Music sequencer


A music sequencer (or audio sequencer or simply sequencer) is a device or application software that can record, edit, or play back music, by handling note and performance information in several forms, typically CV/Gate, MIDI, or Open Sound Control, and possibly audio and automation data for digital audio workstations (DAWs) and plug-ins.[note 1][1]

The advent of Musical Instrument Digital Interface (MIDI) and the Atari ST home computer in the 1980s gave programmers the opportunity to design software that could more easily record and play back sequences of notes played or programmed by a musician. This software also improved on the quality of the earlier sequencers which tended to be mechanical sounding and were only able to play back notes of exactly equal duration. Software-based sequencers allowed musicians to program performances that were more expressive and more human. These new sequencers could also be used to control external synthesizers, especially rackmounted sound modules, and it was no longer necessary for each synthesizer to have its own devoted keyboard.

As the technology matured, sequencers gained more features, such as the ability to record multitrack audio. Sequencers used for audio recording are called digital audio workstations (DAWs).

Many modern sequencers can be used to control virtual instruments implemented as software plug-ins. This allows musicians to replace expensive and cumbersome standalone synthesizers with their software equivalents.

Today the term "sequencer" is often used to describe software. However, hardware sequencers still exist. Workstation keyboards have their own proprietary built-in MIDI sequencers. Drum machines and some older synthesizers have their own step sequencer built in. There are still also standalone hardware MIDI sequencers, although the market demand for those has diminished greatly due to the greater feature set of their software counterparts.

Analog sequencers are typically implemented with analog electronics, and play the musical notes designated by a series of knobs or sliders corresponding to each musical note (step). It is designed for both composition and live performance; users can change the musical notes at any time without regarding recording mode. And also possibly, the time interval between each musical note (length of each step) can be independently adjustable. Typically, analog sequencers are used to generate the repeated minimalistic phrases which may be reminiscent of Tangerine Dream, Giorgio Moroder or trance music.


Today's typical software sequencer, supporting multitrack audio and plug-ins (Steinberg Cubase 6[2])
User interface on Steinberg Cubase 6, a digital audio workstation with an integrated software sequencer
A step rhythm sequencer on the drum machine
A step note sequencer on the bass machine
Barrel with pins on a large stationary barrel organ
Music roll on barrel organ
Player piano (1920) controlled by piano roll
RCA Mark II (1957), controlled via wide punched-paper roll
Early commercially available analog sequencers (bottom) on Buchla 100 (1964/1966)[20]
Moog sequencer module (top left, probably added after 1968) on Moog Modular (1964)
Electro-mechanical disc sequencer on early drum machine (1959)
Eko ComputeRhythm (1972),[26][27] one of the earliest programmable drum machines
Firstman SQ-01 (1980),[28] one of the earliest step bass machines
DDP-24 S Block (expansion card rack unit) that is assumed the A/D converters used for GROOVE (1970) by Max Mathews.
EMS Sequencer 256 (1971), branched from Synthi 100.
Roland MC-8 MicroComposer (1977)
Synclavier I (1977)
Fairlight CMI (1979) supporting MCL (sequencer)
Page R on Fairlight
Moog Song Producer (1983) MIDI & CV/Gate interface on SynAmp
Tracker software (developed since 1987)