Toga


The toga (/ˈtɡə/, Classical Latin[ˈt̪ɔ.ɡa]), a distinctive garment of ancient Rome, was a roughly semicircular cloth, between 12 and 20 feet (3.7 and 6.1 m) in length, draped over the shoulders and around the body. It was usually woven from white wool, and was worn over a tunic. In Roman historical tradition, it is said to have been the favored dress of Romulus, Rome's founder; it was also thought to have originally been worn by both sexes, and by the citizen-military. As Roman women gradually adopted the stola, the toga was recognized as formal wear for male Roman citizens.[1] Women engaged in prostitution might have provided the main exception to this rule.[2]

The type of toga worn reflected a citizen's rank in the civil hierarchy. Various laws and customs restricted its use to citizens, who were required to wear it for public festivals and civic duties.

From its probable beginnings as a simple, practical work-garment, the toga became more voluminous, complex, and costly, increasingly unsuited to anything but formal and ceremonial use. It was and is considered ancient Rome's "national costume"; as such, it had great symbolic value; however even among Romans, it was hard to put on, uncomfortable and challenging to wear correctly, and never truly popular. When circumstances allowed, those otherwise entitled or obliged to wear it opted for more comfortable, casual garments. It gradually fell out of use, firstly among citizens of the lower class, then those of the middle class. Eventually, it was worn only by the highest classes for ceremonial occasions.

The toga was an approximately semi-circular woollen cloth, usually white, worn draped over the left shoulder and around the body: the word "toga" probably derives from tegere, to cover. It was considered formal wear and was generally reserved for citizens. The Romans considered it unique to themselves, thus their poetic description by Virgil and Martial as the gens togata ('toga-wearing race').[4] There were many kinds of toga, each reserved by custom to a particular usage or social class.

The toga's most distinguishing feature was its semi-circular shape, which sets it apart from other cloaks of antiquity like the Greek himation or pallium. To Rothe, the rounded form suggests an origin in the very similar, semi-circular Etruscan tebenna.[17] Norma Goldman believes that the earliest forms of all these garments would have been simple, rectangular lengths of cloth that served as both body-wrap and blanket for peasants, shepherds and itinerant herdsmen.[18] Roman historians believed that Rome's legendary founder and first king, the erstwhile shepherd Romulus, had worn a toga as his clothing of choice; the purple-bordered toga praetexta was supposedly used by Etruscan magistrates, and introduced to Rome by her third king, Tullus Hostilius.[19]

In the wider context of classical Greco-Roman fashion, the Greek enkyklon (Greek: ἔγκυκλον, "circular [garment]") was perhaps similar in shape to the Roman toga, but never acquired the same significance as a distinctive mark of citizenship.[20] The 2nd-century diviner Artemidorus Daldianus in his Oneirocritica derived the toga's form and name from the Greek tebennos (τήβεννος), supposedly an Arcadian garment invented by and named after Temenus.[21][22] Emilio Peruzzi claims that the toga was brought to Italy from Mycenaean Greece, its name based on Mycenaean Greek te-pa, referring to a heavy woollen garment or fabric.[23]


Statue of the Emperor Tiberius showing the draped toga of the 1st century AD.
A toga praetexta
Book illustration of an Etruscan wall painting from the François Tomb at Vulci. Some scholars believe this shows a toga picta, largely based on its colour and decorative detail; others suggest that the straight edges make it a Greek-style cloak, and not a toga.[3]
Funerary stele for a boy named Philetos, son of Philetos, from the Attic deme of Aixone in Roman Greece, 1st half of the 1st century AD.
A fresco from a building near Pompeii, a rare depiction of Roman men in togae praetextae with dark red borders. It dates from the early Imperial Era and probably shows an event during Compitalia, a popular street festival.
The so-called "Togatus Barberini" depicting a Roman senator with portrait busts of ancestors, one of which is supported by a herma: marble, late 1st century BC; head (not belonging): middle 1st century BC.[51]
The Orator, c. 100 BC, an Etrusco-Roman bronze sculpture depicting Aule Metele (Latin: Aulus Metellus), an Etruscan man of Roman senatorial rank, engaging in rhetoric. He wears senatorial shoes, and a toga praetexta of "skimpy" (exigua) Republican type.[60] The statue features an inscription in the Etruscan alphabet.
Augustus wearing the imperial toga with umbo and capite velato ("with covered head"), c. 12 BC
(Via Labicana Augustus).
Togate statue of an emperor in porphyry, now in the Curia Julia.
Togate statue of Antoninus Pius (r. 138–161) in the Ny Carlsberg Glyptotek.
Statuette of a genius of a 1st-century AD official of the senatorial class, wearing a toga praetexta
Portrait bust of the emperor Gordian III wearing a toga contabulata ("banded toga").
4th-century gold glass image of a married couple with the husband wearing a toga.