Autor (es) original (es) | Steinberg |
---|---|
Desarrollador (es) | Steinberg |
Versión inicial | Abril de 1989 |
Lanzamiento estable | 11.0.20 / 22 de abril de 2021 [1] |
Escrito en | C , C ++ |
Sistema operativo | Windows , macOS |
Disponible en | |
Tipo | Estación de trabajo de audio digital |
Licencia | Propiedad |
Sitio web | nuevo |
Cubase es una estación de trabajo de audio digital (DAW) desarrollada por Steinberg para la grabación, organización y edición de música y MIDI . [2] La primera versión, que originalmente era solo un secuenciador MIDI y se ejecutaba en la computadora Atari ST , fue lanzada en 1989. [3] Las versiones reducidas de Cubase se incluyen con casi todo el hardware de audio y MIDI de Yamaha , así como hardware de otros fabricantes. Estas versiones se pueden actualizar a una versión más avanzada con un descuento.
Operación [ editar ]
Cubase puede usarse para editar y secuenciar señales de audio provenientes de una fuente de sonido externa y MIDI , y puede albergar instrumentos y efectos VST . Tiene una serie de características diseñadas para ayudar en la composición, como:
- Pistas de acordes : ayuda al usuario a realizar un seguimiento de los cambios de acordes y, opcionalmente, se puede utilizar para armonizar pistas de audio y MIDI automáticamente, así como para activar arpegios y acordes con voces básicas o voces para piano y guitarra. Los acordes pueden ingresarse manualmente o detectarse automáticamente.
- Mapas de expresión : agrega una línea al editor de teclas (el redoble de piano de Cubase ) que permite al usuario definir cambios en las articulaciones y la dinámica del instrumento . En otras DAW, esto requiere el uso de complicados cambios de programa MIDI e interruptores de tecla.
- Expresión de nota : permite que los controladores MIDI, como inflexión de tono, volumen, panorama y filtros, se apliquen solo a las notas seleccionadas. Esto supera una de las limitaciones de MIDI, donde dichos controladores normalmente afectan a todo el canal (por ejemplo, todas las notas de un acorde se ven igualmente afectadas por un mensaje de inflexión de tono).
- Inspector del editor de teclas : proporciona un control preciso sobre el dibujo de acordes, inversiones de acordes , cuantificación , transposiciones , corrección de escala , longitudes de notas y legato . Los cambios se pueden aplicar solo a las notas seleccionadas o a toda la parte MIDI que se está editando.
- Audio Warp cuantización: Crear marcadores de urdimbre recta desde puntos de golpe, ambos bucles de audio individuales, así como toda la disposición puede ser cuantificado de forma no destructiva.
Las partes MIDI se pueden editar usando un piano roll, un editor de batería dedicado, un editor de partituras o como una lista completa filtrable de eventos MIDI. [4]
El usuario también puede mezclar las diversas pistas en un archivo .wav estéreo listo para ser grabado en un disco compacto (CD) en formato Red Book , o .mp3 grabado en CD o DVD como archivos, o para ser publicado en la Web.
Instrumentos VST [ editar ]
Cubase VST 3.7 en 1999 introdujo una interfaz de instrumento virtual para sintetizadores de software conocida como VSTi . Esto hizo posible que los programadores de software de terceros crearan y vendieran instrumentos virtuales para Cubase. Esta tecnología se ha convertido en el estándar de facto para otro software DAW , al integrar instrumentos basados en software en las plataformas Macintosh y Windows. Se introdujo una nueva versión de VST, VST3, con Cubase 4 de Steinberg, que introdujo un manejo mejorado de la automatización y la salida de audio, el sidechaining nativo y muchas otras características. Cubase 6 incluía VST como HALion Sonic SE, Groove Agent ONE, LoopMash 2 y VST Amp Rack.
Ediciones [ editar ]
Cuando se lanzó Cubase 6 en 2011, Steinberg introdujo 5 ediciones diferentes para diferentes niveles de uso. De mayor a menor son: Cubase (ahora conocido como Cubase Pro), Cubase Artist, Cubase Elements, Cubase AI y Cubase LE. Todos se han actualizado a medida que salen nuevas versiones. Si bien todos se ejecutan en el mismo motor de audio, los niveles inferiores tienen límites en la cantidad de ciertos tipos de pistas. La cantidad de pistas de audio permitidas en Cubase Pro es ilimitada, Artista: 64, Elementos: 48, AI: 32, LE: 16.
Historia [ editar ]
Cubase ha existido en tres encarnaciones principales. Inicialmente Cubase , que solo presentaba MIDI y que estaba disponible en Atari ST , Macintosh y Windows.
Después de un breve período con la integración de audio, la próxima versión, Cubase VST , presentó grabación y mezcla de audio totalmente integrada junto con efectos. Agregó compatibilidad con Virtual Studio Technology (VST), un estándar para complementos de audio , lo que generó una gran cantidad de efectos de terceros, tanto gratuitos como comerciales. Cubase VST fue solo para Macintosh y Windows; El soporte de Atari se había eliminado efectivamente en ese momento, a pesar de que dicho hardware sigue siendo un pilar en muchos estudios. Cubase VST ofrecía una enorme cantidad de energía al usuario doméstico, pero el hardware de la computadora tardó algún tiempo en ponerse al día. En el momento en que lo hizo, se encontró que la capacidad de edición de audio de VST era deficiente, en comparación con competidores como Pro Tools DAE yArtista digital MAS.
Para abordar esto, se introdujo una nueva versión del programa, Cubase SX (basado en el software de posproducción insignia de Steinberg, Nuendo ), que alteró drásticamente la forma en que se ejecutaba el programa. Esta versión requirió mucho reaprendizaje para los usuarios de versiones anteriores de Cubase. Sin embargo, una vez que se aprendieron los nuevos métodos de trabajo, las mejoras en el manejo del audio y la automatización hicieron que el secuenciador y el editor de audio fueran más profesionales.
Una mejora notable con la introducción de Cubase SX fue la edición de audio avanzada, especialmente la capacidad de "deshacer" las ediciones de audio. Las primeras versiones de Cubase VST no tenían esta capacidad. Cubase SX también incluyó estiramiento de tiempo en tiempo real y ajuste del tempo de audio, muy parecido al revolucionario ACID de Sonic Foundry .
En enero de 2003, Steinberg fue adquirida por Pinnacle Systems , dentro de la cual operaba como una empresa independiente antes de ser vendida a Yamaha Corporation en diciembre de 2004. [5]
En septiembre de 2006, Steinberg anunció Cubase 4, el sucesor de Cubase SX3. Las nuevas características notables incluyen 'sala de control', una característica diseñada para ayudar a crear mezclas de monitores, y un nuevo conjunto de complementos e instrumentos VST3.
También hay alternativas económicas más ligeras de Steinberg, originalmente llamado Cubasis , que luego se convirtió en Cubase SE y luego Cubase Essential en la versión 4. Para su sexta generación, el programa pasó a llamarse Cubase Elements 6. El cambio de nombre se hizo presumiblemente, porque su rival Cakewalk había tomó la marca Essential para su propio software DAW de nivel de entrada, Sonar X1 Essential.
Si bien la versión completa de Cubase presenta pistas de audio y MIDI ilimitadas, las versiones inferiores tienen límites. Por ejemplo, Cubase Elements 6 tiene un máximo de 48 pistas de audio y 64 pistas MIDI y Cubase Artist 6 ofrece 64 pistas de audio y 128 pistas MIDI.
En 2013, Steinberg presentó Cubasis para iPad, un Cubase para iOS. Esta versión fue una reescritura completa y admite pistas de audio y MIDI, bus de audio y MIDI virtual para trabajar con aplicaciones de música externas desde las primeras versiones. [6] En 2016, Cubasis 2 se lanzó como una actualización gratuita con nuevas características como estiramiento del tiempo en tiempo real, cambio de tono para cambiar la clave, un conjunto de efectos de "canalización" y nuevos complementos y sonidos. [1] En 2017, Steinberg recibió el MIPA (premio Musikmesse International Press Award) por Cubasis 2 en la categoría Aplicación de música móvil en el Musikmesse de Frankfurt. [2]A fines de 2019, Cubasis 3 siguió como una nueva aplicación e incluyó pistas grupales, una suite de efectos "Master Strip", un MediaBay renovado, más efectos y muchas más funciones además de la compatibilidad con iPhone. A mediados de 2020, se lanzó Cubasis 3 para tabletas y teléfonos inteligentes Android. [3]
Usuarios notables [ editar ]
Algunos usuarios notables incluyen: [7] [8] [9]
- Abel Korzeniowski
- Alan Parsons
- Alan Silvestri
- Avicii
- Ben Bartlett
- Ben Prunty
- Benjamin Wallfisch
- Boris Brejcha
- Brian Tyler
- Bruno Bizarro
- Celldweller
- Christopher Lennertz
- Christopher Young
- Chromeo
- Chvrches
- Cirkut
- Clarence Jey
- David Kahne
- Deadmau5
- délfico
- Don Diablo
- Edwin Wendler
- Gary Paczosa
- Gerard Marino
- El Glitch Mob
- Graeme Norgate
- Guy Michelmore
- Hans Zimmer
- Hardwell
- Harry Gregson-Williams
- Hildur Guðnadóttir
- Ian Kirkpatrick
- Hongo infectado
- Inon Zur
- Jack Wall
- Jake Gosling
- James Hannigan
- James Newton Howard
- Jason Graves
- Jesper Kyd
- Joel Wanasek[10]
- Joey Sturgis
- Jóhann Jóhannsson
- Justice
- Junkie XL
- Kim Namjoon
- Koen Heldens
- Kraftwerk
- Kris Menace
- Ladytron
- Loney Dear[11]
- Lorne Balfe
- Marillion
- Martin Solveig
- Maya Jane Coles
- Michael Hunter
- Michael Wagener
- Milind Date
- Nathan Grigg
- New Order
- Nils Frahm
- Noisia
- Pan-Pot
- Paul Haslinger
- Paul Oakenfold
- Pieter Schlosser
- Pinar Toprak
- Rhythm Plate
- Rupert Gregson-Williams
- Sergio Maltagliati[12]
- Sandy Vee
- Showtek
- Simon Harris
- Steve Jablonsky
- Sweet Trip
- Thomas Bergersen
- Tiësto
- Trevor Morris
- Two Steps from Hell
- Zedd
- ZUN
Versions[edit]
Version | Released | Information |
---|---|---|
Cubase 1.0 Atari | April 1989 | Originally called Cubeat, later on Cubit, but changed to Cubase due to trademark issues, this was the successor to Pro-24. Cubase for Atari was MIDI only and ran on the Atari 520ST and Atari 1040ST computers, provided they had 1 MB of RAM (the 520 with 1 MB of RAM is effectively a 1040 anyway). It required use of an Atari SM-124 monochrome monitor, which gave a then impressive resolution of 640x400, at a rock-solid 71.25 Hz.[13] The main innovation of Cubase was the graphic arrange page, which allowed for the graphic representation of the composition using a vertical list of tracks and a horizontal timeline.[14] This was much more intuitive and allowed much easier editing than the prior system of parameter lists. It has since been copied by just about every other similar product. |
Cubase 1.0 Macintosh | 1990 | Cubase 1.0 is released for Apple Macintosh computers.[15] |
Cubase 2.0 Atari | April 1990 | Only supports format 0 MIDI files. |
Cubase Audio | 1991 | Macintosh, this version relied on the TDM system from Digidesign for the audio portion. |
Cubase Audio | 1993 | Release on Atari Falcon 030.[16] This version brings digital signal processor (DSP) built-in effects with 8-track audio recording and playback using only native hardware. It was an incredible solution for the price at this time. Later versions enable 16-track mode using audio compression. |
Cubase 3.0 Atari | 1992 | |
Cubase for Windows 3.0 | 1992 | |
Cubase Score for Windows 3.11 | 1993 | Cubase Score is released for Windows offering key, list, logical, drum, and score editing, printing, and a GM/GS editor. |
Cubase 2.8 for Windows | 1996 | The Arrange Window was redesigned. Features included the Interactive Phrase Synthesizer, CueTrax and StyleTrax: the "virtual Band". |
Cubase Audio 1.6 Windows | 1996 | Cubase Audio 1.6 supported the hard disk recording functions of Session8 and Yamaha's CBX D3/D5 Cubase Audio supported Digidesign's new AudioMedia III PCI card. Used in conjunction with AudioMedia III Cubase Audio gave 8 audio tracks, EQ and automation. |
Cubase Audio 3.0 TDM for Macintosh | 1996 | Cubase Audio 3.0 TDM had up to 16 Audio Tracks with TDM Support for up to 48 Physical Audio Tracks. Cubase Audio 3.0 TDM contained all the new features of Cubase Score 2.0. It also had OMS II Support and MovieManager Support. |
Cubase Audio XT 3.0 | 1996 | This release provides extended hardware support not featured in other versions of cubase. Hardware options included the Digidesign Session 8 & AudioMedia III PCI, Yamaha CBXD3 & CBXD5, Akai DR8 & DR16, & the Creamware Master port. Recording multiple tracks at once was possible. One of the last versions of Cubase that is still compatible with windows 3.11 |
Cubase Score 3.0 | 1996 | At the time of this release, the Cubase lineup consisted of the following programs (in hierarchical order) Cubasis(midi), Cubasis Audio, Cubase (standard, included audio), Cubase Score (Audio+Notation), Cubase Audio XT (Flagship product). This version was upgradeable to Cubase Audio XT. One of the last versions of Cubase still compatible with windows 3.11 |
Cubase VST 3.0 Macintosh | 1996 | In 1996, Steinberg increased its share of MIDI + audio sequencers with the Virtual Studio Technology (VST) versions of Cubase. VST also included standards for plug-ins and virtual instruments, which were then also incorporated into third-party products.[17] Up to 32 tracks of digital audio. Up to 128 realtime EQs. Professional effects rack with 4 multi-effect processors. Plug in interface for external plug-ins, allowing external audio technology to be integrated into the Cubase environment. Professional score printing, up to 60 staves per page, 8-voice polyphony. Had a bug limiting memory in the host system to 64 MB on the PowerMac. Was eventually resolved with a patch. |
Cubase VST 3.5 Macintosh | Aug 1997 | Separate access to all audio inputs + outputs in conjunction with multi i/o audio hardware (amIII, 1212) via a flexible audio routing system; new channel plugins: chorus2, electrofuzz, wunderverb3; new master plugin scorpion; backup option via dat stream |
Cubase VST 3.5 for Windows 95 | Oct 1997 | Windows Cubase VST provided up to 32 tracks of digital audio,[18] 128 equalizers in real time, a fully equipped effects rack with four multi-effect processors, a master section and an open plug-in interface for additional real time effects and mastering tools. VST for Windows also supported Active Movie compatible plug-ins. Cubase Audio VST 3.5 + Wavelab 1.6 + Waves AudioTrack was bundled in the first "Producer Pac". This version is native windows 95 code + is the first version of Cubase for windows that is incompatible with windows 3.11 |
Cubase VST 3.5.5 for Windows 95 | 1998 | Other new features include updated implementation of DirectX plug-ins, allowing the user to organize the list of installed plug-ins according to personal preferences. Support for Recycle export files (.REX files). This allows the use of 'recycled' sample loops right in VST audio tracks without using a dedicated hardware sampler. VST Audio Engine can now be disabled while VST is running (from within the Audio System Menu) or by launching the program while holding the Shift key. |
Cubase VST 24 3.6 | 1998 | 96 tracks, submixers, ReWire, 8 FX sends and eight aux. VST/24 3.6 supports the entire functionality of Yamaha's DSP Factory card. |
Cubase VST 24 3.7 Windows | Jul 1999 | This version introduced VST 2.0, which allowed VST plugins to receive MIDI data from Cubase.[19] It also introduced the concept of VST instruments - earlier implementations of VST had been biased towards effects plugins - and included Neon, a free VST instrument. VST24 3.7 was the first sequencer ever to support VST instruments, as Steinberg had invented the "VSTi" specification.[20] |
Cubase VST 24 4.0 Macintosh | 1998 | Macintosh only. Cubase VST24 4.0 now offers 96 tracks of 24 bit, 96 kHz digital audio[21] with Digidesign Pro Tools 24 digital audio hardware systems. |
Cubase VST 24 4.1 Macintosh | Jul 1999 | Macintosh only. Downloadable as a free upgrade to owners of VST24 4.0. Introduced VST 2.0 (and thus, first to provide VST instrument ability on the mac), ASIO 2.0, DSP Factory support, TDM support and more. Also, the Cubase VST/24 Mixer/EQ section included an extension with five new real-time processing modules — Compressor, Limiter, Auto Gate, Auto Limit and Soft Clip. Several VST elements could also now be controlled remotely by external devices such as the Yamaha 01-V. |
Cubase VST 32 5.0 | Sep 2000 | Large update to the Windows product bringing it in sync with the Macintosh product which had included more features such as: 15,360 ppqn internal resolution, Folder Tracks, Marker Tracks, Long Track Names, Transport Bar display options, User-definable Toolbar and key commands, Extended Inspector, Improved drag and drop, Enhanced Toolbox (including Range Selection tool), New Controller Editor, Grooves and Logical presets, Window Sets, Dedicated MIDI Track Mixer. The last version still compatible with windows 95. Applying the update to 5.1 is said to require windows 98. |
Cubase VST 32 5.1 | 2001 | Was available individually and as part of a Producer's Pack featuring Recycle loop editor and Rebirth virtual instrument (non-VST format), programs developed by Propellerheads but distributed by Steinberg. The Propellerheads products came on Mac and PC compatible CDs, but the disc and serial hasp for Cubase were PC-only. Primarily was introduced to run on the new Windows XP operating system. |
Cubase SX 1.0/ Cubase SL1.0 | 2002 | Cubase SX1.0 was released as the next generation after Cubase VST. It used the engine of a contemporary sister program as a base, Nuendo V1.0, and was a total rewrite over the prior versions of Cubase. Although bringing vast improvements in stability and feature quality, some features from Cubase VST initially didn't make it into the new version. SX 1.0 allows importing of Cubase VST projects and saving them in the new *.cpr format, however the conversion isn't perfectly accurate. |
Cubase SX 2.0/Cubase SL2.0 | 2003 | Cubase SX2.0 was hailed by many as a huge leap in functionality. One of the most innovative features was called Timewarp. This allowed users to record music either as MIDI and/or Audio in freetime, without click or metronome, and then move the bars and beats grid to the music, automatically creating a tempo track. The Timewarp tool allowed users to move gridlines. Cubase SX2.0 also saw the introduction of Full PDC (plug-in delay compensation). Many plug-ins, particularly those which run on DSP Cards such as UAD-1 or Powercore, cannot process their audio within a 1-sample time period and thus introduce extra latency into the system. Unchecked, this will cause some audio channels to end up out of sync with others. PDC checks all the various latencies introduced by such plug-ins and creates audio delay buffers to ensure that audio from all channels is correctly synchronized. |
Cubase SX 3.0 | 2004 | One of the major features to arrive with Cubase SX3.0 was Audiowarp. It allowed Audio to remain in sync with the project even after changing its tempo. It also allowed users to apply 'tempo anchors' to an imported audio file so it would sync to the tempo of the project regardless of the original tempo. Audiowarp was largely successful, but had a major flaw in that it didn't work with variable tempo projects. This was because the tempo map it copied to the Audio file when musical mode was enabled was derived from the fixed tempo setting of the project rather than from the tempo track. Nonetheless Audiowarp was an important addition to the musical features of Cubase. Despite the caveats, having the ability to change the tempo of a musical piece and have the audio tracks follow this new tempo was an important ability in music production. |
Cubase SX 3.1 | August 31, 2005 | |
Cubase SX 3.1.1 | October 20, 2005 | |
Cubase 4.0 | 2006 | Cubase 4.0 marked the end of the SX, SL and SE designations, with SX becoming Cubase 4, SL becoming Cubase Studio 4 and SE becoming Cubase Essentials 4. It introduced the new VST 3 plug-in standard, and also removed support for the increasingly irrelevant DirectX plugin standard. Cubase 4 was the first Cubase version not to support the import of Cubase VST songs and projects. To give the ability to import older Cubase VST projects and songs, Steinberg decided to make the prior Cubase SX3 and Cubase SL3 versions available as downloads. Cubase 4.0 brought a GUI change. In general the GUI was darker than the prior version, Cubase SX3. With this version the preset system was changed. The FXP (Preset) and FXB (Bank) files were discontinued along with the drop-down menu XML presets. They were replaced by a preset system that integrates in a new feature, the Media Bay, which allows deeper categorizing and managing of presets. |
Cubase 4.1 | October 23, 2007 | Apart from many bug fixes, V4.1 added some new features, including Sidechaining, Free Group Routing, Project Logical Editor, and Recording from Sum Objects. Existing Features were also improved including the Play Order Track and the Audiowarp, which is now integrated into the Audio Sample editor. |
Cubase 4.5 | September 3, 2008 | |
Cubase 4.5.2 | September 11, 2008 | |
Cubase 5.0 | January 27, 2009 | |
Cubase 5.0.1 | April 8, 2009 | |
Cubase 5.1 | August 24, 2009 | |
Cubase 5.1.1 | December 12, 2009 | |
Cubase 5.5.1 | June 21, 2010 | |
Cubase 5.5.2 | November 9, 2010 | |
Cubase 5.5.3 | March 29, 2011 | |
Cubase 6.0 | January 17, 2011 | Cubase 6.0 was designed to run on 64-bit Windows 7. Cubase 6 features the new VST 3.5 standard, that introduces new features such as Note Expression. With Note Expression, the limits of MIDI controller events are circumvented, enabling articulation information for individual notes, even in polyphonic arrangement (e.g. chords). |
Cubase 6.5 | February 29, 2012 | Introduction of PADSHOP and RETROLOGUE plugins |
Cubase 7.0 | December 5, 2012 | New features include MixConsole, an improved workflow including full-screen ability, and redesigned channel strips and channel centrals. It also includes a new Chord Track and a Chord Assistant.[22] |
Cubase 7.5 | December 4, 2013 | Enhancements of workflow like the alternative TrackVersions and track visibility management system. It also included Groove Agent SE 4, HALion Sonic SE 2, LoopMash FX and the REVelation reverb.[23] |
Cubase 8.0 | December 3, 2014 | Performance boost for more instruments, more tracks and shorter loading/saving times. VCA faders for complex mixing and automation workflows. Render in-place: Bounce MIDI and audio parts easily. Chord pads: A great way to playfully and creatively compose with chords. Improved windows handling on PC, dockable rack and MediaBay plus a redesigned Track List. Groove Agent SE 4 Acoustic Agent gives you a world-class virtual acoustic drummer. Plug-in manager: Arrange, sort and group your effects and instruments. New Virtual Bass Amp, Quadrafuzz v2, Multiband Expander, Multiband Envelope Shaper effects. Mixing updates: Virgin territories automation mode, direct routing and Wave Meters. Allen Morgan Pop-Rock Toolbox: 30 construction kits, each with 25 to 30 audio and MIDI loops. |
Cubase 8.5 | December 2, 2015 | Various MIDI and Drum Editor enhancements, enabled saving and sharing arrangements in clouds via "VST Transit", upgrade of analogue synthesizer "Retrologue" (implementation of third oscillator, 12 new filter types, a third bipolar envelope curve, an own effects rack and four-track step sequencer), enabled option to import tracks from other projects and improved Drag and drop. |
Cubase 9.0 | December 7, 2016 | Improvements to cloud collaboration clouds via "VST Transit", docked windows with the new "Lower Zone" gives access to MIDI editors, sample editor, mix window and new Sampler Track without leaving project window and comes with "Caleidoscope" with hundreds of samples. Undo history separated in the Mix Window. 10 marker tracks (similar to Nuendo 7 which has 32), Autopan Plug-in, Maximizer, new Sentinel scans plug-ins to check stability. New EQ with M/S support and auto listen to EQ bands with included keyboard for easier frequency to pitch recognition. 400 new drum loops via "Production Gooves". The top 5 feature requests for Cubase 9 were 1. Parameter undo/redo history for MixConsole 2. Enhanced window handling 3. Extend options to import tracks/channels in a project 4. Extend resizing possibilities for the rack zone 5. Basic sampler |
Cubase 9.5 | November 15, 2017 | Graphics performance improvements, Zoning 2.0, automation curves, advanced metronome options, 64-bit mixing engine, more inserts with flexible pre/post fader, new look for Vintage Compressor, Tube Compressor and Magneto III, direct offline processing, HALion Sonic SE 3 featuring FLUX wavetable synth, automation range tool, Adapt to Zoom, new video engine (no longer QuickTime dependent), Softube Console 1 support, Sampler Track enhancements, production presets. |
Cubase 10.0 | November 15, 2018 | Interface Improvements, High DPI display support (only on Mac), VariAudio 3, Audio Alignment, Channel Strip Revision, Groove Agent SE 5, Mix Console Snapshots, Multi-Dimensional Controller Support, VR Production Suite, Side Chaining Improvements, AAF Import & Export, new Distroyer Processor effect, Latency Monitor, ARA Support, MPE support |
Cubase 10.5 | November 13, 2019 | Spectral comparison EQ mode, Video renderer, Multi-tap delay, Padshop 2 plugin, Colorizer mixer channels, Import tracks from other project, Retrospective MIDI recording, Combined selection tools, Score editor fixes, Easier macro recording, LUFS normalization, Start in Safe Mode, Various workflow improvements |
Cubase 11.0 | November 11, 2020 | Advanced Audio Export, Sampler Track 2, Scale Assistant, Advanced Key Editor, Global Tracks, Frequency 2, Squasher, Score Editor, New Samples, SuperVision, Imager, MultiTap Delay Surround Support, Windows 10 Variable DPI, Multiple Side-Chain, Cubase Artists/Elements Upgrades, VST Connect SE 5, Workflow and UI Improvements, Apple Metal Acceleration, SpectraLayers One |
See also[edit]
- Digital Audio Workstation
References[edit]
- ^ "Cubase 11.0.20 maintenance update - Cubase - Steinberg Forums". forums.steinberg.net. Retrieved 2021-04-29.
- ^ Watson, Allan (2014-09-19). Cultural production in and beyond the recording studio. New York. p. 22. ISBN 9781135006310. OCLC 891186582.
- ^ Prochak, Michael. (2002). Cubase SX : the official guide. London: Sanctuary. ISBN 1860744702. OCLC 51837675.
- ^ Middleton, Paul (2008). Music technology workbook : key concepts and practical projects. Gurevitz, Steven. (1st ed.). Oxford, UK: Elsevier/Focal Press. pp. 3. ISBN 9781136125652. OCLC 870677689.
- ^ "News & Events - Yamaha - United States". usa.yamaha.com.
- ^ "Cubasis - iPad Music".
- ^ "DAW Users Poll - And the 'Who uses what' list". VI-CONTROL. Retrieved 2019-03-24.
- ^ IT-Service, Sven Vörtmann-Internet und. "Steinberg Artist Roster". Steinberg. Retrieved 2019-03-24.
- ^ Inc, Equipboard. "Steinberg Cubase 7". Equipboard. Retrieved 2019-03-24.
- ^ "Producer - Joel Wanasek - Interviews". Indie Vision Music. 21 May 2012.
- ^ IT-Service, Sven Vörtmann - Internet und. "Steinberg Artist Roster". Steinberg. Retrieved 2018-11-11.
- ^ "Steinberg-Service-User Page". 2005.
- ^ Cables are still sold today "Archived copy". Archived from the original on 2015-02-18. Retrieved 2015-03-05.CS1 maint: archived copy as title (link) (2015) to adapt the output to VGA for use with this legacy software which still has a fan following
- ^ Watson, Allan, 1978- (2014). Cultural production in and beyond the recording studio. New York. p. 22. ISBN 9781135006310. OCLC 891186582.CS1 maint: multiple names: authors list (link)
- ^ Dean, Roger T. (2009). The Oxford handbook of computer music. Dean, R. T. Oxford: Oxford University Press. p. 574. ISBN 9780195331615. OCLC 263605563.
- ^ Nekhumbe, Raymond (17 January 2013). Record music at home or anywhere made easy. RN Media Group. p. 19. ISBN 9781300646181.
- ^ Collins, Mike (2004). Choosing and using audio and music software : a guide to the major software applications for Mac and PC. Oxford: Focal. pp. 4. ISBN 9780080472232. OCLC 123437338.
- ^ "Steinberg Cubase VST v3.5". Sound On Sound. November 1997. Archived from the original on 16 September 2014.
- ^ Sound On Sound: Steinberg Cubase VST 3.7, September 1999
- ^ "Sound On Sound". Sound On Sound. Retrieved 24 June 2013.
- ^ Walker, Martin (October 1995). "Steinberg Cubase VST 4". Sound On Sound. Archived from the original on 7 June 2015.
- ^ Official Steinberg site - New features in Cubase 7 Archived 2013-01-18 at the Wayback Machine
- ^ Official Steinberg site - New features in Cubase 7.5 Archived 2014-02-22 at the Wayback Machine
External links[edit]
- Official website