Yuki Kihara (nacido en 1975) es un artista interdisciplinario de ascendencia japonesa y samoana. En 2008, su trabajo fue objeto de una exposición individual en el Museo Metropolitano de Arte de Nueva York; era la primera vez que un neozelandés había sido objeto de un espectáculo individual en la institución. Titulada Shigeyuki Kihara: Living Photographs , la exposición se inauguró del 7 de octubre de 2008 al 1 de febrero de 2009. [1] Las fotografías de autorretrato de Kihara en las exposiciones incluían desnudos en poses que retrataban imágenes coloniales de pueblos polinesios como objetos sexuales. Su exposición fue seguida por una adquisición del trabajo de Kihara para la colección del museo.
Gran parte del trabajo de Kihara desafía los estereotipos culturales y las normas dominantes de sexualidad y género que se encuentran en todo el mundo. [2] Kihara también es un fa'afafine , el tercer género de Samoa. [3] Nacida en Samoa , la madre de Kihara es samoana y su padre japonés. [4] Kihara emigró a Wellington, Nueva Zelanda a la edad de quince años para continuar sus estudios. [5] Se formó en diseño de moda en Wellington Polytech (ahora Massey University). En 1995, cuando todavía era estudiante, el Museo de Nueva Zelanda Te Papa Tongarewa (Te Papa) compró el vestido de graffiti de Kihara - Bombacific . [6] Kihara's exhibition Teuanoa'i: Adorn to Excess[7] was composed of twenty six t-shirts that took large corporations' logos and "[reappropriated them] to subvert the system of power, which governs the lives of Indigenous peoples today. The work also reflect the pride, angst and frustration amongst Pacific island youth living in an urban environment, which is what I was when I first started making them back in 1996."[8]
Kihara lives and works in Samoa, where she has been based over the last 10 years.
Exhibitions
Kihara has exhibited their work extensively in New Zealand and internationally with solo exhibitions including: Fa'a fafine: In a manner of a woman, Sherman Galleries, Sydney, 2005; Vavau: Tales of Ancient Samoa, The Gus Fisher Gallery, University of Auckland, 2006; Undressing the Pacific, Hocken Collections' art gallery, University of Otago, 2013;[9] and A Study of a Samoan Savage at Te Uru Waitakere Contemporary Gallery, 2016.[10][11] Kihara's works have been presented at The Asia Pacific Triennale (2002 & 2015); Auckland Triennale (2009); Sakahàn Quinquennial (2013); Daegu Photo Biennale (2014); Honolulu Biennale (2017) and The Bangkok Art Biennale (2018).
Collections
Kihara's work can be found in the public collections of ; Te Papa Tongarewa Museum of New Zealand; Auckland Art Gallery, New Zealand; The University of Auckland Art Collection, New Zealand; Massey University, New Zealand; Hocken Collections, Dunedin, New Zealand; Waikato Museum of Art and History, New Zealand; Sherman Contemporary Art Foundation, Sydney Australia; Museum of Contemporary Art, Sydney Australia; Tjibaou Cultural Centre, New Caledonia; University of Cambridge Museum of Archeology and Anthropology, UK and The Metropolitan Museum of Art, New York.
Performance art
Kihara's solo performance entitled Taualuga; the last dance has been performed at the 4th Asia-Pacific Triennial of Contemporary Art, Brisbane, Australia; Haus der Kulturen der Welt, Berlin; Musée du Quai Branly, Paris; and Govett-Brewster Art Gallery, New Plymouth, New Zealand.
Curating and writing
As a curator, Kihara curated a number of exhibitions, among others, including ‘Hand in Hand’ (1999) co-curated with Jenny Fraser featuring over 30 queer Indigenous artists across Oceania presented between Boomalli Aboriginal Arts Collective and Performance Space as part of The Sydney Gay Mardi Gras. She also collaborated with Banaban scholar and artist Katerina Teaiwa on Project Banaba, at Carriageworks, NSW, Australia, November–December 2017.[12] The project continues to tour;‘Project Banaba’ was recently presented at MTG Hawke's Bay Tai Ahuriri; and will be touring The Oceania Arts Centre, The University of the South Pacific in Suva, Fiji opening in November 2020.
In 2015, Kihara collaborated as artistic co-director alongside Berlin-based Choreographer Jochen Roller on a dance production entitled ‘Them and Us’ which premiered at Sophiensaele, Berlin and toured across Germany and Switzerland. Roller and Kihara are currently working on a major dance production entitled ‘Crosscurrents’ which premiers in Germany in 2020. The research and development of ‘Crosscurrents’ is supported by Fonds Darstellende Künste.
A publication entitled ‘Samoan Queer Lives’ featuring 14 autobiographical chapters from Fa’afafine & LGBTIQ+ Samoans based in Samoa, American Samoa, Australia, Aotearoa New Zealand, Hawai’i & Turtle Island USA co-edited by Kihara and Dan Taulapapa McMullin published by Little Island Press was launched in October 2018 in Apia, Upolu Island, Samoa with the support of The New Zealand High Commission. As a writer, Kihara's essays have been published in Prestel, Cambridge Scholars Publishing and University of Hawaii Press.
Awards
Yuki Kihara was the recipient of the Creative New Zealand Emerging Pacific Artist Award at the 2003 Arts Pasifika Awards.[13] In 2007, she was also the first artist-in-residence at The Physics Rooms Art Residency in Christchurch. In 2012, she was awarded the Wallace Art Awards Paramount Award.
Venice Biennale
Yuki Kihara will represent New Zealand at the 2021 Venice Biennale,[14] making her the first artist of Pacific descent to represent the country at the world's oldest art biennales.
Further reading
Clifford, Andrew (ed), Yuki Kihara: A Study of a Samoan Savage, Te Uru Waitakere Contemporary Gallery, 2016 ISBN 9780473349684[15]
APT8: The 8th Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery, 2015 ISBN 9781921503771
Brownson, Ron, Home AKL, Auckland Art Gallery, 2012 ISBN 9780864632906
References
- ^ [1] Archived 16 October 2008 at the Wayback Machine
- ^ ROSI, PAMELA (2007). "About the Artist: Shigeyuki Kihara". The Contemporary Pacific. 19 (1): VII–VI. ISSN 1043-898X. JSTOR 23723984.
- ^ [2] Archived 5 December 2009 at the Wayback Machine
- ^ "ShigeyukiKihara – Artist & Independent Curator | Art | Theatre | Multimedia | Performance". Shigeyukikihara.wordpress.com. Retrieved 18 February 2014.
- ^ Pohio, Nathan. Bulletin of the Christchurch Art Gallery; Summer2017/2018, Issue 190, p40-43, 4p
- ^ Museum of New Zealand Te Papa Tongarewa. "Graffiti dress – Collections Online – Museum of New Zealand Te Papa Tongarewa". Collections.tepapa.govt.nz. Retrieved 18 February 2014.
- ^ "Collections Online - Museum of New Zealand Te Papa Tongarewa". collections.tepapa.govt.nz. Retrieved 23 March 2019.
- ^ "Shigeyuki Kihara". Peril magazine. 9 May 2009. Retrieved 21 March 2019.
- ^ "Shigeyuki Kihara: Undressing the Pacific", University of Otago. Retrieved 28 May 2013.
- ^ Hurrell, John. "Yuki Kihara at Te Uru". EyeContact. Retrieved 14 September 2016.
- ^ McNamara, TJ (April 2016). "Galleries: A Parade of Identity". NZ Herald. NZME. Retrieved 14 September 2016.
- ^ "PROJECT BANABA". Carriageworks. Retrieved 23 March 2019.
- ^ "Arts Pasifika Awards". Creative New Zealand. Retrieved 1 December 2017.
- ^ Chumko, Andre. "Yuki Kihara on firsts, quarantine and the creative process". stuff.co.nz. Retrieved 21 April 2021.
- ^ "Yuki Kihara: A Study of a Samoan Savage". Te Uru. Retrieved 14 September 2016.
External links
- Yuki Kihara: Official Website