293b ; texto de Gerhardt ; → BWV 392 | ||||||||
98 | 1. | 1726-11-10 | Cantata Was Gott tut, das ist wohlgetan (Trinidad XXI) | B ♭ maj. | satbSATB 2Ob Str Bc | 22: 231 | Yo / 25: 241 | después de Z 5629 (/ 1); texto de Birkmann , Rodigast (/ 1) | 00123 |
99 | 1. | 1724-09-17 | Cantata Was Gott tut, das ist wohlgetan (Trinidad XV) | G maj. | satbSATB Hn Fl Oba Str Bc | 22: 251 | Yo / 22: 41 | después de Z 5629 ; texto después de Rodigast ; / 1 → BWV 100 /1 | 00124 |
100 | 1. | 1734-1735 | Cantata Was Gott tut, das ist wohlgetan | G maj. | satbSATB 2Hn Tmp Fl Oba Str Bc | 22: 277 | I / 34: 239 | después de Z 5629 , BWV 99/1 (/ 1), 75/7 (/ 6); texto de Rodigast | 00125 |
100/6 | engaste coral "Was Gott tut, das ist wohlgetan" (art. 6) | SATB | 22: 323 | III / 2.1: 72 | después de 75/7 = / 14; texto de Rodigast | 11238 | |||
101 | 1. | 1724-08-13 | Cantata Nimm von uns, Herr, du treuer Gott (Trinidad X) | D min. | satbSATB 2Hn Tmp Fl Oba Str Bc | 23: 1 | Yo / 19: 173 | después de Z 2561 ; texto después de Moller | 00126 |
101/7 | engaste coral "Nimm von uns, Herr, du treuer Gott" (art. 7) | SATB | 23: 32 | III / 2.1: 54 III / 2.2: 174 | después de Z 2561 ; texto de Moller | 11216 | |||
102 | 1. | 1726-08-25 | Cantata Herr, deine Augen sehen nach dem Glauben (Trinidad X) | G min. | atbSATB Fl Vl 2Ob Str Bc | 23: 33 | Yo / 19: 229 | después de Z 2561 (/ 7); texto: Meiningen , después de Jer 5 : 3 (/ 1: → BWV 235/1 ), Salón 2 : 4-5 (/ 4), de Heermann (/ 7); / 3 y / 5 → BWV 233/4 y / 5 | 00127 |
102/7 | engaste coral "So wahr ich lebe, spricht dein Gott" (artículos 6-7) | C min. | SATB | 23: 66 | III / 2.2: 62 | después de Z 2561 ; texto de Heermann | 11334 | ||
ambientación coral "Vater unser im Himmelreich" | después de Z 2561 ; texto de Lutero | ||||||||
103 | 1. | 1725-04-22 1731-04-15 | Cantata Ihr werdet weinen und heulen (Jubilate, 2 versiones) | B min. | atSATB Tr Fl Fl (o) Vl 2Oba Str Bc | 23: 67 | I / 11.2: 25 | después de Z 7568 (/ 6); texto de Ziegler, C. M. , Gerhardt (/ 6) | 00128 |
103/6 | engaste coral "Barmherzger Vater, höchster Gott" (art. 9) | SATB | 23: 94 | III / 2.1: 72 III / 2.2: 68 | después de Z 7568 ; texto de Gerhardt | 11237 | |||
ambientación coral "Ich hab in Gottes Herz und Sinn" | |||||||||
ajuste coral "Was mein Gott will, das gscheh allzeit" | después de Z 7568 ; texto de Alberto de Prusia | ||||||||
104 | 1. | 1724-04-23 | Cantata Du Hirte Israel, höre (Misericordias) | G maj. | tbSATB 2Ob 2Oba Tai Str Bc | 23: 95 | I / 11.1: 113 | después de Z 4457 (/ 6); texto después del Sal 80 : 2 (/ 1), de Becker (/ 6) | 00129 |
104/6 | engaste coral "Der Herr ist mein getreuer Hirt" (art. 1) | Un maj. | SATB | 23: 116 | III / 2.2: 189 | después de Z 4457 ; texto de Becker | 11283 | ||
ambientación coral "Allein Gott in der Höh sei Ehr" | después de Z 4457 ; texto de Decius | ||||||||
G maj. | III / 2.2: 71 | 11290 | |||||||
105 | 1. | 1723-07-25 | Cantata Herr, gehe nicht ins Gericht mit deinem Knecht (Trinidad IX) | G min. | satbSATB Hn 2Ob Str Bc | 23: 117 | I / 19: 1 | después de Z 6804 (/ 6); texto después de Sal 143 : 2 (/ 1), por Rist (/ 6) | 00130 |
105/6 | Marco coral "Jesu, der du meine Seele" (art. 11) | SATB | 23: 146 | III / 2.1: 52 | después de Z 6804 ; texto de Rist | 11214 | |||
106 | 1. | 1708-09-16? | Cantata Gottes Zeit ist die allerbeste Zeit (funeral; también conocido como Actus tragicus ) | E ♭ maj. | satbSATB 2Fl 2Vdg Bc | 23: 147 | I / 34: 1 | después de Z 1680 (/ 2d), 3986 (/ 3b), 2461 (/ 4); texto después de Olearius, J. , Hechos 17:28 y Sal 90:12 y Is 38 : 1 y JS 14:18 y Ap 22:20 (/ 2), Sal 31 : 6 y Lc 23:43 y por Lutero (/ 3), Reusner (/ 4) | 00131 |
107 | 1. | 1724-07-23 | Cantata Was willst du dich betrüben (Trinidad VII) | B min. | stbSATB Hn 2Fl 2Oba Str Bc | 23: 179 | Yo / 18: 55 | después de Z 5264b ; texto de Heermann | 00132 |
108 | 1. | 1725-04-29 | Cantata Es ist euch gut, daß ich hingehe (Cantate) | Un maj. | atbSATB 2Oba Str Bc | 23: 203 | Yo / 12:17 | después de Z 2496 (/ 6); texto de Ziegler, C. M. , Gerhardt (/ 6), después de Jh 16 : 7 (/ 1), 13 (/ 4) | 00133 |
108/6 | ambientación coral "Gott Vater, sende deinen Geist" (art. 10) | B min. | SATB | 23: 230 | III / 2.1: 69 III / 2.2: 26 | después de Z 2496 ; texto de Gerhardt | 11235 | ||
ambientación coral "Kommt her zu mir, spricht Gottes Sohn" | después de Z 2496 ; texto de Grünwald | ||||||||
109 | 1. | 1723-10-17 | Cantata Ich glaube, lieber Herr, hilf meinem Unglauben (Trinity XXI; 2 versiones) | D min. | atSATB (Hn) 2Ob Str Bc | 23: 231 | Yo / 25: 157 | después de Z 7549 (/ 6); texto después de Mc 9 : 24 (/ 1), de Spengler (/ 6) | 00134 |
110 | 1. | 1725-12-25 | Cantata Unser Mund sei voll Lachens (Navidad) | D maj. | satbSATB 3Tr Tmp 2Fl 3Ob Oba Odc Bas Str Bc | 23: 263 | I / 2: 71 | después de Z 2072 (/ 7); texto de Lehms , Füger (/ 7), después de Sal 126 : 2-3 (/ 1), Jer 10 : 6 (/ 3), Lc 2:14 (/ 5) | 00135 |
110/7 | ambientación coral "Wir Christenleut" (art. 5) | B min. | SATB | 23: 324 | III / 2.2: 32 | después de Z 2072 ; texto de Füger | 11316 | ||
111 | 1. | 1725-01-25 | Cantata Was mein Gott will, das g'scheh allzeit (Epifanía III) | Un min. | satbSATB 2Ob Str Bc | 24: 1 | I / 6: 27 | después de Z 7568 ; texto según Alberto de Prusia | 00136 |
112 | 1. | 1731-04-08 | Cantata Der Herr ist mein getreuer Hirt (Misericordias) | G maj. | satbSATB 2Hn 2Oba Str Bc | 24: 29 | I / 11.1: 179 | después de Z 4457 ; texto de Meuslin después de Ps. 23 | 00137 |
112/5 | engaste coral "Der Herr ist mein getreuer Hirt" (art. 5) | SATB | 24: 48 | III / 2.1: 71 III / 2.2: 183, 202 | 11236 | ||||
ambientación coral "Allein Gott in der Höh sei Ehr" | después de Z 4457 ; texto de Decius | ||||||||
113 | 1. | 1724-08-20 | Cantata Herr Jesu Christ, du höchstes Gut (Trinidad XI) | B min. | satbSATB Fl 2Oba Str Bc | 24: 49 | Yo / 20: 79 | después de Z 4486 ; texto después de Ringwaldt | 00138 |
113/8 | Marco coral "Herr Jesu Christ, du höchstes Gut" (s. 8) | SATB | 24: 80 | III / 2.1: 54 III / 2.2: 175 | después de Z 4486 ; texto de Ringwaldt | 11217 | |||
114 | 1. | 1724-10-01 | Cantata Ach, lieben Christen, seid getrost (Trinidad XVII) | G min. | satbSATB Hn Fl 2Ob Str Bc | 24: 81 | Yo / 23: 287 | después de Z 4441a ; texto después de Gigas | 00139 |
114/7 | ambientación coral "Ach, lieben Christen, seid getrost" (art. 6) | SATB | 24: 108 | III / 2.1: 65 III / 2.2: 179 | después de Z 4441a ; texto de Gigas | 11230 | |||
115 | 1. | 1724-11-05 | Cantata Mache dich, mein Geist, bereit (Trinidad XXII) | G maj. | satbSATB Hn Fl Oba Str Vc Bc | 24: 109 | Yo / 26: 21 | después de Z 6274a ; texto después de Freystein | 00140 |
115/6 | engaste coral "Mache dich, mein Geist, bereit" (art. 10) | SATB | 24: 132 | III / 2.1: 25 III / 2.2: 23 | después de Z 6274a ; texto de Freystein | 11190 | |||
ambientación coral "Straf mich nicht in deinem Zorn" | después de Z 6274a ; texto de Albinus | ||||||||
116 | 1. | 1724-11-26 | Cantata Du Friedefürst, Herr Jesu Christ (Trinidad XXV) | Un maj. | satbSATB Hn 2Oba Str Bc | 24: 133 | Yo / 27: 79 | después de Z 4373 ; texto después de Ebert | 00141 |
117 | 1. | 1728-1731 | Cantata Sei Lob und Ehr dem höchsten Gut | G maj. | atbSATB 2Fl 2Ob 2Oba Str Bc | 24: 159 | I / 34: 151 | después de Z 4430 ; texto de Schütz, J. J. | 00142 |
117/4 117/9 | engaste coral "Sei Lob und Ehr dem höchsten Gut" (ss. 4, 9) | SATB | 24: 159 | III / 2.1: 71 III / 2.2: 203 | 11172 | ||||
ambientación coral "Sei Lob und Ehr dem höchsten Gut" | III / 2.1: 9 III / 2.2: 147 | 11173 | |||||||
119 | 1. | 1723-08-30 | Cantata Preise, Jerusalén, den Herrn (elección del consejo) | C maj. | satbSATB 4Tr Tmp 2Fl 3Ob 2Odc Str Bc | 24: 193 | I / 32.1: 129 | después de Z 8652 (/ 9); texto después de Sal 147 : 12-14 (/ 1), de Lutero (/ 9) | 00144 |
120,1 | 1. | 1729 o antes | Cantata Gott, man lobet dich in der Stille (elección del consejo) | Un maj. | satbSATB 3Tr 2Ob 2Oba Vl Str Bc | 24: 247 | I / 32.2: 53 | después de Z 8652 (/ 6); texto después de Sal 65 : 2 (/ 1), de Lutero (/ 6); ↔ BWV 120.2 / 6 (/ 1 → .3 / 1), / 1 (/ 2 → .3 / 2), / 3 (/ 4 ↔ 1019a / 3 → .3 / 4) | 00145 |
120,2 | 1. | 1729? | Cantata Herr Gott, Beherrscher aller Dinge (boda; incompleta) | D maj. | satbSATB 3Tr Tmp 2Ob 2Oba Str Org Bc | 41: 149 | I / 33: 75 | después de BWV 1006/1 (/ 4 → 29/1 ), 137/5 (/ 8); texto después de JS 50:24 (/ 2), de Lutero (/ 5), Neander (/ 8); ↔ BWV 120.1 / 2 (/ 1 → .3 / 2), / 4 (/ 3 ↔ 1019a / 3 → .3 / 4), / 1 (/ 6 → .3 / 1) | 00146 |
120,3 | 1. | 1730-06-26 | Cantata Gott, man lobet dich in der Stille (bicentenario de la confesión de agosto ; música perdida, parcialmente reconstruible) | saSATB 3Tr Tmp 2Oba Vl Str Bc? | I / 34 I / 32.2 | después de BWV 120.1 / 1 (= .2 / 6), / 2 (= .2 / 1 → 232 II / 9), / 4 (= .2 / 3 ↔ 1019a / 3); texto de Picander | 00147 | ||
121 | 1. | 1724-12-26 | Cantata Christum wir sollen loben schon (Navidad 2) | E min. | satbSATB Cnt 3Tbn Oba Str Bc | 26: 1 | I / 3.1: 57 | después de Z 297c , texto después de Lutero | 00148 |
121/6 | engaste coral "Christum wir sollen loben schon" (s. 8) | SATB | 26: 20 | III / 2.2: 31 | después de Z 297c , texto de Lutero | 11284 | |||
122 | 1. | 1724-12-31 | Cantata Das neugeborne Kindelein (Navidad I) | G min. | satbSATB 3Fl 2Ob Tai Str Bc | 26: 21 | I / 3.2: 53 | después de Z 491 ; texto después de Schneegaß | 00149 |
122/6 | engaste coral "Das neugeborne Kindelein" (art. 5) | SATB | 26: 40 | III / 2.1: 43 III / 2.2: 30, 101 | después de Z 491 ; texto de Schneegaß | 11207 | |||
123 | 1. | 1725-01-06 | Cantata Liebster Immanuel, Herzog der Frommen (Epifanía) | B min. | atbSATB 2Fl 2Oba Str Bc | 26: 41 | I / 5: 47 | después de Z 4932c ; texto después de Fritsch | 00150 |
123/6 | ambientación coral "Liebster Immanuel, Herzog der Frommen" (art. 6) | SATB | 26: 60 | III / 2.2: 108 | después de Z 4932c ; texto de Fritsch | 11340 | |||
124 | 1. | 1725-01-07 | Cantata Meinen Jesum laß ich nicht (Epifanía I) | E maj. | satbSATB Hn Oba Str Bc | 26: 61 | Yo / 5: 115 | después de Z 3449 ; texto después de Keymann | 00151 |
125 | 1. | 1725-02-02 | Cantata Mit Fried und Freud ich fahr dahin (Purificación) | E min. | atbSATB Hn Fl Ob Oba Str Bc | 26: 83 | I / 28.1: 31 | después de Z 3986 ; texto después de Lutero | 00152 |
126 | 1. | 1725-02-04 | Cantata Erhalt uns, Herr, bei deinem Wort (Sexagesimae) | Un min. | atbSATB Tr 2Ob Str Bc | 26: 111 | I / 7: 155 | después de Z 350a , 1945b (/ 6); texto después de Luther , Jonas , Walter | 00153 |
126/6 | ambientación coral "Verleih uns Frieden gnädiglich" (ss. 1-2) | SATB | 26: 131 | III / 2.2: 126 (en g ) | después de Z 1945b ; texto de Luther , Walter | 11335 | |||
127 | 1. | 1725-02-11 | Cantata Herr Jesu Christ, wahr 'Mensch und Gott (Estomihi) | F maj. | stbSATB Tr 2Fl 2Ob Str Bc | 26: 133 | I / 8: 107 | después de Z 2570 ; texto después de Eber ; / 1 → BWV 127/1 (variante) | 00154 |
127/5 | Marco coral "Herr Jesu Christ, wahr 'Mensch und Gott" (s. 8) | SATB | 26: 160 | III / 2.1: 46 III / 2.2: 169 | después de Z 2570 ; texto de Eber | 11209 | |||
127/1 (var.) | 1. | C. 1750 | Coro " Herr Jesu Christ, wahr 'Mensch und Gott " (Movimiento del oratorio de la Pasión) | E ♭ maj. | SATB 2Fl 2Ob Str Bc | I / 41: 95 | después de BWV 127/1 ; → BC D 10 | 00155 | |
128 | 1. | 1725-05-10 | Cantata Auf Christi Himmelfahrt allein (Ascensión) | G maj. | atbSATB Tr 2Hn 2Ob 2Oba Odc Str Bc | 26: 163 | I / 12: 101 | después de Z 4457 (/ 1), 5206b (/ 5); texto de Ziegler, C. M. , Sonnemann | (/ 1), Avenarius (/ 5)00156 |
129 | 1. | 1727-06-08 | Cantata Gelobet sei der Herr, mein Gott (Trinidad) | D maj. | sabSATB 3Tr Tmp Fl 2Ob Oba Str Bc | 26: 185 | I / 15: 37 | después de Z 5206b ; texto de Olearius, J. | 00157 |
129/5 | engaste coral "Gelobet sei der Herr, mein Gott" (art. 5) | SATB | 26: 224 | III / 2.1: 80 | 11246 | ||||
ambientación coral "O Gott, du frommer Gott" | después de Z 5206b ; texto de Heermann | ||||||||
130,1 | 1. | 1724-09-29 | Cantata Herr Gott, dich loben alle wir (Michaelmas; primera versión) | C maj. | satbSATB 3Tr Tmp Fl 3Ob Str Bc | 26: 231 | Yo / 30: 1 | después de Z 368 ; texto después de Eber ; → BWV 130 .2 | 00158 |
130/6 | engaste coral "Herr Gott, dich loben alle wir" (art. 11) | SATB | 26: 268 | III / 2.1: 61 III / 2.2: 218 | después de Z 368 ; texto de Eber | 11226 | |||
130,2 | 1. | 1732-1735 | Cantata Herr Gott, dich loben alle wir (Michaelmas; 2da versión) | C maj. | satbSATB 3Tr Tmp Fl 3Ob Str Bc | Yo / 30: 48 | después de BWV 130 .1 (mismo texto) | 00159 | |
131 | 1. | 1707 | Cantata Aus der Tiefen rufe ich, Herr, zu dir | G min. | satbSATB Ob Bas Str Bc | 28: 1 | I / 34: 67 | después de Z 4486 (/ 2, / 4); texto después de Ps. 130 , de Ringwaldt (/ 2, / 4); → BWV 131a | 00160 |
132 | 1. | 1715-12-22 | Cantata Bereitet die Wege, bereitet die Bahn (Adviento IV) | Un maj. | satbSATB Ob Bas Str Vc Bc | 28: 33 | I / 1: 99 rev. 2: 97 | texto de Franck, S. , Cruciger (/ 6) | 00162 |
133 | 1. | 1724-12-27 | Cantata Ich freue mich en dir (Navidad 3) | Un maj. | satbSATB Cnt 2Oba Str Bc | 28: 51 | I / 3.1: 135 | ↔ Z 5187 ; texto según Ziegler, C. | 00163 |
133/6 | engaste coral "Ich freue mich in dir" (art. 4) | D maj. | SATB | 28: 80 | III / 2.1: 44 III / 2.2: 34 | ↔ Z 5187 ; texto de Ziegler, C. | 11208 | ||
134,3 | 1. | 1731-03-27 1735-04-12 | Cantata Ein Herz, das seinen Jesum lebend weiß (Pascua 3; versión posterior) | B ♭ maj. | atSATB 2Ob Str Bc | 28: 81 | I / 10: 69 | después de BWV 134 .2 | 00164 |
134,2 | 1. | 1724-04-11 | Cantata Ein Herz, das seinen Jesum lebend weiß (Pascua 3; versión temprana) | B ♭ maj. | atSATB 2Ob Str Bc | 28: 81, 287 | I / 10: 106 | después de BWV 134.1 ; → BWV 134 .3 | 00165 |
134,1 | 1. | 1719-01-01 | Cantata secular Die Zeit, die Tag und Jahre macht (felicitaciones por el Año Nuevo) | B ♭ maj. | atSATB 2Ob Str Bc | 29: 209 | Yo / 35: 49 | texto de Hunold ; → BWV 134 .2 | 00166 |
135 | 1. | 1724-06-25 | Cantata Ach Herr, mich armen Sünder (Trinidad III) | E min. | atbSATB Cnt Tbn 2Ob Str Bc | 28: 119 | Yo / 16: 197 | después de Z 5385a ; texto después de Schneegaß | 00167 |
136 | 1. | 1723-07-18 | Cantata Erforsche mich, Gott, und erfahre mein Herz (Trinidad VIII) | Un min. | atbSATB Hn 2Ob 2Oba Str Bc | 28: 137 | Yo / 18: 129 | después de Z 2164 (/ 6); texto después de Sal 139 : 23 (/ 1: → BWV 234/6 ), por Heermann (/ 6) | 00168 |
136/6 | engaste coral "Wo soll ich fliehen hin" (art. 9) | B min. | SATB | 28: 164 | III / 2.2: 191 | después de Z 2164 ; texto de Heermann | 11293 | ||
137 | 1. | 1725-08-19 | Cantata Lobe den Herren, den mächtigen König der Ehren (Trinidad XII) | C maj. | satbSATB 3Tr Tmp 2Ob Str Bc | 28: 165 | I / 20: 171 | después de Z 1912a –c; texto de Neander ; / 2 → BWV 650 ; / 5 → 120,2 / 8 | 00169 |
137/5 | engaste coral "Lobe den Herren, den mächtigen König der Ehren" (art. 5) | SATB | 28: 196 | III / 2.1: 56 | después de Z 1912a –c; texto de Neander ; → BWV 120,2 / 8 | 11220 | |||
ambientación coral "Hast du denn, Jesu, dein Angesicht gänzlich verborgen" | después de Z 1912a –c; texto de Fritsch | ||||||||
138 | 1. | 1723-09-05 | Cantata Warum betrübst du dich, mein Herz (Trinidad XV) | B min. | satbSATB 2Oba Str Bc | 28: 197 | Yo / 22: 19 | después de Z 1689a ; / 4 → BWV 236 /3 | 00170 |
139 | 1. | 1724-11-12 | Cantata Wohl dem, der sich auf seinen Gott (Trinidad XXIII) | E maj. | satbSATB 2Oba Str Bc | 28: 223 | Yo / 26: 97 | después de Z 2383 ; texto después de Rube | 00171 |
140 | 1. | 1731-11-25 | Cantata Wachet auf, ruft uns die Stimme (Trinidad XXVII) | E ♭ maj. | stbSATB Hn 2Ob Tai Vl Str Bc | 28: 249 | Yo / 27: 149 | después de Z 8405a , texto después de Nicolai ; / 4 → BWV 645 | 00172 |
140/7 | engaste coral "Wachet auf, ruft uns die Stimme" (art. 3) | SATB | 28: 284 | III / 2.1: 19 III / 2.2: 101 | después de Z 8405a , texto de Nicolai | 11183 | |||
143 | 1. | C. 1709-1711 ? | Cantata Lobe den Herrn, meine Seele (Año Nuevo) | B ♭ maj. | stbSATB 3Hn Tmp Bas Str Bc | 30: 43 | I / 4: 165 rev 2: 3 | después de Z 4373 ; texto después del Sal 146 , de Ebert (/ 2, / 7) | 00175 |
C maj. | stbSATB 3Tr Tmp Bas Str Bc | Apocalipsis 2: 119 | |||||||
144 | 1. | 1724-02-06 | Cantata Nimm, was dein ist, und gehe hin (Septuagésima) | B min. | satSATB 2Ob Oba Str Bc | 30: 75 | I / 7: 1 | después de Z 5629 (/ 3), 7568 (/ 6); texto después de Mt 20,14 (/ 1), de Rodigast (/ 3), Alberto de Prusia (/ 6) | 00176 |
144/3 | ambientación coral "Was Gott tut, das ist wohlgetan" (art. 1) | G maj. | SATB | 30: 87 | III / 2.1: 34 III / 2.2: 36 | después de Z 5629 ; texto de Rodigast | 11204 | ||
144/6 | ambientación coral "Was mein Gott will, das g'scheh allzeit" (art. 1) | B min. | 30: 92 | III / 2.1: 35 III / 2.2: 157 | después de Z 7568 ; texto de Alberto de Prusia | 11205 | |||
145 / 1–5 | 1. | 1729-04-19 | Cantata Ich lebe, mein Herze, zu deinem Ergötzen (Pascua 3) | D maj. | stbSATB Tr Fl 2Ob Str Bc | 30: 104 | I / 10: 111 | por Bach, C. P. E. ?; después de Z 1743 (/ 5); texto de Picander , Herman (/ 5) | 00177 |
145/5 | engaste coral "Erschienen ist der herrlich Tag" (art. 14) | F♯ min. | SATB | 30: 122 | III / 2.2: 214 | por Bach, C. P. E. ?; después de Z 1743 ; texto de Herman | 11321 | ||
engaste coral "Erschienen ist der herrlich Tag" | E min. | III / 2.2: 12 | |||||||
145 / a | 1. | engaste coral "Auf, mein Herz, des Herren Tag" (art. 1) | D maj. | SATB (o) Org | 30: 93 | III / 2.2: 195 | por Bach, C. P. E .; después de Z 3432b ; texto de Neumann | 10584 | |
entorno coral "Jesús, meine Zuversicht" | por Bach, C. P. E .; después de Z 3432b ; texto de L. H. de Brandenb. | 09019 | |||||||
146 | 1. | 1726-05-12 | Cantata Wir müssen durch viel Trübsal (Jubilate) | D min. | satbSATB Fl 2Ob 2Oba Tai Str Org Bc | 30: 123 | I / 11.2: 65 | después de Z 6551 (/ 8); texto después de Hechos 14:22 (/ 2); / 1 y / 2 ↔ BWV 1052/1 y / 2 | 00179 |
147,2 | 1. | 1723-07-02 | Cantata Herz und Mund und Tat und Leben (Visitación) | D maj. | satbSATB Tr 2Ob Oba 2Odc Str Bc | 30: 191 | Yo / 28: 63 | después de BWV 147 .1 / 1–5 (/ 1, / 3, / 7, / 5, / 9), Z 6551 (/ 6, / 10); texto de Franck, S. (/ 1, / 3, / 7, / 5, / 9), Janus (/ 6, / 10) | 00180 |
147,1 | 1. | 1716-12-20 | Cantata Herz und Mund und Tat und Leben (Adviento IV) | D maj. | satbSATB Tr Ob Str Bc | Yo / 1 | texto de Franck, S. , Kolross (/ 6); / 1– / 5 → BWV 147 .2 / 1, / 3, / 7, / 5, / 9 | 00181 | |
148 | 1. | 1723-09-19 | Cantata Bringet dem Herrn Ehre seines Namens (Trinidad XVII) | D maj. | atSATB Tr 2Oba Odc Str Bc | 30: 235 | Yo / 23: 253 | después de Z 2164 (/ 6); texto después de Picander | 00182 |
148/6 | ambientación coral "Wo soll ich fliehen hin" | F♯ min. F min. | SATB | 30: 260 | III / 2.2: 16 | después de Z 2164 ; texto de Heermann | 11291 | ||
149 | 1. | 1729-09-29 | Cantata Man singet mit Freuden vom Sieg (Michaelmas) | D maj. | satbSATB 3Tr Tmp 3Ob Bas Str Vne Bc | 30: 261 | Yo / 30: 97 | después de BWV 208/15 (/ 1), Z 8326 (/ 7); texto de Picander , Schalling (/ 7) | 00183 |
149 / 1a | 1. | Otoño de 1729 | Apertura de la cantata: "Concierto" (incompleto; ¿inicio alternativo abandonado de BWV 149 ?) | D maj. | SATB 3Tr Tmp 2Ob Str Bc | I / 40 I / 30 | en SBB P 175 ; fue BWV Anh. 198 | 01509 | |
150 | 1. | 1707-07-10 | Cantata Nach dir, Herr, verlanget mich (Trinidad III) | B min. | satbSATB Bas 2Vl Bc | 30: 301 | I / 41: 3 | texto después del Sal 25 (/ 2, / 4, / 6) | 00184 |
151 | 1. | 1725-12-27 | Cantata Süßer Trost, mein Jesus kömmt (Navidad 3) | G maj. | satbSATB Fl Vl Oba Str Bc | 32: 1 | I / 3.1: 169 | después de Z 198 (/ 5); texto de Lehms , Herman (/ 5) | 00185 |
151/5 | ambientación coral "Lobt Gott, ihr Christen allzugleich" (art. 8) | SATB | 32: 16 | III / 2.2: 30 | después de Z 198 ; texto de Herman | 11307 | |||
152 | 1. | 1714-12-30 | Cantata Tritt auf die Glaubensbahn (Navidad I) | E min. | sb Fl Ob Va Vdg Bc | 32: 17 | I / 3.2: 3 | texto de Franck, S .; / 1 ↔ BWV 536/2 , → 536a / 2 | 00186 |
153 | 1. | 1724-01-02 | Cantata Schau, lieber Gott, wie meine Feind (Navidad II) | Un min. | atbSATB Str Bc | 32: 41 | I / 4: 199 | después de Z 4431 (/ 1), 5385a (/ 5), 533a (/ 9); texto de Denicke (/ 1), Gerhardt (/ 5), Moller (/ 9), después de Is 14:10 (/ 3) | 00187 |
153/1 | ambientación coral "Schau, lieber Gott, wie meine Feind" (art. 1) | Un min. | SATB | 32: 43 | III / 2.2: 3 | después de Z 4431 ; texto de Denicke | 11288 | ||
ajuste coral "Ach Gott, vom Himmel sieh darein" | después de Z 4431 ; texto de Martin Luther | ||||||||
153/5 | Marco coral "Befiehl du deine Wege" (art. 5) | Un min. | SATB | 32: 46 | III / 2.2: 14 | después de Z 5385a ; texto de Gerhardt | 11326 | ||
ambientación coral "Herzlich tut mich verlangen" | después de Z 5385a ; texto de Knoll | ||||||||
153/9 | engaste coral "Ach Gott, wie manches Herzeleid" (ss. 16-18) | C maj. | SATB | 32: 58 | III / 2.2: 128 | después de Z 533a ; texto de Moller | 11282 | ||
154 | 1. | 1724-01-09 | Cantata Mein liebster Jesus ist verloren (Epifanía I) | B min. | atbSATB 2Oba Str Hc Bc | 32: 59 | Yo / 5: 89 | después de Z 6551 (/ 3), 3449 (/ 8); texto de Janus (/ 3), Keymann (/ 8), después de Lc 2, 49; / 3 → BWV 359 | 00188 |
154/3 | ambientación coral "Jesu, meiner Seelen Wonne" (art. 2) | Un maj. | SATB | 32: 65 | III / 2.1: 87 III / 2.2: 137 | después de Z 6551 ; texto de Janus ; → BWV 359 | 11249 | ||
ambientación coral "Werde munter, mein Gemüte" | después de Z 6551 ; texto de Rist | ||||||||
154/8 | engaste coral "Meinen Jesum lass ich nicht, weil" (art. 6) | D maj. | SATB | 32: 82 | III / 2.1: 88 III / 2.2: 88 | después de Z 3449 ; texto de Keymann | 11251 | ||
155 | 1. | 1716-01-19 1724-01-16 | Cantata Mein Gott, wie lang, ach lange? (Epifanía II) | D min. | satbSATB Bas Str Bc | 32: 83 | Yo / 5: 173 | después de Z 4430 (/ 5); texto de Franck, S. , Speratus (/ 5) | 00189 |
155/5 | engaste coral "Es ist das Heil uns kommen her" (art. 12) | F maj. | SATB | 32: 96 | III / 2.2: 194 | después de Z 4430 ; texto de Speratus | 11302 | ||
156 | 1. | 1729-01-23 | Cantata Ich steh mit einem Fuß im Grabe (Epifanía III) | F maj. | satbSATB Ob Str Bc | 32: 97 | Yo / 6: 91 | después de Z 2383 (/ 2), 4438 (/ 6); texto de Picander , Schein (/ 2), Bienemann | (/ 6); / 1 ↔ BWV 1,056 mil / 200190 |
156/6 | engaste coral "Herr, wie du willt, so schicks mit mir" (art. 1) | C maj. | SATB | 32: 114 | III / 2.2: 185 | después de Z 4438 ; texto de Bienemann | 11294 | ||
157,2 | 1. | después de 1727-02-06 | Cantata Ich lasse dich nicht, du segnest mich denn (funeral; más tarde: Purificación) | B min. | tbSATB Fl Ob Oba Va 2Vl Bc | 32: 115 | I / 34: 41 | después de Z 3449 (/ 5), BWV 157 .1 (mismo texto) | 00191 |
157,1 | 1. | 1727-02-06 | Cantata Ich lasse dich nicht, du segnest mich denn (funeral) | tbSATB Fl Oba Va Bc | I / 34 | texto de Picander , Keymann (/ 5), después de Gen 32 : 27 (/ 1); → BWV 157 .2 | 11366 | ||
158 | 1. | C. 1725-1735 | Cantata Der Friede sei mit dir (Purificación; más tarde: Pascua 3) | D maj. | sbSATB Ob Vl Bc | 32: 141 | I / 10: 129 | después de Z 6531 (/ 2), 7012a (/ 4); texto de Albino (/ 2), Lutero (/ 4; ↔ BWV 279 ) | 00192 |
158/4 | Marco coral "Cristo rezagado en Todes Banden" (art. 5) | E min. | SATB | 32: 154 | III / 2.1: 24 III / 2.2: 155 | después de Z 7012a ; texto de Lutero ; ↔ BWV 279 | 11187 | ||
159 | 1. | 1729-02-27 | Cantata Sehet, wir gehn hinauf gen Jerusalén (Estomihi) | C min. | satbSATB Ob Str Bc | 32: 155 | Yo / 8: 153 | después de Z 5385a (/ 2), 6288a –b (/ 5); texto de Picander , Gerhardt (/ 2), Stockmann (/ 5), después de Lc 18:31 (/ 1), Jh 19:30 (/ 4) | 00193 |
159/5 | Marco coral "Jesu Leiden, Pein und Tod" (art. 33) | E ♭ maj. | SATB | 32: 168 | III / 2.1: 41 III / 2.2: 33 | después de 6288a –b; texto de Stockmann | 11206 | ||
161 | 1. | 1716-09-27 | Cantata Komm, du süße Todesstunde (Trinidad XVI; primera versión) | C maj. | atSATB 2Fl Str Org Bc | 33: 1 | Yo / 23: 1, 33 | después de Z 5385a ; texto de Franck, S. , Knoll ; → BWV 161 , v2 | 00195 |
161/6 | engaste coral "Herzlich tut mich verlangen" (art. 4) | Un min. | SATB | 33: 27 | III / 2.1: 29 III / 2.2: 160 | después de Z 5385a ; texto de Knoll | 11194 | ||
ambientación coral "Befiehl du deine Wege" | después de Z 5385a ; texto de Gerhardt | ||||||||
161, v2 | 1. | 1723-1750? | Cantata Komm, du süße Todesstunde (Trinidad XVI; segunda versión) | C maj. | satSATB 2Fl Str Bc | Yo / 23: 33 | después de BWV 161 ; texto de Franck, S. , Knoll | 00196 | |
162,1 | 1. | 1716-10-25 | Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinidad XX) | Un min. | satbSATB Str Bc | Yo / 25: 1 | después de Z 6783 (/ 6); texto de Franck, S. , Rosenmüller (/ 6); → BWV 162 .2 | 00197 | |
162,2 | 1. | 1723-10-10 | Cantata Ach! ich sehe, itzt, da ich zur Hochzeit gehe (Trinidad XX) | B min. | satbSATB Hn Str Bc | 33: 29 (en a ) | Yo / 25: 23 | después de BWV 162 .1 (mismo texto) | 11367 |
163 | 1. | 1715-11-24 | Cantata Nur jedem das Seine (Trinidad XXIII) | B min. | satbSATB Str 2Vc Bc | 33: 47 | Yo / 26: 77 | después de Z 3449 (/ 5), 2177 (/ 6); texto de Franck, S. , Heermann (/ 6) | 00198 |
164 | 1. | 1725-08-26 | Cantata Ihr, die ihr euch von Christo nennet (Trinidad XIII) | G min. | satbSATB 2Fl 2Ob Str Bc | 33: 65 | Yo / 21: 57 | después de Z 4297a (/ 6); texto de Franck, S. , Cruciger (/ 6) | 00199 |
164/6 | ambientación coral "Herr Christ, der einge Gottes Sohn" (art. 5) | B ♭ maj. | SATB | 33: 88 | III / 2.1: 59 III / 2.2: 57 | después de Z 4297a ; texto de Cruciger | 11224 | ||
165 | 1. | 1715-06-16 1724-06-04 | Cantata O heilges Geist- und Wasserbad (Trinidad) | G maj. | satbSATB Fag Str Bc | 33: 89 | I / 15: 1 | después de Z 159 (/ 6); texto de Franck, S. , Helmbold (/ 6) | 00200 |
166 | 1. | 1724-05-07 | Cantata Wo gehest du hin? (Cantate) | B ♭ maj. | satbSATB Ob Str Bc | 33: 105 | I / 12: 1 | después de Z 4486 (/ 3), 2778 (/ 6); texto de Franck, S. , Ringwaldt (/ 3), E. J. de Schwarzburg-Rudolstadt (/ 6), a partir de Jh 16 : 5 (/ 1); / 2 → BWV 584 | 00201 |
166/6 | ambientación coral "Wer weiß, wie nahe mir mein Ende" (art. 1) | G min. | SATB | 33: 122 | III / 2.2: 116 | después de 2778 ; texto de E. J. de Schwarzburg-Rudolstadt | 11311 | ||
167 | 1. | 1723-06-24 | Cantata Ihr Menschen, rühmet Gottes Liebe (24 de junio: fiesta de Juan el Bautista) | G maj. | satbSATB Tr Ob Odc Str Bc | 33: 123 | I / 29: 1 | después de Z 8244 (/ 5); texto de Gramann (/ 5) | 00202 |
168 | 1. | 1725-07-29 | Cantata Tue Rechnung! Donnerwort (Trinidad IX) | B min. | satbSATB 2Oba Str Bc | 33: 147 | Yo / 19: 87 | después de Z 4486 (/ 6); texto de Franck, S. , Ringwaldt (/ 6) | 00203 |
168/6 | Marco coral "Herr Jesu Christ, du höchstes Gut" (s. 8) | SATB | 33: 166 | III / 2.2: 52 | después de Z 4486 ; texto de Ringwaldt | 11198 | |||
169 | 1. | 1726-10-20 | Cantata Gott soll allein mein Herze haben (Trinidad XVIII) | D maj. | aSATB 2Oba Tai Str Org Bc | 33: 167 | Yo / 24: 59 | después de Z 2029a (/ 7); texto de Birkmann , Luther (/ 7); / 1 y / 5 ↔ BWV 1053/1 y / 2 | 00204 |
169/7 | engaste coral "Nun mordido wir den Heiligen Geist" (s. 3) | Un maj. | SATB | 33: 192 | III / 2.1: 30 III / 2.2: 54 | después de Z 2029a ; texto de Lutero | 11196 | ||
170 | 1. | 1726-07-28 | Cantata Vergnügte Ruh, beliebte Seelenlust (Trinidad VI) | D maj. | a Oba Fl Str Org Bc | 33: 193 | I / 17.2: 61 | texto de Lehms | 00205 |
171 | 1. | 1729-01-01 | Cantata Gott, wie dein Name, so ist auch dein Ruhm (Año Nuevo) | D maj. | satbSATB 3Tr Tmp 2Ob Str Bc | 35: 1 | I / 4: 131 | después de BWV 205 (/ 4), 41/6 (/ 6); texto de Picander , Hermann (/ 6) | 00206 |
171/6 | engaste coral "Jesu, nun sei gepreiset" (art. 2) | SATB | 35: 32 | después de BWV 41/6 ; texto de Hermann | 11253 | ||||
172,1 | 1. | 1714-05-20 | Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecostés; primera versión = versión de Weimar; incompleto) | C maj. | (SATB) 3Tr Tmp (Fl? Ob 2) Vl 2Va Vc Bas (Bc) | I / 13 | después de Z 8359 (/ 6); texto de Franck, S. ?, Nicolai (/ 6), después de Jh 14 : 23 (/ 2); → BWV 172 .2 | 00207 | |
172/6 | ambientación coral "Wie schön leuchtet der Morgenstern" (art. 4) | F maj. | SATB | 35: 69 | III / 2.2: 187 | después de Z 8359 ; texto de Nicolai | 11314 | ||
172,2 | 1. | 1724-05-28 | Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecostés; segunda versión = primera versión de Leipzig) | D maj. | satbSATB 3Tr Tmp Fl Ob Oba Bas 2Vl 2Va Vc Bc | Yo / 13: 1 | después de BWV 172 .1 (mismo texto); → BWV 172 .3 | 00208 | |
172,3 | 1. | 1731-05-13 | Cantata Erschallet, ihr Lieder, erklinget, ihr Saiten! (Pentecostés; tercera versión = segunda versión de Leipzig) | C maj. | satbSATB 3Tr Tmp Ob Bas 2Vl 2Va Vc Org Bc | 35: 35 | Yo / 13: 33 | después de BWV 172 .2 (mismo texto) | 00209 |
173,2 | 1. | 1727-06-02 1731-05-14 | Cantata Erhöhtes Fleisch und Blut (Pentecostés 2) | D maj. | satbSATB 2Fl Str Bc | 35: 71 | I / 14: 1 | después de BWV 173.1 | 00210 |
173,1 | 1. | 1722-12-10 | Cantata secular Durchlauchtster Leopold (cumpleaños de Leopold de Anhalt-Köthen ) | D maj. | satbSATB 2Fl Str Bc | 34: 1 | Yo / 35: 95 | → BWV 173 .2 (/ 1– / 5, / 8), 175/4 (/ 7) | 00211 |
174 | 1. | 1729-06-06 | Cantata Ich liebe den Höchsten von ganzem Gemüte (Pentecostés 2) | G maj. | atbSATB 2Cdc 2Ob Tai 3Vl 3Va 3Vc Str Bc | 35: 103 | Yo / 14: 63 | después de BWV 1048/1 (/ 1), Z 8326 (/ 5); texto de Picander , Schalling (/ 5) | 00212 |
174/5 | engaste coral "Herzlich lieb hab ich dich, o Herr" (art. 1) | D maj. | SATB | 35: 157 | III / 2.1: 78 III / 2.2: 32 | después de Z 8326 ; texto de Schalling | 11244 | ||
175 | 1. | 1725-05-22 | Cantata Er rufet seinen Schafen mit Namen (Pentecostés 3) | G maj. | atbSATB 2Tr 3Fl Str Vc Bc | 35: 159 | Yo / 14: 147 | después de BWV 173.1 / 7 (/ 4), BWV 59/3 (/ 7); texto de Ziegler, C. M. , Rist (/ 7), después de Jh 10 : 3 y 6 (/ 1 y / 5) | 00213 |
175/7 | engaste coral "O Gottes Geist, mein Trost und Rat" (art. 9) | SATB | 35: 177 | III / 2.1: 76 | después de Z 7445a ; texto de Rist | 11243 | |||
ambientación coral "Komm, Heiliger Geist, Herre Gott" | después de Z 7445a ; texto de Lutero | ||||||||
176 | 1. | 1725-05-27 | Cantata Es ist ein trotzig und verzagt Ding (Trinidad) | C min. | sabSATB 2Ob Odc Str Bc | 35: 179 | Yo / 15: 17 | después de Z 7246 (/ 6); texto de Ziegler, C. M. , Gerhardt (/ 6), después de Jer 17 : 9 (/ 1) | 00214 |
176/6 | engaste coral "Was alle Weisheit in der Welt" (art. 8) | SATB | 35: 198 | III / 2.2: 67 | después de Z 7246 ; texto de Gerhardt | 11296 | |||
Entorno coral "Cristo unser Herr zum Jordan kam" | después de Z 7246 ; texto de Lutero | ||||||||
177 | 1. | 1732-07-06 | Cantata Ich ruf zu dir, Herr Jesu Christ (Trinidad IV) | G min. | satSATB 2Ob Odc Bas Vl Str Bc | 35: 199 | I / 17.1: 77 | después de Z 7400 ; texto de Agricola, J. | 00215 |
177/5 | engaste coral "Ich ruf zu dir, Herr Jesu Christ" (art. 5) | G min. E min | SATB | 35: 234 | III / 2.1: 50 III / 2.2: 40 | 11211 | |||
178 | 1. | 1724-07-30 | Cantata Wo Gott der Herr nicht bei uns hält (Trinidad VIII) | Un min. | atbSATB Hn 2Ob 2Oba Str Bc | 35: 235 | Yo / 18: 159 | después de Z 4441a ; texto después de Jonas | 00216 |
179 | 1. | 1723-08-08 | Cantata Siehe zu, daß deine Gottesfurcht nicht Heuchelei sei (Trinidad XI) | G min. | stbSATB 2Ob 2Odc Str Bc | 35: 273 | I / 20: 55 | después de Z 2778 (/ 6); texto después de JS 1:34 (/ 1), por Tietze | (/ 6); / 1 y / 3 → BWV 236/1 y / 5; / 5 → 234 /400217 |
179/6 | engaste coral "Ich armer Mensch, ich armer Sünder" (art. 1) | Un min. | SATB | 35: 292 | III / 2.1: 55 III / 2.2: 196 | después de Z 2778 ; texto de Tietze | 11218 | ||
ambientación coral "Wer nur den lieben Gott lässt walten | después de Z 2778 ; texto de Neumark | ||||||||
180 | 1. | 1724-10-22 | Cantata Schmücke dich, o liebe Seele (Trinidad XX) | F maj. | satbSATB 2Fl Fl Ob Odc Str Vc Bc | 35: 293 | Yo / 25: 41 | después de Z 6923 ; texto según Franck, J. | 00218 |
180/7 | engaste coral "Schmücke dich, o liebe Seele" (art. 9) | F maj. E ♭ maj. | SATB | 35: 322 | III / 2.1: 24 III / 2.2: 15 | después de Z 6923 ; texto de Franck, J. | 11188 | ||
181 | 1. | 1724-02-13 | Cantata Leichtgesinnte Flattergeister ( Sexagesima ) | E min. | satbSATB Tr Fl Ob Str Bc | 37: 1 | I / 7: 133 | 00219 | |
182 | 1. | 1714-03-25 | Cantata Himmelskönig, sei willkommen (Domingo de Ramos) | B ♭ maj. | atbSATB Fl (Ob 2) Vl 2Va Bc | I / 8.2: 1 | después de 6288a –b (/ 7); texto de Franck, S. ?, Stockmann (/ 7), después de Sal 40 : 8-9 (/ 3) | 00220 | |
1724-03-25 1728-03-21 | G maj. | 37: 21 | I / 8.2: 43 | ||||||
183 | 1. | 1725-05-13 | Cantata Sie werden euch in den Bann tun (Exaudi) | Un min. | satbSATB 2Oba 2Odc Str Vc Bc | 37: 59 | Yo / 12: 187 | después de Z 5267 (/ 5); texto de Ziegler, C. M. , Gerhardt (/ 5), después de Jh 16 : 2 (/ 1) | 00221 |
183/5 | engaste coral "Zeuch ein zu deinen Toren" (art. 5) | SATB | 37: 74 | III / 2.2: 70 | después de Z 5267 ; texto de Gerhardt | 11325 | |||
Marco coral "Helft mir Gotts Güte preisen" | después de Z 5267 ; texto de Eber | ||||||||
184,2 | 1. | 1724-05-30 1727-06-03 1731-05-15 | Cantata Erwünschtes Freudenlicht (Pentecostés 3) | G maj. | satSATB 2Fl Str Bc | 37: 75 | Yo / 14: 119 | después de BWV 184.1 / 1– / 4 & / 6, Z 5690 (/ 5); texto de Wildenfels (/ 5) | 00222 |
184,2 / 5 | engaste coral "O Herre Gott, dein göttlich Wort" (art. 8) | D maj. G maj. | SATB | 37: 95 | III / 2.1: 17 III / 2.2: 10 | después de Z 5690 ; texto de Wildenfels | 11181 | ||
184,1 | 1. | 1721-01-01 | Cantata secular (incompleta) | G maj. | sb 2Fl Vl Str Bc (?) | I / 35 | → BWV 184 .2 / 1– / 4, / 6 | 00223 | |
185,1 | 1. | 1715-07-14 | Cantata Barmherziges Herze der ewigen Liebe (Trinidad IV) | F♯ min. | satbSATB Ob Str Bc | 37: 101 | I / 17.1: 1 | después de Z 7400 (/ 6); texto de Franck, S. , Agricola, J. (/ 6); → BWV 185 .2 | 00224 |
185/6 | engaste coral "Ich ruf zu dir, Herr Jesu Christ" (s. 1) | SATB | 37: 118 | III / 2.1: 50 | después de Z 7400 ; texto de Agricola, J. | 11212 | |||
185,2 | 1. | 1723-06-20 | Cantata Barmherziges Herze der ewigen Liebe (Trinidad IV) | G min. | satbSATB Tr Ob Str Bc | 37: 101 | I / 17.1: 1 | después de BWV 185 .1 (mismo texto) | 11368 |
186,2 | 1. | 1723-07-11 | Cantata Ärgre dich, o Seele, nicht (Trinidad VII) | G min. | satbSATB 2Ob Tai Bas Str Bc | 37: 119 | Yo / 18: 15 | después de BWV 186 .1 / 1– / 5 (/ 1, / 3, / 5, / 8, / 10), Z 4430 (/ 6, / 11); texto de Franck, S. (/ 1, / 3, / 5, / 8, / 10), Speratus (/ 6, / 11) | 00225 |
186,1 | 1. | 1716-12-13 | Cantata Ärgre dich, o Seele, nicht (Adviento III; incompleto) | stbSATB 2Ob Odc Tai Bas Str Bc | Yo / 1 | texto de Franck, S. , Helmbold (/ 6); → BWV 186 .2 / 1, / 3, / 5, / 8, / 10 | 00226 | ||
187 | 1. | 1726-08-04 | Cantata Es wartet alles auf dich (Trinidad VII) | G min. | sabSATB 2Ob Str Bc | 37: 155 | Yo / 18: 91 | después de Z 4816e (/ 7); texto: Meiningen , después de Sal 104 : 27-28 (/ 1), Mt 6: 31-32 (/ 4), de Vogel | (/ 7); / 1, / 3, / 4, / 5 → BWV 235/6 , / 4, / 3, / 500227 |
187/7 | engaste coral "Singen wir aus Herzensgrund" (ss. 4, 6) | SATB | 37: 191 | III / 2.2: 61 | después de Z 4816e ; texto de Vogel | 11344 | |||
188 | 1. | 1728-10-17 | Cantata Ich habe meine Zuversicht (Trinidad XXI) | D min. | satbSATB 2Ob Tai Str Org Bc | 37: 193 | Yo / 25: 265 | después de Z 2164 (/ 6); texto de Picander ; / 1 ↔ BWV 1,052 / 3 | 00228 |
190,1 | 1. | 1724-01-01 | Cantata Singet dem Herrn ein neues Lied (Año Nuevo; incompleto) | D maj. | atbSATB 3Tr Tmp 3Ob Oba Bas Str Bc | 37: 227 | I / 4: 1 | después de Z 8652 (/ 1– / 2), 8477a (/ 7); texto de Lutero (/ 1– / 2), Hermann (/ 7); → BWV 190.2 / 1, / 2, / 3, / 5 | 00230 |
190/7 | engaste coral "Jesu, nun sei gepreiset" (art. 2) | SATB | 37: 257 | III / 2.2: 189 | después de 8477a ; texto de Hermann (/ 7) | 11306 | |||
190,2 | 1. | 1730-06-25 | Cantata Singet dem Herrn ein neues Lied (bicentenario de la Confesión de agosto ; incompleto) | atbSATB 3Tr Tmp 3Ob Str Bc (?) | I / 34 | después de BWV 190/1 , / 2, / 3, / 5; texto de Picander , Luther (/ 1– / 2, / 7) | 00231 | ||
191 | 1. | 1743-1746 | Cantata Gloria en excelsis Deo (Navidad) | D maj. | stSSATB 3Tr Tmp 2Fl 2Ob Str Bc | 41: 1 | I / 2: 171 | después de BWV 232/4 , / 5, / 8, / 12; texto: Lc 2:14 , doxología | 00232 |
192 | 1. | otoño de 1730? | Cantata Nun danket alle Gott (incompleto) | G maj. | sbSATB 2Fl 2Ob Str Bc | 41: 65 | I / 34: 107 | después de Z 5142 ; texto de Rinkart | 00233 |
193.2 | 1. | 1727-08-25 | Cantata Ihr Tore zu Zion (elección del consejo; incompleta) | D maj. | saSA (TB) 2Ob Str (Bc) | 41: 91 | I / 32.1: 201 | después de BWV 193.1 / 1, / 7, / 9 | 00234 |
193.1 | 1. | 1727-08-03 | Cantata secular Ihr Häuser des Himmels, ihr scheinenden Lichter (día del nombre de Friedrich August II ; incompleto) | saSA (TB) 2Ob Str (Bc) | Yo / 36 | texto de Picander ; → BWV 193 .2 / 1, / 3, / 5 | 00235 | ||
194,3 | 1. | 1724-06-04 1731-05-20 | Cantata Höchsterwünschtes Freudenfest (Trinity; primera versión de Leipzig) | B ♭ maj. | stbSATB 3Ob Bas Str Bc | 29: 99 | Yo / 31: 145 | después de BWV 194 .2 (mismo texto); → BWV 194 .4 | 00236 |
194,4 | 1. | 1726-06-16 | Cantata Nun lasst uns Gott, dem Herren ? (Trinidad; segunda versión de Leipzig) | B ♭ maj. | stbSATB 3Ob Bas Str Bc | 29: 99 | Yo / 31: 145, 235 | después de BWV 194 .3 / 12, / 2, / 3, / 4, / 5, / 7, / 10 | 00237 |
194,2 | 1. | 1723-11-02 | Cantata Höchsterwünschtes Freudenfest ( versión Störmthal : consagración de iglesia y órgano) | B ♭ maj. | sabSATB 3Ob Bas Str Bc | 29: 99 | Yo / 31: 123 | después de BWV 194 .1 / 1, / 3, / 5, / 7, / 9, Z 6543 (/ 6), 159 (/ 12); texto de Heermann (/ 6), Gerhardt (/ 12); → BWV 194 .3 | 00238 |
194,2 / 6 | engaste coral "Treuer Gott, ich muß dir klagen" (ss. 6-7) | B ♭ maj. G maj. | SATB | 29: 124 | III / 2.1: 20 III / 2.2: 35, 152 | después de Z 6543 ; texto de Heermann | 11184 | ||
ambientación coral "Jesu, deine tiefen Wunden" | después de Z 6543 ; texto de Heermann | ||||||||
engaste coral "Freu dich sehr, o meine Seele" | después de Z 6543 | ||||||||
194,2 / 12 | engaste coral "Wach auf, mein Herz, und singe" (artículos 9-10) | B ♭ maj. | SATB | 29: 138 | III / 2.1: 20 III / 2.2: 52, 152 | después de Z 159 ; texto de Gerhardt | 11185 | ||
ajuste coral "Nun lasst uns Gott dem Herren" | después de Z 159 ; texto de Helmbold | ||||||||
194,1 | 1. | 1717-1723? | Modelo de cantata secular para versiones de cantata de iglesia de BWV 194 (incompleto) | B ♭ maj. | 3Ob Str &? | I / 35 | → BWV 194 .2 / 1, / 3, / 5, / 8, / 10 | 00239 | |
195,3 | 1. | C. 1748-1749 | Cantata Dem Gerechten muß das Licht (boda; última versión) | D maj. | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob 2Oba Str Bc | 13 1 : 1 | Yo / 33: 171 | después de BWV 195 .2, Z 198 (/ 6); texto después del Sal 97 : 11-12 (/ 1), de Gerhardt (/ 6) | 00242 |
195,1 | 1. | 1727-1731 | Cantata Dem Gerechten muß das Licht (boda; 1.a versión, perdida) | SATB 3Tr Tmp 2Fl 2Ob Str Bc | I / 33 | → BWV 195 .2 | 00240 | ||
195,2 | 1. | C. 1742 | Cantata Dem Gerechten muß das Licht (boda; segunda versión, incompleta) | SATB &? | I / 33 | después de BWV 195 .1, 30.1 / 5, / 1 (/ 6, / 8); texto después de Sal 97 : 11-12 (/ 1); → BWV 195 .3 | 00241 | ||
196 | 1. | 1708-06-05? | Cantata Der Herr denket an uns (boda) | C maj. | stbSATB Str Bc | 13 1 : 71 | I / 33: 1 | texto después de Ps. 115 : 12-15 | 00243 |
197,2 | 1. | 1736-1737 | Cantata Gott ist unsre Zuversicht (boda) | D maj. | sabSATB 3Tr Tmp 2Ob 2Oba Bas Str Bc | 13 1 : 95 | I / 33: 117 | después de Z 2029a (/ 5), 2778 (/ 10), BWV 197.1 / 4, / 6 (/ 6, / 8); texto de Lutero (/ 5) | 00244 |
197,2 / 5 | engaste coral "Nun mordido wir den Heiligen Geist" (s. 3) | Un maj. | SATB | 13 1 : 128 | III / 2.2: 46 | después de Z 2029a ; texto de Lutero | 11328 | ||
197,2 / 10 | ambientación coral "Wer nur den lieben Gott lässt walten" | B min. | SATB | 13 1 : 144 | III / 2.2: 37 | después de Z 2778 ; texto de Neumark | 11313 | ||
197,1 | 1. | 1728-12-25 | Cantata Ehre sei Gott in der Höhe (Navidad; incompleta) | D maj. | abSATB 2Fl Oba Bas Str Vc Bc | 41: 109 | I / 2: 63 | después de Z 5206b –c (/ 7); texto de Picander , Ziegler, C. (/ 7; ↔ BWV 398 ), después de Lc 2:14 (/ 1); / 4 y / 6 → BWV 197.2 / 6, / 8 | 00245 |
197,1 / 7 | engaste coral "Ich freue mich in dir" (art. 4) | SATB | 41: 114 | III / 2.2: 182 | después de Z 5206b –c; texto de Ziegler, C .; ↔ BWV 398 | 11298 | |||
ambientación coral "O Gott, du frommer Gott" | después de Z 5206b –c; texto de Heermann ; ↔ BWV 398 | ||||||||
198 | 1. | 1727-10-17 | Cantata secular Laß, Fürstin, laß noch einen Strahl alias Trauer-Ode (ceremonia fúnebre de Christiane Eberhardine ) | B min. | satbSATB 2Fl 2Ob 2Oba Str 2Vdg 2Lu Bc | 13 3 : 1 44: 54 | Yo / 38: 179 | texto de Gottsched, J. C .; ↔ BWV 244a , 247 | 00246 |
199,2 | 1. | 1720-1721 | Cantata Mein Herze schwimmt im Blut (Trinity XI; versión Köthen; incompleta) | D min. | s Ob Str Vdg Bc | 41: 202 | I / 20: 48 | después de BWV 199 .1 (mismo texto); → 199 .3 | 00247 |
199,3 | 1. | 1723-08-08 | Cantata Mein Herze schwimmt im Blut (Trinity XI; versión de Leipzig) | D min. | s Ob Str Vc Bc | I / 20: 23 | después de BWV 199 .2 (mismo texto) | 00248 | |
199,1 | 1. | 1714-08-12 | Cantata Mein Herze schwimmt im Blut (Trinity XI; versión de Weimar) | C min. | s Ob Str Bc | NBG 13 2 | I / 20: 1 | texto de Lehms , Heermann (/ 6); → BWV 199 .2 | 00249 |
200 | 1. | 1742-1743 (JSB) | Aria Bekennen será ich seinen Namen | E maj. | a (2Vl) Bc | I / 28.1: 189 | después de Stölzel ; texto después de Lucas 2 : 29–32 | 00250 | |
201 | 1. | otoño de 1729 | Cantata secular Geschwinde, ihr wirbelnden Winde alias Der Streit zwischen Phoebus und Pan (dramma per musica) | D maj. | sattbb 3Tr Tmp 2Fl 2Ob Oba Str Bc | 11 2 : 1 44: 85 | Yo / 40: 117 | texto de Picander ; / 7 → BWV 212 /20 | 00251 |
202 | 1. | C. 1718? | Cantata secular Weichet nur, betrübte Schatten (boda) | G maj. | s Ob Str Bc | 11 2 : 73 | I / 40: 1 | en D-LEb Peters Sra. R 8 | 00252 |
203 | 1. | C. 1720? | Cantata profana Amore traditore | Un min. | b Hc | 11 2 : 91 | Yo / 41: 31 | 00253 | |
204 | 1. | 1726-1727 | Cantata secular Ich bin en mir vergnügt también conocido como Von der Vergnügsamkeit | B ♭ maj. | s Fl 2Ob Str Bc | 11 2 : 103 | Yo / 40: 79 | texto después de Hunold | 00254 |
205,1 | 1. | 1725-08-03 | Cantata secular Zerreißet, zersprenget, zertrümmert die Gruft alias Der zufriedengestellte Aeolus (dramma per musica para August Friedrich Müller ) | D maj. | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc | 11 2 : 137 44: 39 | I / 38: 1 | texto de Picander ; → BWV 205,2 / 1- / 7, / 9- / 11, / 13, / 15, 171 /4, 216 /7 | 00255 |
205,2 | 1. | 1734-02-19 | Cantata secular Blast Lärmen, ihr Feinde (dramma per musica; música perdida pero en gran parte reconstruible; coronación de Augusto III ) | satbSATB 3Tr Tmp 2Hn 2Fl 2Ob Oba Str Va Vdg Bc | I / 37 | después de BWV 205.1 / 1– / 7, / 9– / 11, / 13, / 15; texto de Picander ? | 00256 | ||
206,1 | 1. | 7 de octubre de 1736 (¿1734?) | Cantata secular Schleicht, spielende Wellen (dramma per musica; 1a versión: cumpleaños de Augusto III ) | D maj. | satbSATB 3Tr Tmp 3Fl 2Oba Str Bc | 20 2 : 1 | Yo / 36: 157 | → BWV 206 .2 | 00257 |
206,2 | 1. | 1740-08-03 | Cantata secular Schleicht, spielende Wellen (dramma per musica; 2da versión: día del nombre de Augusto III ) | D maj. | satbSATB 3Tr Tmp 3Fl 2Ob 2Oba Str Bc | Yo / 36: 157 | después de BWV 206 .1 | 00258 | |
207,1 | 1. | 1726-12-11 | Cantata profana Vereinigte Zwietracht der wechselnden Saiten (dramma per musica; nombramiento del profesor Gottlieb Kortte) | D maj. | satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc | 20 2 : 71 | Yo / 38: 97 | después de BWV 1046/3 (/ 1); → BWV 207.2 / 1, / 3, / 5, / 7– / 9 | 00259 |
207,2 | 1. | 1735-08-03 | Cantata secular Auf, schmetternde Töne der muntern Trompeten (dramma per musica; día del nombre de Augusto III ) | D maj. | satbSATB 3Tr Tmp 2Fl 2Oba Tai Str Bc | 20 2 : 139 34: 345 | I / 37: 1 | después de BWV 207.1 / 1, / 3, / 5, / 7– / 9 | 00260 |
208,1 | 1. | 1713-02-23 | Cantata secular Was mir behagt, ist nur die muntre Jagd aka Hunting Cantata (1a versión: cumpleaños de Christian of Saxe-Weissenfels ) | F maj. | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) | 29: 1 | I / 35: 1 | texto de Franck, S .; → BWV 208,2 , 1040 , 68 /4, / 2, 149 /1 | 00261 |
1040 | 1. | 1713-02-23 | Trio (también conocido como (canónico) Trio Sonata; ¿postludio a la Cantata de caza ?) | F maj. | Vl Ob Bc | 29: 230 | I / 35: 1 | después de BWV 208.1 / 13; = BWV 208,1 / 13a | 01222 |
208,2 | 1. | C. 1715 | Cantata secular Was mir behagt, ist nur die muntre Jagd aka Hunting Cantata (2a versión: para Ernst August I de Sajonia-Weimar ) | F maj. | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne) | 29: 1 | I / 35: 1 | después de BWV 208.1 (texto casi idéntico); → BWV 208,3 | 00262 |
208,3 | 1. | 1742-08-03 | Cantata secular Was mir behagt, ist nur die muntre Jagd (tercera versión: día del nombre de Augusto III ) | F maj. | sstb 2Hn 2Fl 2Ob Tai Bas Str Vc Bc (Vne)? | I / 37 | después de BWV 208.2 ; texto según Franck, S. | 00263 | |
209 | 1. | 1747? | Cantata profana Non sa che sia dolore (despedida de Lorenz Albrecht Beck?) | B min. | s Fl Str Bc | 29: 43 | I / 41: 43 | texto después de Metastasio | 00264 |
210,2 | 1. | 1741-09-19 | Cantata profana O titular Tag, erwünschte Zeit (boda) | Un maj. | s Fl Oba Str Hc Vne | 29: 67 | I / 40: 35 | después de BWV 210.1 / 1– / 2, / 4, / 8, / 10 | 00265 |
210,1 | 1. | 1729-01-12 | Cantata profana O angenehme Melodei (incompleta; homenaje a Christian de Saxe-Weissenfels ) | Un maj. | s (Fl Oba Str Bc)? | 29: 245 | Yo / 39: 141 | → BWV 210.2 / 1– / 2, / 4, / 8, / 10 | 00266 |
211 | 1. | C. 1734 | Cantata secular Schweigt stille, plaudert nicht aka Coffee Cantata | G maj. | stb Fl Str Hc Bc | 29: 139 44: 86 | I / 40: 193 | texto de Picander | 00267 |
212 | 1. | 1742-08-30 | Cantata secular Mer hahn en neue Oberkeet también conocida como Cantata campesina (Cantate burlesque; homenaje a Carl Heinrich von Dieskau) | G maj. | sb Hn Fl Str Bc | 29: 173 44: 132 | Yo / 39: 151 | después de BWV 1157/9 (/ 14), 201/7 (/ 20); texto de Picander | 00268 |
213 | 1. | 1733-09-05 | Cantata secular Laßt uns sorgen, laßt uns wachen aka Hercules auf dem Scheidewege (dramma per musica; cumpleaños de Federico Christian de Sajonia ) | F maj. | satbSATB 2Hn 2Ob Oba 2Vl 2Va Bc | 34: 119 | Yo / 36: 1 | texto de Picander ; / 1, / 3, / 5, / 7, / 9, / 11 → BWV 248/36 , / 19, / 39, / 41, / 4, / 29 | 00269 |
214 | 1. | 1733-12-08 | Cantata secular Tönet, ihr Pauken! ¡Erschallet, Trompeten! (cumpleaños de la reina María Josefa ) | D maj. | satbSATB 3Tr Tmp 2Fl 2Ob Oba Str Vne Bc | 34: 175 | Yo / 36: 89 | texto de Picander ; / 1, / 5, / 7, / 9 → BWV 248/1 , / 15, / 8, / 24 | 00270 |
215 | 1. | 1734-10-05 | Cantata profana Preise dein Glücke, gesegnetes Sachsen (aniversario de la elección de Augusto III como rey de Polonia) | D maj. | stb2SATB 3Tr Tmp 2Fl 2Ob Oba Str Va Bc | 34: 243 | I / 37: 85 | después de BWV 1157/1 (/ 1) ?; texto de Clauder | ; / 7 → BWV 248 /4700271 |
216,1 | 1. | 1728-02-05 | Cantata secular Vergnügte Pleißenstadt (boda; incompleta) | C maj. | sa &? | I / 40: 21 | después de BWV 204/8 (/ 3), 205 .1 / 13 (/ 7); texto de Picander ; → BWV 216.2 / 1, / 3, / 5, / 7 | 00272 | |
216,2 | 1. | 1728-1731 | Cantata secular Erwählte Pleißenstadt también conocida como Apollo et Mercurius (incompleta) | a &? | I / 39 | después de BWV 216.1 / 1, / 3, / 5, / 7; texto de Meißner | después de Picander00273 | ||
2. | Motetes (ver también: Lista de motetes de Johann Sebastian Bach ) | Arriba ↑ | |||||||
225 | 2. | 1726–1727 ¿Año nuevo? | Motet Singet dem Herrn ein neues Lied | B ♭ maj. | 2SATB (+ colla parte instr.?) | 39: 3 | III / 1: 1 | después de Z 8244 (/ 2); texto después de Ps. 149 : 1-3 (/ 1), por Gramann después del Sal. 103 (/ 2), después de Ps. 150 : 2, 6 (/ 3) [20] | 00282 |
226 | 2. | 1729-10-20 | Motet Der Geist hilft unser Schwachheit auf (funeral de Ernesti, J. H. ) | B ♭ maj. | 2SATB Str Vc 2Ob Tai Bas | 39: 39 , 143 | III / 1: 37 | después de Z 7445a (/ 2); texto después de Rom. 8: 26-27 (/ 1), por Lutero (/ 2) [20] | 00283 |
226/2 | engaste coral "Komm, Heiliger Geist, Herre Gott" (art. 3) | B ♭ maj. G maj. | SATB | 39: 57 | III / 2.1: 18 III / 2.2: 38 | después de Z 7445a ; texto de Lutero | 11182 | ||
227 | 2. | C. 1723-1735 | Motete Jesu, meine Freude | E min. | SSATB (+ colla parte instr.?) | 39: 59 | III / 1: 75 | después de Z 8032 ( mvts impares ); texto de Franck, J. (mvts impares), después de Rom. 8: 1–2, 9–11 (incluso mvts) [20] | 00284 |
227/1 227/11 | Marco coral "Jesu, meine Freude" (ss. 1, 6) | SATB | 39: 61 | III / 2.1: 27 III / 2.2: 156 | después de Z 8032 ; texto de Franck, J. | 11200 | |||
227/3 | Marco coral "Jesu, meine Freude" (art. 2) | SATB | 39: 66 | III / 2.1: 28 | después de Z 8032 ; texto de Franck, J. | 11201 | |||
227/7 | Marco coral "Jesu, meine Freude" (art. 4) | SATB | 39: 75 | III / 2.1: 22 III / 2.2: 168 | después de Z 8032 ; texto de Franck, J. | 11202 | |||
228 | 2. | C. 1715 | Motet Fürchte dich nicht | Un maj. | 2SATB (+ colla parte instr.?) | 39: 85 | III / 1: 105 | después de Z 6461 (/ 2); texto después de Is. 41: 10 (/ 1), 43: 1 (/ 2), por Gerhardt (/ 2) [20] | 00285 |
229 | 2. | antes de 1731-1732 | Motet Komm, Jesu, komm | G min. | 2SATB (+ colla parte instr.) | 39: 107 | III / 1: 125 | texto de Thymich [20] | 00286 |
230 | 2. | 1723-1739? | Motete Lobet den Herrn, alle Heiden | C maj. | SATB Bc (+ colla parte instr.?) | 39: 127 | III / 1: 147 | texto después de Ps. 117 [20] | 00287 |
231 | ver BWV 28 / 2a | 00288 | |||||||
118,1 | 2. | 1736-1737 | Motete Oh Jesucristo, meins Lebens Licht (funeral) | B ♭ maj. | SATB 2Hn Cnt 3Tbn | 24: 185 | III / 1: 163 | texto de Behm ; → BWV 118 .2 [20] | 00143 |
118,2 | 2. | 1746-1747 | Motete Oh Jesucristo, meins Lebens Licht (funeral) | B ♭ maj. | SATB 2Ob Tai Bas 2Hn Str Bc | NBG 17 1 | III / 1: 171 | texto de Behm ; después de BWV 118 .1 [20] | 11121 |
3. | Misas, Movimientos de masas, Magnificat (ver también: Lista de misas, Movimientos de masas y Magnificats de Johann Sebastian Bach ) | Arriba ↑ | |||||||
232 | 3. | Agosto de 1748 - Octubre de 1749 (compilación, finalización) | Misa también conocida como Hohe Messe , Misa en si menor | B min. | ssatbSSAATB 3Tr Tmp Hn 2Fl 3Ob 2Oba 2Bas Vl Str Bc | 6 | II / 1 rev 1 | después de BWV 232 I e. v. , II e. v., III e. v., 171 /1, 12 /2, 120 /2, Anh. 11 /1, Anh. 196/3 ; texto después de Ordinarium Missae | 00289 |
232 I e. v. | 3. | 1733-07-27 | Misa de Kyrie-Gloria para la corte de Dresde (Misa en si menor, Parte I: Missa; versión anterior) | B min. | ssatbSSATB 3Tr Tmp Hn 2Fl 2Oba 2Bas Vl Str Bc | II / 1a | después de BWV 29/1 , 46/1 ; texto del Ordinarium Missae ; → BWV 191 , 232 I | 00290 | |
233 | 3. | 1738-1739? | Misa de Kyrie-Gloria | F maj. | sabSATB 2Hn 2Ob Bas Str Bc | 8: 1 | II / 2: 197 | después BWV 233a , 102 /3, / 5, 40 /1; texto del Ordinarium Missae | 00291 |
233a | 3. | 1708-04-06? | Kyrie "Christe, du Lamm Gottes" | F maj. | SSATB Bc | 41: 187 | II / 2: 285 | texto después de Ordinarium Missae ; → BWV 233 /1 | 00292 |
234 | 3. | C. 1738 | Misa de Kyrie-Gloria | Un maj. | sabSATB 2Fl Str Bc | 8:51 | II / 2: 1 | según BWV 67/6 , 138/5 , 179/5 , 79/2 ; texto del Ordinarium Missae | 00293 |
235 | 3. | 1738-1739? | Misa de Kyrie-Gloria | G min. | atbSATB 2Ob Str Bc | 8:99 | II / 2: 127 | después de BWV 102/1 , 72/1 , 187/4 , / 3, / 5, / 1; texto del Ordinarium Missae | 00294 |
236 | 3. | 1738-1739? | Misa de Kyrie-Gloria | G maj. | satbSATB 2Ob Str Bc | 8: 155 | II / 2: 61 | después de BWV 179 /1, / 3, 79 /1, / 5, 138 /5, 17 /1; texto del Ordinarium Missae | 00295 |
1081 | 3. | C. 1747 - agosto de 1748 | Entonación Credo para la misa No. 5 en fa mayor de GB Bassani 's Acroama Missale | F maj. | SATB Bc | II / 2 | → BNB I / B / 48 ; texto de Credo | 01267 | |
237 | 3. | 1723-06-24? | Sanctus | C maj. | SATB 3Tr Tmp 2Ob Str Bc | 11 1 : 67 | II / 2: 311 | texto de Sanctus | 00296 |
238 | 3. | 1723-12-25 1736-1737 | Sanctus | D maj. | SATB Cnt Str Bc | 11 1 : 79 | II / 2: 325 | texto de Sanctus | 00297 |
240 | 3. | 1742 (JSB) | Sanctus | G maj. | SATB 2Ob Str Bc | 11 1 : 93 | II / 9: 3 | texto de Sanctus | 00299 |
241 | 3. | Julio de 1747 - Agosto de 1748 (JSB) | Sanctus de Missa superba | D maj. | 2SATB 2Oba 2Vl 3Va Bas Vc Vne Bc | 41: 177 | II / 9: 45 | después de Kerll ; texto de Sanctus | 00300 |
242 | 3. | 1727-1732 (JSB) | Christe eleison para una misa Kyrie-Gloria en do menor por F. Durante | G min. | SA Bc | 41: 197 | II / 2: 295 | texto de Kyrie ; → BWV Anh. 26 de / 2 | 00301 |
243,2 | 3. | 1733-07-02? 1732-1735 | Magnificat (2a versión: ¿Visitación?) | D maj. | ssatbSSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bas Vc Vne Bc | 11 1 : 1 | II / 3: 65 | después de BWV 243.1 (mismo texto) | 00302 |
243,1 | 3. | 1723-07-02 1723-12-25 | Magnificat (1a versión: Visitación, y con 4 laudes añadidos: Navidad) | E ♭ maj. | ssatbSSATB 3Tr Tmp 2Fl 2Ob Str Bc | 11 1 : 103 | II / 3: 1 | según Magnificat peregrini toni (/ 10); texto: Magnificat ; → BWV 243,2 | 00303 |
1082 | 3. | 1740-1742 (JSB) | Suscepit Israel de un Magnificat por A. Caldara | E min. | SATB 2Vl Bc | II / 9: 59 | después de Caldara ( BNB I / C / 1 ); texto de Magnificat | 01268 | |
1083 | 3. | 1745-1747 (JSB) | Cantata Tilge, Höchster, meine Sünden | sa 2Vl Str Vne Vc Bc | Yo / 41: 169 | después de Pergolesi ( Stabat Mater ); texto después de Ps. 51 | 01269 | ||
4. | Pasiones, oratorios (ver también: Lista de pasiones y oratorios de Johann Sebastian Bach ) | Arriba ↑ | |||||||
244,2 | 4. | 1736-03-30 1742 1743–1746 | Pasión Pasión según San Mateo (versiones posteriores; Viernes Santo) | E min. | 2satb2SATB 2Fl 4Fl 4Ob 4Oba 2Odc 2Str 2Vdg 2Bc | 4 44: 58 | II / 5 | después de BWV 244.1 , 245.2 (/ 29); texto de Picander , Decius (/ 1), Heermann (/ 3, / 19, / 46), Gerhardt (/ 10, / 15, / 17, / 37, / 44, / 54, / 62), Alberto de Prusia ( / 25), Heyden (/ 29), Reusner (/ 32), Rist (/ 40), después de Mt 26 - 27 , Sng 6 : 1 (/ 30) | 00304 |
244a | ver BWV 1143 | 00305 | |||||||
244,1 | 4. | 1727-04-11 | Pasión Pasión según San Mateo (versión temprana; Viernes Santo) | E min. | satb2SATB 4Fl 4Ob 4Oba 2Odc 2Str Lu Bc | II / 5a II / 5b | después de Z 4361a (/ 1), 983 (/ 3, / 19, / 46), 2293b (/ 10, / 37), 5385a (/ 15, / 17, / 44, / 54, / 62), 7568 (/ 25), 3449 (/ 29), 2461c (/ 32), 6551 (/ 40); texto de Picander , Heermann (/ 3, / 19, / 46), Gerhardt (/ 10, / 15, / 17, / 37, / 44, / 54, / 62), Alberto de Prusia (/ 25), Keymann ( / 29), Reusner (/ 32), Rist (/ 40), después de Mt 26 - 27 , Sng 6 : 1 (/ 30); ↔ BWV 198 , 1143 ; → BWV 244,2 | 00306 | |
244/3 | ambientación coral "Herzliebster Jesu" (art. 1) | B min. | SATB | 4:23 | III / 2.2: 43 | después de Z 983 ; texto de Heermann | 11349 | ||
244/10 | engaste coral "O Welt, sieh hier dein Leben" (art. 5) | A ♭ maj. | SATB | 4:42 | III / 2.2: 66 | después de Z 2293b ; texto de Gerhardt | 11351 | ||
ambientación coral "Nun ruhen alle Wälder" | |||||||||
244/15 | engaste coral "O Haupt voll Blut und Wunden" (art. 5) | E maj. D maj. | SATB | 4:51 | III / 2.2: 55 | después de Z 5385a ; texto de Gerhardt | 11358 | ||
244/17 | engaste coral "O Haupt voll Blut und Wunden" (art. 6; en BWV 244.1: art. 7?) | E ♭ maj. D maj. | 4:53 | ||||||
244/25 | ambientación coral "Was mein Gott will, das gscheh allzeit" (art. 1) | B min. | SATB | 4:83 | III / 2.2: 64 | después de Z 7568 ; texto de Alberto de Prusia | 11353 | ||
244/32 | ambientación coral "In dich hab ich gehoffet, Herr" (art. 5) | B ♭ maj. | SATB | 4: 151 | III / 2.2: 66 | después de Z 2461c ; texto de Reusner | 11354 | ||
244/37 | engaste coral "O Welt, sieh hier dein Leben" (art. 3) | F maj. | SATB | 4: 164 | III / 2.2: 29 | después de Z 2293b ; texto de Gerhardt | 11352 | ||
ambientación coral "In allen meinen Taten" | después de Z 2293b ; texto de Fleming | ||||||||
244/40 | ambientación coral "Werde munter, mein Gemüte" (art. 6) | Un maj. | SATB | 4: 173 | III / 2.1: 95 III / 2.2: 68 | después de Z 6551 ; texto de Rist | 11254 | ||
ambientación coral "Jesu, meiner Seelen Wonne" | después de Z 6551 ; texto de Janus | ||||||||
244/44 | Marco coral "Befiehl du deine Wege" (art. 1) | D maj. | SATB | 4: 186 | III / 2.2: 49 | después de Z 5385a ; texto de Gerhardt | 11355 | ||
ajuste coral "O Haupt voll Blut und Wunden" | |||||||||
244/46 | Marco coral "Herzliebster Jesu" (art. 4) | B min. | SATB | 4: 192 | III / 2.2: 59 | después de Z 983 ; texto de Heermann | 11350 | ||
244/54 | engaste coral "O Haupt voll Blut und Wunden" (ss. 1-2) | F maj. | SATB | 4: 214 | III / 2.2: 41 | después de Z 5385a ; texto de Gerhardt | 11356 | ||
244/62 | engaste coral "O Haupt voll Blut und Wunden" (art. 9) | Un min. B min. | SATB | 4: 248 | III / 2.2: 50 | 11357 | |||
245,1 | 4. | 1724-04-07 | Pasión Pasión según San Juan (1a versión; Viernes Santo) | G min. | satbSATB (2Fl?) 2Ob 2Odc Str 2Va Vdg Lu Bc | 12 1 44: 26 | II / 4: 40 | después de Z 983 (/ 3, / 17), 2561 (/ 5), 2293b (/ 11), 6288a –b (/ 14, / 28, / 32), 6283b (/ 15, / 37), 2383 (/ 22 ), 5404a (/ 26), 8326 (/ 40); texto después de Jh 18 - 19 , Mt 26:75 (/ 12), Mc 15:38 (/ 33), por Heermann (/ 3, / 17), Luther (/ 5), Brockes (/ 7, / 19, / 20, / 24, / 32, / 34, / 35, / 39), Gerhardt (/ 11), Weise (/ 13), Stockmann (/ 14, / 28, / 32), Weiße (/ 15, / 37) , Postel (/ 19, / 22, / 30), Herberger (/ 26), Schalling (/ 40); → BWV 245 .2–5 | 00307 |
245,1 / 3 | Marco coral "Herzliebster Jesu" (art. 7) | G min. | SATB | III / 2.1: 93 | después de Z 983 ; texto de Heermann | 11255 | |||
245/3 | C. 1740 | 12 1 : 17 | III / 2.2: 33 | ||||||
245,1 / 5 | 1724-04-07 | engaste coral "Vater unser im Himmelreich" (art. 4) | D min. | SATB | III / 2.1: 94 III / 2.2: 27 | después de Z 2561 ; texto de Lutero después de Mt 6: 9-13 ; ↔ BWV 416 | 11256 | ||
245/5 | C. 1740 | 12 1 : 18 | después de Z 2561 ; texto de Lutero después de Mt 6: 9-13 | ||||||
245/11 | 1724-04-07 | engaste coral "O Welt, sieh hier dein Leben" (ss. 3-4) | Un maj. | SATB | 12 1 : 31 | III / 2.1: 94 III / 2.2: 35 | después de Z 2293b ; texto de Gerhardt ; → BWV 395 | 11257 | |
ambientación coral "Nun ruhen alle Wälder" | |||||||||
245/14 | Marco coral "Jesu Leiden, Pein und Tod" (s. 10) | Un maj. | SATB | 12 1 : 39 | III / 2.2: 46 | después de Z 6288a –b; texto de Stockmann | 11273 | ||
245/15 | engaste coral "Christus, der uns selig macht" (art. 1) | Un min. | SATB | 12 1 : 43 | III / 2.2: 44 | después de Z 6283b ; texto de Weiße después de " Patris sapientia " | 11274 | ||
245/17 | Marco coral "Herzliebster Jesu" (ss. 8–9) | Un min. | SATB | 12 1 : 52 | III / 2.1: 95 III / 2.2: 62 | después de Z 983 ; texto de Heermann | 11258 | ||
245/22 | ambientación coral "Durch dein Gefängnis Gottes Sohn" | E maj. | SATB | 12 1 : 74 | III / 2.2: 181 | después de Z 2383 ; texto de Postel | 11275 | ||
ambientación coral "Machs mit mir, Gott, nach deiner Güt" | después de Z 2383 ; texto de Schein | ||||||||
245/26 | ajuste coral "Valet will ich dir geben" (art. 3) | E ♭ maj. | SATB | 12 1 : 95 | III / 2.1: 96 III / 2.2: 60 | después de Z 5404a ; texto de Herberger | 11259 | ||
245/28 | ambientación coral "Jesu Leiden, Pein und Tod" (art. 20) | Un maj. | SATB | 12 1 : 103 | III / 2.2: 59 | después de Z 6288a –b; texto de Stockmann | 11276 | ||
245/37 | engaste coral "Christus, der uns selig macht" (art. 8) | B ♭ min. | SATB | 12 1 : 121 | III / 2.2: 63 | después de Z 6283b ; texto de Weiße después de " Patris sapientia " | 11277 | ||
245/40 | engaste coral "Herzlich lieb hab ich dich, o Herr" (art. 3) | E ♭ maj. | SATB | 12 1 : 131 | III / 2.2: 60 | después de Z 8326 ; texto de Schalling | 11278 | ||
245,2 | 4. | 1725-03-30 | Pasión Pasión según San Juan (2da versión; Viernes Santo) | E ♭ maj. | satbSATB 2Fl 2Ob 2Odc Str Vdg Bc | 12 1 | II / 4: 167 | después de Z 8303 (/ 1), BWV 245 0,1, 23 /4 (/ 40); texto de Heyden (/ 1), Heermann (/ 3, / 17), Lutero (/ 5, / 40), Brockes (/ 7, / 24, / 32, / 34, / 35, / 39), Gerhardt (/ 11), Birkmann (a, b, c) Stockmann (a, / 14, / 28, / 32), Weiße (/ 15, / 37), Postel (/ 22, / 30), Herberger (/ 26), después Jh 18 - 19 , Mt 26:75 (/ 12), Mt 27 : 51 (/ 33); → BWV 245 .3; / 1 → BWV 244,2 / 29, | 00308 |
245,3 | 4. | 1732-04-11 | Pasión Pasión según San Juan (tercera versión; Viernes Santo) | satbSATB 2Fl 2Ob Str Vdg Org Bc | 12 1 44: 26 | II / 4: 206 | después de BWV 245 .1 – .2; texto después de Jh 18 - 19 , por Heermann (/ 3, / 17), Luther (/ 5), Brockes (/ 7, / 19, / 20, / 24, / 32, / 39), Gerhardt (/ 11), Stockmann (/ 14, / 28, / 32), Weiße (/ 15, / 37), Postel (/ 19, / 22, / 30), Herberger (/ 26); → BWV 245 .4–5 | 00309 | |
245,4 | 4. | 1739 | Pasión Pasión según San Juan (revisión incompleta) | satbSATB Fl 2Ob Str Bc | 12 1 44: 26 | II / 4 | después de BWV 245 .1 – .3; texto de Heyden (/ 1), Heermann (/ 3), Luther (/ 5), después de Jh 18 ; → BWV 245 .5 | 11076 | |
245,5 | 4. | 1749-04-04 | Pasión Pasión según San Juan (4a versión; Viernes Santo) | satbSATB 2Fl 2Ob 2Oba Odc Bas Str Vdg Hc Bc | 12 1 44: 26 | II / 4 | después de BWV 245 .1–4; texto después de Jh 18 - 19 , Mt 26:75 (/ 12), Mt 27 : 51 (/ 33), por Heermann (/ 3, / 17), Luther (/ 5), Brockes (/ 7, / 19, / 24, / 32, / 34, / 35, / 39), Gerhardt (/ 11), Weise (/ 13), Stockmann (/ 14, / 28, / 32), Weiße (/ 15, / 37), Postel ( / 19, / 22, / 30), Herberger (/ 26), Schalling (/ 40) | 00310 | |
246 / 40a | 4. | 1743-1745 (JSB) | Coral Aus der Tiefen rufe ich , n. 40 de la Pasión según San Lucas | t Str Bc (?) | II / 9: 65 | después de BWV 246 /40 | 00312 | ||
247 | 4. | 1731-03-23 1744-04-03 | Passion St Mark Passion (Viernes Santo; música perdida pero en parte reconstruible) | satbSATB 2Fl 2Ob 2Oba 2Vl 2Va (2Vdg 2Lu) Org Bc (?) | II / 5 | texto de Picander , Jonas , Reusner , Gerhardt , Rist , Kritzelmann | , Schein , Stockmann , Franck, J. , Homburg , Luther , Spee ; después de BWV 198 /1, / 5, / 3, / 8, / 10 (o 244a / 7), 54 /1, 248 /28 ?, / 45, 7 /2?00313 | ||
1088 | 4. | C. 1750? | Arioso So heb ich denn mein Auge sehnlich auf , No. 20 en Passion Oratorio Wer ist der, so von Edom kömmt (Viernes Santo) | b 2Bas Bc (?) | I / 41: 125 | 01274 | |||
248 | 4. | 1734-12-25-1735-01-06 | Oratorio Oratorio de Navidad (Navidad) | D maj. | satbSATB 3Tr 2Hn Tmp 2Fl 2Ob 2Oba 2Odc Str Bc | 5 1 44: 125 | II / 6 | después de BWV 214 (/ 1, / 8, / 15, / 24), 213 (/ 4, / 19, / 29, / 36, / 39, / 41), 215 (/ 47), 248 VI a (/ 54 , / 56– / 57, / 61– / 64), Z 5385a (/ 5, / 64), 1947 (/ 7, / 28), 346 (/ 9, / 17, / 23), 5741b (/ 12) , 6462 (/ 33), 2072 (/ 35), 2461c (/ 46), 3614b (/ 53), 4429a (/ 59); texto de Picander ?, Gerhardt (/ 5, / 17, / 23, / 33, / 59), Lutero (/ 7, / 9, / 28), Rist (/ 12, / 38, / 40, / 42), Runge | (/ 35), Weissel (/ 46), Franck, J. (/ 53), Werner (/ 64), después de Lc 2 : 1–21, Mt 2 : 1–1200314 |
248 yo | 4. | 1734-12-25 | Cantata Jauchzet, frohlocket, auf, preiset die Tage ( Oratorio de Navidad , Parte I; Navidad) | D maj. | satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc | 5 1 : 2 44: 125 | II / 6: 1 | después de BWV 214 /1 y / 7 (/ 1 y / 8), 213 /9 (/ 4), 5385a Z (/ 5), 1947 (/ 7), 346 (/ 9); texto de Picander ?, Gerhardt (/ 5), Lutero (/ 7, / 9), después de Lc 2 : 1, 3-7 | 11385 |
248/5 | ambientación coral "Wie soll ich dich empfangen" (art. 1) | Un min. | SATB | 5 1 : 36 | III / 2.2: 199 | después de Z 5385a ; texto de Gerhardt | 11279 | ||
ajuste coral "O Haupt voll Blut und Wunden" | |||||||||
248/9 | engaste coral "Vom Himmel hoch da komm ich her" (art. 13) | D maj. | SATB | 5 1 : 47 | III / 2.2: 26 | después de Z 346 ; texto de Lutero | 11280 | ||
248 II | 4. | 1734-12-26 | Cantata Und es waren Hirten in derselben Gegend ( Oratorio de Navidad , Parte II; Navidad 2) | G maj. | satbSATB 2Fl 2Oba 2Odc Str Bc | 5 1 : 50 44: 126 | II / 6: 55 | después de Z 5741b (/ 3), 346 (/ 8, / 14), BWV 214 /5 (/ 6), 213 /3 (/ 10); texto de Picander ?, Rist (/ 3), Gerhardt (/ 8, / 14), después de Lc 2 : 8-14 | 11386 |
248/12 | ambientación coral "Ermuntre dich, mein schwacher Geist" (art. 9) | G maj. | SATB | 5 1 : 59 | III / 2.1: 83, 92 III / 2.2: 7, 207 | después de Z 5741b ; texto de Rist | 11260 | ||
ambientación coral "Du Lebensfürst, Herr Jesu Christ" | |||||||||
248/17 | engaste coral "Schaut, schaut, was ist für Wunder dar" (art. 8) | C maj. | SATB | 5 1 : 66 | III / 2.1: 84 | después de Z 346 ; texto de Gerhardt | 11261 | ||
ajuste coral "Vom Himmel hoch da komm ich her" | después de Z 346 ; texto de Lutero | ||||||||
248/23 | ambientación coral "Wir singen dir, Immanuel" (art. 2) | G maj. | SATB | 5 1 : 90 | III / 2.2: 198 | después de Z 346 ; texto de Gerhardt | 11281 | ||
ajuste coral "Vom Himmel hoch da komm ich her" | después de Z 346 ; texto de Lutero | ||||||||
248 III | 4. | 1734-12-27 | Cantata Herrscher des Himmels, erhöre das Lallen ( Oratorio de Navidad , Parte III; Navidad 3) | D maj. | satbSATB 3Tr Tmp 2Fl 2Ob 2Oba Str Bc | 5 1 : 94 | II / 6: 107 | después de BWV 214/9 (/ 1 = / 13), 213/11 (/ 6), Z 1947 (/ 5), 6462 (/ 10), 2072 (/ 12); texto de Picander ?, Lutero (/ 5), Gerhardt (/ 10), Runge | (/ 12), después de Lc 2 : 15-2011387 |
248/28 | Marco coral "Gelobet seist du, Jesu Christ" (art. 7) | D maj. | SATB | 5 1 : 110 | III / 2.1: 85 | después de Z 1947 ; texto de Lutero | 11262 | ||
248/33 | engaste coral "Fröhlich soll mein Herze springen" (art. 15) | G maj. | SATB | 5 1 : 124 | III / 2.1: 86 III / 2.2: 81 | después de Z 6462 ; texto de Gerhardt | 11264 | ||
ambientación coral "Warum sollt ich mich denn grämen" | |||||||||
248/35 | engaste coral "Laßt Furcht und Pein" (art. 4) | F♯ min. | SATB | 5 1 : 126 | III / 2.1: 86 III / 2.2: 206 | después de Z 2072 ; texto de Runge | 11263 | ||
ambientación coral "Wir Christenleut" | después de Z 2072 ; texto de Füger | ||||||||
248 IV | 4. | 1735-01-01 | Cantata Fallt mit Danken, fallt mit Loben ( Oratorio de Navidad , Parte IV; Año Nuevo) | F maj. | satbSATB 2Hn 2Ob Str Bc | 5 1 : 128 | II / 6: 143 | después de BWV 213/1 , / 5, / 7 (/ 1, / 4, / 6); texto por Picander ,? Rist (/ 3, / 5, / 7), después de Lk 2 : 21 | 11388 |
248/42 | engaste coral "Hilf, Herr Jesu, laß gelingen" (art. 15) | SATB | 5 1 : 166 | III / 2.1: 99 III / 2.2: 211 | texto de Rist | 11266 | |||
ambientación coral "Jesu, meiner Seelen Wonne" | texto de Janus | ||||||||
248 V | 4. | 1735-01-02 | Cantata Ehre sei dir, Gott, gesungen ( Oratorio de Navidad , Parte V; Año Nuevo I) | Un maj. | satbSATB 2Oba Str Bc | 5 1 : 172 | II / 6: 199 | después de BWV 247 / 39b (/ 3), 215 /7 (/ 5), 2461c Z (/ 4), 3614b (/ 11); texto de Picander ?, Weissel (/ 4), Franck, J. (/ 11), después de Mt 2 : 1–6 | 11389 |
248/46 | engaste coral "Nun, liebe Seel, nun ist es Zeit" (art. 5) | SATB | 5 1 : 190 | III / 2.1: 87 III / 2.2: 43 | después de Z 2461c ; texto de Weissel | 11265 | |||
ambientación coral "In dich hab ich gehoffet, Herr" | después de Z 2461c ; texto de Reusner | ||||||||
248/53 | ambientación coral "Ihr Gestirn, ihr hohlen Lüfte" (art. 9) | SATB | 5 1 : 208 | III / 2.1: 100 III / 2.2: 21 | después de Z 3614b ; texto de Franck, J. | 11267 | |||
ambientación coral "Gott des Himmels und der Erden" | después de Z 3614b ; texto de Albert | ||||||||
248 VI | 4. | 1735-01-06 | Cantata Herr, wenn die stolzen Feinde schnauben ( Oratorio de Navidad , Parte VI; Epifanía) | D maj. | satbSATB 3Tr Tmp 2Ob 2Oba Str Bc | 5 1 : 210 | II / 6: 243 | después de BWV 248 VI a (/ 1, / 3, / 4, / 8– / 11), Z 4429a (/ 6), 5385a (/ 11); texto de Picander ?, Gerhardt (/ 6), Werner (/ 11), después de Mt 2 : 7-12 | 11390 |
248/59 | engaste coral "Ich steh an deiner Krippen hier" (art. 1) | G maj. | SATB | 5 1 : 245 | III / 2.1: 84 III / 2.2: 208 | después de 4429a ; texto de Gerhardt | 11268 | ||
ambientación coral "Es ist gewisslich an der Zeit" | después de 4429a ; texto de Ringwaldt | ||||||||
248/64 | ambientación coral "Ihr Christen auserkoren" (art. 4) | D maj. | SATB | 5 1 : 256 | III / 2.1: 85 | después de 5385a ; texto de Werner | 11269 | ||
ambientación coral "Ach Herr, mich armen Sünder" | después de 5385a ; texto de Schneegaß | ||||||||
248 VI a | 4. | 1734 o antes | Modelo Cantata para BWV 248 VI | D maj. | satbSATB 3Tr Tmp 2Ob 2Oba Str Bc | II / 6 | después de BWV Anh. 10/1 ; → 248 /54, / 56- / 57, / 61- / 64 | 00315 | |
249,5 | 4. | 1743–1746 1749-04-06 1750-03-26 | Oratorio Kommt, eilet und laufet ( Oratorio de Pascua; Pascua) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc | 21 3 | II / 7: 1 | después de BWV 249 .4; texto de Picander ? | 00316 | |
249,4 | 4. | C. 1738 | Oratorio Kommt, eilet und laufet ( Oratorio de Pascua , versión intermedia; Pascua) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Str Bc | II / 7 | después de BWV 249 .3; texto de Picander ?; → BWV 249 .5 | 11392 | ||
249,3 | 4. | 1725-04-01 c. 1738 | Cantata Kommt, fliehet und eilet ( Oratorio de Pascua , primeras versiones: primera versión como cantata; Pascua) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Oba Vl Str Bc | II / 7: 97 | después de BWV 249.1 ; texto de Picander ?; → BWV 249 .4 | 00317 | ||
249,1 | 4. | 1725-02-23 | Cantata profana Entfliehet, verschwindet, entweichet, ihr Sorgen , también conocida como Shepherd Cantata (cumpleaños de Christian of Saxe-Weissenfels ; música perdida pero en parte reconstruible) | satbSATB 3Tr Tmp Fl 2Fl 2Ob Str Bc | I / 35 | texto de Picander ; → BWV 249 .3 / 1– / 3, / 5, / 7, / 9, / 11; 249,2 | 00318 | ||
249,2 | 4. | 1726-08-25 | Cantata secular Verjaget, zerstreuet, zerrüttet, ihr Sterne alias Die Feier des Genius (drama per musica; nacimiento de Joachim Friedrich von Flemming | ; música perdida pero en parte reconstruible)I / 39 | después de BWV 249.1 / 1– / 3, / 5, / 7, / 9, / 11; texto de Picander | 00319 | |||
11 | 4. | 1735-05-19 | Oratorio Lobet Gott in seinen Reichen ( Ascension Oratorio ; Ascension) | D maj. | satbSATB 3Tr Tmp 2Fl 2Ob Str Bc | 2: 1 | II / 8: 1 | después de Z 5741b (/ 6), 5264b (/ 9); texto de Picander ?, Rist (/ 6), Sacer (/ 9), después de Lc 24 : 50ss., Hechos 1 : 9-12, Mc 16 : 19 | 00013 |
6/11 | engaste coral "Nun lieget alles unter dir" (= "Du Lebensfürst, Herr Jesu Christ", s. 4) | SATB | 2:32 | III / 2.2: 198 | después de Z 5741b ; texto de Rist | 11299 | |||
5. | Corales de cuatro partes (ver también: Lista de armonizaciones de corales de Johann Sebastian Bach ) | Arriba ↑ | |||||||
250 | 5. | 1734-1738 | Marco coral "Was Gott tut, das ist wohlgetan" (Tres corales nupciales n. ° 1) | SATB 2Hn Ob Oba Str Bc | 13 1 : 147 | III / 2.1: 3 | texto de Rodigast | 00320 | |
251 | 5. | 1734-1738 | Marco coral "Sei Lob und Ehr dem höchsten Gut" (Tres corales nupciales n. ° 2) | SATB 2Hn Ob Oba Str Bc | 13 1 : 148 | III / 2.1: 4 | texto de Schütz, J. J. | 00321 | |
252 | 5. | 1734-1738 | Configuración coral "Nun danket alle Gott" (Tres corales nupciales n. ° 3) | SATB 2Hn Ob Oba Str Bc | 13 1 : 149 | III / 2.1: 5 | texto de Rinkart | 00322 | |
253 | 5. | 1750 o antes | Marco coral "Ach bleib bei uns, Herr Jesu Christ" | Un maj. | SATB | 39: 177 | III / 2.2: 101 | después de Z 439 ; texto de Calvisius ; ↔ BWV 414 | 00323 |
254 | 5. | 1750 o antes | ambientación coral "Ach Gott, erhör mein Seufzen" | D Dor. | SATB | 39: 177 | III / 2.2: 105 | después de Z 1831a ; texto de Schechs | 00324 |
255 | 5. | 1750 o antes | Marco coral "Ach Gott und Herr" | C maj. | SATB | 39: 178 | III / 2.2: 24 | después de Z 4441a ; texto de Rutilius | 00325 |
256 | 5. | 1750 o antes | ambientación coral "Ach lieben Christen, seid getrost" | Un min. | SATB | 39: 178 | III / 2.2: 19 | después de Z 4441a ; texto de Gigas | 00326 |
259 | 5. | 1750 o antes | Marco coral "Ach, was soll ich Sünder machen" | E min. | SATB | 39: 179 | III / 2.2: 23 | después de Z 3573b ; texto de Flittner | 00329 |
260 | 5. | C. 1735 o antes | ambientación coral "Allein Gott in der Höh sei Ehr" | G maj. | SATB | 39: 180 | III / 2.1: 9 III / 2.2: 147 | después de Z 4457 ; texto de Decius después de Gloria | 00330 |
261 | 5. | 1750 o antes | ambientación coral "Allein zu dir, Herr Jesu Christ" | B min. | SATB | 39: 180 | III / 2.2: 206 | después de Z 7292b ; texto de Hubert | 00331 |
262 | 5. | 1750 o antes | engaste coral "Alle Menschen müssen sterben" | D maj. | SATB | 39: 181 | III / 2.2: 88 | después de Pachelbel ; texto de Albinus , Rosenmüller | 00332 |
263 | 5. | 1750 o antes | ambientación coral "Alles ist an Gottes Segen" | G maj. | SATB | 39: 181 | III / 2.2: 72 | después de Z 3842f | 00333 |
264 | 5. | 1750 o antes | ambientación coral "Als der gütige Gott" | G maj. | SATB | 39: 182 | III / 2.2: 91 | después de Z 1646 ; texto de Weiße | 00334 |
265 | 5. | 1750 o antes | ambientación coral "Als Jesus Christus in der Nacht" | D Dor. | SATB | 39: 182 | III / 2.2: 102 | después de Z 258 ; texto de Heermann | 00335 |
266 | 5. | 1750 o antes | ajuste coral "Als vierzig Tag nach Ostern warn" | E min. | SATB | 39: 182 | III / 2.2: 120 | después de Z 1743 ; texto de Herman | 00336 |
267 | 5. | C. 1735 o antes | ambientación coral "An Wasserflüssen Babylon" | G maj. | SATB | 39: 183 | III / 2.2: 4 | después de Z 7663 ; texto de Dachstein | 00337 |
A ♭ Maj. | III / 2.1: 98 | ||||||||
engaste coral "Ein Lämmlein geht und trägt | G maj. | 39: 183 | después de Z 7663 ; texto de Gerhardt | ||||||
A ♭ Maj. | III / 2.2: 180 | ||||||||
268 | 5. | 1750 o antes | ambientación coral "Auf, auf, mein Herz" | G maj. | SATB | 39: 184 | III / 2.2: 70 | después de Z 824 ; texto de Birken | 00338 |
269 | 5. | 1750 o antes | ambientación coral "Aus meines Herzens Grunde" | G maj. | SATB | 39: 184 | III / 2.2: 2 | después de Z 5269 ; texto de Niege | 00339 |
270 | 5. | C. 1735 o antes | ambientación coral "Befiehl du deine Wege" | B min. | SATB | 39: 185 | III / 2.1: 47 III / 2.2: 170 | después de Z 5385a ; texto de Gerhardt | 00340 |
271 | 5. | C. 1735 o antes | ambientación coral "Befiehl du deine Wege" | B min. | SATB | 39: 185 | III / 2.1: 97 III / 2.2: 210 | después de Z 5385a ; texto de Gerhardt | 00341 |
272 | 5. | 1730-1761 | ambientación coral "Befiehl du deine Wege" | D min. | SATB | 39: 186 | III / 2.2: 196 | por Bach, C. P. E. ?; después de Z 5393 ; texto de Gerhardt | 00342 |
273 | 5. | 1750 o antes | Entorno coral "Cristo, der du bist der helle Tag" | G min. | SATB | 39: 186 | III / 2.2: 136 | después de Z 384 ; texto de Alberus | 00343 |
274 | 5. | 1750 o antes | ambientación coral "Christe, der du bist Tag und Licht" | G min. | SATB | 39: 187 | III / 2.2: 145 | después de Z 343 ; texto de Musculus después de " Christe qui lux es " | 00344 |
275 | 5. | 1750 o antes | ambientación coral "Christe, du Beistand" | D Dor. | SATB | 39: 187 | III / 2.2: 122 | después de Z 993 ; texto de Löwenstern | 00345 |
276 | 5. | 1750 o antes | ambientación coral "Christ ist erstanden" | D Dor. | SATB | 39: 188 | III / 2.2: 110 | después de Z 8584 ; texto: " Christ ist erstanden " | 00346 |
277 | 5. | 1750 o antes | Entorno coral "Christ lag in Todesbanden" | D Dor. | SATB | 39: 189 | III / 2.2: 11 | después de Z 7012a ; texto de Lutero | 00347 |
278 | 5. | C. 1735 o antes | Entorno coral "Christ lag in Todesbanden" | E min. | SATB | 39: 190 | III / 2.1: 92 III / 2.2: 212 | después de Z 7012a ; texto de Lutero | 00348 |
279 | 5. | C. 1725-1735 | Entorno coral "Christ lag in Todesbanden" | E min. | SATB | 32: 154 | III / 2.1: 24 III / 2.2: 155 | después de Z 7012a ; texto de Lutero ; ↔ BWV 158 /4 | 00349 |
280 | 5. | 1750 o antes | Entorno coral "Cristo unser Herr zum Jordan kam" | D Dor. | SATB | 39: 190 | III / 2.2: 36 | después de Z 7246 ; texto de Lutero | 00350 |
281 | 5. | 1750 o antes | Marco coral "Christus, der ist mein Leben" | F maj. | SATB | 39: 191 | III / 2.2: 6 | después de Z 132 , Neu Leipziger GB , p 942 [21] | 00351 |
282 | 5. | 1750 o antes | Marco coral "Christus, der ist mein Leben" | G maj. | SATB | 39: 191 | III / 2.2: 184 | después de BWV 95 /1 | 00352 |
283 | 5. | 1750 o antes | ajuste coral "Christus, der uns selig macht" | Un min. | SATB | 39: 192 | III / 2.2: 112 | después de Z 6283a ; texto de Weiße después de " Patris sapientia " | 00353 |
284 | 5. | 1750 o antes | ambientación coral "Christus ist erstanden, hat überwunden" | C maj. | SATB | 39: 192 | III / 2.2: 113 | después de Z 6240b ; texto de Weiße | 00354 |
285 | 5. | 1750 o antes | ambientación coral "Da der Herr Christ zu Tische saß" | C min. | SATB | 39: 193 | III / 2.2: 110 | después de Z 2503 ; texto de Herman | 00355 |
286 | 5. | 1750 o antes | ambientación coral "Danket dem Herrn, denn er ist" | Un min. | SATB | 39: 193 | III / 2.2: 134 | después de Z 12 ; texto de Horn | 00356 |
287 | 5. | 1750 o antes | ambientación coral "Dank sei Gott in der Höhe" | F maj. | SATB | 39: 194 | III / 2.2: 182 | después de Z 5391 ; texto de Mühlmann | 00357 |
288 | 5. | C. 1735 o antes | ambientación coral "Das alte Jahr vergangen ist" | D Dor. | SATB | 39: 194 | III / 2.1: 11 III / 2.2: 93 | después de Z 381 ; texto de Steuerlein | 00358 |
289 | 5. | 1750 o antes | ambientación coral "Das alte Jahr vergangen ist" | E min. | SATB | 39: 194 | III / 2.2: 183 | después de Z 381 ; texto de Steuerlein | 00359 |
290 | 5. | 1750 o antes | ambientación coral "Das walt Gott Vater und Gott Sohn" | F maj. | SATB | 39: 195 | III / 2.2: 132 | después de Z 673 ; texto de Behm | 00360 |
291 | 5. | 1750 o antes | ambientación coral "Das walt mein Gott" | D min. | SATB | 39: 195 | III / 2.2: 42 | después de Z 4217 ; texto de Förtsch | ?00361 |
292 | 5. | 1750 o antes | ambientación coral "Den Vater dort oben" | C maj. | SATB | 39: 196 | III/2.2: 141 | after Z 4795; text by Weiße | 00362 |
293 | 5. | 1750 or earlier | chorale setting "Der du bist drei in Einigkeit" | D Dor. | SATB | 39: 196 | III/2.2: 89 | after Z 335e; text by Luther after "O lux beata Trinitas" | 00363 |
294 | 5. | 1750 or earlier | chorale setting "Der Tag, der ist so freudenreich" | G maj. | SATB | 39: 197 | III/2.2: 90 | after Z 7870; text after "Dies est laetitiae" | 00364 |
295 | 5. | 1750 or earlier | chorale setting "Des Heilgen Geistes reiche Gnad" | D min. | SATB | 39: 197 | III/2.2: 120 | after Z 370b; text by Gesius after "Spiritus Sancti gratia" | 00365 |
296 | 5. | 1750 or earlier | chorale setting "Die Nacht ist kommen" | G Mix. | SATB | 39: 198 | III/2.2: 136 | after Z 5001; text by Herbert | 00366 |
297 | 5. | 1750 or earlier | chorale setting "Die Sonn hat sich mit ihrem Glanz gewendet" | D Dor. | SATB | 39: 198 | III/2.2: 137 | after Z 923; text by Stegmann | ; ↔ BWV 44700367 |
298 | 5. | 1750 or earlier | chorale setting "Dies sind die heilgen zehn Gebot" | C maj. | SATB | 39: 198 | III/2.2: 72 | after Z 1951; text by Luther | 00368 |
299 [2] | 5. | 1725–1735 | chorale setting "Dir, dir, Jehova, will ich singen" | B♭ maj. | SATB | 39: 199 | III/2.1: 11 III/2.2: 121 | ↔ Z 3068; text by Crasselius | ; → BWV 45200369 |
299 [1] | Notebook A. M. Bach (1725) No. 39: chorale setting "Dir, dir, Jehova, will ich singen" | S(AT)B (V Bc) | 432: 50 | V/4: 126 | 11543 | ||||
300 | 5. | 1750 or earlier | chorale setting "Du großer Schmerzensmann" | E min. | SATB | 39: 199 | III/2.2: 94 | after Z 5159a; text by Thebesius | 00370 |
301 | 5. | 1750 or earlier | chorale setting "Du, o schönes Weltgebäude" | D min. | SATB | 39: 200 | III/2.2: 80 | after Z 6773; text by Franck, J. | 00371 |
302 | 5. | c. 1735 or earlier | chorale setting "Ein feste Burg ist unser Gott" | D maj. | SATB | 39: 200 | III/2.1: 48 III/2.2: 14 | after Z 7377; text by Luther after Ps. 46 | 00372 |
303 | 5. | c. 1735 or earlier | chorale setting "Ein feste Burg ist unser Gott" | D maj. | SATB | 39: 201 | III/2.1: 10 III/2.2: 148 | after Z 7377; text by Luther after Ps. 46 | 00373 |
304 | 5. | c. 1735 or earlier | chorale setting "Eins ist not, ach Herr, dies Eine" | D maj. | SATB | 39: 201 | III/2.1: 36 III/2.2: 166 | after Z 7127; text by Schröder | 00374 |
305 | 5. | 1750 or earlier | chorale setting "Erbarm dich mein, o Herre Gott" | A min. | SATB | 39: 202 | III/2.2: 20 | after Z 5851; text by Hegenwald after Ps. 51 | 00375 |
306 | 5. | 1750 or earlier | chorale setting "Erstanden ist der heilig Christ" | F maj. | SATB | 39: 202 | III/2.2: 100 | after Z 288; text after "Surrexit Christus hodie" | 00376 |
307 | 5. | c. 1735 or earlier | chorale setting "Es ist gewisslich an der Zeit" | B♭ maj. | SATB | 39: 203 | III/2.1: 22 III/2.2: 155 | after Z 4429a; text by Ringwaldt | 00377 |
308 | 5. | 1750 or earlier | chorale setting "Es spricht der Unweisen Mund wohl" | B♭ maj. | SATB | 39: 204 | III/2.2: 17 | after Z 4436; text by Luther after Ps. 14 | 00378 |
309 | 5. | 1750 or earlier | chorale setting "Es stehn vor Gottes Throne" | G Dor. | SATB | 39: 204 | III/2.2: 95 | after Z 4298; text by Helmbold | 00379 |
310 | 5. | 1750 or earlier | chorale setting "Es wird schier der letzte Tag herkommen" | E min. | SATB | 39: 205 | III/2.2: 140 | after Z 1423; text by Weiße | 00380 |
311 | 5. | 1750 or earlier | chorale setting "Es woll uns Gott gnädig sein" | B min. | SATB | 39: 205 | III/2.2: 12 | after Z 7247; text by Luther after Ps. 67 | 00381 |
312 | 5. | c. 1735 or earlier | chorale setting "Es woll uns Gott gnädig sein" | A min. | SATB | 39: 206 | III/2.1: 70 III/2.2: 202 | after Z 7247; text by Luther after Ps. 67 | 00382 |
327 | 5. | 1750 or earlier | chorale setting "Vor deinen Thron tret ich hiermit" | D maj. | SATB | 39: 213 | III/2.2: 193 | after Z 368; text by Hodenberg? | 00397 |
313 | 5. | 1750 or earlier | chorale setting "Für Freuden lasst uns springen" | G min. | SATB | 39: 206 | III/2.2: 93 | after Z 2339; text by Peltsch | 00383 |
314 | 5. | c. 1735 or earlier | chorale setting "Gelobt seist du, Jesu Christ" | D maj. | SATB | 39: 207 | III/2.1: 48 III/2.2: 171 | after Z 1947; text by Luther | 00384 |
315 | 5. | c. 1735 or earlier | chorale setting "Gib dich zufrieden und sei stille" | E min. | SATB | 39: 207 | III/2.1: 38 III/2.2: 161 | after BWV 511; text by Gerhardt; ↔ BWV 512, Z 7417a | 00385 |
316 | 5. | 1750 or earlier | chorale setting "Gott, der du selber bist das Licht" | G min. | SATB | 39: 208 | III/2.2: 133 | after Z 5814; text by Rist | 00386 |
317 | 5. | 1750 or earlier | chorale setting "Gott der Vater wohn uns bei" | D maj. | SATB | 39: 208 | III/2.2: 78 | after Z 8507; text by Luther | 00387 |
318 | 5. | 1750 or earlier | chorale setting "Gottes Sohn ist kommen" | G maj. | SATB | 39: 209 | III/2.2: 13 | after Z 3294; text by Horn | 00388 |
F maj. | III/2.2: 214 | ||||||||
319 | 5. | 1750 or earlier | chorale setting "Gott hat das Evangelium" | E min. | SATB | 39: 209 | III/2.2: 102 | after Z 1788; text by Alberus | 00389 |
320 | 5. | 1750 or earlier | chorale setting "Gott lebet noch" | F maj. | SATB | 39: 210 | III/2.2: 138 | after Z 7951; text by Zihn | ; ↔ BWV 46100390 |
321 | 5. | 1750 or earlier | chorale setting "Gottlob, es geht nunmehr zum Ende" | B♭ maj. | SATB | 39: 210 | III/2.2: 108 | after Z 2853; → Z 2855; text by Luther | 00391 |
322 | 5. | 1750 or earlier | chorale setting "Gott sei gelobet und gebenedeiet" | C maj. | SATB | 39: 211 | III/2.2: 39 | after Z 8078; text by Luther | 00392 |
323 | 5. | 1750 or earlier | chorale setting "Gott sei uns gnädig und barmherzig" | F♯ min. | SATB | 39: 212 | III/2.2: 186 | after German Magnificat; text after Ps. 67 | 00393 |
325 | 5. | 1750 or earlier | chorale setting "Heilig, heilig, heilig" | F maj. | SATB | 39: 212 | III/2.2: 138 | after Z 8633a; text after Sanctus; ↔ Z 8634 | 00395 |
chorale setting "Sanctus, Sanctus Dominus Deus" | after Z 8633a; text: Sanctus; ↔ Z 8634 | ||||||||
326 | 5. | 1750 or earlier | chorale setting "Herr Gott, dich loben alle wir" | B♭ maj. | SATB | 39: 213 | III/2.2: 96 | after Z 368; text by Eber | 00396 |
328 | 5. | 1750 or earlier | chorale setting "Herr Gott, dich loben wir" | A min. | SATB | 39: 214 | III/2.2: 117 | after Z 8652; text by Luther after Te Deum | 00398 |
329 | 5. | 1750 or earlier | chorale setting "Herr, ich denk an jene Zeit" | B♭ maj. | SATB | 39: 216 | III/2.2: 123 | after Z 4840; text by Mylius | 00399 |
330 | 5. | 1750 or earlier | chorale setting "Herr, ich habe missgehandelt" | A min. | SATB | 39: 216 | III/2.2: 21 | after Z 3695; text by Franck, J. | 00400 |
331 | 5. | c. 1735 or earlier | chorale setting "Herr, ich habe missgehandelt" | A min. | SATB | 39: 217 | III/2.1: 47 III/2.2: 171 | after Z 3695; text by Franck, J. | 00401 |
332 | 5. | 1750 or earlier | chorale setting "Herr Jesu Christ, dich zu uns wend" | G maj. | SATB | 39: 217 | III/2.2: 79 | after Z 624; text by William of Saxe-Weimar | 00402 |
333 | 5. | 1750 or earlier | chorale setting "Herr Jesu Christ, du hast bereit'" | G min. | SATB | 39: 218 | III/2.2: 133 | after Z 4711; text by Kinner | 00403 |
334 | 5. | c. 1735 or earlier | chorale setting "Herr Jesu Christ, ich schrei zu dir" | G min. | SATB | III/2.1: 43 | after Z 4486 | 00404 | |
chorale setting "Herr Jesu Christ, du höchstes Gut" | 39: 218 | III/2.2: 41 | after Z 4486; text by Ringwaldt | ||||||
335 | 5. | c. 1735 or earlier | chorale setting "Herr Jesu Christ, meins Lebens Licht" | E min. | SATB | 39: 218 | III/2.1: 60 III/2.2: 175 | after Z 423; text by Behm | 00405 |
chorale setting "O Jesu, du mein Bräutigam" | III/2.2: 139 | after Z 423; text by Hermann | |||||||
336 | 5. | 1750 or earlier | chorale setting "Herr Jesu Christ, wahr' Mensch und Gott" | A maj. | SATB | 39: 219 | III/2.2: 106 | after Z 423; text by Eber | 00406 |
337 | 5. | 1750 or earlier | chorale setting "Herr, nun lass in Friede" | A min. | SATB | 39: 219 | III/2.2: 107 | after Z 3302; text by Behme | 00407 |
338 | 5. | 1750 or earlier | chorale setting "Herr, straf mich nicht in deinem Zorn, das bitt" | A min. | SATB | 39: 220 | III/2.2: 131 | after Z 4606a; text after Ps. 6[22] | 00408 |
339 | 5. | 1750 or earlier | chorale setting "Wer in dem Schutz des Höchsten ist" | A maj. | SATB | 39: 220 | III/2.2: 84 | after Z 4438; text by Heyden | 00409 |
chorale setting "Herr, wie du willt, so schicks mit mir" | after Z 4438; text by Bienemann | ||||||||
340 | 5. | c. 1735 or earlier | chorale setting "Herzlich lieb hab ich dich, o Herr" | C maj. | SATB | 39: 221 | III/2.1: 42 III/2.2: 164 | after Z 8326; text by Schalling | 00410 |
341 | 5. | 1750 or earlier | chorale setting "Heut ist, o Mensch, ein großer Trauertag" | G Dor. | SATB | 39: 221 | III/2.2: 96 | after Z 8569/A; text by Löwenstern | 00411 |
342 | 5. | 1750 or earlier | chorale setting "Heut triumphieret Gottes Sohn" | A min. | SATB | 39: 222 | III/2.2: 44 | after Z 2585; text by Stolzhagen | 00412 |
343 | 5. | 1750 or earlier | chorale setting "Hilf, Gott, dass mirs gelinge" | G Dor. | SATB | 39: 222 | III/2.2: 112 | after Z 4329f; text by Müller, H.[23] | 00413 |
344 | 5. | 1750 or earlier | chorale setting "Hilf, Herr Jesu, lass gelingen" | G Dor. | SATB | 39: 223 | III/2.2: 89 | after Z 3687a; text by Rist | 00414 |
345 | 5. | c. 1735 or earlier | chorale setting "Ich bin ja, Herr, in deiner Macht" | G min. | SATB | 39: 223 | III/2.1: 13 III/2.2: 148 | ↔ Z 5878a; text by Dach | 00415 |
346 | 5. | 1750 or earlier | chorale setting "Ich dank dir, Gott, für deine Wohltat" | C maj. | SATB | 39: 224 | III/2.2: 132 | after Z 8090; text by Freder | 00416 |
347 | 5. | 1750 or earlier | chorale setting "Ich dank dir, lieber Herre" | A maj. | SATB | 39: 224 | III/2.2: 2 | after Z 5354a–b; text by Kolross | 00417 |
348 | 5. | c. 1735 or earlier | chorale setting "Ich dank dir, lieber Herre" | B♭ maj. | SATB | 39: 225 | III/2.1: 39 III/2.2: 162 | after Z 5354a–b; text by Kolross | 00418 |
349 | 5. | 1750 or earlier | chorale setting "Ich dank dir schon durch deinen Sohn" | F maj. | SATB | 39: 225 | III/2.2: 106 | after Z 247b; text by Burchart | 00419 |
350 | 5. | 1750 or earlier | chorale setting "Ich danke dir, Herr Gott, in deinem Throne" | G min. | SATB | 39: 226 | III/2.2: 135 | after Z 3199; text by Fabricius | 00420 |
351 | 5. | 1750 or earlier | chorale setting "Ich hab mein Sach Gott heimgestellt" | G Dor. | SATB | 39: 226 | III/2.2: 13 | after Z 1679; text by Leon | 00421 |
366 | 5. | 1750 or earlier | chorale setting "Ihr Gestirn, ihr hohlen Lüfte" | D min. | SATB | 39: 236 | III/2.2: 92 | after Z 3703; text by Franck, J. | 00436 |
367 | 5. | 1750 or earlier | chorale setting "In allen meinen Taten" | C maj. | SATB | 39: 236 | III/2.2: 81 | after Z 2276; text by Fleming[24] | 00437 |
368 | 5. | 1750 or earlier | chorale setting "In dulci jubilo" | F maj. | SATB | 39: 236 | III/2.2: 83 | after Z 4947 | 00438 |
352 | 5. | 1750 or earlier | chorale setting "Jesu, der du meine Seele" | A min. | SATB | 39: 227 | III/2.2: 22 | after Z 6804; text by Rist | 00422 |
353 | 5. | c. 1735 or earlier | chorale setting "Jesu, der du meine Seele" | G min. | SATB | 39: 228 | III/2.1: 26 III/2.2: 160 | after Z 6804; text by Rist | 00423 |
354 | 5. | c. 1735 or earlier | chorale setting "Jesu, der du meine Seele" | B♭ Dor. | SATB | 39: 228 | III/2.1: 99 III/2.2: 211 | after Z 6804; text by Rist | 00424 |
355 | 5. | 1750 or earlier | chorale setting "Jesu, der du selbsten wohl" | A maj. | SATB | 39: 229 | III/2.2: 97 | after Z 6335; text by Bapzien | 00425 |
356 | 5. | 1750 or earlier | chorale setting "Jesu, du mein liebstes Leben" | G min. | SATB | 39: 230 | III/2.2: 144 | after Z 7891; text by Rist | 00426 |
357 | 5. | 1750 or earlier | chorale setting "Jesu, Jesu, du bist mein" | C Dor. | SATB | 39: 230 | III/2.2: 144 | ↔ BWV 470, Z 6446 | 00427 |
358 | 5. | c. 1735 or earlier | chorale setting "Jesu, meine Freude" | D min. | SATB | 39: 231 | III/2.1: 80 III/2.2: 204 | after Z 8032; text by Franck, J. | 00428 |
360 | 5. | c. 1735 or earlier | chorale setting "Jesu, meiner Seelen Wonne" | B♭ maj. | SATB | 39: 232 | III/2.1: 73 III/2.2: 201 | after Z 6551a; text by Janus | 00430 |
359 | 5. | 1750 or earlier | chorale setting "Jesu, meiner Seelen Wonne" | A maj. | SATB | 39: 232 | III/2.2: 209 | after BWV 154/3; text by Janus | 00429 |
361 | 5. | c. 1735 or earlier | chorale setting "Jesu, meines Herzens Freud" | B♭ maj. | SATB | 39: 233 | III/2.1: 34 III/2.2: 157 | after Z 4797–4798; text by Flittner | 00431 |
362 | 5. | c. 1735 or earlier | chorale setting "Jesu, nun sei gepreiset" | B♭ maj. | SATB | 39: 234 | III/2.1: 12 III/2.2: 149 | after Z 8477a; text by Hermann | 00432 |
364 | 5. | 1750 or earlier | chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" | G Dor. | SATB | 39: 235 | III/2.2: 99 | after Z 1978; text by Luther | 00434 |
363 | 5. | 1750 or earlier | chorale setting "Jesus Christus, unser Heiland, der von uns den Gottes Zorn wandt" | E min. | SATB | 39: 234 | III/2.2: 19 | after Z 1576; text by Luther | 00433 |
365 | 5. | 1750 or earlier | chorale setting "Jesus, meine Zuversicht" | C maj. | SATB | 39: 235 | III/2.2: 100 | after Z 3432b; text by Louise Henriette of N | 00435 |
369 | 5. | 1750 or earlier | chorale setting "Keinen hat Gott verlassen" | E min. | SATB | 39: 237 | III/2.2: 73 | after Z 5395 | 00439 |
370 | 5. | 1750 or earlier | chorale setting "Komm, Gott Schöpfer, Heiliger Geist" | C maj. | SATB | 39: 238 | III/2.2: 105 | after Z 295; text by Luther | 00440 |
371 | 5. | 1750 or earlier | chorale setting "Kyrie, Gott Vater in Ewigkeit" | A min. | SATB | 39: 238 | III/2.2: 74 | after Z 8600c | 00441 |
372 | 5. | 1750 or earlier | chorale setting "Lass, o Herr, dein Ohr sich neigen" | G Dor. | SATB | 39: 240 | III/2.2: 128 | after Z 6863; text by Opitz | 00442 |
373 | 5. | 1750 or earlier | chorale setting "Liebster Jesu, wir sind hier" | G maj. | SATB | 39: 240 | III/2.2: 74, 190 | after Z 3498b; text by Clausnitzer | 00443 |
374 | 5. | 1750 or earlier | chorale setting "Lobet den Herren, denn er ist sehr" | G Dor. | SATB | 39: 241 | III/2.2: 134 | after Z 975; text after Ps. 147 | 00444 |
375 | 5. | c. 1735 or earlier | chorale setting "Lobt Gott, ihr Christen, allzugleich" | G maj. | SATB | 39: 241 | III/2.1: 45 III/2.2: 164 | after Z 198; text by Herman | 00445 |
376 | 5. | 1750 or earlier | chorale setting "Lobt Gott, ihr Christen allzugleich" | A maj. | SATB | 39: 242 | III/2.2: 197 | after Z 198; text by Herman | 00446 |
377 | 5. | 1750 or earlier | chorale setting "Machs mit mir, Gott, nach deiner Güt" | D maj. | SATB | 39: 242 | III/2.2: 26 | after Z 2383; text by Schein | 00447 |
378 | 5. | 1750 or earlier | chorale setting "Mein Augen schließ ich jetzt" | G maj. | SATB | 39: 243 | III/2.2: 153 | after Z 1067; text by Löwenstern | 00448 |
379 | 5. | 1750 or earlier | chorale setting "Meinen Jesum lass ich nicht, Jesus" | G maj. | SATB | 39: 243 | III/2.2: 87 | after Z 3448a | 00449 |
380 | 5. | c. 1735 or earlier | chorale setting "Meinen Jesum lass ich nicht, weil" | E♭ maj. | SATB | 39: 244 | III/2.1: 62 III/2.2: 178 | after Z 3449; text by Keymann | 00450 |
324 | 5. | 1750 or earlier | chorale setting "Meine Seele erhebet den Herren" | E min. | SATB | 39: 212 | III/2.2: 73 | after German Magnificat; text by Luther after Lk. 1:46–55 | 00394 |
381 | 5. | 1750 or earlier | chorale setting "Meines Lebens letzte Zeit" | E min. | SATB | 39: 244 | III/2.2: 199 | after Z 6380; ↔ BWV 488 | 00451 |
382 | 5. | c. 1735 or earlier | chorale setting "Mit Fried und Freud ich fahr dahin" | G Dor. | SATB | 39: 245 | III/2.1: 40 III/2.2: 28 | after Z 3986; text by Luther | 00452 |
383 | 5. | 1750 or earlier | chorale setting "Mitten wir im Leben sind" | A min. | SATB | 39: 246 | III/2.2: 124 | after Z 8502; text by Luther after Media vita | 00453 |
384 | 5. | 1750 or earlier | chorale setting "Nicht so traurig, nicht so sehr" | C min. | SATB | 39: 247 | III/2.2: 86 | ↔ Z 3355; text by Gerhardt | 00454 |
385 | 5. | c. 1735 or earlier | chorale setting "Nun bitten wir den Heiligen Geist" | A maj. | SATB | 39: 247 | III/2.1: 76 III/2.2: 22 | after Z 2029a; text by Luther | 00455 |
386 | 5. | c. 1735 or earlier | chorale setting "Nun danket alle Gott" | A maj. | SATB | 39: 248 | III/2.1: 101 III/2.2: 20 | after Z 5142; text by Rinkart | 00456 |
387 | 5. | 1750 or earlier | chorale setting "Nun freut euch, Gottes Kinder all" | D Dor. | SATB | 39: 248 | III/2.2: 104 | after Z 364; text by Alberus | 00457 |
388 | 5. | 1750 or earlier | chorale setting "Nun freut euch, lieben Christen gmein" | G maj. | SATB | 39: 248 | III/2.2: 103 | after Z 4427; text by Luther | 00458 |
389 | 5. | c. 1735 or earlier | chorale setting "Nun lob, mein Seel, den Herren" | C maj. | SATB | 39: 249 | III/2.1: 32 III/2.2: 159 | after Z 8244; text by Gramann after Ps. 103 | 00459 |
390 | 5. | c. 1735 or earlier | chorale setting "Nun lob, mein Seel, den Herren" | C maj. | SATB | 39: 250 | III/2.1: 58 III/2.2: 176 | after Z 8244; text by Gramann after Ps. 103 | 00460 |
391 | 5. | 1750 or earlier | chorale setting "Nun preiset alle Gottes Barmherzigkeit" | G maj. | SATB | 39: 250 | III/2.2: 131 | after Z 4089a; text by Löwenstern | 00461 |
392 | 5. | 1734–1750 | chorale setting "Nun ruhen alle Wälder" | B♭ maj. | SATB | 39: 251 | III/2.2: 172 | after BWV 97/9; text by Gerhardt | 00462 |
396 | 5. | 1750 or earlier | chorale setting "Nun sich der Tag geendet hat" | A min. | SATB | 39: 252 | III/2.2: 142 | after Z 212b; text by Krieger | 00466 |
397 | 5. | c. 1735 or earlier | chorale setting "O Ewigkeit, du Donnerwort" | F maj. | SATB | 39: 253 | III/2.1: 23 III/2.2: 163 | after Z 5820; text by Rist; ↔ BWV 513 | 00467 |
398 | 5. | c. 1728–1729 | chorale setting "O Gott, du frommer Gott" | D maj. | SATB | 39: 254 | III/2.2: 182 | after Z 5206b; text by Heermann; ↔ BWV 197a/7 | 00468 |
399 | 5. | 1750 or earlier | chorale setting "O Gott, du frommer Gott" | G maj. | SATB | 39: 254 | III/2.2: 184 | after Z 5148; text by Heermann | 00469 |
400 | 5. | 1750 or earlier | chorale setting "O Herzensangst" | E♭ maj. | SATB | 39: 255 | III/2.2: 99 | ↔ Z 1003; text by Müller von Königsberg | 00470 |
401 | 5. | 1750 or earlier | chorale setting "O Lamm Gottes, unschuldig" | F maj. | SATB | 39: 255 | III/2.2: 94 | after Z 4361a; text by Decius after Agnus Dei | 00471 |
402 | 5. | 1750 or earlier | chorale setting "O Mensch, bewein dein Sünde groß" | E♭ maj. | SATB | 39: 256 | III/2.2: 114 | after Z 8303; text by Heyden | 00472 |
403 | 5. | 1750 or earlier | chorale setting "O Mensch, schau Jesum Christum an" | G Dor. | SATB | 39: 257 | III/2.2: 116 | after Z 3994a–b; text by Specht; ↔ Z 3994c | 00473 |
404 | 5. | 1750 or earlier | chorale setting "O Traurigkeit, o Herzeleid" | A min. | SATB | 39: 257 | III/2.2: 34 | after Z 1915; text by Rist | 00474 |
F min. | III/2.2: 215 | ||||||||
393 | 5. | c. 1735 or earlier | chorale setting "O Welt, sieh hier dein Leben" | A maj. | SATB | 39: 251 | III/2.1: 44 III/2.2: 163 | after Z 2293b; text by Gerhardt | 00463 |
394 | 5. | c. 1735 or earlier | chorale setting "O Welt, sieh hier dein Leben" | A maj. | SATB | 39: 252 | III/2.1: 96 III/2.2: 210 | after Z 2293b; text by Gerhardt | 00464 |
395 | 5. | 1724–1750 | chorale setting "O Welt, sieh hier dein Leben" | A maj. | SATB | 39: 252 | III/2.2: 208 | after BWV 245/11; text by Gerhardt | 00465 |
405 | 5. | 1750 or earlier | chorale setting "O wie selig seid ihr doch, ihr Frommen" | D min. | SATB | 39: 258 | III/2.2: 124 | after Z 1583; text by Dach; ↔ BWV 495 | 00475 |
406 | 5. | 1750 or earlier | chorale setting "O wie selig seid ihr doch, ihr Frommen" | D min. | SATB | 39: 258 | III/2.2: 129 | after Z 1581; text by Dach | 00476 |
407 | 5. | 1750 or earlier | chorale setting "O wir armen Sünder" | D maj. | SATB | 39: 258 | III/2.2: 114 | after Z 8187c; text by Bonnus | 00477 |
408 | 5. | 1750 or earlier | chorale setting "Schaut, ihr Sünder" | G Dor. | SATB | 39: 259 | III/2.2: 98 | after Z 8569/B; text by Löwenstern | 00478 |
409 | 5. | 1750 or earlier | chorale setting "Seelenbräutigam" | A maj. | SATB | 39: 260 | III/2.2: 82, 216 | after Z 3255a–b; text by Drese; ↔ BWV 496 | 00479 |
410 | 5. | 1750 or earlier | chorale setting "Sei gegrüßet, Jesu gütig" | G min. | SATB | 39: 260 | III/2.2: 98 | after Z 3889b; text by Keymann; ↔ BWV 499 | 00480 |
411 | 5. | 1750 or earlier | chorale setting "Singt dem Herrn ein neues Lied" | G maj. | SATB | 39: 260 | III/2.2: 146 | after Z 6424; text by Löwenstern | 00481 |
412 | 5. | 1750 or earlier | chorale setting "So gibst du nun, mein Jesu, gute Nacht" | G Dor. | SATB | 39: 261 | III/2.2: 119 | after Z 849; text by Pfeiffer | ; ↔ BWV 50100482 |
413 | 5. | 1750 or earlier | chorale setting "Sollt ich meinem Gott nicht singen" | D min. | SATB | 39: 262 | III/2.2: 130 | after Z 7886b; text by Gerhardt; ↔ BWV 481 | 00483 |
414 | 5. | 1750 or earlier | chorale setting "Uns ist ein Kindlein heut geborn" | G maj. | SATB | 39: 262 | III/2.2: 86 | after Z 439; ↔ BWV 253 | 00484 |
415 | 5. | 1750 or earlier | chorale setting "Valet will ich dir geben" | D maj. | SATB | 39: 263 | III/2.2: 16 | after Z 5404a; text by Herberger | 00485 |
416 | 5. | 1724-04-07 | chorale setting "Vater unser im Himmelreich" | D min. | SATB | 39: 263 | III/2.1: 94 III/2.2: 27 | after Z 2561; text by Luther after Mt 6:9–13; ↔ BWV 245.1/5 | 00486 |
417 | 5. | c. 1735 or earlier | chorale setting "Von Gott will ich nicht lassen" | B min. | SATB | 39: 264 | III/2.1: 92 III/2.2: 209 | after Z 5264b; text by Helmbold | 00487 |
418 | 5. | 1750 or earlier | chorale setting "Von Gott will ich nicht lassen" | A min. | SATB | 39: 264 | III/2.2: 192 | after Z 5264b; text by Helmbold | 00488 |
419 | 5. | 1726–1761 (CPE) | chorale setting "Helft mir Gotts Güte preisen" | A min. | SATB | 39: 265 | III/2.2: 64 | by Bach, C. P. E.; after BWV 16/6; text by Eber | 00489 |
chorale setting "Von Gott will ich nicht lassen" | by Bach, C. P. E.; after BWV 16/6; text by Helmbold | ||||||||
257 | 5. | c. 1735 or earlier | chorale setting "Wär Gott nicht mit uns diese Zeit" | A min. | SATB | 39: 178 | III/2.1: 46 III/2.2: 170 | after Z 4441a; text by Luther after Ps. 124 | 00327 |
420 | 5. | 1750 or earlier | chorale setting "Warum betrübst du dich, mein Herz" | A min. | SATB | 39: 265 | III/2.2: 84 | after Z 1689a | 00490 |
421 | 5. | c. 1735 or earlier | chorale setting "Warum betrübst du dich, mein Herz" | A min. | SATB | 39: 266 | III/2.1: 65 III/2.2: 178 | after Z 1689a; ↔ BWV 1164/2 | 00491 |
422 | 5. | c. 1735 or earlier | chorale setting "Warum sollt ich mich denn grämen" | G Mix. | SATB | 39: 266 | III/2.1: 82 III/2.2: 204 | after Z 6461; → Z 6462; text by Gerhardt | 00492 |
423 | 5. | 1750 or earlier | chorale setting "Was betrübst du dich, mein Herze" | G Dor. | SATB | 39: 267 | III/2.2: 140 | ↔ Z 6830; text by Herrmann | 00493 |
424 | 5. | 1750 or earlier | chorale setting "Was bist du doch, o Seele, so betrübet" | A min. | SATB | 39: 267 | III/2.2: 108 | after Z 1837; text by Schultt, R. F. | ; ↔ BWV 50600494 |
425 | 5. | 1750 or earlier | chorale setting "Was willst du dich, o meine Seele, kränken" | A min. | SATB | 39: 268 | III/2.2: 142 | after Z 7844; text by Werder | 00495 |
426 | 5. | 1750 or earlier | chorale setting "Weltlich Ehr und zeitlich Gut" | C maj. | SATB | 39: 269 | III/2.2: 122 | after Z 4972; text by Weiße | 00496 |
427 | 5. | 1750 or earlier | chorale setting "Wenn ich in Angst und Not" | E♭ maj. | SATB | 39: 269 | III/2.2: 85 | after Z 4233; text by Löwenstern | 00497 |
428 | 5. | 1750 or earlier | chorale setting "Wenn mein Stündlein verhanden ist" | G maj. | SATB | 39: 270 | III/2.2: 187 | after Z 4482a; text by Herman | 00498 |
429 | 5. | c. 1735 or earlier | chorale setting "Wenn mein Stündlein verhanden ist" | A maj. | SATB | 39: 270 | III/2.1: 91 III/2.2: 29 | after Z 4482a; text by Herman | 00499 |
430 | 5. | c. 1735 or earlier | chorale setting "Wenn mein Stündlein verhanden ist" | A maj. | SATB | 39: 271 | III/2.1: 68 III/2.2: 201 | after Z 4482a; text by Herman | 00500 |
431 | 5. | 1750 or earlier | chorale setting "Wenn wir in höchsten Nöten sein" | F maj. | SATB | 39: 272 | III/2.2: 38 | after Z 394; text by Eber | 00501 |
432 | 5. | 1750 or earlier | chorale setting "Wenn wir in höchsten Nöten sein" | G maj. | SATB | 39: 272 | III/2.2: 146 | after Z 394; text by Eber | 00502 |
433 | 5. | 1750 or earlier | chorale setting "Wer Gott vertraut, hat wohl gebaut" | G maj. | SATB | 39: 273 | III/2.2: 78 | after Z 8207; text by Magdeburg | [24]00503 |
434 | 5. | c. 1735 or earlier | chorale setting "Wer weiß, wie nahe mir mein Ende" | A min. | SATB | 39: 273 | III/2.1: 38 | after Z 2778; text by Emilie Juliane of B-M | 00504 |
chorale setting "Wer nur den lieben Gott lässt walten" | III/2.2: 85 | after Z 2778; text by Neumark | |||||||
435 | 5. | 1750 or earlier | chorale setting "Wie bist du, Seele, in mir so gar betrübt" | E min. | SATB | 39: 274 | III/2.2: 143 | after Z 4092; text by Zeutschner | 00505 |
436 | 5. | c. 1735 or earlier | chorale setting "Wie schön leuchtet der Morgenstern" | E maj. | SATB | 39: 274 | III/2.1: 45 III/2.2: 165 | after Z 8359; text by Nicolai | 00506 |
437 | 5. | 1750 or earlier | chorale setting "Wir glauben all an einen Gott" | D Dor. | SATB | 39: 275 | III/2.2: 76 | after Z 7971; text by Luther after Creed | 00507 |
258 | 5. | 1750 or earlier | chorale setting "Wo Gott der Herr nicht bei uns hält" | B min. | SATB | 39: 179 | III/2.2: 194 | after Z 4441a; text by Jonas | 00328 |
438 | 5. | 1750 or earlier | chorale setting "Wo Gott zum Haus nicht gibt sein Gunst" | F maj. | SATB | 39: 276 | III/2.2: 90 | after Z 305; text by Kolross | 00508 |
500a | 5. | 1726-04-19 | chorale setting "So gehst du nun, mein Jesu, hin" (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) | SATB Str Bc | II/9: 75 | text by Nachtenhöfer | ; ↔ BWV 50000571 | ||
1084 | 5. | 1726-04-19 | chorale setting "O hilf Christe, Gottes Sohn" (in Bach's Leipzig versions of St Mark Passion attributed to Keiser) | SATB Str Bc | II/9: 76 | text by Weiße; after BC D 5a/14 | 01270 | ||
1089 | 5. | chorale setting "Da Jesus an dem Kreuze stund" | SATB | III/2.2: 216 | text by Lilius | 01275 | |||
1122 | 5. | c. 1735 or earlier | chorale setting "Denket doch, ihr Menschenkinder" | F maj. | SATB | III/2.1: 31 III/2.2: 217 | text by Hübner?[25] | 01720 | |
1123 | 5. | c. 1735 or earlier | chorale setting "Wo Gott zum Haus gibt nicht sein Gunst" | G maj. | SATB | III/2.1: 40 | after Z 305; text by Kolross[25] | 01721 | |
1124 | 5. | c. 1735 or earlier | chorale setting "Ich ruf zu dir, Herr Jesu Christ" | E min. | SATB | III/2.1: 51 | after Z 7400; text by Agricola, J.[25] | 01722 | |
1125 | 5. | c. 1735 or earlier | chorale setting "O Gott, du frommer Gott" | D maj. | SATB | III/2.1: 79 | after Z 5206b; text by Heermann[25] | 01723 | |
1126 | 5. | chorale setting "Lobet Gott, unsern Herren" | SATB | III/2.2: 218 | 01724 | ||||
6. | Songs, Arias and Quodlibet (see also: List of songs and arias of Johann Sebastian Bach) | Up ↑ | |||||||
439 | 6. | 1735–1736 or earlier | song "Ach, dass nicht die letzte Stunde" (Schemelli #831; tune #56) | V Bc | 39: 279 | III/2.1: 210 | ↔ Z 6721; text by Neumeister | 00509 | |
440 | 6. | 1735–1736 or earlier | song "Auf, auf! die rechte Zeit ist hier" (Schemelli #171; tune #11) | V Bc | 39: 279 | III/2.1: 123 | ↔ Z 705; text by Opitz | 00510 | |
441 | 6. | c. 1735 or earlier | chorale setting "Auf, auf, mein Herz, mit Freuden" | F maj. | SATB | III/2.1: 67 | after Z 5243; text by Gerhardt | 00511 | |
1735–1736 or earlier | song "Auf, auf, mein Herz, mit Freuden" (Schemelli #320; tune #27) | V Bc | 39: 279 | III/2.1: 152 | |||||
442 | 6. | 1735–1736 or earlier | song "Beglückter Stand getreuer Seelen" (Schemelli #570; tune #39) | V Bc | 39: 280 | III/2.1: 176 | after Z 5970; text by Bonin | 00512 | |
443 | 6. | 1735–1736 or earlier | song "Beschränkt, ihr Weisen dieser Welt" (Schemelli #689; tune #47) | V Bc | 39: 280 | III/2.1: 192 | ↔ Z 7765; text by Wegleiter | 00513 | |
444 | 6. | 1735–1736 or earlier | song "Brich entzwei, mein armes Herze" (Schemelli #303; tune #24) | V Bc | 39: 280 | III/2.1: 146 | after Z 7110–7111a; → Z 7111b; text by Trommer | 00514 | |
445 | 6. | 1735–1736 or earlier | song "Brunnquell aller Güter" (Schemelli #335; tune #29) | V Bc | 39: 281 | III/2.1: 156 | after Z 6252b; text by Franck, J. | 00515 | |
446 | 6. | 1735–1736 or earlier | song "Der lieben Sonnen Licht und Pracht" (Schemelli #39; tune #2) | V Bc | 39: 281 | III/2.1: 106 | after Z 5659; text by Scriver | 00516 | |
447 | 6. | 1735–1736 or earlier | song "Der Tag ist hin, die Sonne gehet nieder" (Schemelli #40; tune #3) | V Bc | 39: 281 | III/2.1: 108 | after Z 923; ↔ BWV 297; text by Rube | 00517 | |
448 | 6. | 1735–1736 or earlier | song "Der Tag mit seinem Lichte" (Schemelli #43; tune #4) | V Bc | 39: 282 | III/2.1: 110 | after Z 7512b; text by Gerhardt | 00518 | |
449 | 6. | 1735–1736 or earlier | song "Dich bet ich an, mein höchster Gott" (Schemelli #396; tune #31) | V Bc | 39: 282 | III/2.1: 160 | ↔ Z 2437; text by Olearius, J. G. | [26]00519 | |
450 | 6. | 1735–1736 or earlier | song "Die bittre Leidenszeit beginnet abermal" (Schemelli #258; tune #17) | V Bc | 39: 282 | III/2.1: 134 | after Z 7429; text by Elmenhorst | 00520 | |
451 | 6. | 1735–1736 or earlier | song "Die güldne Sonne" (Schemelli #13; tune #1) | V Bc | 39: 283 | III/2.1: 104 | after Z 8015; text by Gerhardt | 00521 | |
452 | 6. | 1735–1736 or earlier | song "Dir, dir, Jehova, will ich singen" (Schemelli #397; tune #32) | V Bc | 39: 284 | III/2.1: 162 | after BWV 299; → Z 3068; text by Crasselius | 00522 | |
453 | 6. | 1735–1736 or earlier | song "Eins ist not! ach Herr, dies Eine" (Schemelli #112; tune #7) | V Bc | 39: 284 | III/2.1: 116 | ↔ Z 7129; text by Schröder | 00523 | |
454 | 6. | 1735–1736 or earlier | song "Ermuntre dich, mein schwacher Geist" (Schemelli #187; tune #12) | V Bc | 39: 284 | III/2.1: 124 | after Z 5741; text by Rist | 00524 | |
455 | 6. | 1735–1736 or earlier | song "Erwürgtes Lamm, das die verwahrten Siegel" (Schemelli #580; tune #43) | V Bc | 39: 285 | III/2.1: 184 | after Z 3138; text by Bonin | 00525 | |
456 | 6. | 1735–1736 or earlier | song "Es glänzet der Christen inwendiges Leben" (Schemelli #572; tune #40) | V Bc | 39: 285 | III/2.1: 178 | after Z 6969; text by Richter | 00526 | |
457 | 6. | 1735–1736 or earlier | song "Es ist nun aus mit meinem Leben" (Schemelli #847; tune #57) | V Bc | 39: 286 | III/2.1: 212 | after Z 6969; text by Omeis | 00527 | |
458 | 6. | 1735–1736 or earlier | song "Es ist vollbracht! Vergiss ja nicht dies Wort" (Schemelli #306; tune #25) | V Bc | 39: 286 | III/2.1: 148 | after Z 2692; text by Schmidt | 00528 | |
459 | 6. | 1735–1736 or earlier | song "Es kostet viel, ein Christ zu sein" (Schemelli #522; tune #38) | V Bc | 39: 286 | III/2.1: 174 | after Z 2727; text by Richter | 00529 | |
460 | 6. | 1735–1736 or earlier | song "Gib dich zufrieden und sei stille" (Schemelli #647; tune #45) | V Bc | 39: 288 | III/2.1: 188 | after Z 7415; text by Gerhardt | 00530 | |
461 | 6. | 1735–1736 or earlier | song "Gott lebet noch" (Schemelli #488; tune #37) | V Bc | 39: 288 | III/2.1: 172 | after Z 7951; ↔ BWV 320; text by Zihn | 00531 | |
462 | 6. | 1735–1736 or earlier | song "Gott wie groß ist deine Güte" (Schemelli #360; tune #30) | V Bc | 39: 289 | III/2.1: 158 | text by Schemelli; → Z 7937 | 00532 | |
463 | 6. | 1735–1736 or earlier | song "Herr, nicht schicke deine Rache" (Schemelli #78; tune #5) | V Bc | 39: 289 | III/2.1: 112 | after Z 6863; text by Opitz | 00533 | |
464 | 6. | 1735–1736 or earlier | song "Ich bin ja, Herr, in deiner Macht" (Schemelli #861; tune #58) | V Bc | 39: 290 | III/2.1: 214 | after Z 5869a; text by Dach | 00534 | |
465 | 6. | 1735–1736 or earlier | song "Ich freue mich in dir" (Schemelli #194; tune #13) | V Bc | 39: 290 | III/2.1: 126 | after Z 5138; text by Ziegler, C. | 00535 | |
466 | 6. | 1735–1736 or earlier | song "Ich halte treulich still" (Schemelli #657; tune #46) | V Bc | 39: 290 | III/2.1: 190 | text by Till | ; → Z 508200536 | |
467 | 6. | 1735–1736 or earlier | song "Ich lass dich nicht" (Schemelli #734; tune #51) | V Bc | 39: 291 | III/2.1: 200 | after Z 7455; text by Deßler | 00537 | |
468 | 6. | 1735–1736 or earlier | song "Ich liebe Jesum alle Stund" (Schemelli #737; tune #52) | V Bc | 39: 291 | III/2.1: 202 | after Z 4731; → Z 4732 | 00538 | |
469 | 6. | 1735–1736 or earlier | song "Ich steh an deiner Krippen hier" (Schemelli #195; tune #14) | V Bc | 39: 292 | III/2.1: 128 | ↔ Z 4663; text by Gerhardt | 00539 | |
476 | 6. | 1735–1736 or earlier | song "Ihr Gestirn, ihr hohlen Lüfte" (Schemelli #197; tune #15) | V Bc | 39: 294 | III/2.1: 130 | after Z 3703; text by Franck, J. | 00546 | |
471 | 6. | 1735–1736 or earlier | song "Jesu, deine Liebeswunden" (Schemelli #139; tune #10) | V Bc | 39: 292 | III/2.1: 122 | text by Wegleit. | ?; → Z 130200541 | |
470 | 6. | 1735–1736 or earlier | song "Jesu, Jesu, du bist mein" (Schemelli #741; tune #53) | V Bc | 39: 292 | III/2.1: 204 | ↔ BWV 357; → Z 6446 | 00540 | |
472 | 6. | 1735–1736 or earlier | song "Jesu, meines Glaubens Zier" (Schemelli #119; tune #8) | V Bc | 39: 293 | III/2.1: 118 | after Z 6453; text by Sacer | 00542 | |
473 | 6. | 1735–1736 or earlier | song "Jesu, meines Herzens Freud" (Schemelli #696; tune #48) | V Bc | 39: 293 | III/2.1: 194 | after Z 4797–4798; text by Flittner | 00543 | |
474 | 6. | 1735–1736 or earlier | song "Jesus ist das schönste Licht" (Schemelli #463; tune #33) | V Bc | 39: 293 | III/2.1: 164 | after Z 6412; text by Richter | 00544 | |
475 | 6. | 1735–1736 or earlier | song "Jesus, unser Trost und Leben" (Schemelli #333; tune #28) | V Bc | 39: 294 | III/2.1: 154 | after Z 4918; text by Homburg | 00545 | |
477 | 6. | 1735–1736 or earlier | song "Kein Stündlein geht dahin" (Schemelli #869; tune #60) | V Bc | 39: 294 | III/2.1: 218 | after 4243b; text by Franck, M.? | 00547 | |
478 | 6. | 1735–1736 or earlier | song "Komm, süßer Tod" (Schemelli #868; tune #59) | V Bc | 39: 295 | III/2.1: 216 | → Z 4400 | 00548 | |
479 | 6. | 1735–1736 or earlier | song "Kommt, Seelen, dieser Tag" (Schemelli #936; tune #67) | V Bc | 39: 295 | III/2.1: 232 | → Z 5185; text by Löscher | 00549 | |
480 | 6. | 1735–1736 or earlier | song "Kommt wieder aus der finstern Gruft" (Schemelli #938; tune #68) | V Bc | 39: 296 | III/2.1: 234 | → Z 4709; text by Löscher | 00550 | |
481 | 6. | 1735–1736 or earlier | song "Lasset uns mit Jesu ziehen" (Schemelli #281; tune #18) | V Bc | 39: 296 | III/2.1: 136 | after Z 7886b; ↔ BWV 413; text by Birken | 00551 | |
482 | 6. | 1735–1736 or earlier | song "Liebes Herz, bedenke doch" (Schemelli #467; tune #34) | V Bc | 39: 297 | III/2.1: 166 | after Z 6434; text by Koitsch | 00552 | |
483 | 6. | 1735–1736 or earlier | song "Liebster Gott, wann werd ich sterben" (Schemelli #873; tune #61) | E♭ maj. | V Bc | 39: 297 | III/2.1: 220 | after Z 6634; text by Neumann | 00553 |
484 | 6. | 1735–1736 or earlier | song "Liebster Herr Jesu, wo bleibst du so lange" (Schemelli #874; tune #62) | V Bc | 39: 298 | III/2.1: 222 | ↔ Z 3969; text by Weselowius | 00554 | |
485 | 6. | 1735–1736 or earlier | song "Liebster Immanuel, Herzog der Frommen" (Schemelli #761; tune #54) | V Bc | 39: 298 | III/2.1: 206 | after Z 4932c; text by Fritsch | 00555 | |
488 | 6. | 1735–1736 or earlier | song "Meines Lebens letzte Zeit" (Schemelli #881; tune #63) | V Bc | 39: 299 | III/2.1: 224 | after Z 6380; ↔ BWV 381 | 00558 | |
486 | 6. | 1735–1736 or earlier | song "Mein Jesu, dem die Seraphinen" (Schemelli #121; tune #9) | V Bc | 39: 298 | III/2.1: 120 | after Z 5988; text by Deßler | 00556 | |
487 | 6. | 1735–1736 or earlier | song "Mein Jesu! was vor Seelenweh" (Schemelli #283; tune #19) | V Bc | 39: 299 | III/2.1: 138 | text by Schemelli?; → Z 8383 | 00557 | |
489 | 6. | 1735–1736 or earlier | song "Nicht so traurig, nicht so sehr" (Schemelli #574; tune #41) | V Bc | 39: 300 | III/2.1: 180 | after Z 3342; text by Gerhardt? | 00559 | |
490 | 6. | 1735–1736 or earlier | song "Nur mein Jesus ist mein Leben" (Schemelli #700; tune #49) | V Bc | 39: 300 | III/2.1: 196 | after Z 8404c | 00560 | |
491 | 6. | 1735–1736 or earlier | song "O du Liebe meiner Liebe" (Schemelli #284; tune #20) | V Bc | 39: 300 | III/2.1: 140 | after Z 6693; text by Senitz | [27]00561 | |
492 | 6. | 1735–1736 or earlier | song "O finstre Nacht, wenn wirst du doch vergehen" (Schemelli #891; tune #64) | V Bc | 39: 301 | III/2.1: 226 | ↔ Z 6171; text by Breithaupt | 00562 | |
493 | 6. | 1735–1736 or earlier | song "O Jesulein süß, o Jesulein mild" (Schemelli #203; tune #16) | V Bc | 39: 302 | III/2.1: 132 | after Z 2016a; text by Thilo | 00563 | |
494 | 6. | 1735–1736 or earlier | song "O liebe Seele, zieh die Sinnen" (Schemelli #575; tune #42) | V Bc | 39: 302 | III/2.1: 182 | → Z 7787 | 00564 | |
495 | 6. | 1735–1736 or earlier | song "O wie selig seid ihr doch, ihr Frommen" (Schemelli #894; tune #65) | V Bc | 39: 302 | III/2.1: 228 | after Z 1583; ↔ BWV 405; text by Dach | 00565 | |
496 | 6. | 1735–1736 or earlier | song "Seelenbräutigam" (Schemelli #472; tune #35) | V Bc | 39: 303 | III/2.1: 168 | after Z 3255a–b; ↔ BWV 409; text by Drese | 00566 | |
497 | 6. | 1735–1736 or earlier | song "Seelenweide" (Schemelli #710; tune #50) | V Bc | 39: 303 | III/2.1: 198 | after Z 1286; text by Drese | 00567 | |
499 | 6. | 1735–1736 or earlier | song "Sei gegrüßet, Jesu gütig" (Schemelli #293; tune #22) | V Bc | 39: 304 | III/2.1: 143 | after Z 3889b; ↔ BWV 410; text by Keymann | 00569 | |
498 | 6. | 1735–1736 or earlier | song "Selig, wer an Jesum denkt" (Schemelli #292; tune #21) | V Bc | 39: 304 | III/2.1: 142 | → Z 4846 | 00568 | |
500 | 6. | 1735–1736 or earlier | song "So gehst du nun, mein Jesu hin" (Schemelli #296; tune #23) | V Bc | 39: 304 | III/2.1: 144 | after Z 7631b; ↔ BWV 500a; text by Nachtenhöfer | 00570 | |
501 | 6. | 1735–1736 or earlier | song "So gibst du nun, mein Jesu, gute Nacht" (Schemelli #315; tune #26) | V Bc | 39: 304 | III/2.1: 150 | after Z 849; ↔ BWV 412; text by Pfeiffer | 00572 | |
502 | 6. | 1735–1736 or earlier | song "So wünsch ich mir zu guter Letzt" (Schemelli #901; tune #66) | V Bc | 39: 305 | III/2.1: 230 | ↔ Z 5892; text by Rist | 00573 | |
503 | 6. | 1735–1736 or earlier | song "Steh ich bei meinem Gott" (Schemelli #945; tune #69) | V Bc | 39: 305 | III/2.1: 236 | after Z 5207; text by Herrnschmidt | 00574 | |
504 | 6. | 1735–1736 or earlier | song "Vergiss mein nicht, dass ich dein nicht vergesse" (Schemelli #475; tune #36) | V Bc | 39: 306 | III/2.1: 170 | after Z 4779; text by Arnold | 00575 | |
505 | 6. | 1735–1736 or earlier | song "Vergiss mein nicht, ..., Mein allerliebster Gott" (Schemelli #627; tune #44) | V Bc | 39: 306 | III/2.1: 186 | text by Arnold; → Z 4233 | 00576 | |
506 | 6. | 1735–1736 or earlier | song "Was bist du doch, o Seele, so betrübt" (Schemelli #779; tune #55) | A min. | V Bc | 39: 307 | III/2.1: 208 | after Z 1837; ↔ BWV 424; text by Schultt, R. F. | 00577 |
507 | 6. | 1735–1736 or earlier | song "Wo ist mein Schäflein, das ich liebe" (Schemelli #108; tune #6) | V Bc | 39: 308 | III/2.1: 114 | after Z 5958a; text by Schultt, J. P. | 00578 | |
508 | 6. | 1718-11-16 (GHS) after 1733–1734 (AMB) | Notebook A. M. Bach (1725) No. 25: aria "Bist du bei mir" | E♭ maj. | V Bc | 432: 36 39: 309 | V/4: 102 | after Stölzel (Diomedes) | 00579 |
509 | 6. | 1725–1733 (AMB) | Notebook A. M. Bach (1725) No. 41: aria "Gedenke doch, mein Geist, zurücke" | V Bc | 432: 52 39: 310 | V/4: 128 | 00580 | ||
510 | 6. | 1725–1733 | Notebook A. M. Bach (1725) No. 12: song "Gib dich zufrieden und sei stille" | F maj. | V Bc | 432: 30 39: 311 | V/4: 91 | 00581 | |
511 | 6. | 1725–1733 | Notebook A. M. Bach (1725) No. 13a: song "Gib dich zufrieden und sei stille" | G min. | V Bc | 432: 31 39: 287 | V/4: 91 | text by Gerhardt; → BWV 512 | 00582 |
512 | 6. | 1725–1733 | Notebook A. M. Bach (1725) No. 13b: song "Gib dich zufrieden und sei stille" | E min. | V Bc | 432: 31 39: 287 | V/4: 91 | after BWV 511; ↔ BWV 315, Z 7417a; text by Gerhardt | 00583 |
513 | 6. | 1725–1733 (AMB) | Notebook A. M. Bach (1725) No. 42: song "O Ewigkeit, du Donnerwort" | V Bc | 432: 52 39: 301 | V/4: 129 | ↔ BWV 397; text by Rist | 00584 | |
514 | 6. | 1725–1733 (AMB) | Notebook A. M. Bach (1725) No. 35: song "Schaffs mit mir, Gott" | V Bc | 432: 48 39: 303 | V/4: 125 | text by Schmolck | 00585 | |
515 | 6. | after 1733–1734 | Notebook A. M. Bach (1725) No. 20a: aria "So oft ich meine Tobackspfeife" | D min. | V Bc | 432: 34 | V/4: 98 | by Bach, G. H.?; → BWV 515a | 00586 |
515a | 6. | after 1733–1734 | Notebook A. M. Bach (1725) No. 20b: aria "So oft ich meine Tobackspfeife" | G min. | V Bc | 432: 34 39: 309 | V/4: 98 | after BWV 515 | 00587 |
516 | 6. | after 1733–1734 (AMB) | Notebook A. M. Bach (1725) No. 33: aria "Warum betrübst du dich" | V Bc | 432: 46 39: 307 | V/4: 121 | 00588 | ||
517 | 6. | after 1733–1734 (AMB) | Notebook A. M. Bach (1725) No. 40: song "Wie wohl ist mir, o Freund der Seelen" | V Bc | 432: 51 39: 307 | V/4: 128 | text by Deßler | 00589 | |
518 | 6. | after 1725 | Notebook A. M. Bach (1725) No. 37: aria "Willst du dein Herz mir schenken" a.k.a. "Aria di G(i)ovannini" | V Bc | 432: 49 39: 311 | V/4: 126 | 00590 | ||
519 | 6. | c.1736? | Five Hymns from SBB Bach P 802 No. 1: "Hier lieg ich nun, o Vater aller Gnaden" | V Bc | by Krebs, J. L.?; in Spitta III, pp. 401–403 | 00591 | |||
520 | 6. | c.1736? | Five Hymns from SBB Bach P 802 No. 2: "Das walt mein Gott, Gott Vater, Sohn und heilger Geist" | V Bc | by Krebs, J. L.?; in Spitta III, pp. 401–403 | 00592 | |||
521 | 6. | c.1736? | Five Hymns from SBB Bach P 802 No. 3: "Gott, mein Herz dir Dank zusendet" | V | III/3 | by Krebs, J. L.?; in Spitta III, pp. 401–403 | 00593 | ||
522 | 6. | c.1736? | Five Hymns from SBB Bach P 802 No. 4: "Meine Seele, lass es gehen, wie es in der Welt jetzt geht" | V | by Krebs, J. L.?; in Spitta III, pp. 401–403 | 00594 | |||
523 | 6. | c.1736? | Five Hymns from SBB Bach P 802 No. 5: "Ich gnüge mich an meinem Stande" | V | by Krebs, J. L.?; in Spitta III, pp. 401–403 | 00595 | |||
524 | 6. | 1707 – July 1708 | Quodlibet (incomplete; wedding?) | SATB (SBBB) Bc | NBG 322 | I/41: 69 | 00596 | ||
7. | Works for organ (see also: List of organ compositions by Johann Sebastian Bach) | Up ↑ | |||||||
525 | 7. | c. 1730 | Trio Sonata No. 1/6 | E♭ maj. | Organ | 15: 3 | IV/7: 1 | → BWV 525a | 00597 |
526 | 7. | c. 1730 | Trio Sonata No. 2/6 | C min. | Organ | 15: 13 | IV/7: 14 | 00598 | |
527 | 7. | c. 1730 | Trio Sonata No. 3/6 (+e. v. for /1) | D min. | Organ | 15: 26 | IV/7: 28 | → BWV 1044/2 | 00599 |
528 | 7. | c. 1730 | Trio Sonata No. 4/6 (+e. v. for /2, /3) | E min. | Organ | 15: 40 | IV/7: 44 | after BWV 76/8 | 00600 |
529 | 7. | c. 1730 | Trio Sonata No. 5/6 (+e. v. for /2) | C maj. | Organ | 15: 50 | IV/7: 56 | 00601 | |
530 | 7. | c. 1730 | Trio Sonata No. 6/6 | G maj. | Organ | 15: 66 | IV/7: 76 | 00602 | |
531 | 7. | c. 1703–1707 | Prelude and Fugue | C maj. | Organ | 15: 81 | IV/5: 3 | in Möllersche Handschrift | 00603 |
532.2 | 7. | c. 1708–1712 | Prelude and Fugue | D maj. | Organ | 15: 88 | IV/5: 58 | after BWV 912/1, 532.1 | 00604 |
532.1 | 7. | Fugue (early version) | D maj. | Organ | IV/6: 95 | → BWV 532.2/2 | 00605 | ||
533 | 7. | c.1704 | Prelude and Fugue ("Cathedral") | E min. | Organ | 15: 100 | IV/5: 90 | ↔ BWV 533a | 00606 |
533a | 7. | Prelude and Fugue | E min. | Keyboard | IV/6: 106 | ↔ BWV 533 | 00607 | ||
534 | 7. | c.1712–1717 | Prelude and Fugue | F min. | Organ | 15: 104 | IV/5: 130 | 00608 | |
535 | 7. | after 1717 | Prelude and Fugue | G min. | Organ | 15: 112 | IV/5: 157 | after BWV 535a | 00609 |
535a | 7. | c.1702–1704 | Prelude and Fugue (incomplete) | G min. | Organ | IV/6: 109 | → BWV 535; in Möllersche Handschrift | 00610 | |
536 | 7. | 1708–1717 | Prelude and Fugue | A maj. | Organ | 15: 120 | IV/5: 180 | ↔ BWV 152/1; → 536a | 00611 |
537 | 7. | 1729–1750 | Fantasia and Fugue | C min. | Organ | 15: 129 | IV/5: 47 | 00613 | |
538 | 7. | 1712–1717 | Toccata and Fugue ("Dorian") | D min. | Organ | 15: 136 | IV/5: 76 | 00614 | |
539 | 7. | 1724–1750? | Prelude and Fugue | D min. | Organ | 15: 148 | IV/5: 70 | after BWV 1001/2, 1000 | 00615 |
540 | 7. | c.1712–1717? | Toccata and Fugue | F maj. | Organ | 15: 154 | IV/5: 112 | 00616 | |
541 528/3 | 7. | c.1712–1717? | Toccata and Fugue (Trio BWV 528/3 e. v. as possible middle movement) | G maj. | Organ | 15: 169 | IV/5: 146 | → BWV 528/3 | 00617 |
542 | 7. | c.1714–1720? | Fantasia and Fugue ("Great"; independent compositions?; fugue also in F minor) | G min. | Organ | 15: 177 | IV/5: 167 | 00618 | |
543 | 7. | after c.1730 | Prelude and Fugue | A min. | Organ | 15: 189 | IV/5: 186 | after BWV 543/1a | 00619 |
543/1a | 7. | bef. c.1725 | Prelude | A min. | Organ | IV/6: 121 | → BWV 543/1 | 00620 | |
544 | 7. | 1725–1728 | Prelude and Fugue | B min. | Organ | 15: 199 | IV/5: 198 | 00621 | |
545 529/2 | 7. | 1708–1717 after 1722 | Prelude and Fugue (middle movement BWV 529/2 e. v. removed after 1722) | C maj. | Organ | 15: 212 | IV/5: 10 | after BWV 545a, b; → 529/2 | 00622 |
545a | 7. | 1708–1717 | Prelude and Fugue (early version) | C maj. | Organ | IV/6: 77 | → BWV 545b, 545 | 00623 | |
546 | 7. | 1708–1750 | Prelude and Fugue | C min. | Organ | 15: 218 | IV/5: 35 | 00625 | |
547 | 7. | 1719–1750 | Prelude and Fugue | C maj. | Organ | 15: 228 | IV/5: 20 | 00626 | |
548 | 7. | 1725–1728 | Prelude and Fugue ("Wedge") | E min. | Organ | 15: 236 | IV/5: 94 | 00627 | |
549 | 7. | 1705–1750 | Prelude and Fugue | C min. | Organ | 38: 3 | IV/5: 30 | after BWV 549a | 00628 |
549a | 7. | c.1701 | Prelude (or: Fantasia) and Fugue | D min. | Organ | IV/6: 101 | → BWV 549; in Möllersche Handschrift | 00629 | |
550 | 7. | 1706–1708 | Prelude and Fugue | G maj. | Organ | 38: 9 | IV/5: 138 | 00630 | |
551 | 7. | c.1699 | Prelude and Fugue | A min. | Organ | 38: 17 | IV/6: 63 | 00631 | |
552 | 7. | 1739 | Prelude and Fugue ("St Anne") from Clavier-Übung III | E♭ maj. | Organ | 3: 173, 254 | IV/4: 2, 105 | 00632 | |
562 | 7. | 1720–c.1748 | Fantasia and Fugue (unfinished fugue added c.1747–1748) | C min. | Organ | 38: 64, 209 44: 4 | IV/5: 54 | 00642 | |
563 | 7. | c.1704 | Fantasia and Imitatio | C maj. | Organ | 38: 59 | IV/6: 68 | in Andreas-Bach-Buch | 00643 |
564 | 7. | bef. c.1712 | Toccata, Adagio and Fugue | C maj. | Organ | 15: 253 | IV/6: 3 | 00644 | |
565 | 7. | c.1704? | Toccata and Fugue | D min. | Organ | 15: 267 | IV/6: 31 | 00645 | |
566 | 7. | 1700–1750 | Prelude and Fugue (earliest manuscripts: C major; /1 as Toccata in BGA) | E maj. C maj. | Organ | 15: 276 | IV/6: 40 | 00646 | |
568 | 7. | c.1700–1705? | Prelude | G maj. | Organ | 38: 85 | IV/6: 51 | 00648 | |
569 | 7. | 1703–c.1704 | Prelude | A min. | Organ | 38: 89 | IV/6: 59 | 00649 | |
1121 | 7. | 1706–1710 | Fantasia | C min. | Organ | IV/11: 54 | in Andreas-Bach-Buch; was Anh. 205 | 01516 | |
570 | 7. | c.1698–1704 | Fantasia | C maj. | Organ | 38: 62 | IV/6: 16 | in Andreas-Bach-Buch | 00650 |
572 | 7. | 1708–c.1712 | Fantasia, a.k.a. Pièce d'Orgue (+reworked version) | G maj. | Organ | 38: 75 | IV/7: 130, 144 | 00652 | |
573 | 7. | c.1722–1725 | Notebook A. M. Bach (1722) No. 6 Fantasia (incomplete?) | C maj. | Keyboard | 38: 209 432: 3 | V/4: 39 IV/6: 18 | 00653 | |
574 | 7. | after c.1708? | Fugue on a theme by Legrenzi | C min. | Organ | 38: 94 | IV/6: 19 | after BWV 574b; ↔ 574a | 00654 |
574a | 7. | after c.1708? | Fugue on a theme by Legrenzi (variant) | C min. | Organ | 38: 205 | IV/6: 82 | after BWV 574b; ↔ 574 | 00655 |
574b | 7. | c.1707–1713 or earlier | Fugue on a theme by Legrenzi (early version) | C min. | Organ | IV/6: 88 | after Legrenzi (theme); → BWV 574a, 574; in Andreas-Bach-Buch | 00656 | |
575 | 7. | 1708–1717? | Fugue | C min. | Organ | 38: 101 | IV/6: 26 | 00657 | |
578 | 7. | c.1713 or earlier | Fugue ("Little") | G min. | Organ | 38: 116 | IV/6: 55 | in Andreas-Bach-Buch | 00660 |
579 | 7. | 1708–1717? | Fugue on a theme by Corelli | B min. | Organ | 38: 121 | IV/6: 71 | after Corelli (theme) | 00661 |
582 | 7. | bef. 1707 1707–1708 | Passacaglia (and Fugue) | C min. | Organ | 15: 289 | IV/7: 98 | in Andreas-Bach-Buch | 00664 |
583 | 7. | c.1730 or earlier? | Trio | D min. | Organ | 38: 143 | IV/7: 94 | 00665 | |
585 | 7. | c.1726–1727 (JSB) | Trio | C min. | Organ | 38: 219 | IV/8: 73 | after Fasch J. F., FaWV N:c2/1, /2; arr. by Bach | 00667 |
586 | 7. | bef. c.1740 | Trio | G maj. | Organ | IV/8: 78 | after Telemann? | 00668 | |
587 | 7. | after 1726 | Aria | F maj. | Organ | 38: 222 | IV/8: 82 | after Couperin, Les NationsIII/4 | 00669 |
588 | 7. | c.1704–1707 or earlier | Canzona | D min. | Organ | 38: 126 | IV/7: 118 | in Möllersche Handschrift | 00670 |
589 | 7. | 1700–1720? | Alla breve | D maj. | Organ | 38: 131 | IV/7: 114 | 00671 | |
590 | 7. | bef. c.1727 | Pastorella (/1 incomplete?) | F maj. | Organ | 38: 135 | IV/7: 122 | 00672 | |
592 | 7. | c.1714–1717 | Concerto for solo organ | G maj. | Organ | 38: 149 | IV/8: 56 | after J. E. of Saxe-Weimar, Concerto a 8; → BWV 592a | 00674 |
592a | 7. | c.1714–1717 | Concerto for solo harpsichord | G maj. | Keyboard | 42: 282 | V/11: 150 | after BWV 592 | 00675 |
593 | 7. | c.1714–1717 | Concerto for solo organ | A min. | Organ | 38: 158 | IV/8: 16 | after Vivaldi, Op. 3 No. 8 (RV 522) | 00676 |
594 | 7. | c.1714–1717 | Concerto for solo organ | C maj. | Organ | 38: 171 | IV/8: 30 | after Vivaldi, RV 208, Grosso Mogul | 00677 |
595 | 7. | c.1714–1717 | Concerto for solo organ | C maj. | Organ | 38: 196 | IV/8: 65 | after BWV 984/1 | 00678 |
596 | 7. | c.1714–1717 | Concerto for solo organ (arrangement previously attributed to W. F. Bach) | D min. | Organ | IV/8: 3 | after Vivaldi, Op. 3 No. 11 (RV 565) | 00679 | |
599 | 7. | 1713–1715 or earlier | chorale setting "Nun komm, der Heiden Heiland" (Orgelbüchlein No. 1) | A min. | Organ | 252: 3 | IV/1: 3 | after Z 1174 | 00682 |
600 | 7. | 1713–1715 or earlier | chorale setting "Gott durch deine Güte" (Orgelbüchlein No. 2) | F maj. | Organ | 252: 4 | IV/1: 4 | after Z 3294 | 00683 |
chorale setting "Gottes Sohn ist kommen" (Orgelbüchlein No. 2) | |||||||||
601 | 7. | 1713–1715 or earlier | chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Orgelbüchlein No. 3; also in Neumeister Collection) | A maj. | Organ | 252: 5 | IV/1: 6 | after Z 4297a | 00684 |
chorale setting "Herr Gott, nun sei gepreiset" (Orgelbüchlein No. 3; also in Neumeister Collection) | |||||||||
602 | 7. | 1713–1715 or earlier | chorale setting "Lob sei dem allmächtigen Gott" (Orgelbüchlein No. 4) | D min. | Organ | 252: 6 | IV/1: 7 | after Z 339 | 00685 |
603 | 7. | 1713–1715 or earlier | chorale setting "Puer natus in Bethlehem" (Orgelbüchlein No. 5) | G min. | Organ | 252: 6 | IV/1: 8 | after Z 192b | 00686 |
604 | 7. | 1713–1715 or earlier | chorale setting "Gelobet seist du, Jesu Christ" (Orgelbüchlein No. 6) | G maj. | Organ | 252: 7 | IV/1: 11 | after Z 1947 | 00687 |
605 | 7. | 1713–1715 or earlier | chorale setting "Der Tag, der ist so freudenreich" (Orgelbüchlein No. 7) | G maj. | Organ | 252: 8 | IV/1: 11 | after Z 7870 | 00688 |
606 | 7. | 1713–1715 or earlier | chorale setting "Vom Himmel hoch, da komm ich her" (Orgelbüchlein No. 8) | D maj. | Organ | 252: 9 | IV/1: 13 | after Z 346 | 00689 |
607 | 7. | 1713–1715 or earlier | chorale setting "Vom Himmel kam der Engel Schar" (Orgelbüchlein No. 9) | G min. | Organ | 252: 10 | IV/1: 14 | after Z 192a | 00690 |
608 | 7. | 1713–1715 or earlier | chorale setting "In dulci jubilo" (Orgelbüchlein No. 10) | A maj. | Organ | 252: 12 | IV/1: 16 | after Z 4947 | 00691 |
609 | 7. | 1713–1715 or earlier | chorale setting "Lobt Gott, ihr Christen allzugleich" (Orgelbüchlein No. 11) | G maj. | Organ | 252: 13 | IV/1: 18 | after Z 198 | 00692 |
610 | 7. | 1713–1715 or earlier | chorale setting "Jesu, meine Freude" (Orgelbüchlein" No. 12) | C min. | Organ | 252: 14 | IV/1: 19 | after Z 8032 | 00693 |
611 | 7. | 1713–1715 or earlier | chorale setting "Christum wir sollen loben schon" (Orgelbüchlein No. 13) | E min. | Organ | 252: 15 | IV/1: 20 | after Z 297c | 00694 |
612 | 7. | 1713–1715 or earlier | chorale setting "Wir Christenleut" (Orgelbüchlein No. 14) | G min. | Organ | 252: 16 | IV/1: 22 | after Z 2072 | 00695 |
613 | 7. | after 1724? | chorale setting "Helft mir Gotts Güte preisen" (Orgelbüchlein No. 15) | B min. | Organ | 252: 18 | IV/1: 24 | after Z 5267 | 00696 |
614 | 7. | 1713–1715 or earlier | chorale setting "Das alte Jahr vergangen ist" (Orgelbüchlein No. 16) | A min. | Organ | 252: 19 | IV/1: 25 | after Z 381c | 00697 |
615 | 7. | 1713–1715 or earlier | chorale setting "In dir ist Freude" (Orgelbüchlein No. 17) | G maj. | Organ | 252: 20 | IV/1: 27 | after Z 8537 | 00698 |
616 | 7. | 1713–1715 or earlier | chorale setting "Mit Fried und Freud ich fahr dahin" (Orgelbüchlein No. 18) | D min. | Organ | 252: 24 | IV/1: 30 | after Z 3986 | 00699 |
617 | 7. | 1713–1715 or earlier | chorale setting "Herr Gott, nun schleuß den Himmel auf" (Orgelbüchlein No. 19) | A min. | Organ | 252: 26 | IV/1: 32 | after Z 7641b | 00700 |
618 | 7. | 1713–1715 or earlier | chorale setting "O Lamm Gottes, unschuldig" (Orgelbüchlein No. 20) | F maj. | Organ | 252: 28 | IV/1: 34 | after Z 4361a | 00701 |
619 | 7. | 1713–1715 or earlier | chorale setting "Christe, du Lamm Gottes" (Orgelbüchlein No. 21) | F maj. | Organ | 252: 30 | IV/1: 36 | after Z 58 | 00702 |
620 | 7. | after 1724? | chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22) | A min. | Organ | 252: 30 | IV/1: 37 | after BWV 620a | 00703 |
620a | 7. | 1713–1715 or earlier | chorale setting "Christus, der uns selig macht" (Orgelbüchlein No. 22, e. v.) | A min. | Organ | 252: 149 | IV/1: 78 | after Z 6283b; → BWV 620 | 00704 |
621 | 7. | 1713–1715 or earlier | chorale setting "Da Jesus an dem Kreuze stund" (Orgelbüchlein No. 23) | A min. | Organ | 252: 32 | IV/1: 39 | after Z 1706 | 00705 |
622 | 7. | 1713–1715 or earlier | chorale setting "O Mensch, bewein dein Sünde groß" (Orgelbüchlein No. 24) | E♭ maj. | Organ | 252: 33 | IV/1: 40 | after Z 8303; → BWV 622 (var.) | 00706 |
622 (var.) | 7. | 1716–1789 | chorale setting "O Mensch, bewein dein Sünde groß" (variant) | Organ | after BWV 622 | 00707 | |||
623 | 7. | 1713–1715 or earlier | chorale setting "Wir danken dir, Herr Jesu Christ" (Orgelbüchlein No. 25) | G maj. | Organ | 252: 35 | IV/1: 42 | after Z 423 | 00708 |
624 | 7. | 1713–1715 or earlier | chorale setting "Hilf Gott, dass mir's gelinge" (Orgelbüchlein No. 26) | G min. | Organ | 252: 36 | IV/1: 44 | after Z 4329 | 00709 |
625 | 7. | 1713–1715 or earlier | chorale setting "Christ lag in Todesbanden" (Orgelbüchlein No. 27) | D min. | Organ | 252: 38 | IV/1: 46 | after Z 7012a | 00710 |
626 | 7. | 1713–1715 or earlier | chorale setting "Jesus Christus, unser Heiland, der den Tod überwand" (Orgelbüchlein No. 28) | A min. | Organ | 252: 39 | IV/1: 48 | after Z 1978 | 00711 |
627 | 7. | 1713–1715 or earlier | chorale setting "Christ ist erstanden" (Orgelbüchlein No. 29) | D min. | Organ | 252: 40 | IV/1: 49 | after Z 8584 | 00712 |
628 | 7. | 1713–1715 or earlier | chorale setting "Erstanden ist der heilge Christ" (Orgelbüchlein No. 30) | D maj. | Organ | 252: 44 | IV/1: 54 | after Z 1747a | 00713 |
629 | 7. | 1713–1715 or earlier | chorale setting "Erschienen ist der herrliche Tag" (Orgelbüchlein No. 31) | D min. | Organ | 252: 45 | IV/1: 55 | after Z 1743 | 00714 |
630 | 7. | 1713–1715 or earlier | chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32) | D min. | Organ | 252: 46 | IV/1: 56 | after BWV 630a | 00715 |
630a | 7. | bef. 1716 | chorale setting "Heut triumphieret Gottes Sohn" (Orgelbüchlein No. 32, e. v.) | Organ | IV/1: 80 | after Z 2585; → BWV 630 | 00716 | ||
631 | 7. | 1723–1750 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33) | D min. | Organ | 252: 47 | IV/1: 58 | after BWV 631a | 00717 |
631a | 7. | 1713–1715 or earlier | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Orgelbüchlein No. 33, e. v.) | G maj. | Organ | 252: 150 | IV/1: 82 | after Z 295; → BWV 631 | 00718 |
632 | 7. | 1713–1715 or earlier | chorale setting "Herr Jesu Christ, dich zu uns wend" (Orgelbüchlein No. 34) | F maj. | Organ | 252: 48 | IV/1: 59 | after Z 624 | 00719 |
633 | 7. | 1713–1715 or earlier | chorale setting "Liebster Jesu, wir sind hier" distinctus (Orgelbüchlein No. 36) | A maj. | Organ | 252: 49 | IV/1: 61 | after BWV 634 | 00720 |
634 | 7. | 1713–1715 or earlier | chorale setting "Liebster Jesu, wir sind hier" (Orgelbüchlein No. 35) | A maj. | Organ | 252: 50 | IV/1: 60 | after Z 3498b; → BWV 633 | 00721 |
635 | 7. | 1713–1715 or earlier | chorale setting "Dies sind die heilgen zehn Gebot" (Orgelbüchlein No. 37) | C maj. | Organ | 252: 50 | IV/1: 62 | after Z 1951 | 00722 |
636 | 7. | 1713–1715 or earlier | chorale setting "Vater unser im Himmelreich" (Orgelbüchlein No. 38) | D min. | Organ | 252: 52 | IV/1: 64 | after Z 2561 | 00723 |
637 | 7. | 1713–1715 or earlier | chorale setting "Durch Adams Fall ist ganz verderbt" (Orgelbüchlein No. 39) | A min. | Organ | 252: 53 | IV/1: 65 | after Z 7549 | 00724 |
638 | 7. | 1713–1715 or earlier | chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40) | D maj. | Organ | 252: 54 | IV/1: 66 | after BWV 638a | 00725 |
638a | 7. | bef. c.1715 | chorale setting "Es ist das Heil uns kommen her" (Orgelbüchlein No. 40, e. v.) | Organ | IV/1: 83 | after Z 4430; → BWV 638 | 00726 | ||
639 | 7. | 1713–1715 or earlier | chorale setting "Ich ruf zu dir, Herr Jesu Christ" (Orgelbüchlein No. 41; also in Neumeister Collection) | F min. | Organ | 252: 55 | IV/1: 68 | after Z 7400; → BWV Anh. 73 | 00727 |
640 | 7. | 1713–1715 or earlier | chorale setting "In dich hab ich gehoffet, Herr" (Orgelbüchlein No. 42) | E min. | Organ | 252: 56 | IV/1: 70 | after Z 2459 | 00728 |
641 | 7. | 1713–1715 or earlier | chorale setting "Wenn wir in höchsten Nöten sein" (Orgelbüchlein No. 43) | G maj. | Organ | 252: 57 | IV/1: 71 | after Z 394 | 00729 |
642 | 7. | 1713–1715 or earlier | Chorale prelude Wer nur den lieben Gott lässt walten (Orgelbüchlein No. 44) | A min. | Organ | 252: 58 | IV/1: 72 | after Z 2778 | 00730 |
643 | 7. | 1713–1715 or earlier | chorale setting "Alle Menschen müssen sterben" (Orgelbüchlein No. 45) | G maj. | Organ | 252: 59 | IV/1: 74 | after Z 6779a | 00731 |
644 | 7. | 1713–1715 or earlier | chorale setting "Ach wie nichtig, ach wie flüchtig" (Orgelbüchlein No. 46) | G min. | Organ | 252: 60 | IV/1: 75 | after Z 1887b | 00732 |
645 | 7. | 1748–1749 | chorale setting "Wachet auf, ruft uns die Stimme" (Schübler Chorales No. 1) | E♭ maj. | Organ | 252: 63 | IV/1: 86 | after BWV 140/4 | 00733 |
646 | 7. | 1748–1749 | chorale setting "Wo soll ich fliehen hin" (Schübler Chorales No. 2) | E min. | Organ | 252: 66 | IV/1: 90 | after Z 2164 | 00734 |
chorale setting "Auf meinen lieben Gott" (Schübler Chorales No. 2) | |||||||||
647 | 7. | 1748–1749 | chorale setting "Wer nur den lieben Gott lässt walten" (Schübler Chorales No. 3) | C min. | Organ | 252: 68 | IV/1: 92 | after BWV 93/4 | 00735 |
648 | 7. | 1748–1749 | chorale setting "Meine Seele erhebt den Herren" (Schübler Chorales No. 4) | D min. | Organ | 252: 70 | IV/1: 94 | after BWV 10/5 | 00736 |
649 | 7. | 1748–1749 | chorale setting "Ach bleib bei uns, Herr Jesu Christ" (Schübler Chorales No. 5) | B♭ maj. | Organ | 252: 71 | IV/1: 95 | after BWV 6/3 | 00737 |
650 | 7. | 1748–1749 | chorale setting "Kommst du nun, Jesu, vom Himmel herunter" (Schübler Chorales No. 6) | G maj. | Organ | 252: 74 | IV/1: 98 | after BWV 137/2 | 00738 |
651 | 7. | 1747–1748 | chorale setting "Komm, heiliger Geist" (Fantasia; Leipzig Chorales 1/18) | F maj. | Organ | 252: 79 | IV/2: 3 | after BWV 651a | 00739 |
651a | 7. | 1708–1717 | chorale setting "Komm, heiliger Geist, Herre Gott" (Fantasia; e. v.: Weimar) | Organ | 252: 151 | IV/2: 117 | after Z 7445a; → BWV 651 | 00740 | |
652 | 7. | 1747–1748 | chorale setting "Komm, heiliger Geist, Herre Gott" (alio modo; Leipzig Chorales 2/18) | G maj. | Organ | 252: 86 | IV/2: 13 | after BWV 652a | 00741 |
652a | 7. | 1708–1717 | chorale setting "Komm, heiliger Geist, Herre Gott" (e. v.: Weimar) | Organ | IV/2: 121 | after Z 7445a; → BWV 652 | 00742 | ||
653 | 7. | 1747–1748 | chorale setting "An Wasserflüssen Babylon" (Leipzig Chorales 3/18) | G maj. | Organ | 252: 92 | IV/2: 22 | after BWV 653a | 00743 |
653a | 7. | 1708–1717 | chorale setting "An Wasserflüssen Babylon" (alio modo; 2nd v.: Weimar) | Organ | 252: 157 | IV/2: 133 | after BWV 653b; → BWV 653 | 00744 | |
653b | 7. | 1708–1717 | chorale setting "An Wasserflüssen Babylon" (à 5; 1st v.: Weimar) | Organ | 40: 49 | IV/2: 130 | after Z 7663; → BWV 653a | 00745 | |
654 | 7. | 1747–1748 | chorale setting "Schmücke dich, o liebe Seele" (Leipzig Chorales 4/18) | E♭ maj. | Organ | 252: 95 | IV/2: 26 | after BWV 654a | 00746 |
654a | 7. | 1708–1717 | chorale setting "Schmücke dich, o liebe Seele" (e. v.: Weimar) | Organ | IV/2: 136 | after Z 6923; → BWV 654 | 00747 | ||
655 | 7. | 1747–1748 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; Leipzig Chorales 5/18) | G maj. | Organ | 252: 98 | IV/2: 31 | after BWV 655a; ↔ 655 var. 1–4; → 655b–c | 00748 |
655 var. 1 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 1) | Organ | after Z 624; ↔ BWV 655(a), var. 2–4 | 00749 | |||
655 var. 2 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 2) | F maj. | Organ | after Z 624; ↔ BWV 655(a), var. 1, 3–4 | 00750 | ||
655 var. 3 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 3) | F maj. | Organ | after Z 624; ↔ BWV 655(a), var. 1–2, 4 | 00751 | ||
655 var. 4 | 7. | 1708–1798 | chorale setting "Herr Jesu Christ, dich zu uns wend" (variant 4) | F maj. | Organ | after Z 624; ↔ BWV 655(a), var. 1–3 | 00752 | ||
655a | 7. | 1708–1717 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Trio; e. v.: Weimar) | Organ | 252: 162 | IV/2: 140 | after Z 624; ↔ BWV 655 var. 1–4; → 655 | 00753 | |
656 | 7. | 1747–1748 | chorale setting "O Lamm Gottes, unschuldig" (Leipzig Chorales 6/18) | A maj. | Organ | 252: 102 | IV/2: 38 | after BWV 656a | 00756 |
656a | 7. | 1708–1717 | chorale setting "O Lamm Gottes, unschuldig" (e. v.: Weimar) | Organ | 252: 166 | IV/2: 146 | after Z 4361b; → BWV 656 | 00757 | |
657 | 7. | 1708–1717 | Chorale prelude Nun danket alle Gott (Leipzig Chorales 7/18) | G maj. | Organ | 252: 108 | IV/2: 46 | after Z 5142 | 00758 |
658 | 7. | 1747–1748 | chorale setting "Von Gott will ich nicht lassen" (Leipzig Chorales 8/18) | F min. | Organ | 252: 112 | IV/2: 51 | after BWV 658a | 00759 |
658a | 7. | 1708–1717 | chorale setting "Von Gott will ich nicht lassen" (Fantasia; e. v.: Weimar) | Organ | 252: 170 | IV/2: 154 | after Z 5264b → BWV 658 | 00760 | |
659 | 7. | 1747–1748 | chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 9/18) | G min. | Organ | 252: 114 | IV/2: 55 | after BWV 659a | 00761 |
659a | 7. | 1708–1717 | chorale setting "Nun komm, der Heiden Heiland" (Fantasia; e. v.: Weimar) | Organ | 252: 172 | IV/2: 157 | after Z 1174; → BWV 659 | 00762 | |
660 | 7. | 1747–1748 | chorale setting "Nun komm, der Heiden Heiland" (Trio; Leipzig Chorales 10/18) | G min. | Organ | 252: 116 | IV/2: 59 | after BWV 660a | 00763 |
660a | 7. | 1708–1717 | chorale setting "Nun komm, der Heiden Heiland" (Trio; e. v.: Weimar) | Organ | 252: 174 | IV/2: 160 | after Z 1174; → BWV 660, 660b | 00764 | |
660b | 7. | 1708–1719 | chorale setting "Nun komm, der Heiden Heiland" (arrangement) | Organ | 252: 176 | by Krebs, J. T. (arr.)?; after BWV 660a | 00765 | ||
661 | 7. | 1747–1748 | chorale setting "Nun komm, der Heiden Heiland" (Leipzig Chorales 11/18) | G min. | Organ | 252: 118 | IV/2: 62 | after BWV 661a | 00766 |
661a | 7. | 1708–1717 | chorale setting "Nun komm, der Heiden Heiland" (e. v.: Weimar) | Organ | 252: 178 | IV/2: 164 | after Z 1174; → BWV 661 | 00767 | |
662 | 7. | 1747–1748 | chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 12/18) | A maj. | Organ | 252: 122 | IV/2: 67 | after BWV 662a | 00768 |
662a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) | Organ | IV/2: 168 | after Z 4457; → BWV 662 | 00769 | ||
663 | 7. | 1747–1748 | chorale setting "Allein Gott in der Höh sei Ehr" (Leipzig Chorales 13/18) | G maj. | Organ | 252: 125 | IV/2: 72 | after BWV 663a | 00770 |
663a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (e. v.: Weimar) | Organ | 252: 180 | IV/2: 172 | after Z 4457; → BWV 663 | 00771 | |
664 | 7. | 1747–1748 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; Leipzig Chorales 14/18) | A maj. | Organ | 252: 130 | IV/2: 79 | after BWV 664a–b | 00772 |
664a | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; fair copy) | Organ | 252: 183 | IV/2 | after BWV 664b; → BWV 664 | 00773 | |
664b | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Trio; e. v.: Weimar; sketch) | Organ | IV/2: 179 | after Z 4457; → BWV 664(a) | 00774 | ||
665 | 7. | 1747–1748 | chorale setting "Jesus Christus, unser Heiland" (Leipzig Chorales 15/18) | E min. | Organ | 252: 136 | IV/2: 87 | after BWV 665a | 00775 |
665a | 7. | 1708–1717 | chorale setting "Jesus Christus, unser Heiland" (e. v.: Weimar) | Organ | 252: 188 | IV/2: 187 | after Z 1576; → BWV 665 | 00776 | |
666 | 7. | 1708–1748 | chorale setting "Jesus Christus, unser Heiland" (alio modo; Leipzig Chorales 16/18) | E min. | Organ | 252: 140 | IV/2: 91 | after BWV 666a | 00777 |
666a | 7. | 1708–1717 | chorale setting "Jesus Christus, unser Heiland" (alio modo; e. v.: Weimar) | Organ | IV/2: 191 | after Z 1576; → BWV 666 | 00778 | ||
667 | 7. | 1747–1748 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (Leipzig Chorales 17/18) | C maj. | Organ | 252: 142 | IV/2: 94 | after BWV 667a | 00779 |
667a | 7. | 1708–1717 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar) | Organ | IV/2 | after BWV 667b; → BWV 667 | 00780 | ||
667b | 7. | 1708–1717 | chorale setting "Komm, Gott Schöpfer, heiliger Geist" (e. v.: Weimar; sketch) | Organ | IV/2: 194 | after Z 295; → BWV 667(a) | 00781 | ||
668 | 7. | 1747–1748 | chorale setting "Vor deinen Thron tret ich hiermit" (fragment; Leipzig Chorales 18/18) | G maj. | Organ | 252: 145 | IV/2: 113 | after BWV 668a | 00782 |
668a | 7. | 1708–1748 | chorale setting "Wenn wir in höchsten Nöten" (e. v.) | Organ | IV/2: 212 | after Z 394; → BWV 668 | 00783 | ||
669 | 7. | 1739 | chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung III | Organ | 3: 184 | IV/4: 16 | after Z 8600 | 00784 | |
670 | 7. | 1739 | chorale setting "Christe, aller Welt Trost" from Clavier-Übung III | Organ | 3: 186 | IV/4: 18 | after Z 8600 | 00785 | |
671 | 7. | 1739 | chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung III | Organ | 3: 190 | IV/4: 20 | after Z 8600 | 00786 | |
672 | 7. | 1739 | chorale setting "Kyrie, Gott Vater in Ewigkeit" from Clavier-Übung III | Org/man. | 3: 194 | IV/4: 27 | after Z 8600 | 00787 | |
673 | 7. | 1739 | chorale setting "Christe, aller Welt Trost" from Clavier-Übung III | Org/man. | 3: 194 | IV/4: 28 | after Z 8600 | 00788 | |
674 | 7. | 1739 | chorale setting "Kyrie, Gott heiliger Geist" from Clavier-Übung III | Org/man. | 3: 196 | IV/4: 29 | after Z 8600 | 00789 | |
675 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung III | Organ | 3: 197 | IV/4: 30 | after Z 4457 | 00790 | |
676 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" from Clavier-Übung III | Organ | 3: 199 | IV/4: 33 | after Z 4457; → BWV 676a | 00791 | |
677 | 7. | 1739 | chorale setting "Allein Gott in der Höh sei Ehr" (Fughetta) from Clavier-Übung III | Org/man. | 3: 205 | IV/4: 41 | after Z 4457 | 00793 | |
678 | 7. | 1739 | chorale setting "Dies sind die heiligen zehen Gebot" from Clavier-Übung III | Organ | 3: 206 | IV/4: 42 | after Z 1951 | 00794 | |
679 | 7. | 1739 | chorale setting "Dies sind die heiligen zehen Gebot" (Fughetta) from Clavier-Übung III | Org/man. | 3: 210 | IV/4: 49 | after Z 1951 | 00795 | |
680 | 7. | 1739 | chorale setting "Wir gläuben all an einen Gott" from Clavier-Übung III | Organ | 3: 212 | IV/4: 52 | after Z 7971 | 00796 | |
681 | 7. | 1739 | chorale setting "Wir gläuben all an einen Gott" (Fughetta) from Clavier-Übung III | Org/man. | 3: 216 | IV/4: 57 | after Z 7971 | 00797 | |
682 | 7. | 1739 | chorale setting "Vater unser im Himmelreich" from Clavier-Übung III | Organ | 3: 217 | IV/4: 58 | after Z 2561 | 00798 | |
683 | 7. | 1739 | chorale setting "Vater unser im Himmelreich" from Clavier-Übung III | Org/man. | 3: 223 | IV/4: 66 | after Z 2561; → BWV 683a | 00799 | |
684 | 7. | 1739 | chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung III | Organ | 3: 224 | IV/4: 68 | after Z 7246 | 00801 | |
685 | 7. | 1739 | chorale setting "Christ unser Herr zum Jordan kam" from Clavier-Übung III | Org/man. | 3: 228 | IV/4: 73 | after Z 7246 | 00802 | |
686 | 7. | 1739 | chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung III | Organ | 3: 229 | IV/4: 74 | after Z 4437 | 00803 | |
687 | 7. | 1739 | chorale setting "Aus tiefer Not schrei ich zu dir" from Clavier-Übung III | Org/man. | 3: 232 | IV/4: 78 | after Z 4437 | 00804 | |
688 | 7. | 1739 | chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" from Clavier-Übung III | Organ | 3: 234 | IV/4: 81 | after Z 1576 | 00805 | |
689 | 7. | 1739 | chorale setting "Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt" (Fugue) from Clavier-Übung III | Org/man. | 3: 239 | IV/4: 89 | after Z 1576 | 00806 | |
690 | 7. | c.1700–1717 | chorale setting "Wer nur den lieben Gott lässt walten" (Kirnberger collection No. 1) | Organ | 40: 3 | IV/3: 98 | after Z 2778 | 00807 | |
691 | 7. | c.1720 or earlier | Notebook A. M. Bach (1725) No. 11 chorale setting "Wer nur den lieben Gott lässt walten" (WFB No. 3; Kirnb. coll. No. 2) | Organ | 40: 4 432: 30 451: 214 | V/5: 6 V/4: 90 IV/3: 98 | after Z 2778; → BWV 691a | 00808 | |
694 | 7. | c.1700–1717 | chorale setting "Wo soll ich fliehen hin" (Kirnb. coll. No. 5) | Organ | 40: 6 | IV/3: 103 | after Z 2164 | 00813 | |
695 | 7. | c.1700–1717 | chorale setting "Christ lag in Todesbanden" (Fantasia; Kirnb. coll. No. 6) | Organ | 40: 10 | IV/3: 20 | after Z 7012a; → BWV 695a | 00814 | |
695a | 7. | 1700–1789 | chorale setting "Christ lag in Todesbanden" (variant) | Organ | 40: 153 | after BWV 695 | 00815 | ||
696 | 7. | c.1700–1717 | chorale setting "Christum wir sollen loben schon" (Fughetta; Kirnb. coll. No. 7) | Organ | 40: 13 | IV/3: 23 | after Z 297c | 00816 | |
chorale setting "Was fürchtest du Feind, Herodes, sehr" (Fughetta; Kirnb. coll. No. 7) | |||||||||
697 | 7. | c.1700–1717 | chorale setting "Gelobet seist du, Jesu Christ" (Fughetta; Kirnb. coll. No. 8) | Organ | 40: 14 | IV/3: 32 | after Z 1947 | 00817 | |
698 | 7. | c.1700–1717 | chorale setting "Herr Christ, der ein'ge Gottes Sohn" (Fughetta; Kirnb. coll. No. 9) | Organ | 40: 15 | IV/3: 35 | after Z 4297a | 00818 | |
699 | 7. | c.1700–1717 | chorale setting "Nun komm, der Heiden Heiland" (Fughetta; Kirnb. coll. No. 10) | Organ | 40: 16 | IV/3: 73 | after Z 1174 | 00819 | |
700 | 7. | c.1699 | chorale setting "Vom Himmel hoch da komm ich her" (Kirnb. coll. No. 11) | Organ | 40: 17 | IV/3: 92 | after Z 346 | 00820 | |
701 | 7. | c.1700–1717 | chorale setting "Vom Himmel hoch da komm ich her" (Fughetta; Kirnb. coll. No. 12) | Organ | 40: 19 | IV/3: 96 | after Z 346 | 00821 | |
702 | 7. | c.1700–1717 | chorale setting "Das Jesulein soll doch mein Trost" (Fughetta; Kirnb. coll. No. 13) | Organ | 40: 20 | IV/3: 45 | after Z 7597 | 00822 | |
703 | 7. | c.1700–1717 | chorale setting "Gottes Sohn ist kommen" (Fughetta; Kirnb. coll. No. 14) | Organ | 40: 21 | IV/3: 34 | after Z 3294 | 00823 | |
704 | 7. | c.1700–1717 | chorale setting "Lob sei dem allmächtigen Gott" (Fughetta; Kirnb. coll. No. 15) | Organ | 40: 22 | IV/3: 62 | after Z 339 | 00824 | |
705 | 7. | c.1700–1717 | chorale setting "Durch Adams Fall ist ganz verderbt" (Kirnb. coll. No. 16) | Organ | 40: 23 | IV/10: 47 | after Z 7549 | 00825 | |
706/1 706/2 | 7. | c.1700–1717 | chorale setting "Liebster Jesu, wir sind hier" (/2 = alio modo; Kirnb. coll. No. 17) | Organ | 40: 25 | IV/3: 59 | after Z 3498b | 00826 | |
707 | 7. | c.1700–1717 | chorale setting "Ich hab mein Sach Gott heimgestellt" (Kirnb. coll. No. 18) | Organ | 40: 26 | IV/10: 87 | after Z 1679 | 00827 | |
708 | 7. | 1700–1789 | chorale setting "Ich hab mein Sach Gott heimgestellt" (alio modo; Kirnb. coll. No. 19) | Organ | 40: 30 | IV/10: 86 | after Z 1679 | 00828 | |
708a | 7. | 1700–1789 | chorale setting "Ich hab mein Sach Gott heimgestellt" | Organ | 40: 152 | IV/10: 86 | after Z 1679 | 00829 | |
709 | 7. | c.1700–1717 | chorale setting "Herr Jesu Christ, dich zu uns wend" (Kirnb. coll. No. 20) | Organ | 40: 30 | IV/3: 43 | after Z 624 | 00830 | |
710 | 7. | c.1700–1717 | chorale setting "Wir Christenleut habn jetzund Freud" (Kirnb. coll. No. 21) | Organ | 40: 32 | IV/3: 100 | after Z 2072 | 00831 | |
711 | 7. | c.1700–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (bicinium; Kirnb. coll. No. 22) | Organ | 40: 34 | IV/3: 11 | after Z 4457 | 00832 | |
712 | 7. | c.1708 | chorale setting "In dich hab ich gehoffet, Herr" (Kirnb. coll. No. 23) | Organ | 40: 36 | IV/3: 48 | after Z 2461 | 00833 | |
713 | 7. | c.1700–1717 | chorale setting "Jesu, meine Freude" (Kirnb. coll. No. 24) | Org/man. | 40: 38 | IV/3: 54 | after Z 8032; → BWV 713a | 00834 | |
713a | 7. | 1700–1789 | chorale setting "Jesu, meine Freude" (Fantasia; variant) | Organ | 40: 155 | IV/10: 93 | after BWV 713 | 00835 | |
714 | 7. | 1708–1717 | chorale setting "Ach Gott und Herr" (Neumeister Chorales No. 13) | Organ | 40: 43 | IV/9: 26 IV/3: 3 | after Z 2050, 2052 | 00836 | |
715 | 7. | 1703–1717 | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | 40: 44 | IV/3: 14 | after Z 4457 | 00837 | |
716 | 7. | c.1700–1717 | chorale setting "Allein Gott in der Höh sei Ehr" (Fantasia) | Organ | 40: 45 | IV/10: 14 | after Z 4457 | 00838 | |
717 | 7. | 1708–1717 | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | 40: 46 | IV/3: 8 | after Z 4457 | 00839 | |
718 | 7. | c.1700–1717 | chorale setting "Christ lag in Todesbanden" | Organ | 40: 52 | IV/3: 16 | after Z 7012a | 00840 | |
719 | 7. | c.1704 | chorale setting "Der Tag, der ist so freudenreich" (Neumeister Chorales No. 1) | Organ | 40: 55 | IV/9: 2, 72 | after Z 7870 | 00841 | |
720 | 7. | 1709? | chorale setting "Ein feste Burg ist unser Gott" | Organ | 40: 57 | IV/3: 24 | after Z 7377; by Bach, J. Michael? | 00842 | |
721 | 7. | c.1704 | chorale setting "Erbarm dich mein, o Herre Gott" | Organ | 40: 60 | IV/3: 28 | after Z 5851 | 00843 | |
722 | 7. | 1708–1717 | chorale setting "Gelobet seist du, Jesu Christ" | Organ | 40: 62 | IV/3: 31 | after BWV 722a | 00844 | |
722a | 7. | 1709? | chorale setting "Gelobet seist du, Jesu Christ" (sketch) | Organ | 40: 158 | IV/3: 30 | after Z 1947; → BWV 722 | 00845 | |
723 | 7. | c.1700–1717 | chorale setting "Gelobet seist du, Jesu Christ" (also in Neumeister Collection) | Organ | 40: 63 | after Z 1947; by Bach, J. Michael? | 00846 | ||
724 | 7. | c. 1699 | chorale setting "Gott durch deine Güte" | Organ | 40: 65 | IV/3: 33 | after Z 3294; in Andreas-Bach-Buch | 00847 | |
chorale setting "Gottes Sohn ist kommen" | |||||||||
725 | 7. | c.1700–1717 | chorale setting "Herr Gott, dich loben wir" | Organ | 40: 66 | IV/3: 36 | after Z 8652 | 00848 | |
726 | 7. | 1708–1717 | chorale setting "Herr Jesu Christ, dich zu uns wend" | Organ | 40: 72 | IV/3: 45 | after Z 624 | 00849 | |
727 | 7. | 1708–1717 | chorale setting "Herzlich tut mich verlangen" | Organ | 40: 73 | IV/3: 46 | after Z 5385a | 00850 | |
728 | 7. | 1722–1723 or earlier | Notebook A. M. Bach (1722) No. 8 chorale setting "Jesus, meine Zuversicht" | Organ | 432: 5 40: 74 | V/4: 41 IV/3: 58 | after Z 3432b | 00851 | |
729 | 7. | 1708–1717 | chorale setting "In dulci jubilo" | Organ | 40: 74 | IV/3: 52 | after BWV 729a | 00852 | |
729a | 7. | 1708–1717 | chorale setting "In dulci jubilo" (sketch) | Organ | 40: 158 | IV/3: 50 | after Z 4947; → BWV 729 | 00853 | |
730 | 7. | 1708–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | 40: 76 | IV/3: 60 | after Z 3498b | 00854 | |
731 | 7. | 1708–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | 40: 77 | IV/3: 61 | after Z 3498b | 00855 | |
732 | 7. | 1708–1717 | chorale setting "Lobt Gott, ihr Christen, allzugleich" | Organ | 40: 78 | IV/3: 64 | after BWV 732a | 00856 | |
732a | 7. | 1708–1717 | chorale setting "Lobt Gott, ihr Christen, allzugleich" (draft) | Organ | 40: 159 | IV/3: 63 | after Z 198; → BWV 732 | 00857 | |
733 | 7. | 1708–1717 | chorale setting "Meine Seele erhebt den Herren" (fugue) | Organ | 40: 79 | IV/3: 65 | after Magnificat peregrini toni; by Krebs, J. L.? | 00858 | |
734 | 7. | 1708–1717 | chorale setting "Nun freut euch, lieben Christen g'mein" | Organ | 40: 160 | IV/3: 70 | after Z 4429a; → BWV 734a | 00859 | |
734a | 7. | 1708–1789 | chorale setting "Es ist gewisslich an der Zeit" | Organ | 40: 84 | IV/10 | after BWV 734; arr. by Scholz? | 00860 | |
735 | 7. | c.1700–1717 | chorale setting "Valet will ich dir geben" (Fantasia) | Organ | 40: 86 | IV/3: 77 | after BWV 735a | 00861 | |
735a | 7. | c.1706 | chorale setting "Valet will ich dir geben" (early version) | Organ | 40: 161 | IV/3: 81 | after Z 5404a; → BWV 735 | 00862 | |
736 | 7. | 1713–1717 | chorale setting "Valet will ich dir geben" | Org (V Bc) | 40: 90 | IV/3: 84 | after Z 5404a | 00863 | |
737 | 7. | c.1704 | chorale setting "Vater unser im Himmelreich" (Neumeister Chorales No. 18) | Organ | 40: 96 | IV/9: 36 IV/3: 90 | after Z 2561 | 00864 | |
738 | 7. | 1708–1717 | chorale setting "Vom Himmel hoch, da komm ich her" | Organ | 40: 97 | IV/3: 94 | after BWV 738a | 00865 | |
738a | 7. | 1708–1717 | chorale setting "Vom Himmel hoch, da komm ich her" (sketch) | Organ | 40: 159 | IV/3: 94 | after Z 346; → BWV 738 | 00866 | |
739 | 7. | c.1704 | chorale setting "Wie schön leuchtet der Morgenstern" | Organ | 40: 99 | IV/10: 2 | after Z 8359 | 00867 | |
740 | 7. | 1700–1780 | chorale setting "Wir glauben all an einen Gott" | Organ | 40: 103 | after Z 4000; by Krebs, J. L.? (Krebs‑WV 554c) | 00868 | ||
741 | 7. | c.1701 | chorale setting "Ach Gott, vom Himmel sieh darein" | Organ | 40: 167 | IV/3: 4 | after Z 4431 | 00869 | |
742 | 7. | c.1704 | chorale setting "Ach Herr, mich armen Sünder" | (Neumeister Chorales No. 14)Organ | IV/9: 28 | after Z 5385a | 00870 | ||
743 | 7. | c.1700–1717 | chorale setting "Ach, was ist doch unser Leben" | Organ | IV/10: 11 | after Z 1208b | 00871 | ||
744 | 7. | c.1700–1717 | chorale setting "Auf meinen lieben Gott" | Organ | 40: 170 | IV/10: 20 | after Z 2164; by Krebs, J. L.? (Krebs‑WV 517) | 00872 | |
745 | 7. | 1700–1788 | chorale setting "Aus der Tiefe rufe ich" | Organ | 40: 171 | IV/10: 22 | after Z 1217; by Bach, C. P. E.? | 00873 | |
747 | 7. | c.1700–1717 | chorale setting "Christus, der uns selig macht" | Organ | IV/10: 38 | after Z 6283b | 00875 | ||
749 | 7. | c.1700–1717 | chorale setting "Herr Jesu Christ, dich zu uns wend" | Organ | IV/10: 80 | after Z 624; by Bach, J. Christoph or Telemann? | 00878 | ||
750 | 7. | c.1700–1703 | chorale setting "Herr Jesu Christ, meins Lebens Licht" | Organ | IV/10: 81 | 00879 | |||
752 | 7. | c.1700–1717 | chorale setting "Jesu, der du meine Seele" | Organ | after Z 6779a | 00881 | |||
753 | 7. | c.1720 | chorale setting "Jesu, meine Freude" (unfinished; WFB No. 5) | Organ | 40: 163 451: 214 | V/5: 8 | after Z 8032 | 00882 | |
754 | 7. | c.1700–1717 | chorale setting "Liebster Jesu, wir sind hier" | Organ | after Z 3498b | 00883 | |||
755 | 7. | c.1700–1717 | chorale setting "Nun freut euch, lieben Christen g'mein" | Organ | after Z 4429a | 00884 | |||
756 | 7. | c.1700–1717 | chorale setting "Nun ruhen alle Wälder" | Organ | after Z 2293b | 00885 | |||
757 | 7. | c.1700–1717 | chorale setting "O Herre Gott, dein göttlichs Wort" | Organ | after Z 5690 | 00886 | |||
758 | 7. | c.1700–1717 | chorale setting "O Vater, allmächtiger Gott" | Organ | 40: 179 | IV/11: 69 | after Z 8603b | 00887 | |
762 | 7. | c.1700–1717 | chorale setting "Vater unser im Himmelreich" | Organ | IV/10: 142 | after Z 2561 | 00891 | ||
763 | 7. | c.1700–1717 | chorale setting "Wie schön leucht uns der Morgenstern" | Organ | after Z 8359 | 00892 | |||
764 | 7. | c.1704–1705 | chorale setting "Wie schön leuchtet der Morgenstern" | Organ | 40: 164 | IV/10: 6 | after Z 8359 | 00893 | |
765 | 7. | c.1706 | chorale setting "Wir glauben all an einen Gott" | Organ | 40: 187 | after Z 7971 | 00894 | ||
1085 | 7. | c.1700–1717 | chorale setting "O Lamm Gottes unschuldig" | Organ | IV/3: 76 | after Z 4361 | 01683 | ||
1090 | 7. | c.1704 | chorale setting "Wir Christenleut" (Neumeister Chorales No. 2) | Organ | IV/9: 4 | after Z 2072 | 01276 | ||
1091 | 7. | c.1699 | chorale setting "Das alte Jahr vergangen ist (Neumeister Chorales No. 3) | Organ | IV/9: 6 | after Z 381c | 01277 | ||
1092 | 7. | c.1701 | chorale setting "Herr Gott, nun schleuß den Himmel auf" (Neumeister Chorales No. 4) | Organ | IV/9: 8 | after Z 7641b | 01278 | ||
1093 | 7. | c.1704 | chorale setting "Herzliebster Jesu, was hast du verbrochen" (Neumeister Chorales No. 5) | Organ | IV/9: 10 | after Z 983 | 01279 | ||
1094 | 7. | c.1699 | chorale setting "O Jesu, wie ist dein Gestalt" (Neumeister Chorales No. 6) | Organ | IV/9: 12 | after Z 8360 | 01280 | ||
1095 | 7. | c.1704 | chorale setting "O Lamm Gottes unschuldig" (Neumeister Chorales No. 7) | Organ | IV/9: 14 | after Z 4361a | 01281 | ||
1097 | 7. | c.1699 | chorale setting "Ehre sei dir Christe, der du leidest Not" (Neumeister Chorales No. 9) | Organ | IV/9: 18 | after Z 8187h | 01283 | ||
1098 | 7. | c.1704 | chorale setting "Wir glauben all an einen Gott" (Neumeister Chorales No. 10) | Organ | IV/9: 20 | after Z 7971 | 01284 | ||
1099 | 7. | c.1701 | chorale setting "Aus tiefer Not schrei ich zu dir" (Neumeister Chorales No. 11) | Organ | IV/9: 22 | after Z 4438 | 01285 | ||
1100 | 7. | c.1704 | chorale setting "Allein zu dir, Herr Jesu Christ" (Neumeister Chorales No. 12) | Organ | IV/9: 24 | after Z 7292b | 01286 | ||
1101 | 7. | c.1704 | chorale setting "Durch Adams Fall ist ganz verderbt" (Neumeister Chorales No. 15) | Organ | IV/9: 30 | after Z 7549 | 01287 | ||
1102 | 7. | c.1706 | chorale setting "Du Friedefürst, Herr Jesu Christ" (Neumeister Chorales No. 16) | Organ | IV/9: 33 | after Z 4373 | 01288 | ||
1103 | 7. | 1699–1709 | chorale setting "Erhalt uns Herr, bei deinem Wort" (Neumeister Chorales No. 17) | Organ | IV/9: 35 | after Z 350 | 01289 | ||
1104 | 7. | 1699–1709 | chorale setting "Wenn dich Unglück tut greifen an" (Neumeister Chorales No. 19) | Organ | IV/9: 38 | after Z 499 | 01290 | ||
1105 | 7. | c.1701 | chorale setting "Jesu, meine Freude" (Neumeister Chorales No. 20) | Organ | IV/9: 39 | after Z 8032 | 01291 | ||
1106 | 7. | c.1704 | chorale setting "Gott ist mein Heil, mein Hilf und Trost" (Neumeister Chorales No. 21) | Organ | IV/9: 40 | after Z 4421 | 01292 | ||
1107 | 7. | c.1704 | chorale setting "Jesu, meines Lebens Leben" (Neumeister Chorales No. 22) | Organ | IV/9: 42 | after Z 6794 | 01293 | ||
1108 | 7. | c.1704 | chorale setting "Als Jesus Christus in der Nacht" (Neumeister Chorales No. 23) | Organ | IV/9: 44 | after Z 258 | 01294 | ||
1109 | 7. | 1699–1709 | chorale setting "Ach Gott, tu dich erbarmen" (Neumeister Chorales No. 24) | Organ | IV/9: 46 | after Z 7228c | 01295 | ||
1110 | 7. | c.1704 | chorale setting "O Herre Gott, dein göttlich Wort" (Neumeister Chorales No. 25) | Organ | IV/9: 48 | after Z 5690 | 01296 | ||
1111 | 7. | c.1701 | chorale setting "Nun lasset uns den Leib begraben" (Neumeister Chorales No. 26) | Organ | IV/9: 50 | after Z 352 | 01297 | ||
1112 | 7. | c.1699 | chorale setting "Christus, der ist mein Leben" (Neumeister Chorales No. 27) | Organ | IV/9: 52 | after Z 132 | 01298 | ||
1113 | 7. | c.1699 | chorale setting "Ich hab mein Sach Gott heimgestellt" (Neumeister Chorales No. 28) | Organ | IV/9: 54 | after Z 1679 | 01299 | ||
1114 | 7. | c.1701 | chorale setting "Herr Jesu Christ, du höchstes Gut" (Neumeister Chorales No. 29) | Organ | IV/9: 56 | after Z 4486 | 01300 | ||
1115 | 7. | c.1701 | chorale setting "Herzlich lieb hab ich dich, o Herr" (Neumeister Chorales No. 30) | Organ | IV/9: 58 | after Z 8326 | 01301 | ||
1116 | 7. | c.1701 | chorale setting "Was Gott tut, das ist wohlgetan" (Neumeister Chorales No. 31) | Organ | IV/9: 60 | after Z 5629 | 01302 | ||
1117 | 7. | c.1701 | chorale setting "Alle Menschen müssen sterben" (Neumeister Chorales No. 32) | Organ | IV/9: 62 | after Z 6779a | 01303 | ||
1118 | 7. | c.1701 | chorale setting "Werde munter, mein Gemüte" (Neumeister Chorales No. 34) | Organ | IV/9: 66 | after Z 6551 | 01304 | ||
1119 | 7. | c.1699 | chorale setting "Wie nach einer Wasserquelle" (Neumeister Chorales No. 35) | Organ | IV/9: 68 | after Z 1294 | 01305 | ||
1120 | 7. | c.1704 | chorale setting "Christ, der du bist der helle Tag" (Neumeister Chorales No. 36) | Organ | IV/9: 70 | after Z 384 | 01306 | ||
957 | 7. | c.1701 | chorale setting "Machs mit mir, Gott, nach deiner Güt" (Neumeister Chorales No. 33; a.k.a. Fugue = first half in later arr.) | G maj. | Organ | 42: 203 | IV/9: 64, 74 | after Z 2383 | 01134 |
766 | 7. | c.1706 | chorale setting "Christ, der du bist der helle Tag" | Organ | 40: 107 | IV/1: 114 | after Z 384 | 00895 | |
767 | 7. | c.1708 | chorale setting "O Gott, du frommer Gott" | Organ | 40: 114 | IV/1: 122 | after Z 5138 | 00896 | |
768 | 7. | 1708–1717 or earlier | chorale setting "Sei gegrüßet, Jesu gütig" | Organ | 40: 122 | IV/1: 132, 152 | after Z 3889b | 00897 | |
769 | 7. | c.1747–1748 | chorale setting "Vom Himmel hoch da komm ich her'" (canonic variations; print version) | Organ | 40: 137 | IV/2: 197 | after Z 346; → BWV 769a | 00898 | |
769a | 7. | c.1747–1748 | chorale setting "Vom Himmel hoch da komm ich her" (canonic variations; autograph) | Organ | IV/2: 98 | after BWV 769 | 00899 | ||
770 | 7. | c.1704 | chorale setting "Ach, was soll ich Sünder machen" | Organ | 40: 189 | IV/1: 104 | after Z 3574 | 00900 | |
8. | Keyboard compositions (see also: List of solo keyboard compositions by Johann Sebastian Bach) | Up ↑ | |||||||
772 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 1 – Invention No. 1 = WFB No. 32: Preamb. 1 | C maj. | Keyboard | 3: 1 451: 221 | V/5: 48 V/3: 2 | → BWV 772a[28] | 00902 |
772a | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 1a – Invention No. 1a | C maj. | Keyboard | 3: 342 | V/3: 4 | after BWV 772[29] | 00903 |
773 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 2 – Invention No. 2 = WFB No. 46: Preamb. 15 | C min. | Keyboard | 3: 2 451: 223 | V/5: 76 V/3: 6 | [28] | 00904 |
774 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 3 – Invention No. 3 = WFB No. 45: Preamb. 14 | D maj. | Keyboard | 3: 3 451: 223 | V/5: 74 V/3: 8 | [28] | 00905 |
775 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 4 – Invention No. 4 = WFB No. 33: Preamb. 2 | D min. | Keyboard | 3: 4 451: 221 | V/5: 50 V/3: 10 | [28] | 00906 |
776 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 5 – Invention No. 5 = WFB No. 44: Preamb. 13 | E♭ maj. | Keyboard | 3: 6 451: 222 | V/5: 72 V/3: 12 | [28] | 00907 |
777 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 6 – Invention No. 6 = WFB No. 43: Preamb. 12 | E maj. | Keyboard | 3: 7 451: 222 | V/5: 70 V/3: 14 | [28] | 00908 |
778 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 7 – Invention No. 7 = WFB No. 34: Preamb. 3 | E min. | Keyboard | 3: 9 451: 221 | V/5: 52 V/3: 16 | [28] | 00909 |
779 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 8 – Invention No. 8 = WFB No. 35: Preamb. 4 | F maj. | Keyboard | 3: 10 451: 221 | V/5: 54 V/3: 18 | [28] | 00910 |
780 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 9 – Invention No. 9 = WFB No. 42: Preamb. 11 | F min. | Keyboard | 3: 11 451: 222 | V/5: 68 V/3: 20 | [28] | 00911 |
781 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 10 – Invention No. 10 = WFB No. 36: Preamb. 5 | G maj. | Keyboard | 3: 12 451: 221 | V/5: 56 V/3: 22 | [28] | 00912 |
782 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 11 – Invention No. 11 = WFB No. 41: Preamb. 10 | G min. | Keyboard | 3: 13 451: 222 | V/5: 66 V/3: 24 | [28] | 00913 |
783 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 12 – Invention No. 12 = WFB No. 40: Preamb. 9 | A maj. | Keyboard | 3: 14 451: 222 | V/5: 64 V/3: 26 | [28] | 00914 |
784 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 13 – Invention No. 13 = WFB No. 37: Preamb. 6 | A min. | Keyboard | 3: 15 451: 221 | V/5: 58 V/3: 28 | [28] | 00915 |
785 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 14 – Invention No. 14 = WFB No. 39: Preamb. 8 | B♭ maj. | Keyboard | 3: 16 451: 222 | V/5: 62 V/3: 30 | [28] | 00916 |
786 | 8. | 1720-01-22 1725-01-22 | Inventions and Sinfonias No. 15 – Invention No. 15 = WFB No. 38: Preamb. 7 | B min. | Keyboard | 3: 18 451: 222 | V/5: 60 V/3: 32 | [28] | 00917 |
787 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 16 – Sinfonia No. 1 = WFB No. 49: Fantasia 1 | C maj. | Keyboard | 3: 19 451: 227 | V/5: 90 V/3: 34 | [28] | 00918 |
788 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 17 – Sinfonia No. 2 = WFB No. 63: Fantasia 15 | C min. | Keyboard | 3: 20 451: 231 | V/5: 118 V/3: 36 | [28] | 00919 |
789 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 18 – Sinfonia No. 3 = WFB No. 62: Fantasia 14 | D maj. | Keyboard | 3: 22 451: 230 | V/5: 116 V/3: 38 | [28] | 00920 |
790 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 19 – Sinfonia No. 4 = WFB No. 50: Fantasia 2 | D min. | Keyboard | 3: 23 451: 227 | V/5: 92 V/3: 40 | [28] | 00921 |
791 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 20 – Sinfonia No. 5 = WFB No. 61: Fantasia 13 | E♭ maj. | Keyboard | 3: 24 451: 230 | V/5: 114 V/3: 42 | → BWV 791a[28] | 00922 |
791a | 8. | 1723 | Sinfonias and Inventions No. 20a – Sinfonia No. 5a | E♭ maj. | Keyboard | V/3: 44, 80 | after BWV 791[30] | 00923 | |
792 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 21 – Sinfonia No. 6 = WFB No. 60: Fantasia 12 | E maj. | Keyboard | 3: 26 451: 229 | V/5: 112 V/3: 46 | [28] | 00924 |
793 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 22 – Sinfonia No. 7 = WFB No. 51: Fantasia 3 | E min. | Keyboard | 3: 28 451: 227 | V/5: 94 V/3: 48 | [28] | 00925 |
794 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 23 – Sinfonia No. 8 = WFB No. 52: Fantasia 4 | F maj. | Keyboard | 3: 29 451: 227 | V/5: 96 V/3: 50 | [28] | 00926 |
795 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 24 – Sinfonia No. 9 = WFB No. 59: Fantasia 11 | F min. | Keyboard | 3: 30 451: 229 | V/5: 110 V/3: 52 | [28] | 00927 |
796 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 25 – Sinfonia No. 10 = WFB No. 53: Fantasia 5 | G maj. | Keyboard | 3: 32 451: 228 | V/5: 98 V/3: 54 | [28] | 00928 |
797 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 26 – Sinfonia No. 11 = WFB No. 58: Fantasia 10 | G min. | Keyboard | 3: 34 451: 229 | V/5: 108 V/3: 56 | [28] | 00929 |
798 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 27 – Sinfonia No. 12 = WFB No. 57: Fantasia 9 | A maj. | Keyboard | 3: 36 451: 229 | V/5: 106 V/3: 58 | [28] | 00930 |
799 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 28 – Sinfonia No. 13 = WFB No. 54: Fantasia 6 | A min. | Keyboard | 3: 38 451: 228 | V/5: 100 V/3: 60 | [28] | 00931 |
800 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 29 – Sinfonia No. 14 = WFB No. 56: Fantasia 8 | B♭ maj. | Keyboard | 3: 40 451: 228 | V/5: 104 V/3: 62 | [28] | 00932 |
801 | 8. | 1720-01-22 1725-01-22 | Sinfonias and Inventions No. 30 – Sinfonia No. 15 = WFB No. 55: Fantasia 7 | B min. | Keyboard | 3: 41 451: 228 | V/5: 102 V/3: 64 | [28] | 00933 |
802 | 8. | 1739 | Duet No. 1 from Clavier-Übung III | E min. | Organ | 3: 242 | IV/4: 92 | 00934 | |
803 | 8. | 1739 | Duet No. 2 from Clavier-Übung III | F maj. | Organ | 3: 245 | IV/4: 96 | 00935 | |
804 | 8. | 1739 | Duet No. 3 from Clavier-Übung III | G maj. | Organ | 3: 248 | IV/4: 99 | 00936 | |
805 | 8. | 1739 | Duet No. 4 from Clavier-Übung III | A min. | Organ | 3: 251 | IV/4: 102 | 00937 | |
806 | 8. | 1714–1723 | English Suites, No. 1 | A maj. | Keyboard | 451: 3 132: 3 | V/7: 2 | 00938 | |
806a | 8. | 1714–1717 | English Suites, No. 1a | A maj. | Keyboard | V/7: 116 | 00939 | ||
807 | 8. | 1725 or earlier | English Suites, No. 2 | A min. | Keyboard | 451: 16 132: 16 | V/7: 20 | 00940 | |
808 | 8. | 1725 or earlier | English Suites, No. 3 | G min. | Keyboard | 451: 30 132: 30 | V/7: 38 | 00941 | |
809 | 8. | 1725 or earlier | English Suites, No. 4 | F maj. | Keyboard | 451: 41 132: 41 | V/7: 54 | 00942 | |
810 | 8. | 1725 or earlier | English Suites, No. 5 | E min. | Keyboard | 451: 53 132: 53 | V/7: 70 | 00943 | |
811 | 8. | 1725 or earlier | English Suites, No. 6 | D min. | Keyboard | 451: 68 132: 68 | V/7: 90 | 00944 | |
812 | 8. | 1722 or earlier | Notebook A. M. Bach (1722) No. 1 – French Suites, No. 1 | D min. | Keyboard | 432: VI | V/4: 3 | 00945 | |
Notebook A. M. Bach (1725) No. 30 – French Suites, No. 1 | 432: 40 | V/4: 109 | |||||||
French Suites, No. 1 – Version A (Altnickol) | 451: 89 132: 89 | V/8: 2 | |||||||
French Suites, No. 1 – Version B (early version) | V/8: 64 | ||||||||
813 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 2 – French Suites, No. 2 | C min. | Keyboard | 432: VI | V/4: 10, 42 | 00946 | |
Notebook A. M. Bach (1725) No. 31 – French Suites, No. 2 | 432: 44 | V/4: 116 | |||||||
French Suites, No. 2 – Version A (Altnickol) | 451: 94 132: 94 | V/8: 10 | |||||||
French Suites, No. 2 – Version B (early version) | V/8: 72 | ||||||||
36: 236 | |||||||||
814 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 3 – French Suites, No. 3 | B min. | Keyboard | 432: VII | V/4: 16, 43 | → BWV 814a | 00948 |
French Suites, No. 3 – Version A (Altnickol) | 451: 100 132: 100 | V/8: 20 | |||||||
French Suites, No. 3 – Version B (early version) | V/8: 82 | ||||||||
814a | 8. | c. 1720–1739 | French Suites, No. 3 – Variant | B min. | Keyboard | 451: 100 36: 237 132: 100 | V/8: 166 | after BWV 814/1–/5, 929, 814/7 | 00949 |
815 | 8. | c. 1722–1725 | Notebook A. M. Bach (1722) No. 4 French Suites, No. 4 | E♭ maj. | Keyboard | 432: VII | V/4: 23 | → BWV 815a | 00950 |
French Suites, No. 4 – Version A (Altnickol) | 451: 106 132: 106 | V/8: 30 | |||||||
French Suites, No. 4 – Version B (early version) | V/8: 92 | ||||||||
36: 236 | |||||||||
815a | 8. | c. 1722–1725 or later | French Suites, No. 4 – Variant | E♭ maj. | Keyboard | 36: 234 451: 106 132: 108 | V/8: 176 | after BWV 815/1–/5 | 00951 |
816 | 8. | c. 1724–1725 | Notebook A. M. Bach (1722) No. 5 French Suites, No. 5 | G maj. | Keyboard | 432: VII | V/4: 30 | 00952 | |
French Suites, No. 5 – Version A (Altnickol) | 451: 112 132: 112 | V/8: 40 | |||||||
French Suites, No. 5 – Version B (early version) | V/8: 102 | ||||||||
817 | 8. | c.1725 or later | French Suites, No. 6 – Version A (Altnickol) | E maj. | Keyboard | 451: 120 132: 120 | V/8: 52 | 00953 | |
French Suites, No. 6 – Version B (early version) | V/8: 114 | ||||||||
818 | 8. | 1720–1722 | Suite for keyboard (early version) | A min. | Keyboard | 36: 3 | V/8: 129 | 00954 | |
818a | 8. | after 1721 | Suite for keyboard (later version) | A min. | Keyboard | 36: 213 | V/8: 146 | 00955 | |
819 | 8. | before 1726 | Suite for keyboard (early version) | E♭ maj. | Keyboard | 36: 8 | V/8: 136 | 00956 | |
819a | 8. | 1725–1728 | Suite for keyboard (later version) | E♭ maj. | Keyboard | 36: 217 | V/8: 156 | 00957 | |
820 | 8. | 1705–1713 | Suite (Ouverture) for keyboard | F maj. | Keyboard | 36: 14 | V/10: 43 | 00958 | |
822 | 8. | Suite for keyboard | G min. | Keyboard | V/10: 68 | after unknown model? | 00960 | ||
823 | 8. | before 1727 | Suite for keyboard | F min. | Keyboard | 36: 229 | V/10: 50 | 00961 | |
825 | 8. | 1725–1726 | Partita No. 1 from Clavier-Übung I | B♭ maj. | Keyboard | 3: 46 | V/1: 2 | 00963 | |
826 | 8. | 1725–1727 | Partita No. 2 from Clavier-Übung I | C min. | Keyboard | 3: 56 | V/1: 15 | 00964 | |
827 | 8. | 1725–1727 | Notebook A. M. Bach (1725) No. 1 = Partita No. 3 from Clavier-Übung I | A min. | Keyboard | 3: 70 | V/1: 35 V/4: 47 | 00964 | |
828 | 8. | 1725–1728 | Partita No. 4 from Clavier-Übung I | D maj. | Keyboard | 3: 82 | V/1: 50 | 00966 | |
829 | 8. | 1725–1730 | Partita No. 5 from Clavier-Übung I | G maj. | Keyboard | 3: 102 | V/1: 72 | 00967 | |
830 | 8. | 1725–1730 | Notebook A. M. Bach (1725) No. 2 = Partita No. 6 from Clavier-Übung I | E min. | Keyboard | 3: 116 | V/1: 90 V/4: 60 | after BWV 1019a/3 /5 | 00968 |
831 | 8. | 1733–1735 | Overture in the French style (Clavier-Übung II No. 2) | B min. | Harpsichord | 3: 154 | V/2: 20 | after BWV 831a | 00969 |
831a | 8. | 1727–1733 | Overture in the French style (early version) | C min. | Keyboard | V/2: 43 | → BWV 831 | 00970 | |
832 | 8. | before 1707 | Suite for keyboard | A maj. | Keyboard | 42: 255 | V/10: 54 | in Möllersche Handschrift | 00971 |
833 | 8. | before 1707 | Prelude and partita for keyboard | F maj. | Keyboard | V/10: 60 | in Möllersche Handschrift | 00972 | |
836 | 8. | 1720–1721 | Allemande, Klavierbüchlein WFB No. 6 | G min. | Keyboard | 451: 214 | V/5: 8 | by Bach, W. F. & J. S.? | 00975 |
837 | 8. | 1720–1721 | Allemande, Klavierbüchlein WFB No. 7 (incomplete) | G min. | Keyboard | 451: 215 | V/5: 10 | by Bach, W. F. & J. S.? | 00976 |
841 | 8. | 1720–1721 | Notebook A. M. Bach (1722) No. 11 Menuet = WFB No. 11: Menuet 1 | G maj. | Keyboard | 36: 209 451: 215 | V/5: 16 V/4: 44 | by Bach, W. F. & J. S.? | 00980 |
842 | 8. | 1720–1721 | Klavierbüchlein WFB No. 12: Menuet 2 | G min. | Keyboard | 36: 209 451: 216 | V/5: 17 | by Bach, W. F. (BR A43) & J. S.? | 00981 |
843 | 8. | 1720–1721 | Klavierbüchlein WFB No. 13: Menuet 3 | G maj. | Keyboard | 36: 210 451: 216 | V/5: 18 | 00982 | |
846 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 1 | C maj. | Keyboard | 14: 3 | V/6.1: 2 | after BWV 846a | 00986 |
846/1 | 8. | 1725 (AMB) | Notebook A. M. Bach (1725) No. 29 Prelude (short version of WTC I No. 1/1) | C maj. | Keyboard | V/4: 107 | 00986 | ||
846a | 8. | 1720 | Klavierbüchlein WFB No. 14: Praeludium 1 (early WTC I No. 1/1) | C maj. | Keyboard | 451: 216 | V/5: 19 V/6.1: 127 | → BWV 846/1 | 00987 |
847 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 2 (/1 = WFB No. 15: Praeludium 2) | C min. | Keyboard | 14: 6 451: 216 | V/5: 20 V/6.1: 2 | after BWV 847a | 00988 |
847a | 8. | Prelude and Fughetta (early WTC I No. 2) | C min. | Keyboard | V/6.1: 130 | → BWV 847 | 00989 | ||
848 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 3 (/1 = WFB No. 21: Praeludium [8]) | C♯ maj. | Keyboard | 14: 10 451: 218 | V/5: 30 V/6.1: 2 | after BWV 848a | 00990 |
848a | 8. | Prelude and Fughetta (early WTC I No. 3) | C♯ maj. | Keyboard | V/6.1: 134 | → BWV 848 | 00991 | ||
849 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 4 (/1 = WFB No. 22: Praeludium [9]) | C♯ min. | Keyboard | 14: 14 451: 218 | V/5: 32 V/6.1: 2 | after BWV 849a | 00992 |
849a | 8. | Prelude and Fughetta (early WTC I No. 4) | C♯ min. | Keyboard | V/6.1: 140 | → BWV 849 | 00993 | ||
850 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 5 (/1 = WFB No. 17: Praeludium 4) | D maj. | Keyboard | 14: 18 451: 217 | V/5: 23 V/6.1: 2 | after BWV 850a | 00994 |
850a | 8. | Prelude and Fughetta (early WTC I No. 5) | D maj. | Keyboard | V/6.1: 146 | → BWV 850 | 00995 | ||
851 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 6 (/1 = WFB No. 16: Praeludium 3) | D min. | Keyboard | 14: 22 451: 217 | V/5: 22 V/6.1: 2 | after BWV 851a | 00996 |
851a | 8. | Prelude and Fughetta (early WTC I No. 6) | D min. | Keyboard | V/6.1: 150 | → BWV 851 | 00997 | ||
852 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 7 | E♭ maj. | Keyboard | 14: 26 | V/6.1: 32 | after BWV 852a | 00998 |
852a | 8. | Prelude and Fughetta (early WTC I No. 7) | E♭ maj. | Keyboard | V/6.1: 154 | → BWV 852 | 00999 | ||
853 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 8 (/1 = WFB No. 23: Praeludium [10]) | E♭ min. D♯ min. | Keyboard | 14: 32 451: 218 | V/5: 34 V/6.1: 38 | after BWV 853a; → K. 404a/1 | 01000 |
853a | 8. | Prelude and Fughetta (early WTC I No. 8) | E♭ min. D♯ min. | Keyboard | V/6.1: 160 | → BWV 853 | 01001 | ||
854 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 9 (/1 = WFB No. 19: Praeludium 6) | E maj. | Keyboard | 14: 36 451: 218 | V/5: 26 V/6.1: 44 | after BWV 854a | 01002 |
854a | 8. | Prelude and Fughetta (early WTC I No. 9) | E maj. | Keyboard | V/6.1: 166 | → BWV 854 | 01003 | ||
855 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 10 | E min. | Keyboard | 14: 38 | V/6.1: 48 | after BWV 855a | 01004 |
855a | 8. | c.1720 | Prelude and Fughetta (early WTC I No. 10) (/1 = WFB No. 18: Praeludium 5) | E min. | Keyboard | 451: 217 | V/5: 24 V/6.1: 170 | → BWV 855 | 01005 |
856 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 11 (/1 = WFB No. 20: Praeludium 7) | F maj. | Keyboard | 14: 42 451: 218 | V/5: 28 V/6.1: 54 | after BWV 856a | 01006 |
856a | 8. | Prelude and Fughetta (early WTC I No. 11) | F maj. | Keyboard | V/6.1: 174 | → BWV 856 | 01007 | ||
857 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 12 (/1 = WFB No. 24: Praeludium [11]) | F min. | Keyboard | 14: 44 451: 218 | V/5: 36 V/6.1: 58 | after BWV 857a | 01008 |
857a | 8. | Prelude and Fughetta (early WTC I No. 12) | F min. | Keyboard | V/6.1: 178 | → BWV 857 | 01009 | ||
858 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 13 | F♯ maj. | Keyboard | 14: 48 | V/6.1: 64 | after BWV 858a | 01010 |
858a | 8. | Prelude and Fughetta (early WTC I No. 13) | F♯ maj. | Keyboard | V/6.1: 184 | → BWV 858 | 01011 | ||
859 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 14 | F♯ min. | Keyboard | 14: 50 | V/6.1: 64 | after BWV 859a | 01012 |
859a | 8. | Prelude and Fughetta (early WTC I No. 14) | F♯ min. | Keyboard | V/6.1: 188 | → BWV 859 | 01013 | ||
860 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 15 | G maj. | Keyboard | 14: 52 | V/6.1: 72 | after BWV 860a | 01014 |
860a | 8. | Prelude and Fughetta (early WTC I No. 15) | G maj. | Keyboard | V/6.1: 192 | → BWV 860 | 01015 | ||
861 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 16 | G min. | Keyboard | 14: 57 | V/6.1: 78 | after BWV 861a | 01016 |
861a | 8. | Prelude and Fughetta (early WTC I No. 16) | G min. | Keyboard | V/6.1: 198 | → BWV 861 | 01017 | ||
862 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 17 | A♭ maj. | Keyboard | 14: 60 | V/6.1: 82 | after BWV 862a | 01018 |
862a | 8. | Prelude and Fughetta (early WTC I No. 17) | A♭ maj. | Keyboard | V/6.1: 202 | → BWV 862 | 01019 | ||
863 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 18 | G♯ min. | Keyboard | 14: 64 | V/6.1: 86 | after BWV 863a | 01020 |
863a | 8. | Prelude and Fughetta (early WTC I No. 18) | G♯ min. | Keyboard | V/6.1: 206 | → BWV 863 | 01021 | ||
864 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 19 | A maj. | Keyboard | 14: 66 | V/6.1: 90 | after BWV 864a | 01022 |
864a | 8. | Prelude and Fughetta (early WTC I No. 19) | A maj. | Keyboard | V/6.1: 210 | → BWV 864 | 01023 | ||
865 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 20 | A min. | Keyboard | 14: 70 | V/6.1: 96 | after BWV 865a | 01024 |
865a | 8. | Prelude and Fughetta (early WTC I No. 20) | A min. | Keyboard | V/6.1: 216 | → BWV 865 | 01025 | ||
866 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 21 | B♭ maj. | Keyboard | 14: 74 | V/6.1: 104 | after BWV 866a | 01026 |
866a | 8. | Prelude and Fughetta (early WTC I No. 21) | B♭ maj. | Keyboard | V/6.1: 224 | → BWV 866 | 01027 | ||
867 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 22 | B♭ min. | Keyboard | 14: 78 | V/6.1: 108 | after BWV 867a; → Hess 38 | 01028 |
867a | 8. | Prelude and Fughetta (early WTC I No. 22) | B♭ min. | Keyboard | V/6.1: 228 | → BWV 867 | 01029 | ||
868 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 23 | B maj. | Keyboard | 14: 82 | V/6.1: 112 | after BWV 868a | 01030 |
868a | 8. | Prelude and Fughetta (early WTC I No. 23) | B maj. | Keyboard | V/6.1: 232 | → BWV 868 | 01031 | ||
869 | 8. | 1722 | Well-Tempered Clavier I, P. & F. No. 24 | B min. | Keyboard | 14: 84 | V/6.1: 116 | after BWV 869a | 01032 |
869a | 8. | Prelude and Fughetta (early WTC I No. 24) | B min. | Keyboard | V/6.1: 236 | → BWV 869 | 01033 | ||
870b 870/2 | 8. | 1739–1742 | Well-Tempered Clavier II, P. & F. No. 1 (version A) | C maj. | Keyboard | 451: 243 14: 94 | V/6.2: 2, 6, 342 | 01036 | |
871 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 2 | C min. | Keyboard | 14: 96 | V/6.2: 8, 160 | → K. 405/1 | 01037 |
872 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 3 | C♯ maj. | Keyboard | 14: 100 | V/6.2: 12, 164, 352 | after BWV 872a | 01038 |
872a/1 | 8. | 1739–1740 | Prelude (early WTC II, P. & F. No. 3/1) | C maj. | Keyboard | 14: 243 | V/6.2: 344 | → BWV 872/1 | 01039 |
872a/2 | 8. | 1738 | Fughetta (early WTC II, P. & F. No. 3/2) | C maj. | Keyboard | 36: 224 | V/6.2: 358 | → BWV 872/2 | 01039 |
873 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 4 | C♯ maj. | Keyboard | 14: 104 | V/6.2: 16, 168 | 01040 | |
874 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 5 | D maj. | Keyboard | 14: 108 | V/6.2: 24, 176 | → K. 405/5 | 01041 |
875 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 6 | D min. | Keyboard | 14: 112 | V/6.2: 30 182, 348, 356 | after BWV 875a | 01042 |
875a | 8. | 1739–1740 | Preambulum (early WTC II, P. & F. No. 6/1) | D min. | Keyboard | 36: 224 | V/6.2: 346 | → BWV 875/1 | 01043 |
876 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 7 | E♭ maj. | Keyboard | 14: 116 | V/6.2: 36, 188, 354 | → K. 405/2 | 01044 |
877 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 8 | D♯ min. | Keyboard | 14: 120 | V/6.2: 42, 194 | → K. 405/4 | 01045 |
878 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 9 | E maj. | Keyboard | 14: 124 | V/6.2: 48, 200 | → K. 405/3 | 01046 |
879 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 10 | E min. | Keyboard | 14: 128 | V/6.2: 54, 206 | 01047 | |
880 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 11 | F maj. | Keyboard | 14: 134 | V/6.2: 62, 215 | 01048 | |
881 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 12 | F min. | Keyboard | 14: 138 | V/6.2: 69, 221 | 01049 | |
882 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 13 | F♯ maj. | Keyboard | 14: 142 | V/6.2: 76, 228 | → K. 404a/3 | 01050 |
883 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 14 | F♯ min. | Keyboard | 14: 146 | V/6.2: 84, 236 | → K. 404a/2 | 01051 |
884 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 15 | G maj. | Keyboard | 14: 150 | V/6.2: 90, 242, 350 | after BWV 902/2 | 01052 |
885 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 16 | G min. | Keyboard | 14: 154 | V/6.2: 94, 246 | 01053 | |
886 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 17 | A♭ maj. | Keyboard | 14: 160 | V/6.2: 100, 108, 252 | after BWV 901/2 | 01054 |
887 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 18 | G♯ min. | Keyboard | 14: 166 | V/6.2: 112, 260 | 01055 | |
888 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 19 | A maj. | Keyboard | 14: 172 | V/6.2: 120, 268 | 01056 | |
889 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 20 | A min. | Keyboard | 14: 176 | V/6.2: 124, 272 | 01057 | |
890 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 21 | B♭ maj. | Keyboard | 14: 180 | V/6.2: 128, 276 | 01058 | |
891 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 22 | B♭ min. | Keyboard | 14: 186 | V/6.2: 134, 282 | 01059 | |
892 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 23 | B maj. | Keyboard | 14: 192 | V/6.2: 142, 290 | 01060 | |
893 | 8. | 1739–1742 1744 | Well-Tempered Clavier II, P. & F. No. 24 | B min. | Keyboard | 14: 198 | V/6.2: 150, 298 | 01061 | |
870 | 8. | 1744 | Well-Tempered Clavier II, P. & F. No. 1 (version B) | C maj. | Keyboard | 14: 91 | V/6.2: 156 | after BWV 870a | 01034 |
894 | 8. | 1710–1717 (JTK) | Prelude and Fugue | A min. | Keyboard | 36: 91 | V/9.2: 40 | → BWV 1044/1, /3; in SBB P 801, P 804 | 01062 |
895 | 8. | 1709 (JCB) | Prelude and Fugue | A min. | Keyboard | 36: 104 | V/9.2: 69 | in Yale LM 4982 | 01063 |
896 | 8. | 1704–1707 | Prelude and Fugue | A maj. | Keyboard | 36: 157 | V/9.2: 72 | in Möllersche Handschrift | 01064 |
870a | 8. | before 1727 | Prelude and Fughetta | C maj. | Keyboard | 36: 224 | V/6.2: 307, 310 | → BWV 870; in SBB P 804, P 1089 | 01035 |
899 | 8. | before 1727 | Prelude and Fughetta | D min. | Keyboard | 36: 106 | V/6.2: 314 V/12: 24 | in SBB P 804, P 1089 | 01068 |
900 | 8. | before 1727 | Prelude and Fughetta | E min. | Keyboard | 36: 108 | V/6.2 V/12 | in SBB P 804, P 1089 | 01069 |
901 | 8. | before 1727 | Prelude and Fughetta | F maj. | Keyboard | 36: 112 | V/6.2: 324 | → BWV 886/2; in SBB P 1089 | 01070 |
902 | 8. | c.1729 | Prelude and Fughetta | G maj. | Keyboard | 36: 114 | V/6.2: 328 | → BWV 884/2; in SBB P 804, P 1089 | 01071 |
902/1a | 8. | before 1727 | Prelude (previous Prelude to BWV 902/2) | G maj. | Keyboard | 36: 220 | V/6.2: 334, 338 | → BWV 884/2; in SBB P 804 | 01072 |
903 | 8. | Chromatic Fantasia and Fugue | D min. | Keyboard | 36: 71 | V/9.2: 76 | after BWV 903a; in SBB P 803, P 651 | 01073 | |
903a | 8. | Fantasia (early BWV 903/1) | D min. | Keyboard | 36: 219 | V/9.2: 90 | → BWV 903/1; in D-DS Mus. ms. 69 | 01074 | |
904 | 8. | before 1727 | Fantasia and Fugue | A min. | Keyboard | 36: 81 | V/9.2 | in SBB P 804 | 01075 |
906 | 8. | before 1729 c.1738 | Fantasia and Fugue (Fugue incomplete) | C min. | Keyboard | 36: 145, 238 | V/9.2: 110 | in US-BETbc, D-Dl Mus.2405-T-52 | 01077 |
910 | 8. | 1707–1713 | Toccata | F♯ min. | Kb (or) Org | 3: 311 | V/9.1: 1 | in Andreas-Bach-Buch | 01081 |
911 | 8. | 1707–1713 | Toccata | C min. | Kb (or) Org | 3: 322 | V/9.1: 13 | in Andreas-Bach-Buch | 01082 |
912 | 8. | 1707–1713 | Toccata | D maj. | Kb (or) Org | 36: 26 | V/9.1: 38 | after BWV 912a; ↔ BWV 532/1 | 01083 |
912a | 8. | 1704–1707 | Toccata | D maj. | Kb (or) Org | 36: 218 | V/9.1: 26 | → BWV 912; in Möllersche Handschrift | 01084 |
913 | 8. | 1707–1709 | Toccata | D min. | Kb (or) Org | 36: 36 | V/9.1: 50, 63 | after BWV 913a | 01085 |
913a | 8. | Toccata | D min. | Kb (or) Org | V/9.1: 52 | → BWV 913; publ. 1801 | 01086 | ||
914 | 8. | 1707–1709 | Toccata | E min. | Kb (or) Org | 36: 47 | V/9.1: 78 | 01087 | |
915 | 8. | 1707–1709 | Toccata | G min. | Kb (or) Org | 36: 54 | V/9.1: 87 | 01088 | |
916 | 8. | 1707–1713 | Toccata | G maj. | Kb (or) Org | 36: 63 | V/9.1: 100 | in Andreas-Bach-Buch | 01089 |
917 | 8. | 1704–1707 | Fantasia | G min. | Keyboard | 36: 143 | V/9.1: 14, 16 | in Möllersche Handschrift | 01090 |
918 | 8. | Fantasia on a Rondo | C min. | Keyboard | 36: 148 | V/9.1: 14, 18 | 01091 | ||
921 | 8. | 1707–1713 | Prelude | C min. | Keyboard | 36: 136 | V/9.1: 24 | in Andreas-Bach-Buch | 01094 |
922 | 8. | 1710–1714 (JTK) | Prelude (Fantasia) | A min. | Keyboard | 36: 138 | V/9.2: 27, 34 | in SBB P 803 | 01095 |
923 | 8. | c.1723? | Prelude | B min. | Keyboard | 42: 211 | V/9.2: 116 | by Pachelbel, W. H.?; → BWV 923a; in SBB P 401 | 01096 |
924 | 8. | c.1720 | Twelve Little Preludes No. 1: Preambulum (WFB No. 2) | C maj. | Keyboard | 36: 118 451: 214 | V/5: 4 | → BWV 924a | 01098 |
924a | 8. | 1720–1726 | Twelve Little Preludes No. 1a: Preludium ex c♮ (WFB No. 26) | C maj. | Keyboard | 36: 221 451: 220 | V/5: 41 | after BWV 924; BR A44 F(add) 206 | 01099 |
925 | 8. | 1720–1726 | Twelve Little Preludes No. 4: Preludium ex d♮ (WFB No. 27) | D maj. | Keyboard | 36: 121 451: 220 | V/5: 42 | BR A45 F(add) 206 | 01100 |
926 | 8. | c.1720 | Twelve Little Preludes No. 5: Preludium (WFB No. 4) | D min. | Keyboard | 36: 122 451: 214 | V/5: 6 | 01101 | |
927 | 8. | 1720–1726 | Twelve Little Preludes No. 8: Preambulum (WFB No. 8) | F maj. | Keyboard | 36: 124 451: 215 | V/5: 10 | 01102 | |
928 | 8. | 1720–1726 | Twelve Little Preludes No. 9: Preludium (WFB No. 10) | F maj. | Keyboard | 36: 124 451: 215 | V/5: 14 | 01103 | |
929 | 8. | 1720–1726 | Twelve Little Preludes No. 10: Trio for a Minuet by Stölzel (WFB No. 48e) | G min. | Keyboard | 36: 126 451: 226 | V/5: 89 | → BWV 814a | 01104 |
930 | 8. | 1720–1726 | Twelve Little Preludes No. 11: Preambulum (WFB No. 9) | G min. | Keyboard | 36: 126 451: 215 | V/5: 12 | 01105 | |
931 | 8. | 1720–1726 | Preludium, Klavierbüchlein WFB No. 29 | A min. | Keyboard | 36: 237 451: 220 | V/5: 45 | BR A47 F(add) 206 | 01106 |
932 | 8. | 1720–1726 | Preludium ex e♭, Klavierbüchlein WFB No. 28 (incomplete) | E min. | Keyboard | 36: 237 451: 220 | V/5: 44 | BR A46 F(add) 206 | 01107 |
933 | 8. | 1717–1723? | Six Little Preludes No. 1 | C maj. | Keyboard | 36: 128 | V/9.2: 3 | in SBB P 542, P 885 | 01108 |
934 | 8. | 1717–1723? | Six Little Preludes No. 2 | C min. | Keyboard | 36: 128 | V/9.2: 4 | in SBB P 542, P 885 | 01109 |
935 | 8. | 1717–1723? | Six Little Preludes No. 3 | D min. | Keyboard | 36: 130 | V/9.2: 5 | in SBB P 542, P 885 | 01110 |
936 | 8. | 1717–1723? | Six Little Preludes No. 4 | D maj. | Keyboard | 36: 131 | V/9.2: 6 | in SBB P 542, P 885 | 01111 |
937 | 8. | 1717–1723? | Six Little Preludes No. 5 | E maj. | Keyboard | 36: 132 | V/9.2: 8 | in SBB P 542, P 885 | 01112 |
938 | 8. | 1717–1723? | Six Little Preludes No. 6 | E min. | Keyboard | 36: 133 | V/9.2: 10 | in SBB P 542, P 885 | 01113 |
939 | 8. | 1726–1727 | Five Little Preludes No. 1 (=12 L. P. No. 2) | C maj. | Keyboard | 36: 119 | V/12: 50 | by Bach?; in SBB P 804 | 01114 |
940 | 8. | 1726–1727 | Five Little Preludes No. 2 (=12 L. P. No. 6) | D min. | Keyboard | 36: 123 | V/12: 50 | by Bach?; in SBB P 804 | 01115 |
941 | 8. | 1726–1727 | Five Little Preludes No. 3 (=12 L. P. No. 7) | E min. | Keyboard | 36: 123 | V/12: 51 | by Bach?; in SBB P 804 | 01116 |
942 | 8. | 1726–1727 | Five Little Preludes No. 4 (=12 L. P. No. 12) | A min. | Keyboard | 36: 127 | V/12: 52 | by Bach?; in SBB P 804 | 01117 |
943 | 8. | 1725–1727 | Five Little Preludes No. 5 | C maj. | Org (Kb?) | 36: 134 | V/12: 53 | in SBB P 804 | 01118 |
944 | 8. | 1707–1713 | Fantasia and Fugue | A min. | Keyboard | 3: 334 | V/9.2: 133 | in Andreas-Bach-Buch | 01119 |
946 | 8. | early work? | Fugue on a theme by Albinoni | C maj. | Keyboard | 36: 159 | V/9.2: 153 | after Albinoni, Op. 1, No. 12/4 (theme) | 01121 |
947 | 8. | early work? | Fugue | A min. | Keyboard | 36: 161 | V/12: 55 | by Bach? | 01122 |
948 | 8. | early work? | Fugue | D min. | Keyboard | 36: 164 | V/9.2: 156 | in D-B N. Mus. ms. 10580 | 01123 |
949 | 8. | 1707–1713 | Fugue | A maj. | Keyboard | 36: 169 | V/9.2: 163 | after Albinoni (theme)?; in Andreas-Bach-Buch | 01124 |
950 | 8. | before 1725 | Fugue on a theme by Albinoni | A maj. G maj. | Keyboard | 36: 173 | V/9.2: 168 | after Albinoni (theme); in SBB P 804 | 01125 |
951 | 8. | 1714–1717 | Fugue on a theme by Albinoni | B min. | Keyboard | 36: 178 | V/9.2: 118 | after BWV 951a; in SBB P 801 | 01126 |
951a | 8. | 1714–1717 | Fugue on a theme by Albinoni (early version) | B min. | Keyboard | 36: 221 | V/9.2: 127 | after Albinoni (theme); → BWV 951; in D-LEm Poel. mus. Ms. 9 | 01127 |
952 | 8. | Fugue | C maj. | Keyboard | 36: 184 | V/9.2: 176 | 01128 | ||
953 | 8. | 1720–1726 | Fugue a 3, Klavierbüchlein WFB No. 31 | C maj. | Keyboard | 36: 186 451: 220 | V/5: 46 | 01129 | |
954 | 8. | early work? | Fugue on a theme by Reincken | B♭ maj. | Keyboard | 42: 50 | V/11: 200 | after Reincken, Hortus Musicus No. 2/2 (theme)[31] | 01130 |
955 | 8. | early work | Fugue | B♭ maj. | Keyboard | 42: 55 | V/12: 60 | after BWV 955a; in SBB P 425, P 804 | 01131 |
955a | 8. | early work | Fugue | B♭ maj. | Organ | 42: 298 | V/12: 65 | by Erselius?; → BWV 955; in SBB P 247, P 595 | 01132 |
959 | 8. | Fugue | A min. | Keyboard | 42: 208 | V/9.2: 178 | by Bach? | 01136 | |
961 | 8. | ? | Fughetta | C min. | Keyboard | 36: 154 | V/9.2: 182 | in SBB P 823 | 01138 |
963 | 8. | early work | Sonata for keyboard | D maj. | Keyboard | 36: 19 | V/10: 32 | in SBB P 804 | 01140 |
965 | 8. | c.1714–1717 or earlier | Sonata for keyboard after Reincken | A min. | Keyboard | 42: 29 | V/11: 173 | after Reincken, Hortus Musicus No. 1/1–/5; in SBB P 803 | 01142 |
966 | 8. | c.1714–1717 or earlier | Sonata for keyboard after Reincken | A min. | Keyboard | 42: 42 | V/11: 188 | after Reincken, Hortus Musicus No. 3/1–/5; in SBB P 803 | 01143 |
967 | 8. | 1704–1707 | Sonata transcription, 1st movement | A min. | Keyboard | 451: 168 | V/9.2: 184 | in SBB P 804 | 01144 |
971 | 8. | 1733–1735 | Italian Concerto (Clavier-Übung II No. 1) | F maj. | Harpsichord | 3: 139 | V/2: 2 | 01148 | |
972 | 8. | July 1713– July 1714 | Concerto for solo keyboard (1/16) | D maj. | Keyboard | 42: 59 | V/11: 3 | after Vivaldi, Op. 3 No. 9 | 01149 |
972a | 8. | July 1713– July 1714 | Concerto for solo keyboard (1/16), early version | D maj. | Keyboard | V/11: 161 | after Vivaldi, Op. 3 No. 9 | 01150 | |
973 | 8. | July 1713– July 1714 | Concerto for solo keyboard (2/16) | G maj. | Keyboard | 42: 59 | V/11: 12 | after Vivaldi, Op. 7 No. 8 | 01151 |
974 | 8. | July 1713– July 1714 | Concerto for solo keyboard (3/16) | D min. | Keyboard | 42: 59 | V/11: 20 | after Marcello, A., Oboe Concerto | 01152 |
975 | 8. | July 1713– July 1714 | Concerto for solo keyboard (4/16) | G min. | Keyboard | 42: 59 | V/11: 30 | after Vivaldi, Op. 4 No. 6 | 01153 |
976 | 8. | July 1713– July 1714 | Concerto for solo keyboard (5/16) | C maj. | Keyboard | 42: 59 | V/11: 39 | after Vivaldi, Op. 3 No. 12 | 01154 |
977 | 8. | July 1713– July 1714 | Concerto for solo keyboard (6/16) | C maj. | Keyboard | 42: 59 | V/11: 50 | after unknown model | 01155 |
978 | 8. | July 1713– July 1714 | Concerto for solo keyboard (7/16) | F maj. | Keyboard | 42: 59 | V/11: 56 | after Vivaldi, Op. 3 No. 3 (RV 310) | 01156 |
979 | 8. | July 1713– July 1714 | Concerto for solo keyboard (8/16) | B min. | Keyboard | 42: 59 | V/11: 64 | after Vivaldi, RV 813 (previously: Torelli)[32] | 01157 |
980 | 8. | July 1713– July 1714 | Concerto for solo keyboard (9/16) | G maj. | Keyboard | 42: 59 | V/11: 79 | after Vivaldi, Op. 4 No. 1 (RV 381) | 01158 |
981 | 8. | July 1713– July 1714 | Concerto for solo keyboard (10/16) | C min. | Keyboard | 42: 59 | V/11: 90 | after Marcello, B., Op. 1 No. 2 | 01159 |
982 | 8. | July 1713– July 1714 | Concerto for solo keyboard (11/16) | B♭ maj. | Keyboard | 42: 59 | V/11: 100 | after J. E. of Saxe-Weimar, Op. 1 No. 1 | 01160 |
983 | 8. | July 1713– July 1714 | Concerto for solo keyboard (12/16) | G min. | Keyboard | 42: 59 | V/11: 110 | after unknown model | 01161 |
984 | 8. | July 1713– July 1714 | Concerto for solo keyboard (13/16) | C maj. | Keyboard | 42: 59 | V/11: 118 | after J. E. of Saxe-Weimar, lost Concerto; → BWV 595 | 01162 |
985 | 8. | July 1713– July 1714 | Concerto for solo keyboard (14/16) | G min. | Keyboard | 42: 59 | V/11: 128 | after Telemann, TWV 51:g1[33] | 01163 |
986 | 8. | July 1713– July 1714 | Concerto for solo keyboard (15/16) | G min. | Keyboard | 42: 59 | V/11: 137 | after unknown model | 01164 |
987 | 8. | July 1713– July 1714 | Concerto for solo keyboard (16/16) | D min. | Keyboard | 42: 59 | V/11: 142 | after J. E. of Saxe-Weimar, Op. 1 No. 4 | 01165 |
988 | 8. | 1741–1742 | Goldberg Variations (Clavier-Übung IV) | G maj. | Harpsichord | 3: 263 | V/2: 69 | → BWV 1087 | 01166 |
988/1 | 8. | c.1740? (AMB) | Notebook A. M. Bach (1725) No. 26 Aria of the Goldberg Variations | G maj. | Harpsichord | 3: 263 | V/4: 103 | → BWV 1087 | 01166 |
989 | 8. | 1707–1713 | Aria variata | A min. | Keyboard | 36: 203 | V/10: 21 | in Andreas-Bach-Buch | 01167 |
991 | 8. | 1722 | Notebook A. M. Bach (1722) No. 7 Air with variations (incomplete) | C min. | Keyboard | 432: 4 | V/4: 40 | 01169 | |
992 | 8. | 1704–1707 | Capriccio on the departure of a beloved brother | B♭ maj. | Keyboard | 36: 190 | V/10: 3 | in Möllersche Handschrift | 01170 |
993 | 8. | c.1705 | Capriccio in honorem Johann Christoph Bachii Ohrdrufiensis | E maj. | Keyboard | 36: 197 | V/10: 12 | in SBB P 804 | 01171 |
994 | 8. | 1720 | Klavierbüchlein WFB No. 1: Applicatio | C maj. | Keyboard | 36: 237 451:214 | V/5: 4 | 01172 | |
9. | Lute compositions (see also: List of solo lute compositions by Johann Sebastian Bach) | Up ↑ | |||||||
995 | 9. | Fall 1727 – Winter 1731 | Suite for lute | G min. | Lu | V/10: 81 | after BWV 1011[34][35][36] [37][38][39][40][41][42] [43][44][45][46][47][48] | 01173 | |
996 | 9. | 1710–1717 (JGW) | Suite for lute | E min. | Lu (Lw?) | 451: 149 | V/10: 94 | in SBB P 801, pp. 385–395[49][50] [40][42][43][51][52][53] | 01174 |
997.1 | 9. | 1720–1739 | Suite (1st version) | C min. | Lw | 451: 156 | V/10: 102 | in SBB P 650; → BWV 997.2[37][40][54] [42][43][47][48][51][52] | 01175 |
997.2 | 9. | 1720–1739 | Suite (2nd version) | C min. | Lu | 451: 156 | V/10: 102 | in D LEm III 11.5; after BWV 997.1[37][40][54] [42][43][47][48][51][52] | 11576 |
998 | 9. | 1735–1745 | Prelude, Fugue and Allegro | E♭ maj. | Lu (or) Hc | 451: 141 | V/10: 114 | [40][55][56] [41][42][43][48][52][57] | 01176 |
999 | 9. | 1717–1723 | Prelude for lute (Twelve Little Preludes No. 3) | C min. | Lu | 36: 119 | V/10: 122 | in SBB P 804, pp. 101–103[58][40][42][59][60] | 01177 |
1000 | 9. | after 1720 | Fugue | G min. | Lu | V/10: 124 | after BWV 1001/2; → 539/2; in MB Lpz III.11.4[37][54] [40][42][47][48][51][61] | 01178 | |
1006.2 | 9. | c.1736–1737 | Suite | E maj. | Lu? | 42: 16 | V/10: 134 | after BWV 1006.1[35][40][62] [42][48][57][63][64][65] | 01185 |
10. | Chamber music (see also: List of chamber music works by Johann Sebastian Bach) | Up ↑ | |||||||
1001 | 10. | 1720 | Sonatas and partitas for solo violin No. 1: Sonata No. 1 | G min. | Vl | 271: 3 | VI/1: 3 rev 3: 3 | → BWV 1000, 539/2 | 01179 |
1002 | 10. | 1720 | Partitas and sonatas for solo violin No. 2: Partita No. 1 | B min. | Vl | 271: 3 | VI/1: 10 rev 3: 10 | 01180 | |
1003 | 10. | 1720 | Sonatas and partitas for solo violin No. 3: Sonata No. 2 | A min. | Vl | 271: 3 | VI/1: 20 rev 3: 20 | → BWV 964 | 01181 |
1004 | 10. | 1720 | Partitas and sonatas for solo violin No. 4: Partita No. 2 | D min. | Vl | 271: 3 | VI/1: 30 rev 3: 30 | 01182 | |
1005 | 10. | 1720 | Sonatas and partitas for solo violin No. 5: Sonata No. 3 | C maj. | Vl | 271: 3 | VI/1: 42 rev 3: 42 | after "Komm, Heiliger Geist, Herre Gott"; → BWV 968 | 01183 |
1006.1 | 10. | 1720 | Partitas and sonatas for solo violin No. 6: Partita No. 3 | E maj. | Vl | 271: 3 | VI/1: 54 rev 3: 54 | → BWV 1006.2, 29/1 and 120a/4 | 01184 |
1007 | 10. | 1720 (AMB) | Suite for cello No. 1 | G maj. | Vc | 271: 59 | VI/2: 2 | 01186 | |
1008 | 10. | 1720 (AMB) | Suite for cello No. 2 | D min. | Vc | 271: 59 | VI/2: 8 | 01187 | |
1009 | 10. | 1720 (AMB) | Suite for cello No. 3 | C maj. | Vc | 271: 59 | VI/2:14 | 01188 | |
1010 | 10. | 1720 (AMB) | Suite for cello No. 4 | E♭ maj. | Vc | 271: 59 | VI/2: 22 | 01189 | |
1011 | 10. | 1720 (AMB) | Suite for cello No. 5 | C min. | Vc | 271: 59 | VI/2: 32 | → BWV 995 | 01190 |
1012 | 10. | 1720 (AMB) | Suite for cello No. 6 | D maj. | Vc | 271: 59 | VI/2:40 | 01191 | |
1013 | 10. | 1717–1723? | Partita for flute | A min. | Fl | VI/3: 3 | 01192 | ||
1014 | 10. | 1717–1723? | Sonata for violin and harpsichord No. 1 | B min. | Vl Hc | 9: 69 | VI/1: 83 rev 3: 83 | 01193 | |
1015 | 10. | 1717–1723? | Sonata for violin and harpsichord No. 2 | A maj. | Vl Hc | 9: 84 | VI/1: 99 rev 3: 99 | 01194 | |
1016 | 10. | 1717–1723? | Sonata for violin and harpsichord No. 3 | E maj. | Vl Hc | 9: 98 | VI/1: 115 rev 3: 115 | 01195 | |
1017 | 10. | 1717–1723? | Sonata for violin and harpsichord No. 4 | C min. | Vl Hc | 9: 120 | VI/1: 136 rev 3: 136 | 01196 | |
1018.2 | 10. | 1717–1723? | Sonata for violin and harpsichord No. 5 | F min. | Vl Hc | 9: 136 | VI/1: 153 rev 3: 153 | after BWV 1018.1 | 01197 |
1018.1 | 10. | 1717–1723? | Adagio, early version of BWV 1018/3 | F min. | Vl Hc | 9: 250 | VI/1: 195 rev 3: 194 | → BWV 1018.2/3 | 01198 |
1019.3 | 10. | after 1729? | Sonata for violin and harpsichord No. 6 | G maj. | Vl Hc | 9: 154 | VI/1: 172 rev 3: 172 | after BWV 1019.2 | 01200 |
1019.1 | 10. | 1725 | Sonata for violin and harpsichord No. 6, early version 1 (partially lost) | 9: 252 | VI/1: 197 rev 3: 196 | → BWV 830/3, /6, 1019.2 | 01199 | ||
1019.2 | c. 1730–1731 | Sonata for violin and harpsichord No. 6, early version 2 | VI/1: 197 rev 3: 218 | after BWV 1019.1, 120.1/4; → BWV 1019.3 | 11577 | ||||
1021 | 10. | 1732–1733 | Sonata for violin and continuo | G maj. | Vl Bc | VI/1: 65 rev 3: 65 | → BWV 1022, 1038 | 01202 | |
1023 | 10. | c.1714–1717? | Sonata for violin and continuo | E min. | Vl Bc | 431: 31 | VI/1: 73 rev 3: 73 | 01204 | |
1025.1 | 10. | after 1739? | Suite for violin and keyboard | A maj. | Vl Kb | 9: 43 | VI/5: 67 | after Weiss; → BWV 1025.2 | 11578 |
1025.2 | 10. | c. 1746–1747? | Suite for violin and keyboard (incomplete) | A maj. | Vl Kb | 9: 43 | VI/5: 97 | after BWV 1025.1 | 01206 |
1026 | 10. | c.1714–1717 | Fugue for violin and continuo | G min. | Vl Bc | 431: 39 | VI/5: 59 | 01207 | |
1027 | 10. | c.1742 | Sonata for gamba and harpsichord No. 1 | G maj. | Gam Hc | 9: 175 | VI/4: 3 | after BWV 1039; → 1027/1a /2a /4a | 01208 |
1028 | 10. | Sonata for gamba and harpsichord No. 2 | D maj. | Gam Hc | 9: 175 | VI/4: 21 | 01210 | ||
1029 | 10. | Sonata for gamba and harpsichord No. 3 | G min. | Gam Hc | 9: 175 | VI/4: 36 | → BWV 545b | 01211 | |
1030.2 | 10. | 1736–1737 | Sonata for flute and harpsichord | B min. | Fl Hc | 9: 3 | VI/3: 33 | after BWV 1030.1 | 11579 |
1030.1 | 10. | 1717–1736 | Sonata for unknown instrument and harpsichord | G min. | v Hc | VI/3: 89 | → BWV 1030.2 | 01212 | |
1032 | 10. | 1736–1737 | Sonata for flute and harpsichord (/1 incomplete) | A maj. | Fl Hc | 9: 32, 245 | VI/3: 54 | → BWV 525a | 01214 |
1034 | 10. | 1717–1723? | Sonata for flute and continuo | E min. | Fl Bc | 431: 9 | VI/3: 11 | 01216 | |
1035 | 10. | 1717–1723? | Sonata for flute and continuo | E maj. | Fl Bc | 431: 21 | VI/3: 23 | 01217 | |
1039 | 10. | 1708–1726 | Sonata | G maj. | 2Fl Bc | 9: 260 | VI/3: 71 | → BWV 1027 | 01221 |
11. | Works for orchestra (see also: List of orchestral works by Johann Sebastian Bach) | Up ↑ | |||||||
1041 | 11. | 1730 | Concerto for violin and orchestra No. 1 | A min. | Vl Str Bc | 211: 3 451: 233 | VII/3: 3 | → BWV 1058 | 01223 |
1042 | 11. | Concerto for violin and orchestra No. 2 | E maj. | Vl Str Bc | 211: 21 | VII/3: 35 | → BWV 1054 | 01224 | |
1043 | 11. | 1730–1731 or earlier | Concerto for 2 violins and orchestra – Double Concerto | D min. | 2Vl Str Bc | 211: 41 | VII/3: 71 | → BWV 1062 | 01225 |
1044 | 11. | 1727 or later | Concerto for flute, violin, harpsichord and orchestra – Triple Concerto | A min. | Fl Vl Hc Str Bc | 17: 223 | VII/3: 105 | after BWV 894/1, 527/2, 894/2 | 01226 |
1045 | 11. | 1743–1746 | Cantata opening: "Concerto" (Symphonic movement for violin and orchestra) | D maj. | Vl 3Tr Tmp 2Ob Str Bc | 211: 65 | I/34: 305 | after unknown model by other composer?[66][67][68] | 01227 |
1046.2 | 11. | 1721-03-24 | Brandenburg Concerto No. 1 | F maj. | 2Nho 3Ob Bas Vlp Str Bc | 19: 3 | VII/2: 3 | after BWV 1046.1; /3, /7 → BWV 207(a)/1, /5a | 01228 |
1046.1 | 11. | c.1712- 1713? | Sinfonia (opening of BWV 208?) | F maj. | 2Nho 3Ob Str Bas Bc | 311: 69 | VII/2: 225 | → BWV 1046.2; /1 → BWV 52/1; was BWV 1046a, 1071[66] | 01229 |
1047 | 11. | 1721-03-24 | Brandenburg Concerto No. 2 | F maj. | Tr Fl Ob Vl Str Vne Bc | 19: 3 | VII/2: 43 | 01230 | |
1048 | 11. | 1721-03-24 | Brandenburg Concerto No. 3 | G maj. | 3Vl 3Vla 3Vc Vne Hc | 19: 3 | VII/2: 73 | → BWV 174/1 | 01231 |
1049 | 11. | 1721-03-24 | Brandenburg Concerto No. 4 | G maj. | Vl 2Fl Str Vc Vne Bc | 19: 3 | VII/2: 99 | → BWV 1057 | 01232 |
1050.2 | 11. | 1721-03-24 | Brandenburg Concerto No. 5 (early version) | D maj. | Fl Vl Hc Vl Va Vc Vne | 19: 3 | VII/2: 145 | after BWV 1050.1 | 01233 |
1050.1 | 11. | 1720–1721 | Brandenburg Concerto No. 5 (revised version) | D maj. | Fl Vl Hc Vl Va Vne | 19: 3 | VII/2: 145 | → BWV 1050.2 | 01234 |
1051 | 11. | 1721-03-24 | Brandenburg Concerto No. 6 | B♭ maj. | 2Vla 2Gam Vc Vne Hc | 19: 3 | VII/2: 197 | 01235 | |
1052.2 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 1 (revised version) | D min. | Hc Str Bc | 17: 3 | VII/4: 3 | after BWV 1052.1, BWV 146/1, /2 and 188/1 | 01236 |
1052.1 | 11. | before 1726 | Concerto for harpsichord and orchestra No. 1 (early version) | D min. | Hc Str Bc | 17: 3 | VII/4: 317 | by Bach, C. P. E.?; → BWV 1052.2, BWV 146/1, /2 and 188/1 | 01237 |
1053 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 2 | E maj. | Hc Str Bc | 17: 3 | VII/4: 79 | after BWV 169/1, /5 and 49/1 | 01238 |
1054 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 3 | D maj. | Hc Str Bc | 17: 3 | VII/4: 127 | after BWV 1042 | 01239 |
1055 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 4 | A maj. | Hc Str Bc | 17: 3 | VII/4: 161 | after BWV 1055R? | 01240 |
1056 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 5 | F min. | Hc Str Bc | 17: 3 | VII/4: 197 | after BWV 1056R?; /2 after BWV 156/1 | 01241 |
1057 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 6 | F maj. | Hc 2Fl Str Bc | 17: 3 | VII/4: 221 | after BWV 1049 | 01242 |
1058 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 7 | G min. | Hc Str Bc | 17: 3 | VII/4: 283 | after BWV 1041 | 01243 |
1059 | 11. | c.1738 | Concerto for harpsichord and orchestra No. 8 (abandoned fragment of 1st movement) | D min. | Hc Ob Str Bc | 17: 3 | VII/4: 313 | after BWV 35/1 and earlier model (for oboe?); completions/ reconstructions usually based on BWV 35/1, /2 and /5 | 01244 |
1060 | 11. | c.1736 | Concerto for 2 harpsichords and orchestra No. 1 | C min. | 2Hc Str Bc | 212: 3 | VII/5: 3 | after BWV 1060R? | 01245 |
1061.2 | 11. | after 1732–1733 | Concerto for 2 harpsichords and orchestra No. 2 | C maj. | 2Hc Str Bc | 212: 39 | VII/5: 109 | after BWV 1061.1 | 01246 |
1061.1 | 11. | 1732–1733 or earlier | Concerto for 2 harpsichords (No. 2) | C maj. | 2Hc | 212: 39 | VII/5: 83 | → BWV 1061.2 | 01247 |
1062 | 11. | 1736 | Concerto for 2 harpsichords and orchestra No. 3 | C min. | 2Hc Str Bc | 212: 83 | VII/5: 43 | after BWV 1043 | 01248 |
1063 | 11. | c.1730 | Concerto for 3 harpsichords and orchestra No. 1 | D min. | 3Hc Str Bc | 313: 3 | VII/6: 3 | after unknown model? | 01249 |
1064 | 11. | c.1730 | Concerto for 3 harpsichords and orchestra No. 2 | C maj. | 3Hc Str Bc | 313: 53 | VII/6: 55 | after BWV 1064R? | 01250 |
1065 | 11. | c.1730 | Concerto for 4 harpsichords and orchestra | A min. | 4Hc Str Bc | 431: 71 | VII/6: 117 | after Vivaldi, Op. 3 No. 10 | 01251 |
1066 | 11. | May 1724–End 1725 | Orchestral Suite No. 1 | C maj. | 2Ob Bas Str Bc | 311: 3 | VII/1: 3 | Ouverture Courante 2Gavotte Forlane 2Minuet 2Bourrée 2Passepied | 01252 |
1067 | 11. | 1738–1739 | Orchestral Suite No. 2 | B min. | Fl Str Bc | 311: 24 | VII/1: 27 | Ouverture Rondeau Sarabande 2Bourrée 2Polonaise Minuet Badinerie | 01253 |
1068 | 11. | c.1730 | Orchestral Suite No. 3 | D maj. | 3Tr Tmp 2Ob (Vl) Str Bc | 311: 40 | VII/1: 49, 119 | Ouverture Air 2Gavotte Bourrée Gigue | 01254 |
1069 | 11. | before late 1727 | Orchestral Suite No. 4 | D maj. | 3Tr Tmp 2Ob Bas Str Bc | 311: 66 | VII/1: 79 | Ouverture 2Bourrée Gavotte 2Minuet Réjouissance; /1 → BWV 110/1 | 01255 |
1071 | see BWV 1046.1 | 01229 | |||||||
12. | Canons (see also: List of canons by Johann Sebastian Bach) | Up ↑ | |||||||
1072 | 12. | Canon trias harmonica a 8 | D maj. | 8V | 451: 131 | VIII/l: 3, 6 | [43][69] | 01258 | |
1073 | 12. | 1713-08-02 | Canon â 4. Voc: perpetuus | A min. | 4V | 451: 132 | VIII/l: 3 | in US-CAh bMS Eng 870 (35b)[70][71][72][73][74] | 01259 |
1074 | 12. | 1727 | Canon a 4 (for Ludwig Friedrich Hudemann | )A min. | 4V | 451: 134 | VIII/l: 3 | [75][76] [43][72][77][78][79][80] | 01260 |
1075 | 12. | 1734-01-10 | Canon a 2. perpetuus | D maj. | 2V | VIII/l: 3 | [72] | 01261 | |
1076 | 12. | 1746 | Canon triplex a 6 | G maj. | 6V | 451: 138 | VIII/l: 3 | after BWV 1087/13 [57][81][82][83] [43][84][85][86][87][88] | 01262 |
1077 | 12. | 1747-10-15 | Canone doppio sopr' il soggetto (dedicated to Johann Fulde | )G maj. | 4V Bc | VIII/1: 4 IX/2: 81 | after BWV 1087/11[62][72][88][89] | 01263 | |
1078 | 12. | 1749-03-01 | Canon Fa Mi, et Mi Fa est Tota Musica, a.k.a. Canon super Fa Mi, a 7. post Tempus Musicum | F maj. | 7V Bc | 451: 136 | VIII/l: 4 | in SBB P 611[72][90][91] | 01264 |
1086 | 12. | 1750? | Canon Concordia discors | D maj. | 2V | VIII/l: 4 III/1: VIII | in SLB Dresden R 291s[43][92][93][94][95] | 01272 | |
1087 | 12. | 1747/1748 or earlier | 14 Canons on the first eight notes of the Goldberg ground | G maj. | 6V | V/2: 119 | after BWV 988/1; /11 → BWV 1077; /13 → 1076; in BN Paris Ms. 17669, Bl. 18v [57][96][97][98][99][100] | 01273 | |
13. | Musical Offering, Art of the Fugue (see also: List of late contrapuntal works by Johann Sebastian Bach) | Up ↑ | |||||||
1079 | 13. | 1747-07-07 | Musical Offering | Kb Fl 2Vl Bc | 312 | VIII/1: 46 | [101] | 01265 | |
1080.1 | 13. | 1742–1749 | The Art of Fugue (autograph) | Hc (?) | 251 | VIII/2.1 | → BWV 1080.2 | 01266 | |
1080.2 | c. 1747–1748 | The Art of Fugue (print version) | 47 | VIII/2.2 | after BWV 1080.1[102] | 11581 | |||
Later | Later additions to the main catalogue (above BWV 1128: BWV3) | Up ↑ | |||||||
1127 | 1713-10-30 | aria "Alles mit Gott und nichts ohn' ihn" | C maj. | s Str Bc | Sppl: 237 | text by Mylius | [103]01307 | ||
1128 | II | c. 1705–1710 | chorale setting "Wo Gott der Herr nicht bei uns hält" | G min. | Organ | IV/10 | after Z 4441a; was BWV Anh. 71[104][105] | 01725 | |
1129 | c. 1742–1745 | music theory Theoretische Aufzeichnungen zum fünfstimmigen Satz | Sppl: 63 | 11582 | |||||
1130 | c. 1742–1743 | music theory Theoretische Aufzeichnungen zum Kontrapunkt | Sppl: 45 | 11583 | |||||
1131 | c. 1743–1746 | music theory Regeln zum Gebrauch von Synkopen im doppelten Kontrapunkt | Sppl: 41 | 11584 | |||||
1132 | c. 1736–1739 | Counterpoint studies with W. F. Bach | Sppl: 67 | 11585 | |||||
1133 | c. 1740–1745 | thorough-bass rules I Einige höchst nöthige Regeln vom General Basse | V/4: 131 Sppl: 37 | 11586 | |||||
1134 | 1738? | thorough-bass rules II Precepts and Principles For Playing the Thorough-Bass or Accompanying in Four Parts | Sppl: 3 | 11587 | |||||
1135 | I | 1724-03-25 | Cantata Siehe, eine Jungfrau ist schwanger (25 March: Annunciation) | was BWV Anh. 199; text extant[106][107][108] | 01510 | ||||
1136 | I | 1708–1717? 1725-09-09? 1727-02-06 | Cantata Liebster Gott, vergißt du mich (1711: libretto for Trin. VII; 1725: Trin. XV?; 1727, with BWV 157.1: funeral in Pomßen) | was BWV Anh. 209; text by Lehms[109][110] | 01520 | ||||
1137 | I | 1729-10-23? | Cantata (sketch: Gott, du Richter der Gedanken for Trinity XIX by Picander?) | SATB Vl Str Bc | III/1 | was BWV Anh. 2; in SBB P 36: 18[111] | 01309 | ||
1138.1 | I | 1709-02-04 | Cantata for Ratswahl in Mühlhausen No. 2 | was BWV Anh. 192[112] | 01503 | ||||
1138.2 | 1710-02-04 | Cantata for Ratswahl in Mühlhausen No. 3 | lost | 11382 | |||||
1139.1 | I | 1725-08-27 | Cantata Wünschet Jerusalem Glück (council election) | was BWV Anh. 4; text by Picander; → BWV 1139.2[51][113] | 01311 | ||||
1139.2 | I | 1730-06-27 | Cantata Wünschet Jerusalem Glück (200th anniversary of the Augsburg Confession) | was BWV Anh. 4a; text by Picander; after BWV 1139.1[114] | 01312 | ||||
1140 | I | 1730-08-25 | Cantata Gott, gib dein Gerichte dem Könige (council election) | I/32.2 | was BWV Anh. 3; text by Picander[114][113] | 01310 | |||
1141 | I | 1740-08-29 | Cantata Herrscher des Himmels, König der Ehren (council election) | I/32.2 | was BWV Anh. 193; text extant; /7 after BWV 208/15?[115][116] | 01504 | |||
1142 | 1716-04-02 | Cantata Was ist, das wir Leben nennen (funeral service for Johann Ernst of S.-W.) | text extant | 01531 | |||||
1143 | 4. | 1729-03-24 | Cantata Klagt, Kinder, klagt es aller Welt (funeral of Leopold of Anhalt-Köthen; music lost but partially reconstructible) | I/34 | was BWV 244a; text by Picander; ↔ BWV 198/1, /10, 244b/6, /8, /39, /49, /57, /23, /20, /65, /13, /68 | 00305 | |||
1144 | I | 1725-02-12 | Cantata Sein Segen fließt daher wie ein Strom (wedding) | was BWV Anh. 14; text extant[117][118] | 01322 | ||||
1145 | I | 1729-01-18 | Cantata Der Herr ist freundlich dem, der auf ihn harret (wedding) | was BWV Anh. 211; text by Picander[119][120] | 01522 | ||||
1146 | I | 1729-07-26 | Cantata Vergnügende Flammen, verdoppelt die Macht (wedding) | was BWV Anh. 212; text by Picander[121][122][120] | 01523 | ||||
1147 | I | 1718-12-10 | Cantata Lobet den Herrn, alle seine Heerscharen (birthday of Leopold of A.-K.) | I/34 | was BWV Anh. 5; text by Hunold[123] | 01313 | |||
1148 | I | 1724-04-27 | Cantata Siehe, der Hüter Israel (doctorate) | SATB 3Tr Tmp 2Ob 3Vl Va Bc | I/34 | was BWV Anh. 15; lost[124][125] | 01323 | ||
1150 | I | 1721-01-01? 1722-01-01? | Cantata Ihr wallenden Wolken (New Year) | b 2Fl Str Vc Hc Bc | I/4 | was BWV Anh. 197; lost[126][127] | 01508 | ||
1151 | I | 1720-01-01 | Secular cantata Dich loben die lieblichen Strahlen der Sonne (New Year) | I/35 | was BWV Anh. 6; text by Hunold[128][129] | 01314 | |||
1152 | I | 1723-01-01 | Secular cantata for New Year (congratulation of Leopold of Anhalt-Köthen and his wife Frederica Henriette) | I/35 | was BWV Anh. 8; lost[130] | 01316 | |||
1153 | I | 1720-12-10 | Secular cantata Heut ist gewiß ein guter Tag (birthday of Leopold of Anhalt-Köthen) | I/35 | was BWV Anh. 7; text by Hunold[131][132] | 01315 | |||
1154 | I | 1722-07-29 | Cantata O vergnügte Stunden (birthday of John Augustus of Anhalt-Zerbst) | was BWV Anh. 194; text extant[133][134] | 01505 | ||||
1155 | I | 1723-08-09 | Ode in Latin (birthday of Frederick II of Saxe-Gotha) | I/38 | was BWV Anh. 20; lost[135][136] | 01328 | |||
1156 | I | 1727-05-12 | Secular cantata Entfernet euch, ihr heitern Sterne (57th birthday of Augustus II) | I/36 | was BWV Anh. 9; text by Haupt, C. F.; /1 → BWV 232II/6?[137][138][139] | 01317 | |||
1157 | I | 1732-08-03 | Secular cantata Es lebe der König, der Vater im Lande (name day of Augustus II) | I/36 | was BWV Anh. 11; text by Picander; /1 & /11 → BWV 215/1 → 232IV/1=/3; /7 → 248/39?; /9 → 212/14[113][121][140] | 01319 | |||
1158 | I | 1733-08-03 | Secular cantata Frohes Volk, vergnügte Sachsen (name day of Augustus III) | I/36 | was BWV Anh. 12; text by Picander; after BWV Anh. 18; /1 → BWV 11/1[113][121][141] | 01320 | |||
1159 | 1739-10-07 | Secular cantata "Serenade" (birthday of Augustus III) | lost | 01536 | |||||
1160 | I | 1731-08-25 | Secular cantata So kämpfet nur, ihr muntern Töne (birthday of Joachim Friedrich von Flemming | )I/39 | was BWV Anh. 10; text by Picander; /1 → BWV 248VIa/1?[121][142] | 01318 | |||
1161 | I | 1738-04-28 | Secular cantata Willkommen! Ihr herrschenden Götter der Erden in honour of the royal couple (Augustus III and Maria Josepha), and for the forthcoming marriage of princess Maria Amalia with Charles of Sicily | I/37 | was BWV Anh. 13; text by Gottsched, J. C. in Riemersche Chronik [113][143][144][145] | 01321 | |||
1162 | I | 1732-06-05 | Secular cantata Froher Tag, verlangte Stunden (inauguration of St. Thomas school after renovation) | I/39 | was BWV Anh. 18; text by Winckler; /1 → BWV 11/1; /1 /3 /5 /6 /8 /10 → BWV Anh. 12[146][147][148] | 01326 | |||
1163 | I | 1725-11-27 | Secular cantata Auf, süß entzückende Gewalt (wedding of Peter, eldest son of Peter Hohmann, and Christiana Sibylla Mencke) | I/40 | was BWV Anh. 196; text by Gottsched, C.; /3 → BWV 11/4 → 232IV/4; /5 → BWV 11/8[149][150][151][152] | 01507 | |||
1164 | II | 1712–1713 or earlier | Motet Ich lasse dich nicht, du segnest mich denn | F min. | 2SATB | 39: 157 | III/3: 3 | by Bach, J. Christoph?; was BWV Anh. 159; ↔ BWV 421 (/2)[20][153] | 01470 |
R | Reconstructions (see also Reconstruction of music by Johann Sebastian Bach) | Up ↑ | |||||||
1052R | R | 1970 | Concerto | D min. | Vl Str Bc | VII/7: 3 | by Fischer; after BWV 1052[154] | 01236 | |
1055R | R | 1970 | Concerto | A maj. | Oba Str Bc | VII/7: 33 | by Fischer; after BWV 1055[154] | 01240 | |
1056R | R | 1970 | Concerto | G min. | Vl Str Bc | VII/7: 59 | by Fischer; after BWV 1056[154] | 01241 | |
1060R | R | 1970 | Concerto | C min. | Vl Ob Str Bc | VII/7: 75 | by Fischer; after BWV 1060[154] | 01245 | |
1064R | R | 1970 | Concerto | D maj. | 3Vl Str Bc | VII/7: 103 | by Fischer; after BWV 1064[154] | 01250 | |
Anh. I | Fragments – lost works | Up ↑ | |||||||
I 1 | I | 1725-07-15? | Cantata Gesegnet ist die Zuversicht (Trinity VII) | SATB 2Fl Str Bc | by Telemann (TWV 1:617)?; text by Neumeister? | 01308 | |||
I 2 | I | see BWV 1137 | 01309 | ||||||
I 3 | I | see BWV 1140 | 01310 | ||||||
I 4 | I | see BWV 1139.1 | 01311 | ||||||
I 4a | I | see BWV 1139.2 | 01312 | ||||||
I 5 | I | see BWV 1147 | 01313 | ||||||
I 6 | I | see BWV 1151 | 01314 | ||||||
I 7 | I | see BWV 1153 | 01315 | ||||||
I 8 | I | see BWV 1152 | 01316 | ||||||
I 9 | I | see BWV 1156 | 01317 | ||||||
I 10 | I | see BWV 1160 | 01318 | ||||||
I 11 | I | see BWV 1157 | 01319 | ||||||
I 12 | I | see BWV 1158 | 01320 | ||||||
I 13 | I | see BWV 1161 | 01321 | ||||||
I 14 | I | see BWV 1144 | 01322 | ||||||
I 15 | I | see BWV 1148 | 01323 | ||||||
I 16 | I | 1735-11-09 | Cantata Schließt die Gruft! ihr Trauerglocken (mourning of Hedwig of Merseburg) | by Roemhildt;[155] text by Hoffmann, B.[156] | 01324 | ||||
I 17 | I | Cantata Mein Gott, nimm die gerechte Seele (funeral) | SATB 2Oba Str Bas Bc | I/33 | 01325 | ||||
I 18 | I | see BWV 1162 | 01326 | ||||||
I 19 | I | 1734-11-21 | Secular cantata Thomana saß annoch betrübt (welcome to Johann August Ernesti as new rector of St. Thomas school) | I/39 | text by Landvoigt | ?01327 | |||
I 20 | I | see BWV 1155 | 01328 | ||||||
N 190 | I | 1729-04-18 | Cantata Ich bin ein Pilgrim auf der Welt (Easter 2) | b Bc ... | I/33 | by Bach, C. P. E.?; text by Picander | 01501 | ||
N 191 | I | 1715-05-19 | Cantata Leb ich oder leb ich nicht (Cantate) | text by Franck, S. | 01502 | ||||
N 192 | I | see BWV 1138.1 | 01503 | ||||||
N 193 | I | see BWV 1141 | 01504 | ||||||
N 194 | I | see BWV 1154 | 01505 | ||||||
N 195 | I | 1723-06-09 | Secular cantata Murmelt nur, ihr heitern Bäche (celebration of Johann Florenz Rivinus | )text in Acta Lipsiensium 1723, Vol. 5, pp. 515–619 | 01506 | ||||
N 196 | I | see BWV 1163 | 01507 | ||||||
N 197 | I | see BWV 1150 | 01508 | ||||||
N 198 | I | see BWV 149/1a | 01509 | ||||||
N 199 | I | see BWV 1135 | 01510 | ||||||
N 200 | I | c.1713–1715 | chorale setting "O Traurigkeit, o Herzeleid" (unused sketch for Orgelbüchlein) | Organ | IV/1: 46 | after Z 1915;[157] in SBB P 283 | 01511 | ||
N 209 | I | see BWV 1136 | 01520 | ||||||
N 210 | I | 1734-10-04 | Cantata Wo sind meine Wunderwerke | (leave-taking of Johann Matthias Gesner)text in 2° Poet. Germ. I, 6425: 4 Rara; /1 → BWV 193a/7, 193/3?[158][159] | 01521 | ||||
N 211 | I | see BWV 1145 | 01522 | ||||||
N 212 | I | see BWV 1146 | 01523 | ||||||
N 213 | I | Concerto | F maj. | Org | by Telemann; arr. by Bach | 01524 | |||
223 | I | 1717–1718? | Cantata Meine Seele soll Gott loben | B♭ maj. | I/34 | by Handel?[160] | 00280 | ||
224 | I | 1732 | Aria "Reißt euch los, bekränkte Sinnen" (fragment) | S | I/41 | by Bach, C. P. E.?; in SBB P 491[161] | 00281 | ||
Anh. II | Works of doubtful authenticity | Up ↑ | |||||||
53 | II | Aria "Schlage doch, gewünschte Stunde" (Funeral) | E maj. | a Bel Str Bc | 122: 53 | I/41 | by Hoffmann, M.? | 00068 | |
142 | II | Cantata Uns ist ein Kind geboren (Christmas) | A min. | atbSATB 2Fl 2Ob Str Bc | 30: 19 | I/41 | text by Neumeister (reworked) | 00174 | |
189 | II | Cantata Meine Seele rühmt und preist (German Magnificat, Visitation) | B♭ maj. | t Fl Ob Vl Bc | 37: 213 | I/41 | by Hoffmann, M. | 00229 | |
217 | II | Cantata Gedenke, Herr, wie es uns gehet (Epiphany I) | satbSATB Fl Str Bc | 41: 207 | I/41 | by Altnickol? | 00274 | ||
220 | II | Cantata Lobt ihn mit Herz und Munde (24 June: feast of John the Baptist) | atbSATB Fl 2Ob Str Bc | 41: 259 | I/41 | 00277 | |||
221 | II | Cantata Wer sucht die Pracht, wer wünscht den Glanz | tb 2Vl Bas Vc Org | I/41 | in SBB P 191: 83–113 | 00278 | |||
III 159 | II | see BWV 1164 | 01470 | ||||||
II 25 | II | 1740–1742 (JSB) | Kyrie–Gloria Mass | C maj. | SATB 2Tr 2Vl Org | 111: XVI | II/9 | by Bach, J. L.? | 01333 |
239 | II | 1738–1741 (JSB) | Sanctus | D min. | SATB Str Bc | 111: 89 | II/9 | after Caldara, Missa Providentiae/4[162][163] | 00298 |
II 28 | II | Sanctus | B♭ maj. | SATB 2Ob 2Cor Str Bc | 111: XVII | II/9 | 01336 | ||
II 29 | II | c.1714–17 | Kyrie–Gloria Mass (only cello part extant) | C min. | II/9 | in BKraków St 547 | 01337 | ||
III 167 | II | 1738–1739 (JSB) | Kyrie–Gloria Mass for two choirs | G maj. | 3SATB 3Ob Tai 2Vl 2Va 2Vne Bc Org | II/9 | by Bernhard, Krieger or Pohle?; in SBB P 659[164][165][166] | 01478 | |
II 30 | II | 1690s (Tor.) c.1742 (JSB) | Magnificat for double choir | C maj. | 2SATB 3Tr Tmp 2Vl 2Vla Bc | 111: XV | II/9 | after Torri, Magnificat; Tr3, Tmp by Bach[167][168][169] | 01338 |
246 | II | 1730-04-07 (JSB) | Passion St Luke Passion | ssatbSATB 2Fl 2Ob Tai Bas Str Bc | 452 | II/9: 65 | → BWV 246/40a; in SBB P 1017[170] | 00311 | |
II 31 | II | chorale setting "Herr Gott, dich loben alle wir" | SATB 2Tr 3Ob Str Bc | in SBB P 101 | 01339 | ||||
N 201 | II | chorale setting "Du Friedefürst, Herr Jesu Christ" | SATB | by Vetter, D.[171] | 01512 | ||||
N 202 | II | chorale setting "Gott hat das Evangelium" | SATB | by Vetter, D.[172] | 01513 | ||||
N 203 | II | chorale setting "Ich hebe meine Augen auf" | SATB | by Vetter, D.[173] | 01514 | ||||
N 204 | II | chorale setting "O Traurigkeit, o Herzeleid" | SATB | by Vetter, D.[174] | 01515 | ||||
II 32 | II | 1704 | Sieben geistliche Oden und ein Gedicht | No. 1 "Getrost mein Geist, wenn Wind und Wetter krachen"Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01340 | |||
II 33 | II | 1704 | Sieben geistliche Oden und ein Gedicht | No. 2 "Mein Jesus, spare nicht"Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01341 | |||
II 34 | II | 1704 | Sieben geistliche Oden und ein Gedicht | No. 3 "Kann ich mit einem Tone"Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01342 | |||
II 35 | II | 1704 | Sieben geistliche Oden und ein Gedicht | No. 4 "Meine Seele lass die Flügel"Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01343 | |||
II 36 | II | 1704 | Sieben geistliche Oden und ein Gedicht | No. 5 "Ich stimm' itzund ein Straff-Lied an"Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01344 | |||
II 37 | II | 1704 | Sieben geistliche Oden und ein Gedicht | No. 6 "Der schwarze Flügel trüber Nacht"Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01345 | |||
II 38 | II | 1704 | Sieben geistliche Oden und ein Gedicht | No. 7 "Das Finsterniß tritt ein"Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01346 | |||
II 39 | II | 1704 | Sieben geistliche Oden und ein Gedicht | No. 8 "Ach was wollt ihr trüben Sinnen"Voice Bc | in Deutsche Übersetzungen und Gedichte[175] | 01347 | |||
II 40 | II | 1736 | Song "Ich bin nun wie ich bin" | Voice Kb | in Singende Muse an der Pleiße | [176][177][178]01348 | |||
II 41 | II | 1736 | Song "Dir zu Liebe, wertes Herze" | Voice Kb | in Singende Muse an der Pleiße | [176][179][180]01349 | |||
571 | II | c. 1704 | Fantasia, a.k.a. Concerto | G maj. | Organ | 38: 67 | IV/11: 35 | [181][182] | 00651 |
580 | II | Fugue | D maj. | Organ | 38: 215 | [183] | 00662 | ||
II 42 | II | Fugue | F maj. | Organ | in SBB P 817: 1–3 | 01350 | |||
576 | II | Fugue | G maj. | Organ | 38: 106 | IV/11 | [184] | 00658 | |
577 | II | Fugue | G maj. | Organ | 38: 111 | IV/11: 44 | [185] | 00659 | |
581 | II | Fugue | G maj. | Organ | IV/11 | by Homilius?[186] | 00663 | ||
131a | II | Fugue | G min. | Organ | 38: 217 | IV/11: 3 | after BWV 131/5[187] | 00161 | |
536a | II | c.1760–1789? | Prelude and Fugue | A maj. | Organ | IV/6: 114 | after BWV 536, 152/1; arr. by Scholz?[188] | 00612 | |
545b | II | 1708–1717 | Prelude, Trio and Fugue | B♭ maj. | Organ | IV/11: 6 | after BWV 545a; ↔ 545, 1029/3[189][190] | 00624 | |
553 | II | Eight Short Preludes and Fugues No. 1 | C maj. | Organ | 38: 23 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00633 | |
554 | II | Eight Short Preludes and Fugues No. 2 | D min. | Organ | 38: 27 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00634 | |
555 | II | Eight Short Preludes and Fugues No. 3 | E min. | Organ | 38: 30 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00635 | |
556 | II | Eight Short Preludes and Fugues No. 4 | F maj. | Organ | 38: 33 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00636 | |
557 | II | Eight Short Preludes and Fugues No. 5 | G maj. | Organ | 38: 36 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00637 | |
558 | II | Eight Short Preludes and Fugues No. 6 | G min. | Organ | 38: 39 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00638 | |
559 | II | Eight Short Preludes and Fugues No. 7 | A min. | Organ | 38: 42 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00639 | |
560 | II | Eight Short Preludes and Fugues No. 8 | B♭ maj. | Organ | 38: 45 | IV/11 | by Krebs, J. T. or J. L.?[191][192] | 00640 | |
561 | II | Fantasia and Fugue | A min. | Organ | 38: 48 | 00641 | |||
584 | II | Trio | G min. | Organ | I/12: 23 IV/11 | after BWV 166/2[193] | 00666 | ||
1027 /1a /2a /4a | II | Trio | G maj. | Organ | IV/11 | after BWV 1027/1–2 /4, 1039/1–2 /4; arr. by Kellner, J. P.?[194] | 01209 | ||
591 | II | Kleines harmonisches Labyrinth | Organ | 38: 225 | IV/11: 50 | by Heinichen?[195][196] | 00673 | ||
597 | II | Concerto for solo organ | E♭ maj. | Organ | IV/11 | after lost model? | 00680 | ||
598 | II | Pedal-Exercitium (fragment) | Organ | 38: 210 | by Bach, C. P. E.? | 00681 | |||
676a | II | 1739–1789 | chorale setting "Allein Gott in der Höh sei Ehr" (later variant) | Organ | 40: 208 | IV/4: KB 48 | after BWV 676 | 00792 | |
683a | II | 1739–1789 | chorale setting "Vater unser im Himmelreich" (later variant) | Organ | IV/4: KB 51 | after BWV 683 | 00800 | ||
N 205 | II | see BWV 1121 | 01516 | ||||||
II 48 | II | chorale setting "Allein Gott in der Höh sei Ehr" | Organ | by Walther (& Scholz?) | 01356 | ||||
II 49 | II | chorale setting "Ein feste Burg ist unser Gott" | Organ | by Walther? | 01357 | ||||
II 50 | II | chorale setting "Erhalt uns, Herr, hei deinem Wort" | Organ | 01358 | |||||
II 51 | II | chorale setting "Erstanden ist der heilge Christ" | Organ | 01359 | |||||
II 52 | II | chorale setting "Freu dich sehr, o meine Seele" | Organ | 01360 | |||||
II 53 | II | chorale setting "Freu dich sehr, o meine Seele" | Organ | 01361 | |||||
II 54 | II | chorale setting "Helft mir Gotts Güte preisen" | Organ | 01362 | |||||
chorale setting "Von Gott will ich nicht lassen" | |||||||||
II 55 | II | 1714-1717 or earlier | chorale setting "Herr Christ, der einig Gottes Sohn" | Organ | 01363 | ||||
II 58 | II | chorale setting "Jesu, meine Freude" | Organ | 01366 | |||||
II 59 | II | chorale setting "Jesu, meine Freude" | Organ | 01367 | |||||
II 60 | II | chorale setting "Nun lob, mein Seel, den Herren" | Organ | by Walther? | 01368 | ||||
II 62a | II | chorale setting "Sei Lob und Ehr mit hohem Preis" | Organ | 01370 | |||||
II 62b | II | chorale setting "Sei Lob und Ehr mit hohem Preis" | Organ | 01371 | |||||
II 63 | II | chorale setting "Vom Himmel hoch" | Organ | 01372 | |||||
II 64 | II | chorale setting "Vom Himmel hoch" | Organ | 01373 | |||||
II 65 | II | chorale setting "Vom Himmel hoch" | Organ | 01374 | |||||
II 66 | II | chorale setting "Wachet auf, ruft uns" | Organ Tr | by Krebs, J. L.? | 01375 | ||||
II 67 | II | chorale setting "Was Gott tut, das ist wohlgetan" | Organ | 01376 | |||||
II 68 | II | chorale setting "Wer nur den lieben Gott läßt walten" | Organ | 01377 | |||||
II 69 | II | chorale setting "Wir glauben all an einen Gott" | Organ | 01378 | |||||
II 70 | II | chorale setting "Wir glauben all an einen Gott" | Organ | 01379 | |||||
II 71 | II | see BWV 1128 | 01725 | ||||||
II 72 | II | chorale setting "Christus der uns selig macht" (Canon) | Organ | 01381 | |||||
II 74 | II | chorale setting "Schmücke dich, o liebe Seele" | Organ | 01383 | |||||
II 75 | II | chorale setting "Herr Christ, der einig Gottes Sohn" | Organ | 01384 | |||||
II 76 | II | chorale setting "Jesu, meine Freude" | Organ | 01385 | |||||
II 77 | II | chorale setting "Herr Christ, der einig Gottes Sohn" | Organ | 01386 | |||||
II 78 | II | chorale setting "Wenn wir in höchsten Nöten sein" | Organ | 01387 | |||||
II 79 | II | chorale setting "Befiehl du deine Wege" | Organ | 01388 | |||||
691a | II | 1720–1789 | chorale setting "Wer nur den lieben Gott läßt walten" (variant) | Organ | 40: 151 | after BWV 691 | 00809 | ||
N 206 | II | chorale setting "Ach bleib mit deiner Gnade" | Organ | by Pachelbel (P 376)[197][198] | 01517 | ||||
chorale setting "Christus, der ist mein Leben" | |||||||||
II 80 | II | 1707–1708 or earlier | Suite | F maj. | Keyboard | V/12 | 01389 | ||
821 | II | Suite | B♭ maj. | Keyboard | 42: 213 | V/12: 3 | [199] | 00959 | |
834 | II | Allemande | C min. | Keyboard | 42: 259 | V/12 | [200] | 00973 | |
839 | II | 1735-03-07 or earlier | Sarabande | G min. | Keyboard | V/12 | in Notenbuch der Zeumerin[201][202] | 00978 | |
844 | II | Toccatina No. 4 Scherzo | D min. | Keyboard | 42: 220 | V/12: 16 | by Bach, W. F.? ↔ BWV 844a[203] | 00983 | |
844a | II | Scherzo | E min. | Keyboard | 42: 281 | V/12: 22 | by Bach, W. F.? (BR A55); ↔ BWV 844[203] | 00984 | |
845 | II | Gigue | F min. | Keyboard | 42: 263 | V/12 | [200] | 00985 | |
II 81 | II | Gigue | (incomplete)D min. | Keyboard | V/12 | by Kellner, J. P.? | 01390 | ||
II 82 | II | Ciacona | B♭ maj. | Keyboard | V/12 | by Bach, J. B.? | 01391 | ||
II 83 | II | Ciacona | A maj. | Keyboard | V/12 | by Bach, J. B. or H.? | 01392 | ||
II 84 | II | Ciacona | G maj. | Keyboard | V/12 | by Bach, J. B.? | 01393 | ||
II 85 | II | Toccata and Fugue | F min. | Keyboard | 42: XXXV | V/12: 114, 122 | by Dobenecker?[204][205] | 01394 | |
898 | II | Prelude and Fugue | on B-A-C-HB♭ maj. | Keyboard | 42: XXXIV | V/12 | 01067 | ||
II 86 | II | Fantasia | C min. | Keyboard | 42: 243 | V/12 | by Gronau? | 01395 | |
II 87 | II | Fantasia | C maj. | Keyboard | V/12 | by Benda? | 01396 | ||
905 | II | Fantasia and Fugue | D min. | Keyboard | 42: 179 | V/12: 24 | [206] | 01076 | |
907 | II | Fantasia and Fughetta | B♭ maj. | Keyboard | 42: 268 | V/12: 28 | by Kirchhoff | ?[207]01078 | |
908 | II | Fantasia and Fughetta | D maj. | Keyboard | 42: 272 | V/12: 34 | by Kirchhoff | ?[207]01079 | |
909 | II | Concerto e Fuga | C min. | Keyboard | 42: 190 | V/12: 38 | 01080 | ||
919 | II | Fantasia | C min. | Keyboard | 36: 152 | V/12: 48 | by Bach, J. B. or J. B. the Younger?[208] | 01092 | |
920 | II | Fantasia | G min. | Keyboard | 42: 183 | V/12 | [206] | 01093 | |
923a | II | Toccatina No. 3 Prelude | A min. | Keyboard | 42: 279 | V/12: 14 | after BWV 923[209] | 01097 | |
II 89 | II | Fugue | C maj. | Keyboard | 42: XXXIV | V/12 | 01398 | ||
II 90 | II | Fugue | C maj. | Kb (with ped?) | 38: 213 | IV/11: 58, 61 | by Bach, C. P. E. (H 388) or Pachelbel? | 01399 | |
II 91 | II | Fugue | G maj. | Keyboard | 42: XXXIV | V/12 | 01401 | ||
II 92 | II | Fugue | G maj. | Keyboard | V/12 | 01402 | |||
II 93 | II | Fugue | E min. | Keyboard | 42: XXXIV | V/12 | 01403 | ||
II 95 | II | Fugue | E min. | Keyboard | 42: XXXIV | V/12 | 01405 | ||
II 96 | II | Fugue | D maj. | Keyboard | V/12 | by Bach, C. P. E.? (H 373.5) | 01406 | ||
II 98 | II | Fugue | D min. | Keyboard | V/12 | by Bach, C. P. E.? (H 373.5) | 01408 | ||
II 99 | II | Fugue | D min. | Keyboard | V/12 | 01409 | |||
II 100 | II | Fugue | D min. | Keyboard | V/12 | by Bach, C. P. E.? (H 373.5) | 01410 | ||
II 101 | II | Fugue | G min. | Keyboard | 42: XXXV | V/12: 130 | by Dobenecker?[205] | 01411 | |
II 102 | II | Fugue | E♭ min. | Keyboard | V/12 | 01412 | |||
897/2 | II | Fugue | A min. | Keyboard | 42: 175 | V/12 | by Dretzel or Bach, W. F.? | 01066 | |
945 | II | Fugue | E min. | Keyboard | 36: 155 | V/12 | by Graupner?[210] | 01120 | |
956 | II | Fugue | E min. | Keyboard | 42: 200 | V/12: 70 | 01133 | ||
958 | II | Fugue | A min. | Keyboard | 42: 205 | V/12: 74 | 01135 | ||
960 | II | Fugue (incomplete) | E min. | Keyboard | 42: 276 | V/12 | [211] | 01137 | |
N 207 | II | Fugue | E min. | Keyboard | IV/11 | by Seger?[212] | 01518 | ||
II 109 | II | Fugue | on B-A-C-HG min. | Keyboard | V/12 | 01419 | |||
964 | II | Sonata | D min. | Keyboard | 42: 3 | V/12: 78 | after BWV 1003[213] | 01141 | |
II 111 | II | Largo and Allegro | G maj. | Keyboard | 42: XXXV | V/12 | 01421 | ||
968 | II | Adagio | G maj. | Keyboard | 42: 27 | V/12: 94 | after BWV 1005/1[213] | 01145 | |
969 | II | Toccatina No. 5 Andante | G min. | Keyboard | 42: 218 | V/12: 18 | [203] | 01146 | |
II 113 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 3 Minuet | F maj. | Keyboard | 432: 25 | V/4: 82 | 01423 | |
II 116 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 7 Minuet | G maj. | Keyboard | 432: 28 | V/4: 87 | 01426 | |
II 117 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 8a and 8b two Polonaises | F maj. | Keyboard | 432: 28 | V/4: 88 | 01427 01428 | |
II 118 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 9 Minuet | B♭ maj. | Keyboard | 432: 29 | V/4: 89 | 01429 | |
II 119 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 10 Polonaise | G min. | Keyboard | 432: 30 | V/4: 90 | 01430 | |
II 120 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 14 Minuet | A min. | Keyboard | 432: 31 | V/4: 92 | 01431 | |
II 121 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 15 Minuet | C min. | Keyboard | 432: 32 | V/4: 92 | 01432 | |
II 126 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 22 Musette | D maj. | Keyboard | 432: 35 | V/4: 99 | 01437 | |
II 127 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 23 March | E♭ maj. | Keyboard | 432: 35 | V/4: 100 | by Bach, C. P. E. | 01438 |
II 128 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 24 (Polonaise) | D min. | Keyboard | 432: 36 | V/4: 101 | 01439 | |
II 132 | II | 1725 (AMB) | Notebook A. M. Bach (1725) No. 36 Minuet | D min. | Keyboard | 432: 48 | V/4: 125 | 01443 | |
II 151 | II | Concerto | C maj. | Keyboard | 42: XXXIV | V/12 | 01462 | ||
II 152 | II | Concerto | G maj. | Vl Hc | 42: XXXIV | VI/5 | 01463 | ||
990 | II | Sarabanda con Partitis | C maj. | Keyboard | 42: 221 | V/12: 97 | [214] | 01168 | |
II 153 | II | Sonata | A maj. | Vl Bc | VI/5 | 01464 | |||
II 154 | II | Sonata | E♭ maj. | Vl Hc | VI/5 | [215] | 01465 | ||
1020 | II | Sonata | G min. | Vl Hc | 9: 274 | VI/5 | by Bach, C. P. E.? (H 542.5)[216][217] | 01201 | |
1022 | II | Sonata | F maj. | Vl Hc | VI/5: 27 | by Bach, C. P. E.?; after BWV 1021; ↔ BWV 1038[217][218] | 01203 | ||
1024 | II | Sonata | C min. | Vl Bc | VI/5 | [219][220] | 01205 | ||
1031 | II | Sonata | E♭ maj. | Fl Hc | 9: 22 | VI/5: 13 | by Bach, C. P. E.? (H 545)[217][221] | 01213 | |
1033 | II | Sonata | C maj. | Fl Bc | 431: 3 | VI/5: 3 | by Bach, C. P. E.? (H 564.5)[217][222] | 01215 | |
1038 | II | 1732–1735 | Sonata | G maj. | Fl Vl Bc | 9: 219 | VI/5: 45 | by Bach, C. P. E.? (H 590.5); after BWV 1021; ↔ BWV 1022[218] | 01220 |
525a | II | Concerto (Trio sonata) | C maj. | Vl Vc Bc | VI/5 | after BWV 525/1, 1032/2, 525/3[223][224] | 01718 | ||
II 155 | II | Concerto | A maj. | Kb Str Bc | VI/5 | 01466 | |||
I 22 | II | Concerto | B♭ maj. | Ob Vl Str Bc | VI/5 | by Förster (C.?)?[225] | 01330 | ||
1070 | II | Orchestral Suite (No. 5) | G min. | Str Bc | 451: 190 | VI/5 | by Bach, W. F.?[226][227] | 01256 | |
Anh. III | Works of other composers, spuriously attributed to Bach | Up ↑ | |||||||
III 156 | III | Cantata Herr Christ, der einge Gottes Sohn (Annunciation) | SATB Str Bc | by Telemann (TWV 1:732)[228] | 01467 | ||||
III 157 | III | Cantata Ich habe Lust zu scheiden (Purification) | s 2Fl Str Bc | by Telemann (TWV 1:836)[229] | 01468 | ||||
15 | III | 1726-04-21 (JSB) | Cantata Denn du wirst meine Seele nicht in der Hölle lassen (Easter) | satbSATB 3Tr Tmp Str Bc | 2: 135 | I/41 | by Bach, J. L. (JLB 21); text in Meiningen 1704[230] | 00017 | |
141 | III | Cantata Das ist je gewißlich wahr (3rd Sunday of Advent) | atbSATB 2Ob Str Bc | 30: 3 | I/41 | by Telemann (TWV 1:183)[231] | 00173 | ||
145/b | III | Cantata movement So du mit deinem Munde bekennest Jesum (Easter) | D maj. | SATB Tr Str Bc | 30: 96 | I/10: 142 | by Telemann (TWV 1:1350/1)[232] | 00178 | |
160 | III | 1725–1732? | Cantata Ich weiß, daß mein Erlöser lebt (Easter) | C maj. | t Vl Bas Bc | 32: 171 | I/41 | by Telemann (TWV 1:877)[233] | 00194 |
218 | III | Cantata Gott der Hoffnung erfülle euch (Pentecost) | satbSATB 2Hn Str Bc | 41: 223 | by Telemann (TWV 1:634)[234] | 00275 | |||
219 | III | Cantata Siehe, es hat überwunden der Löwe (Michaelmas) | sabSATB Str Bc | 41: 239 | by Telemann (TWV 1:1328)[235] | 00276 | |||
222 | III | Cantata Mein Odem ist schwach (Purification) | sabSATB Str Bc | by Bach, J. Ernst; → BWV Anh. 165 | 00279 | ||||
III 158 | III | Aria "Andrò dall'colle al Prato" | s 2Fl (2Hn) Str Bc | by Bach, J. C. | 03022 | ||||
III 160 | III | 1750–1755? (Harrer?) | Motet Jauchzet dem Herrn alle Welt, TWV 8:10 | C maj. | 2SATB | III/3: 15 | after Telemann (/1; /3 after TWV 1:1066), BWV 28/2 (/2 = BWV 28/2a); text after Psalm 100[236] | 01471 | |
III 161 | III | Motet Kündlich groß ist das gottselige Geheimnis/1 (Christmas) | D maj. | SATB Str? Bc | III/3 | by Graun (C. H.?), precedes laudes A and B of BWV 243a | 01472 | ||
III 162 | III | Motet Lob und Ehre und Weisheit und Dank | 2SATB | III/3 | by Wagner, G. G. | 01473 | |||
III 163 | III | Motet Merk auf, mein Herz, und sieh dorthin | 2SATB | III/3 | by Bach, J. B. or J. Ernst | 01474 | |||
III 164 | III | Motet Nun danket alle Gott | SSATB | III/3: 52 | by Altnickol | 01475 | |||
III 165 | III | Motet Unser Wandel ist im Himmel | SATB | III/3 | by Bach, J. Ernst; after BWV 222/3 /4 /6 | 01476 | |||
III 166 | III | 1716 (JLB) 1729 (JSB) | Kyrie–Gloria Mass Missa sopra cantilena "Allein Gott in der Höh' sei Ehr" | E min. | SSATB 2Vl 2Vla Vc Bc | 111: XV 41: 276 | II/9 | by Bach, J. L. (JLB 38), start of Gloria arr. by Bach | 01477 |
II 24 | III | 1715–1717, 1724 (JSB) | Kyrie–Gloria Mass | A min. | SATB Str Bc | 111: XV | II/9 | after Missa Sancti Lamberti by Pez, J. C. | 01332 |
II 26 | III | 1727–1732 (JSB) | Kyrie–Gloria Mass | C min. | satbSATB 3Tbn 2Vl Bc | 41: 193 111: XVI | II/2: 295 | by Durante (alternative Christe: BWV 242) | 01334 |
II 27 | III | c. 1745? (JLK) | Sanctus | F maj. | SATB 2Hn 2Ob Str Bc | 111: XVII | II/9 | by Krebs, J. L. (Krebs‑WV 104)[237] | 01335 |
III 168 | III | c. 1747? (WFB) | Kyrie and German Gloria | G min. | sSATB Str Bc | 111: XVII | II/9 | by Bach, W. F. (BR E1 F 100) | 01479 |
I 21 | III | c. 1707 (MH) | Magnificat Meine Seel erhebt den Herren | A min. | s Fl 2Vl Bc | 111: XVIII | II/9 | by Hoffmann, M.[238] | 01329 |
III 169 | III | 1724–1725 | Passion Erbauliche Gedanken auf den Grünen Donnerstag und Charfreitag über den Leidenden Jesum | text by Picander partly used in BWV 244 but no other known setting[239] | 01480 | ||||
8/6 | III | 1713 (Vet.) 1724-09-24 (JSB) | chorale setting "Liebster Gott, wenn werd ich sterben" (s. 5) | E maj. | SATB | 1: 241 | I/23: 161 | by Vetter, D. (Z 6634); text by Neumann[240][241][242] | 00009 |
III/2.1: 63 III/2.2: 25 | 11228 | ||||||||
D maj. | I/23: 219 | 00010 | |||||||
27/6 | III | 1652 (Ros.) 1726-10-06 (JSB) | chorale setting "Welt, ade, ich bin dein müde" (s. 1) | B♭ maj. | SSATB | 51: 244 | I/23: 251 | by Rosenmüller (Z 6531); text by Albinus[241] | 01481 |
III 170 | III/2.2: 86 | 11345 | |||||||
43/11 | III | 1652 (Pet.) 1726-05-30 (JSB) | chorale setting "Du lebensfürst, Herr Jesu Christ" | (ss. 1, 13)G maj. | SATB | 10: 126 | I/12: 164 | by Peter | after Z 5741b; text by Rist[243]11241 |
chorale setting "Ermuntre dich, mein schwacher Geist" | III/2.1: 74 III/2.2: 57 | ||||||||
567 | III | Prelude | C maj. | Organ | 38: 84 | IV/11 | by Krebs, J. L. (Krebs‑WV 401)[244] | 00647 | |
III 178 | III | last third of 17th century | Toccata quasi Fantasia con Fuge | A maj. | Organ | 42: 250 | V/12 | by Reincken?[245] | 01489 |
II 43 | III | c. 1788 | Fugue | B min. | Organ | IV/11 | by Pölitz | ; after H 776/1801351 | |
II 44 | III | Fugue | G maj. | Organ | IV/11 | by Kellner, J. P. or J. C.[246] | 01352 | ||
II 45 | III | c. 1799 | Fugue | on B-A-C-HB♭ maj. | Organ | IV/11 | by Knecht | 01353 | |
II 88 | III | 1765 | Fugue | C maj. | Keyboard | V/12 | by Kellner, J. C. | 01397 | |
II 97 | III | Fugue | F♯ maj. | Keyboard | 42: XXXV | IV/11: 63 | by Krebs, J. L. (Krebs‑WV 409/2) | 01407 | |
II 103 | III | c. 1711–1718 (GFH) | Fugue | A min. | Keyboard | V/12 | by Handel (HWV 609 | )01413 | |
II 104 | III | c. 1711–1718 (GFH) | Fugue | C min. | Keyboard | V/12 | by Handel (HWV 610 | )01414 | |
II 105 | III | c. 1711–1718 (GFH) | Fugue | B♭ maj. | Keyboard | V/12 | by Handel (HWV 607 | )01415 | |
II 106 | III | c. 1711–1718 (GFH) | Fugue | G min. | Keyboard | V/12 | by Handel (HWV 605 | )01416 | |
N 208 | III | 1747 (JEE) | Fugue | E♭ min. | Keyboard | IV/11 | After Toccata nona | by Eberlin01519 | |
II 46 | III | Trio | C min. | Organ | IV/11 | by Krebs, J. T.[247] | 01354 | ||
692 | III | chorale setting "Ach Gott und Herr" (Kirnb. coll. No. 3) | C maj. | Organ | 40: 4 | IV/11 | by Walther; after BWV 692a | 00810 | |
692a | III | chorale setting "Ach Gott und Herr" (early version) | C maj. | Organ | 40: 152 | IV/11 | by Walther; → BWV 692 | 00811 | |
693 | III | chorale setting "Ach Gott und Herr" (Kirnb. coll. No. 4) | C maj. | Organ | 40: 5 | IV/11 | by Walther | 00812 | |
746 | III | 1715 or earlier (JCFF) | chorale setting "Christ ist erstanden" | D min. | Organ | 40: 173 | IV/10 | by Fischer (Ariadne Musica | No. 24)00874 |
748 | III | 1700–1739 | chorale setting "Gott der Vater wohn uns bei" | D maj. | Organ | 40: 177 | IV/10 | by Walther; → BWV 748a | 00876 |
748a | III | 1700–1789 | chorale setting "Gott der Vater wohn uns bei" (variant) | D maj. | Organ | IV/10 | by Scholz (arr.)?; after BWV 748 | 00877 | |
751 | III | chorale setting "In dulci jubilo" | (also in Neumeister Collection)Organ | IV/10 | by Bach, J. Michael | 00880 | |||
759 | III | chorale setting "Schmücke dich, o liebe Seele" | F maj. | Organ | 40: 181 | IV/10 | by Homilius (HoWV VIII.17 | )[212]00888 | |
760 | III | chorale setting "Vater unser im Himmelreich" | Organ | 40: 183 | IV/10 | by Böhm | 00889 | ||
761 | III | chorale setting "Vater unser im Himmelreich" | Organ | 40: 184 | IV/10 | by Böhm | 00890 | ||
1096 | III | chorale setting "Christe, der du bist Tag und Licht" | (3 versions; Neumeister Chorales No. 8)A min. | Organ | IV/9: 16, 76 | by Pachelbel?[248][249] | 01282 | ||
chorale setting "Wir danken dir, Herr Jesu Christ" | (3 versions; Neumeister Chorales No. 8)|||||||||
771 | III | chorale setting "Allein Gott in der Höh sei Ehr" | G maj. | Organ | 40: 195 | IV/11 | by Vetter, A. N.[250] | 00901 | |
II 47 | III | chorale setting "Herzlich tut mich verlangen" | A min. | Organ | IV/10 | by Kellner, J. P.[246] | 01355 | ||
chorale setting "Ach Herr, mich armen Sünder" | |||||||||
II 56 | III | 1735 (Telem.) | chorale setting "Herr Jesu Christ dich zu uns wend" | Organ | IV/10 | by Telemann (TWV 31:8) | 01364 | ||
II 57 | III | chorale setting "Jesu Leiden, Pein und Tod" | Organ | IV/10 | by Vogler | 01365 | |||
II 61 | III | chorale setting "O Mensch, bewein dein Sünde groß" | F maj. | Organ | IV/10 | by Pachelbel (P 396)[251] | 01369 | ||
II 73 | III | 1720–1788 | chorale setting "Ich ruf zu dir, Herr Jesu Christ" | F min. | Organ | IV/10 | by Bach, C. P. E.; after BWV 639 | 01382 | |
III 171 | III | chorale setting "Christ lag in Todesbanden" | Organ | 40: 174 | IV/10 | by Pachelbel (P 58)[252] | 01482 | ||
III 172 | III | chorale setting "Herr Jesu Christ, dich zu uns wend" | G maj. | Organ | IV/10 | by Krebs, J. L. (Krebs‑WV 524) | 01483 | ||
824 | III | 1720 (WFB) | Klavierbüchlein WFB No. 47: Suite | A maj. | Keyboard | 36: 231 | V/5: 78 | by Telemann (TWV 32:14)[28] | 00962 |
835 | III | 1761 (Kirnb.) | Allemande | A min. | Keyboard | 42: 267 | V/12 | by Kirnberger (EngK 74)[253] | 00974 |
838 | III | Allemande and Courante | A maj. | Keyboard | 42: 265 | V/12 | by Graupner (GWV 849/2 /3)[253] | 00977 | |
840 | III | Courante | G maj. | Keyboard | V/12 | by Telemann (TWV 32:13/2) | 00979 | ||
897/1 | III | c. 1736–1743 (CHD) | Prelude | A min. | Keyboard | 42: 173 | V/12 | by Dretzel ("Adagiosissimo")[254] | 01065 |
962 | III | c. 1783 (JGA) | Fugue | E min. | Keyboard | 42: 198 | V/12 | by Albrechtsberger (Op. 1/8)[255] | 01139 |
970 | III | Toccatina No. 6 Presto | D min. | Keyboard | 42: XXXIV | V/12 | by Bach, W. F. (BR A49 F 25/2) | 11148 | |
II 94 | III | 1774 (Kirnb.) | Fugue | E min. | Keyboard | 42: XXXIV | V/12 | by Kirnberger (EngK 35)[256] | 01404 |
II 107 | III | Fugue | on B-A-C-HC maj. | Keyboard | 42: XXXIV | V/12 | by Sorge? | 01417 | |
II 108 | III | Fugue | on B-A-C-HC maj. | Keyboard | 42: XXXIV | V/12 | by Bach, C. P. E. (H 373) or Sorge? | 01418 | |
II 110 | III | Fugue | on B-A-C-HC min. | Keyboard | 42: XXXIV | V/12 | by Sorge? | 01420 | |
II 112 | III | 1780 (Kirnb.) | Grave | E min. | Keyboard | V/12 | by Kirnberger (EngK 16)[257] | 01422 | |
II 114 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 4 Minuet | G maj. | Keyboard | 432: 26 | V/4: 83 | by Petzold[258] | 01424 |
II 115 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 5 Minuet | G min. | Keyboard | 432: 26 | V/4: 84 | by Petzold[258] | 01425 |
II 122 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 16 March | D maj. | Keyboard | 432: 32 | V/4: 94 | by Bach, C. P. E. (H 1/1) | 01433 |
II 123 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 17 Polonaise | G min. | Keyboard | 432: 32 | V/4: 95 | by Bach, C. P. E. (H 1/2) | 01434 |
II 124 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 18 March | G maj. | Keyboard | 432: 33 | V/4: 96 | by Bach, C. P. E. (H 1/3) | 01435 |
II 125 | III | 1725 (CPE) | Notebook A. M. Bach (1725) No. 19 Polonaise | G min. | Keyboard | 432: 33 | V/4: 97 | by Bach, C. P. E. (H 1/4) | 01436 |
II 129 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 27 Solo per il cembalo | E♭ maj. | Keyboard | 432: 38 | V/4: 104 | by Bach, C. P. E. (H 16) | 01440 |
II 130 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 28 Polonaise | G maj. | Keyboard | 432: 39 | V/4: 106 | by Hasse[259] | 01441 |
II 131 | III | c.1745? | Notebook A. M. Bach (1725) No. 32 | F maj. | Keyboard | 432: 46 | V/4: 121 | by Bach, J. C. (W A22)[260] | 01442 |
II 133 | III | 1763 or later | Musical clock | No. 1 FantasiaG maj. | Musical clock | V/12 | by Bach, W. F. (BR A63 F 207) | 01444 | |
II 134 | III | 1763 or later | Musical clock | No. 2 ScherzoG maj. | Musical clock | V/12 | by Bach, W. F. (BR A64 F 207) | 01445 | |
II 135 | III | 1763 or later | Musical clock | No. 3 BourlescaA min. | Musical clock | V/12 | by Bach, W. F. (BR A65 F 207) | 01446 | |
II 136 | III | 1763 or later | Musical clock | No. 4 TrioA min. | Musical clock | V/12 | by Bach, W. F. (BR A66 F 207) | 01447 | |
II 137 | III | 1763 or later | Musical clock | No. 5 L'Intrada della CacciaE♭ maj. | Musical clock | V/12 | by Bach, W. F. (BR A67 F 207) | 01448 | |
II 138 | III | 1763 or later | Musical clock | No. 6 Continuazione della CacciaE♭ maj. | Musical clock | V/12 | by Bach, W. F. (BR A68 F 207) | 01449 | |
II 139 | III | 1763 or later | Musical clock | No. 7 Il Fine delle Caccia ID maj. | Musical clock | V/12 | by Bach, W. F. (BR A69 F 207) | 01450 | |
II 140 | III | 1763 or later | Musical clock | No. 8 Il Fine delle Caccia IID min. | Musical clock | V/12 | by Bach, W. F. (BR A70 F 207) | 01451 | |
II 141 | III | 1763 or later | Musical clock | No. 9 Song "O Gott die Christenheit"F maj. | Musical clock | V/12 | by Bach, W. F. (BR A71 F 207) | 01452 | |
II 142 | III | 1763 or later | Musical clock | No. 10 Psalm 110A min. | Musical clock | V/12 | by Bach, W. F. (BR A72 F 207) | 01453 | |
II 143 | III | 1763 or later | Musical clock | No. 11 PolonaiseE min. | Musical clock | V/12 | by Bach, W. F. (BR A73 F 207) | 01454 | |
II 144 | III | 1763 or later | Musical clock | No. 12 Polonaise TrioA min. | Musical clock | V/12 | by Bach, W. F. (BR A74 F 207) | 01455 | |
II 145 | III | 1763 or later | Musical clock | No. 13 MarchC maj. | Musical clock | V/12 | by Bach, W. F. (BR A75 F 207) | 01456 | |
II 146 | III | 1763 or later | Musical clock | No. 14 MarchF maj. | Musical clock | V/12 | by Bach, W. F. (BR A76 F 207) | 01457 | |
II 147 | III | 1763 or later | Musical clock | No. 15 La CombattutaG maj. | Musical clock | V/12 | by Bach, W. F. (BR A77 F 207) | 01458 | |
II 148 | III | 1763 or later | Musical clock | No. 16 ScherzoG min. | Musical clock | V/12 | by Bach, W. F. (BR A78 F 207) | 01459 | |
II 149 | III | 1763 or later | Musical clock | No. 17 MinuetG maj. | Musical clock | V/12 | by Bach, W. F. (BR A79 F 207) | 01460 | |
II 150 | III | 1763 or later | Musical clock | No. 18 TrioG min. | Musical clock | V/12 | by Bach, W. F. (BR A80 F 207) | 01461 | |
III 177 | III | Prelude and Fugue | E♭ maj. | Keyboard | 36: 88 | V/12: 134 | by Bach, J. Christoph?[261] | 01488 | |
III 179 | III | 1728 (JDH) | Fantasia durch alle Tonarten gehend | A min. | Keyboard | V/12 | by Heinichen[262] | 01490 | |
III 180 | III | Fugue | D min. | Keyboard | 36: 188 | V/12 | by Kellner, J. P.[212] | 01491 | |
III 181 | III | Fugue | A min. | Keyboard | V/12 | by Krebs, J. L. (Krebs‑WV 825/2) | 01492 | ||
III 182 | III | Passacaglia | D min. | Keyboard | 42: 234 | V/12 | by Witt | 01493 | |
III 183 | III | 1725 (AMB) | Notebook A. M. Bach (1725) No. 6 Rondeau | B♭ maj. | Keyboard | 432: 27 | V/4: 85 | by Couperin (6ième Ordre: Les Bergeries) | 01494 |
1036 | III | 1731 (CPE) | Trio | D min. | Vl Hc (2Vl Bc) | VI/5 | by Bach, C. P. E. (H 569; Wq 145) | 01218 | |
1037 | III | c. 1740s (JGG) | Sonata | C maj. | 2Vl Bc | 9: 229 | VI/5 | by Goldberg[263] | 01219 |
III 173 | III | 1712 (FAB) c. 1723 (JSB) | Invention | B min. | Vl Kb | 451: 172 | VI/5 | by Bonporti (Op. 10 No. 2)[264] | 01484 |
III 174 | III | 1712 (FAB) c. 1723 (JSB) | Invention | B♭ maj. | Vl Kb | 451: 176 | VI/5 | by Bonporti (Op. 10 No. 5)[265] | 01485 |
III 175 | III | 1712 (FAB) c. 1723 (JSB) | Invention | C min. | Vl Kb | 451: 181 | VI/5 | by Bonporti (Op. 10 No. 6)[266] | 01486 |
III 176 | III | 1712 (FAB) c. 1723 (JSB) | Invention | D maj. | Vl Kb | 451: 185 | VI/5 | by Bonporti (Op. 10 No. 7)[267] | 01487 |
III 184 | III | c. 1747 (Zuc.) | Sonata | A min. | Vl Bc | VI/5 | by Zuccari (Op. 1 | No. 10)[268]01495 | |
III 185 | III | Sonata | D maj. | 2Vl Bc | VI/5 | by Bach, C. P. E. (H 585; ≈H 507; Wq 74) | 01496 | ||
III 186 | III | Sonata | F maj. | 2Vl Bc | VI/5 | by Bach, C. P. E. (H 576; Wq 154) | 01497 | ||
III 187 | III | Sonata (Trio) | F maj. | Bas Fl Vne | VI/5 | by Bach, C. P. E. (H 589) | 02454 | ||
III 188 | III | c. 1740 (WFB) | Sonata (Concerto) | F maj. | 2Hc | 431: 47 | V/12 | by Bach, W. F. (BR A12 F 10) | 01499 |
I 23 | III | 1710 (Alb.) c.1710 (JSB) | Concerto | E min. | 2Vl Va Vc Vne | VI/5 | by Albinoni (Op. 2 No. 4 = 2nd Concerto) | 01331 | |
III 189 | III | 1745–1747 (JSB) | Concerto | A min. | Hc Str Bc | VI/5 | by Bach, C. P. E. (H 403; Wq 1) | 01500 | |
Anh. N | New additions to the Anhang | Up ↑ | |||||||
— | Up ↑ | ||||||||
655b | – | 1708–1789 | chorale setting "Herr Jesu Christ, dich zu uns wend" (alternative version "a" in BGA) | Organ | 252: 159 | after BWV 655(a); ↔ 655c | 00754 | ||
655c | – | 1708–1789 | chorale setting "Herr Jesu Christ, dich zu uns wend" (alternative version "b" in BGA) | Organ | 252: 160 | after BWV 655(a); ↔ 655b | 00755 | ||
813a | – | French Suites, No. 2 – Version B (early version): No. 6 Menuet II | C min. | Keyboard | 36: 236 | V/8: 79 | 00947 | ||
deest | BC C 8 | 1723–1750? (JSB?) | Motet Der Gerechte kömmt um (Wer ist der, so von Edom kömmt/39; funer. motet?) | E min. | SSATB 2Fl 2Ob Str Bc | I/41: 127 | by Kuhnau? (Tristis est...); arr. by Bach? | 01532 | |
deest | BC D 1 | 1717-03-28? | Passion Weimarer Passion | ?stbSATB 2Fl 2Ob Str Bc | → BWV 23/4 (and 55/3; 244/29; 245a–c; 283?) | 01533 | |||
deest | BC D 5a | 1707 (Kei) before 1713 (JSB) | Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, Weimar version) | SATB 2Vl 2Va Hc | II/9: 69 | Pasticcio (Keiser G.?, Bach) | 01534 | ||
deest | BC D 5b | 1726-04-19 (JSB) | Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 1st Leipzig version) | SATB 2Vl 2Va Org | II/9 | Pasticcio after BC D 5a (Keiser G.?, Bach) adding BWV 500a and 1084) | 01535 | ||
deest | BC D 10 | c.1750? | Passion Wer ist der, so von Edom kömmt | D min. | satbSSATB 2Fl 2Ob Str Bc | I/41: 95 | Pasticcio (Graun, C. H.; Telemann; Bach; ...) | 10991 | |
deest (8/6*) | BC F 131 .1c | c. 1735 | chorale setting "Liebster Gott, wenn werd ich sterben" | E♭ maj. | SATB | III/2.1: 100 | after Z 6634; text by Neumann | 11072 | |
BGA | 1725 (JSB) | Notebook A. M. Bach (1725) No. 21 Menuet fait par Mons. Böhm | G maj. | Keyboard | 432: 35 | V/4: 82 | by Böhm | ||
BNB I/B /48 | 1709 (Bas.) c.1738 (JSB) | 6 Masses without Benedictus and Agnus Dei from Acroama missale | 2SATB 3Tbn Str Bc | by Bassani; copied by Bach (BNB I/B/48), later adding BWV 1081[269] | 08834 | ||||
BNB I/C/1 | 1740–1742 (JSB) | Magnificat | C maj. | SATB 4Tbn Tmp Bc | by Caldara; → BWV 1082; in DBB 2755/1 | 08841 | |||
deest | BNB I/K/2 | before 1719 (Han.) 1743–1748 (JSB) | Passion Jesus Christus ist um unsrer Missetat willen verwundet (St Mark Passion pastiche, 2nd Leipzig version) | stSATB 2Ob 2Bas 2Vl 2Va Vc Vne Hc | II/9 | Pasticcio after BC D 5b (Keiser G.?, Bach) and HWV 48/9 /23 /41 /44 /47 /52 /55 (Handel) | 01680 | ||
deest | NBA | 1591 (Pal.) c.1742 (JSB) | Kyrie–Gloria Mass arranged from Missa sine nomine a 6 | E min. | SSATTB 2Co 4Tro Vne Hc Org | II/9: 13 | by Palestrina after anon. motet Beata Dei genitrix; arr. by Bach | 01676 | |
NBA | 1720-01-22 | Klavierbüchlein WFB, p. 3a: Claves signatae (introduction on clefs) | 451: 213 | V/5 | [28] | ||||
NBA | 1720-01-22 | Klavierbüchlein WFB, p. 3b: Explication... (introduction on ornaments) | 451: 213 | V/5 | [28] | ||||
NBA | 1720 (WFB) | Klavierbüchlein WFB No. 25: Pièce pour le Clavecin | Keyboard | 451: 218 | V/5: 40 | by Richter, J. C. | [28]|||
deest | NBA | 1720 (anon) | Klavierbüchlein WFB No. 30: Bass sketch | G min. | 451: 220 | V/5: 45 | [28] | ||
NBA | 1720 (WFB) | Klavierbüchlein WFB No. 48a–d: Partita | Keyboard | 451: 223 | V/5: 82 | by Stölzel[28] |
Voices (see also SATB) | ||||||||||||
---|---|---|---|---|---|---|---|---|---|---|---|---|
a | A | b | B | s | S | t | T | v | V | |||
alto (solo part) | alto (choir part) | bass (solo part) | bass (choir part) | soprano (solo part) | soprano (choir part) | tenor (solo part) | tenor (choir part) | voice (includes parts for unspecified voices or instruments as in some canons) | vocal music for unspecified voice type | |||
Winds and battery (bold = soloist) | ||||||||||||
Bas | Bel | Cnt | Fl | Hn | Ob | Oba | Odc | Tai | Tbn | Tdt | Tmp | Tr |
bassoon (can be part of Bc, see below) | bell(s) (musical bells) | cornett, cornettino | flute (traverso, flauto dolce, piccolo, flauto basso) | natural horn, corno da caccia, corno da tirarsi, lituo | oboe | oboe d'amore | oboe da caccia | taille | trombone | tromba da tirarsi | timpani | tromba (natural trumpet, clarino trumpet) |
Strings and keyboard (bold = soloist) | ||||||||||||
Bc | Hc | Kb | Lu | Lw | Org | Str | Va | Vc | Vdg | Vl | Vne | |
basso continuo: Vdg, Hc, Vc, Bas, Org, Vne and/or Lu | harpsichord | keyboard (Hc, Lw, Org or clavichord) | lute, theorbo | Lautenwerck (lute-harpsichord) | organ (/man. = manualiter, without pedals) | strings: Vl I, Vl II and Va | viola(s), viola d'amore, violetta | violoncello, violoncello piccolo | viola da gamba | violin(s), violino piccolo | violone, violone grosso |
By genre
Cantatas (BWV 1–224)
- See #BWV Chapter 1 in the table above
In the 1950 first edition of the BWV the cantatas were largely listed according to their BGA number:
- BWV 1–200: Church cantatas
- BWV 201–216: Secular cantatas
- BWV 217–224: Cantatas with various issues (lost, incomplete, spurious, doubtful)
Additionally Anh. I of the first edition of the BWV started with a list of some 20 lost cantatas, while Anh. III of that edition listed a few cantata (movements) by other composers (Anh. 156–158).
BWV2a added many more lost cantatas (BWV Anh. 190–199 and 209–212) and alternative versions to known works indicating (partially) lost cantatas or cantata versions, e.g. BWV 244a, the music of which was partially preserved in the St Matthew Passion, BWV 244.
Motets (BWV 225–231)
- See #BWV Chapter 2 in the table above
There are over a dozen motets attributed to Bach, about half of which are authentic by all accounts:
- BWV 225–230 are the six compositions that have always been considered motets composed by Bach
- BWV 231 was later renumbered to BWV 28/2a, a variant of the second movement of cantata BWV 28
- BWV 118, published as a cantata in the 19th century, was later recategorised as a motet, following Bach's designation on the score.
- BWV Anh. 159–165 are motets with a doubtful or spurious assignation to Bach, the first of which is however most likely composed by Bach.
Liturgical works in Latin (BWV 232–243)
- See #BWV Chapter 3 in the table above
Bach's involvement with Latin church music, as composer, arranger or copyist, includes:
- BWV 232–242: Masses and Mass movements (Mass in B minor; Kyrie–Gloria Masses; separate Mass movements)
- BWV 243: Magnificat
- BWV 1081–1083: later additions to the BWV catalogue
- BWV Anh. 24–30, 166–168: doubtful and spurious works
- BNB I/B/48, I/C/1, I/P/2: copies and arrangements
Passions and oratorios (BWV 244–249)
- See #BWV Chapter 4 in the table above
Passions and oratorios composed or contributed to by Bach include:
- BWV 244–247: Passions (St Matthew Passion; St John Passion; St Mark Passion; St Luke Passion)
- BWV 248–249: Oratorios (Christmas Oratorio; Easter Oratorio)
- BWV 11: Ascension Oratorio
- BWV 127/1, 500a, 1084, 1088, deest: St Mark Passion (attributed to Keiser), Weimarer Passion, Wer ist der, so von Edom kömmt
- BWV Anh. 169: passion text by Picander (not set by Bach, apart from using some parts of this text in his St Matthew Passion)
Four-part chorales (BWV 250–438)
- See #BWV Chapter 5 in the table above
Bach's chorale settings (usually for SATB choir) are included in:
- BWV 250–438: separate chorale settings
- Cantatas (most prominently in the chorale cantatas), motets, passions, oratorios, Second Notebook for Anna Magdalena Bach
- BWV 1089, 1122–1126: later additions to the BWV catalogue
- BWV Anh. 31, 201–204: doubtful and spurious
Songs and arias (BWV 439–524)
- See #BWV Chapter 6 in the table above
Songs and (separate) arias by Bach are included in several collections:
- BWV 439–507: Schemellis Gesangbuch
- BWV 508–518: Second Notebook for Anna Magdalena Bach
- BWV 519–523: D-B Mus. ms. Bach P 802, a manuscript by Johann Ludwig Krebs
- BWV Anh. 32–39: Deutsche Übersetzungen und Gedichte (doubtful)
- BWV Anh. 40–41: Singende Muse an der Pleiße (doubtful)
Associated with the Songs and Arias group:
- BWV 524: (Wedding) Quodlibet for four voices (incomplete)
- BWV 1127: "Alles mit Gott und nichts ohn' ihn" (strophic aria rediscovered in 2005)[103]
Works for organ (BWV 525–771)
- See #BWV Chapter 7 in the table above
Bach's organ compositions include:
- BWV 525–530: Sonatas
- BWV 531–582: compositions of the type Prelude/Fantasia/Toccata/Adagio/Passacaglia and/or Fugue
- BWV 583–591: various free organ compositions (Trios/Aria/Canzona/Allabreve/Pastorale/Kleines harmonisches Labyrinth )
- BWV 592–597: Concertos (transcriptions)
- BWV 598: Pedal-Exercitium
- BWV 599–764: Chorale preludes (Orgelbüchlein; Schübler Chorales; Great Eighteen Chorale Preludes or Leipzig Chorales; Chorale preludes from Clavier-Übung III; Kirnberger chorale preludes; other chorale preludes)
- BWV 765–768: Chorale partitas
- BWV 769–771: Chorale variations (includes Canonic Variations on "Vom Himmel hoch da komm' ich her")
- BWV 1085–1087, 1121, 1128: various later additions to the BWV catalogue
- BWV 1090–1120: Neumeister Chorales
- BWV Anh. 42–79, 171–178, 200, 206, 208, 213: lost, doubtful and spurious organ pieces
Works for keyboard (BWV 772–994)
- See #BWV Chapter 8 in the table above
Bach's works for harpsichord, clavichord and other keyboard instruments include:
- BWV 772–801: Inventions and Sinfonias
- BWV 802–805: Duets from Clavier-Übung III
- BWV 806–845: Suites and suite movements (English Suites; French Suites; Partitas = Clavier-Übung I; Overture in the French style from Clavier-Übung II; etc.)
- BWV 846–893: The Well-Tempered Clavier (book I, book II)
- BWV 894–962: compositions of the type Prelude/Fantasia/Concerto/Toccata and/or Fugue/Fughetta (includes Chromatic Fantasia and Fugue, Six Little Preludes, several parts of the Klavierbüchlein für Wilhelm Friedemann Bach, etc.)
- BWV 963–970: Sonatas and sonata movements
- BWV 971–987: Concertos (includes Italian Concerto from Clavier-Übung II and various concerto transcriptions)
- BWV 988–991: Variations (includes Goldberg Variations = Clavier-Übung IV and Aria variata alla maniera italiana)
- BWV 992–994: Capriccios and Applicatio (includes Capriccio on the departure of a beloved brother)
Works for solo lute (BWV 995–1000)
- See #BWV Chapter 9 in the table above
Bach's compositions for lute and/or lute-harpsichord (Lautenwerck) include:
- BWV 995–1000 suites and separate movements for lute and/or lute-harpsichord
- BWV 1006a: transcription of BWV 1006
Chamber music (BWV 1001–1040)
- See #BWV Chapter 10 in the table above
Bach wrote chamber music for solo violin, cello or flute, sonatas for harpsichord and an instrumental soloist, and Trio sonatas:
- BWV 1001–1006: Sonatas and partitas for solo violin
- BWV 1007–1012: Cello Suites
- BWV 1013: Partita for solo flute
- BWV 1014–1026: works for accompanied violin (sonatas, suite, fugue for violin and harpsichord; sonatas for violin and basso continuo)
- BWV 1027–1029: sonatas for viola da gamba and harpsichord
- BWV 1030–1035: sonatas for accompanied flute (sonatas for flute and harpsichord; sonatas for flute and basso continuo)
- BWV 1036–1040: trio sonatas
Orchestral works (BWV 1041–1071)
- See #BWV Chapter 11 in the table above
Bach wrote concertos and orchestral suites:
- BWV 1041–1045: Violin concertos (in A minor, in E major, Double Concerto); Triple Concerto; Concerto movement/Sinfonia fragment
- BWV 1046–1051: Brandenburg Concertos
- BWV 1052–1065: Harpsichord concertos
- BWV 1066–1071: Orchestral suites and Sinfonia (early version of BWV 1046)
Canons (BWV 1072–1078)
- See #BWV Chapter 12 in the table above
Separate canons by Bach are listed in the 12th chapter of the BWV:
- BWV 1072–1078: canons
- BWV 1086–1087: later additions
Late contrapuntal works (BWV 1079–1080)
- See #BWV Chapter 13 in the table above
The list of late contrapuntal works contains only two items:
- BWV 1079: The Musical Offering
- BWV 1080: The Art of Fugue
20th-century additions to the BWV catalogue and Anhang
Additions as published in BWV2a
Additions to the main catalogue (BWV 1081–1126)
- BWV 1081 – Credo in unum Deum in F major (for choir), included in Chapter 3 in BWV2a
- BWV 1082 – Suscepit Israel by Antonio Caldara (for choir), as copied by Bach;[270] Included in Chapter 3 in BWV2a
- BWV 1083 – Tilge, Höchster, meine Sünden (motet, "parody", i.e., reworked version, of Pergolesi's Stabat Mater), included in Chapter 3 in BWV2a
- BWV 1084 – O hilf, Christe, Gottes Sohn (chorale from Bach's Leipzig versions of the St Mark Passion attributed to Keiser), included in Chapter 5 in BWV2a
- BWV 1085 – O Lamm Gottes, unschuldig (chorale prelude), included in Chapter 7 in BWV2a
- BWV 1086 – Canon Concordia discors, included in Chapter 12 in BWV2a
- BWV 1087 – 14 canons on the First Eight Notes of Goldberg Variations Ground (discovered 1974), included in Chapter 12 in BWV2a
- BWV 1088 – "So heb ich denn mein Auge sehnlich auf" (arioso for bass), No. 20 in Wer ist der, so von Edom kömmt (pasticcio Passion oratorio);[271] Included in Chapter 4 in BWV2a
- BWV 1089 – Da Jesus an dem Kreutze stund (four-part chorale), included in Chapter 5 in BWV2a
- BWV 1090–1120 – 31 chorale preludes for organ from the Neumeister Collection, discovered in 1985 in the archives of the Yale University library; Included in Chapter 7 in BWV2a, except for BWV 1096, attributed to Johann Pachelbel,[272][273] which was moved to Anh. III (spurious works).
- BWV 1121, previously Anh. 205 – Fantasie in C minor (organ), included in Chapter 7 in BWV2a
- BWV 1122–1126 – five four-part chorales,[274] moved to Chapter 5 in BWV2a
Additions to the Anhang (BWV Anh. 190–213)
BWV Anh. 190–213 were added between the 1950 and 1990s editions of the catalogue
- BWV Anh. 190–197 – Cantatas added to Anh. I (music lost); see also List of Bach cantatas
- BWV Anh. 198 – Abandoned sketch of a cantata opening, renumbered to BWV 149/1a and added to Chapter 1 in BWV2a
- BWV Anh. 199 – Cantata added to Anh. I (music lost); see also List of Bach cantatas
- BWV Anh. 200 – Fragment of a chorale prelude O Traurigkeit, o herzeleid, added to Anh. I (unused sketch for the Orgelbüchlein)
- BWV Anh. 201–204 – Four-part chorales added to Anh. II (doubtful)
- BWV Anh. 205 – Fantasia in C minor, authenticated as BWV 1121 and added to Chapter 7 in BWV2a
- BWV Anh. 206 – Doubtful chorale prelude, added to Anh. II
- BWV Anh. 207 – Doubtful keyboard fugue, added to Anh. II
- BWV Anh. 208 – Spurious organ fugue, added to Anh. III
- BWV Anh. 209–212 – Lost cantatas added to Anh. I; see also List of Bach cantatas
- BWV Anh. 213 – Lost arrangement for organ of an unidentified Telemann concerto, added to Anh. I
21st-century additions to the BWV catalogue (BWV 1127 and higher)
- See also #BWV Later in the table above
BWV numbers assigned after the publication of BWV2a:
- BWV 1127: strophic aria "Alles mit Gott und nichts ohn' ihn" (discovered June 2005)[103]
- BWV Anh. 71, renumbered to BWV 1128: chorale fantasia for organ "Wo Gott der Herr nicht bei uns hält" (BWV Anh. II 71 was authenticated as a composition by Bach after Wilhelm Rust's 1877 copy was recovered in March 2008)[275][105]
- BWV 1129 and higher: BWV3 numbers, see BWV#Numbers above BWV 1126
Derivative works
There is not much system in the way works derived from Bach's compositions are listed. The "R" addition to the BWV number is only well-established for the reconstructions included in NBA VII/7 (e.g. solo violin reconstructions of BWV 565 are not usually indicated as BWV 565R, neither is the system used for reconstructed vocal works). For some series of transcriptions and arrangements works catalogues of these transcribers/arrangers may hold sublists with works derived from compositions by Bach.
Reconstructed concertos
- See also #Reconstructions in the table above
Each reconstructed concerto is created after the harpsichord concerto for the presumed original instrument. Such reconstructions are commonly referred to as, for example, BWV 1052R (where the R stands for 'reconstructed'). Other reconstructions and completions of for instance BWV 1059 have been indicated as BWV 1059,[276] or BWV 1059a.[277]
Adaptations
Transcriptions and arrangements in the catalogues of works by other composers include:
- Ferruccio Busoni
- Catalogue numbers BV B 20 to B 46 are arrangements of works by Bach, many of which published in the Bach-Busoni Editions.
See also
- List of compositions by Johann Sebastian Bach printed during his lifetime
- List of fugal works by Johann Sebastian Bach
References
For abbreviations used in the references see also Bibliography at www.bachdigital.de
- ^ Bach & Agricola 1754, pp. 167–169.
- ^ Forkel & Terry 1920, "Chapter IX: Bach's Compositions" pp. 114–142.
- ^ a b Bach-Gesellschaft Ausgabe, .../Prefaces, .../Thematic Catalogue: documentation and facsimiles at the International Music Score Library Project
- ^ a b Forkel & Terry 1920, "Appendix III" pp. 225–286.
- ^ Schmieder 1950.
- ^ OCLC 18856743
- ^ Schmieder 1990.
- ^ Dürr & Kobayashi 1998.
- ^ "Fantasia, c BWV 1121 [BWV 1998]; BWV Anh. 205 / Anh. II 45→". Bach Digital. Leipzig: Bach Archive; et al. 14 May 2019.
- ^ Blanken 2019.
- ^ "Christ lag in Todes Banden (Leipzig version) BWV 4.2; BWV 4". Bach Digital. Leipzig: Bach Archive; et al. 11 March 2019.
- ^ Johann Sebastian Bach (1685–1750): New Edition of the Complete Works at the Bärenreiter website.
- ^ a b Neue Bach-Ausgabe: documentation at the International Music Score Library Project
- ^ Johann Sebastian Bach: New Edition of the Complete Works – Revised Edition at the Bärenreiter website.
- ^ Hans-Joachim Schulze and Christoph Wolff. Bach Compendium: Analytisch-bibliographisches Repertorium der Werke Johann Sebastian Bachs, Vol. 1 (Part 1–4). Leipzig 1985ff.
- ^ "Der Gerechte kömmt um ... BWV deest (BC C 8)". Bach Digital. Leipzig: Bach Archive; et al. 25 May 2019.
- ^ Kirsten Beißwenger (1992). Johann Sebastian Bachs Notenbibliothek. Kassel: Bärenreiter. ISBN 3-7618-1036-9
- ^ Johann Sebastian Bach: Correspondance Catalogues Zwang — Schmeider at www.musiqueorguequebec.ca
- ^ Works Catalogues at www.bachdigital.de
- ^ a b c d e f g h i Melamed 1995, p. 102.
- ^ BWV 281 at Luke Dahn's www.bach-chorales.com website (2018).
- ^ Zahn 1889–1893, III, p. 131.
- ^ l. u. (1885), "Moller, Heinrich von", Allgemeine Deutsche Biographie (ADB) (in German), 22, Leipzig: Duncker & Humblot, pp. 758–759
- ^ a b Platen 1976, pp. 53–54.
- ^ a b c d Schulze 1983, pp. 81ff.
- ^ Leaver, Robin A., ed. (2016). The Routledge Research Companion to Johann Sebastian Bach. Routledge Research Companion. Taylor & Francis. pp. 153–154. ISBN 9781315452807.
- ^ Pietrzak, Ewa (2014). "Schlesier in den deutschen Sprachgesellschaften des 17. Jahrhunderts" [Silesians in the German-speaking communities of the 17th century]. In Garber, Klaus; Wismann, Heinz; Siebers, Winfried (eds.). Europäische Sozietätsbewegung und demokratische Tradition: Die europäischen Akademien der Frühen Neuzeit zwischen Frührenaissance und Spätaufklärung. Frühe Neuzeit (in German). 26–27. Walter de Gruyter. p. 1296. ISBN 9783110963243.
- ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa ab ac ad ae af ag ah ai aj US-NHub Music Deposit 31 (Klavierbüchlein für W. F. Bach) at Bach Digital.
- ^ RISM No. 467300920
- ^ RISM No. 467300939
- ^ Philipp Spitta. Musikgeschichtliche Aufsätze. Berlin (1894), 117f
- ^ Talbot, Michael (2011). The Vivaldi Compendium. Boydell Press. p. 54. ISBN 9781843836704.
- ^ Johann Sebastian Bach: Concerti nach Vivaldi u.a. – III at www.crescendo-music.com
- ^ Johann Sebastian Bach, edited by Hermann Scherchen, preface by Charles van den Borren. Facsimile of BR Bruxelles II. 4805, appendix in Musica viva, Vol. III. Brussels (1936)
- ^ a b Johann Sebastian Bach, edited by E. Capriani. "Documenti storici" in Opere per Liuto, Vol. III. Rovereto (1977)
- ^ MB Lpz III. 11. 3
- ^ a b c d Johann Sebastian Bach, introduction by Hans-Joachim Schulze. Drei Lautenkompositionen in zeitgenössischer Tabulatur (BWV 995, 997, 1000). Leipzig (1975)
- ^ Artzt. "The third Lute Suite by Bach: Three Manuscripts and their Implications" in Journal of the Lute Society of America (1968), pp. 9ff
- ^ Grossman. "Der Intavolator als Interpret: Johann Sebastian Bachs Lautensuite g-moll, BWV 995, im Autograph und in zeitgenössischer Tabulatur" in Basler Jahrbuch (1986), pp. 223–244
- ^ a b c d e f g h Henning 1987.
- ^ a b Junghänel. "Bach und die zeitgenössische Lautenpraxis" in Bericht Duisburg
- ^ a b c d e f g h Radke. Fs Engel, pp. 271ff
- ^ a b c d e f g h i Schulze, Dok III
- ^ Schulze. Mf 1968, pp. 203f
- ^ Schulze. "«Monsieur Schouster» – ein vergessener Zeitgenosse Johann Sebastian Bachs" in Fs Dürr, pp. 243ff
- ^ Schulze. St
- ^ a b c d Schulze. "Wer intavolierte Johann Sebastian Bachs Lautentabulaturen?" in Mf 1966, pp. 32ff
- ^ a b c d e f Siegele Diss
- ^ Beißwenger, Acht Präl: 27
- ^ Dömling/Kohlhase, AcM 1971: 108f
- ^ a b c d e Schulze St
- ^ a b c d Spitta I: 768; II: 646
- ^ Wiemer, BJ 1987: 29ff
- ^ a b c Dreyfus Cont Gr
- ^ Johann Sebastian Bach with an introduction by Hiroshi Hoshino. "The Manuscript Copy of J. S. Bach's Prelude, Fugue and Allegro for Lute or Harpsichord, E-flat major (BWV 998), in the Possession of Ueno Gakuen" (contains facsimile of Prelude pour la Luth. ò Cembal. par J. S. Bach.) in Fs for Ueno Gakuen. Tokyo (1974), pp. 171ff
- ^ Dombois. "The Allegro from J. S. Bachs Prelude, Fugue and Allegro in E-flat major" in Lute Society Journal (1972), pp. 25ff, 51ff
- ^ a b c d Kobayashi Chr
- ^ Neemann 1931.
- ^ Badura-Skoda
- ^ Spitta I: 663
- ^ Kilian, Mf 1961: 323 (regarding BWV 539)
- ^ a b Dadelsen TBSt 4/5
- ^ Hofmann, Fs Scheide: 14~154
- ^ Spitta I: 707
- ^ Zingel. "Bach auf der Harfe" in Schweizerische Musikzeitung (1964), pp. 286ff
- ^ a b Forkel & Terry 1920, p. 137 (footnote 4), pp. 234–235 and p. 242.
- ^ BWV 1045 at www.bach-cantatas.com
- ^ BWV 1045 at www.jsbachcantatas.com
- ^ Friedrich Wilhelm Marpurg. Abhandlung von der Fuge Vol. 2. Berlin (1754), TAB XXXVII
- ^ Herz BQA
- ^ Neumann/Schulze, Dok I, Nr. 147
- ^ a b c d e Schulze. "Johann Sebastian Bachs Kanonwidmungen" in BJ 1967, pp. 82ff
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- ^ Hobohm, BJ 1973: 5ff
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- ^ Als die / von / E. Hoch=Edlen / und / Hoch=Weisen Rathe / der Stadt Leipzig / neugebauete und eingerichtete / Schule zu S. Thomae / den 5. Jun. durch etliche Reden eingeweyhet wurde, / ward folgende / CANTATA / dabey verfertiget und aufgeführet / von / Joh. Sebastian Bach, / Fürstl. Sächs. Weissfels. Capellmeister, und besagter Schulen Cantore / und / M. Johann Heinrich Winckler, / Collega IV Leipzig: Bernhard Christoph Breitkopf (1732)
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- ^ So how many Bach four–part chorales are there? at Luke Dahn's www.bach-chorales.com (2018)
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- ^ Wer ist der, so von Edom kömmt by Johann Christoph Altnikol et al.: Scores at the International Music Score Library Project
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- ^ Perreault 2004, p. 56.
- ^ Marx, Wolfgang (2000). Bach: Chorales, Motet BWV 118, Quodlibet, Notenbüchlein for A.M. Bach (Bach 2000, Vol. 87) (Media notes). Koopman, Gritton, et al. Teldec Classics. p. 8.
- ^ "Wo Gott der Herr nicht bei uns hält BWV 1128; BWV Anh. 71; Emans 195". Bach Digital. Leipzig: Bach Archive; et al. 14 February 2019.
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Further reading
- Basso, Alberto. Frau Musika: La vita e le opere di J. S. Bach. Turin, EDT (in Italian):
- Vol. 1 (1979): Le origini familiari, l'ambiente luterano, gli anni giovanili, Weimar e Köthen (1685–1723).ISBN 88-7063-011-0
- Vol. 2 (1983): Lipsia e le opere de la maturità (1723–1750).ISBN 88-7063-028-5
- Papillon, André (2006). Index of Chorale Melodies in the Works of Johann Sebastian Bach. Foreword by Gilles Cantagrel. Presses de l'Université Laval. ISBN 2763783511.
- Wolff, Christoph (2020). Bach's Musical Universe: The Composer and His Work. W. W. Norton & Company. ISBN 9780393651799.
External links
- Authority file (Wikidata): Q375345
- List of works by Johann Sebastian Bach: Scores at the International Music Score Library Project
- Johann Sebastian Bach: Systematisch-chronologisches Werkverzeichnis at www.klassika.info (in German)
- Works of Johann Sebastian Bach (1685-1750) at Muziekweb website