Lista de conjuntos de clases de tono

El conjunto 3-1 tiene tres posibles rotaciones / inversiones, cuya forma normal es el pastel más pequeño o la forma más compacta

Esta es una lista de conjuntos de clases de tono por número de Forte . ^[1] Para obtener una lista de colecciones ordenadas, consulte: lista de filas y series de tonos .

Los conjuntos se enumeran junto a sus complementos . Las inversiones están marcadas con "B" (los conjuntos que no están marcados con "A" o "B" son simétricos ). "T" y "E" se utilizan convencionalmente en conjuntos para anotar 10 y 11, respectivamente, como caracteres individuales.

Hay dos métodos ligeramente diferentes para obtener una forma normal. ^[a] Esto da como resultado dos conjuntos de formas normales diferentes para el mismo número de Forte en algunos casos. La notación alternativa para esos acordes se enumera en las notas al pie. ^{[3] [4]}

Elliott Carter había producido anteriormente (1960-1967) una lista numerada de conjuntos de clases de tono, o "acordes", como Carter los llamaba, para su propio uso. ^{[5] [6]} Donald Martino había producido tablas de hexacordes , tetracordes , tricordios y pentacordes para la combinatoria en su artículo, "El conjunto fuente y sus formaciones agregadas" (1961). ^[7]

Forte no.	Forma primaria	Vector de intervalo	Carter no.	Audio	Posibles espaciamientos	Forte no.	Forma primaria	Vector de intervalo	Carter no.	Audio	Posibles espaciamientos
0-1	[]	<0,0,0,0,0,0>			conjunto vacio	12-1	[0,1,2,3,4,5,  6,7,8,9, T, E]	<C, C, C, C, C, 6>		Tocar	agregar
1-1	[0]	<0,0,0,0,0,0>		Tocar	PU , P8	11-1	[0,1,2,3,4,5,  6,7,8,9, T]	<T, T, T, T, T, 5>		Tocar	...
2-1	[0,1]	<1,0,0,0,0,0>	1	Tocar	m2 , M7	10-1	[0,1,2,3,4,  5,6,7,8,9]	<9,8,8,8,8,4>		Tocar	...
2-2	[0,2]	<0,1,0,0,0,0>	2	Tocar	M2 , m7	10-2	[0,1,2,3,4,  5,6,7,8, T]	<8,9,8,8,8,4>		Tocar	...
2-3	[0,3]	<0,0,1,0,0,0>	3	Tocar	m3 , M6	10-3	[0,1,2,3,4,  5,6,7,9, T]	<8,8,9,8,8,4>		Tocar	...
2-4	[0,4]	<0,0,0,1,0,0>	4	Tocar	M3 , m6	10-4	[0,1,2,3,4,  5,6,8,9, T]	<8,8,8,9,8,4>		Tocar	...
2-5	[0,5]	<0,0,0,0,1,0>	5	Tocar	P4 , P5	10-5	[0,1,2,3,4,  5,7,8,9, T]	<8,8,8,8,9,4>		Tocar	...
2-6	[0,6]	<0,0,0,0,0,1>	6	Tocar	A4 , d5	10-6	[0,1,2,3,4,  6,7,8,9, T]	<8,8,8,8,8,5>		Tocar	...
3-1	[0,1,2]	<2,1,0,0,0,0>	4	Tocar	...	9-1	[0,1,2,3,4,  5,6,7,8]	<8,7,6,6,6,3>		Tocar	...
3-2A	[0,1,3]	<1,1,1,0,0,0>	12	Tocar	...	9-2A	[0,1,2,3,4,  5,6,7,9]	<7,7,7,6,6,3>		Tocar	...
3-2B	[0,2,3]			Tocar	...	9-2B	[0,2,3,4,5,  6,7,8,9]			Tocar	...
3-3A	[0,1,4]	<1,0,1,1,0,0>	11	Tocar	...	9-3B	[0,1,3,4, 5,6,7,8,9  ]	<7,6,7,7,6,3>		Tocar	...
3-3B	[0,3,4]			Tocar	...	9-3A	[0,1,2,3,4,  5,6,8,9]			Tocar	...
3-4A	[0,1,5]	<1,0,0,1,1,0>	9	Tocar	...	9-4B	[0,1,2,4,5,  6,7,8,9]	<7,6,6,7,7,3>		Tocar	...
3-4B	[0,4,5]			Tocar	...	9-4A	[0,1,2,3,4,  5,7,8,9]			Tocar	...
3-5A	[0,1,6]	<1,0,0,0,1,1>	7	Tocar	Tricordio vienés	9-5B	[0,1,2,3,5,  6,7,8,9]	<7,6,6,6,7,4>		Tocar	...
3-5B	[0,5,6]			Tocar	...	9-5A	[0,1,2,3,4,  6,7,8,9]			Tocar	...
3-6	[0,2,4]	<0,2,0,1,0,0>	3	Tocar	...	9-6	[0,1,2,3,4,  5,6,8, T]	<6,8,6,7,6,3>		Tocar	...
3-7A	[0,2,5]	<0,1,1,0,1,0>	10	Tocar	...	9-7B	[0,1,2,3,4,  5,7,9, T]	<6,7,7,6,7,3>		Tocar	...
3-7B	[0,3,5]			Tocar	Tricordio de blues ( subconjunto pentatónico mínimo ) [8]	9-7A	[0,1,2,3,4,  5,7,8, T]			Tocar	...
3-8A	[0,2,6]	<0,1,0,1,0,1>	8	Tocar	It6	9-8B	[0,1,2,3,4,  6,8,9, T]	<6,7,6,7,6,4>		Tocar	...
3-8B	[0,4,6]			Tocar	...	9-8A	[0,1,2,3,4,  6,7,8, T]			Tocar	...
3-9	[0,2,7]	<0,1,0,0,2,0>	5	Tocar	sus. acorde	9-9	[0,1,2,3,5,  6,7,8, T]	<6,7,6,6,8,3>		Tocar	escala de blues
3-10	[0,3,6]	<0,0,2,0,0,1>	2	Tocar	oscuro. acorde	9-10	[0,1,2,3,4,  6,7,9, T]	<6,6,8,6,6,4>		Tocar	...
3-11A	[0,3,7]	<0,0,1,1,1,0>	6	Tocar	acorde menor	9-11B	[0,1,2,3,5,  6,8,9, T]	<6,6,7,7,7,3>		Tocar	...
3-11B	[0,4,7]			Tocar	acorde mayor	9-11A	[0,1,2,3,5,  6,7,9, T]			Tocar	...
3-12	[0,4,8]	<0,0,0,3,0,0>	1	Tocar	Acorde de agosto	9-12	[0,1,2,4,5,  6,8,9, T]	<6,6,6,9,6,3>		Tocar	...
4-1	[0,1,2,3]	<3,2,1,0,0,0>	1	Tocar	...	8-1	[0,1,2,3,  4,5,6,7]	<7,6,5,4,4,2>		Tocar	...
4-2A	[0,1,2,4]	<2,2,1,1,0,0>	17	Tocar	...	8-2B	[0,2,3,4,  5,6,7,8]	<6,6,5,5,4,2>		Tocar	...
4-2B	[0,2,3,4]			Tocar	...	8-2A	[0,1,2,3,  4,5,6,8]			Tocar	...
4-3	[0,1,3,4]	<2,1,2,1,0,0>	9	Tocar	...	8-3	[0,1,2,3,  4,5,6,9]	<6,5,6,5,4,2>		Tocar	...
4-4A	[0,1,2,5]	<2,1,1,1,1,0>	20	Tocar	...	8-4B	[0,1,3,4,  5,6,7,8]	<6,5,5,5,5,2>		Tocar	...
4-4B	[0,3,4,5]			Tocar	...	8-4A	[0,1,2,3,  4,5,7,8]			Tocar	...
4-5A	[0,1,2,6]	<2,1,0,1,1,1>	22	Tocar	...	8-5B	[0,1,2,4,  5,6,7,8]	<6,5,4,5,5,3>		Tocar	...
4-5B	[0,4,5,6]			Tocar	...	8-5A	[0,1,2,3,  4,6,7,8]			Tocar	...
4-6	[0,1,2,7]	<2,1,0,0,2,1>	6	Tocar	acorde de sueño	8-6	[0,1,2,3,  5,6,7,8]	<6,5,4,4,6,3>		Tocar	...
4-7	[0,1,4,5]	<2,0,1,2,1,0>	8	Tocar	...	8-7	[0,1,2,3,  4,5,8,9]	<6,4,5,6,5,2>		Tocar	...
4-8	[0,1,5,6]	<2,0,0,1,2,1>	10	Tocar	...	8-8	[0,1,2,3,  4,7,8,9]	<6,4,4,5,6,3>		Tocar	...
4-9	[0,1,6,7]	<2,0,0,0,2,2>	2	Tocar	modelo de distancia	8-9	[0,1,2,3,  6,7,8,9]	<6,4,4,4,6,4>		Tocar	...
4-10	[0,2,3,5]	<1,2,2,0,1,0>	3	Tocar	...	8-10	[0,2,3,4,  5,6,7,9]	<5,6,6,4,5,2>		Tocar	...
4-11A	[0,1,3,5]	<1,2,1,1,1,0>	26	Tocar	...	8-11B	[0,2,4,5,  6,7,8,9]	<5,6,5,5,5,2>		Tocar	...
4-11B	[0,2,4,5]			Tocar	...	8-11A	[0,1,2,3,  4,5,7,9]			Tocar	...
4-12A	[0,2,3,6]	<1,1,2,1,0,1>	28	Tocar	...	8-12A	[0,1,3,4,  5,6,7,9]	<5,5,6,5,4,3>		Tocar	...
4-12B	[0,3,4,6]			Tocar	...	8-12B	[0,2,3,4,  5,6,8,9]			Tocar	...
4-13A	[0,1,3,6]	<1,1,2,0,1,1>	7	Tocar	...	8-13B	[0,2,3,5,  6,7,8,9]	<5,5,6,4,5,3>		Tocar	...
4-13B	[0,3,5,6]			Tocar	...	8-13A	[0,1,2,3,  4,6,7,9]			Tocar	...
4-14A	[0,2,3,7]	<1,1,1,1,2,0>	25	Tocar	...	8-14A	[0,1,2,4,  5,6,7,9]	<5,5,5,5,6,2>		Tocar	...
4-14B	[0,4,5,7]			Tocar	...	8-14B	[0,2,3,4,  5,7,8,9]			Tocar	...
4-z15A	[0,1,4,6]	<1,1,1,1,1,1>	18	Tocar	tetracordio de todos los intervalos	8-z15B	[0,1,3,5,  6,7,8,9]	<5,5,5,5,5,3>		Tocar	...
4-z15B	[0,2,5,6]			Tocar	...	8-z15A	[0,1,2,3,  4,6,8,9]			Tocar	...
4-16A	[0,1,5,7]	<1,1,0,1,2,1>	19	Tocar	...	8-16B	[0,1,2,4,  6,7,8,9]	<5,5,4,5,6,3>		Tocar	...
4-16B	[0,2,6,7]			Tocar	...	8-16A	[0,1,2,3,  5,7,8,9]			Tocar	...
4-17	[0,3,4,7]	<1,0,2,2,1,0>	13	Tocar	acorde alfa	8-17	[0,1,3,4,  5,6,8,9]	<5,4,6,6,5,2>		Tocar	...
4-18A	[0,1,4,7]	<1,0,2,1,1,1>	21	Tocar	oscuro. Acorde M7	8-18B	[0,1,3,4,  6,7,8,9]	<5,4,6,5,5,3>		Tocar	...
4-18B	[0,3,6,7]			Tocar	...	8-18A	[0,1,2,3,  5,6,8,9]			Tocar	...
4-19A	[0,1,4,8]	<1,0,1,3,1,0>	24	Tocar	acorde mM7	8-19B	[0,1,3,4,  5,7,8,9]	<5,4,5,7,5,2>		Tocar	...
4-19B	[0,3,4,8]			Tocar	...	8-19A	[0,1,2,4,  5,6,8,9]			Tocar	...
4-20	[0,1,5,8]	<1,0,1,2,2,0>	15	Tocar	Acorde M7	8-20	[0,1,2,4,  5,7,8,9]	<5,4,5,6,6,2>		Tocar	...
4-21	[0,2,4,6]	<0,3,0,2,0,1>	11	Tocar	...	8-21	[0,1,2,3,  4,6,8, T]	<4,7,4,6,4,3>		Tocar	...
4-22A	[0,2,4,7]	<0,2,1,1,2,0>	27	Tocar	mu acorde	8-22B	[0,1,2,3,  5,7,9, T]	<4,6,5,5,6,2>		Tocar	...
4-22B	[0,3,5,7]			Tocar	...	8-22A	[0,1,2,3,  5,6,8, T]			Tocar	...
4-23	[0,2,5,7]	<0,2,1,0,3,0>	4	Tocar	acorde de cuartos	8-23	[0,1,2,3,  5,7,8, T]	<4,6,5,4,7,2>		Tocar	escala bebop
4-24	[0,2,4,8]	<0,2,0,3,0,1>	dieciséis	Tocar	Acorde A7	8-24	[0,1,2,4,  5,6,8, T]	<4,6,4,7,4,3>		Tocar	...
4-25	[0,2,6,8]	<0,2,0,2,0,2>	12	Tocar	Fr6	8-25	[0,1,2,4,  6,7,8, T]	<4,6,4,6,4,4>		Tocar	...
4-26	[0,3,5,8]	<0,1,2,1,2,0>	14	Tocar	acorde menor de séptima	8-26	[0,1,3,4,  5,7,8, T] [b]	<4,5,6,5,6,2>		Tocar	...
4-27A	[0,2,5,8]	<0,1,2,1,1,1>	29	Tocar	Acorde de séptima medio disminuido	8-27B	[0,1,2,4,  6,7,9, T]	<4,5,6,5,5,3>		Tocar	...
4-27B	[0,3,6,8]			Tocar	acorde de séptima dominante	8-27A	[0,1,2,4,  5,7,8, T]			Tocar	...
4-28	[0,3,6,9]	<0,0,4,0,0,2>	5	Tocar	oscuro. Séptimo acorde	8-28	[0,1,3,4,  6,7,9, T]	<4,4,8,4,4,4>		Tocar	escala octatónica
4-z29A	[0,1,3,7]	<1,1,1,1,1,1>	23	Tocar	tetracordio de todos los intervalos	8-z29B	[0,2,3,4,  6,7,8,9]	<5,5,5,5,5,3>		Tocar	...
4-z29B	[0,4,6,7]			Tocar	...	8-z29A	[0,1,2,3,  5,6,7,9]			Tocar	...
5-1	[0,1,2,3,4]	<4,3,2,1,0,0>		Tocar	...	7-1	[0,1,2,3,  4,5,6]	<6,5,4,3,2,1>	1	Tocar	...
5-2A	[0,1,2,3,5]	<3,3,2,1,1,0>		Tocar	...	7-2B	[0,2,3,4,  5,6,7]	<5,5,4,3,3,1>	11	Tocar	...
5-2B	[0,2,3,4,5]			Tocar	...	7-2A	[0,1,2,3,  4,5,7]			Tocar	...
5-3A	[0,1,2,4,5]	<3,2,2,2,1,0>		Tocar	...	7-3B	[0,3,4,5,  6,7,8]	<5,4,4,4,3,1>	14	Tocar	...
5-3B	[0,1,3,4,5]			Tocar	...	7-3A	[0,1,2,3,  4,5,8]			Tocar	...
5-4A	[0,1,2,3,6]	<3,2,2,1,1,1>		Tocar	...	7-4B	[0,1,3,4,  5,6,7]	<5,4,4,3,3,2>	12	Tocar	...
5-4B	[0,3,4,5,6]			Tocar	...	7-4A	[0,1,2,3,  4,6,7]			Tocar	...
5-5A	[0,1,2,3,7]	<3,2,1,1,2,1>		Tocar	...	7-5B	[0,1,2,4,  5,6,7]	<5,4,3,3,4,2>	13	Tocar	...
5-5B	[0,4,5,6,7]			Tocar	...	7-5A	[0,1,2,3,  5,6,7]			Tocar	...
5-6A	[0,1,2,5,6]	<3,1,1,2,2,1>		Tocar	...	7-6B	[0,1,4,5,  6,7,8]	<5,3,3,4,4,2>	27	Tocar	...
5-6B	[0,1,4,5,6]			Tocar	...	7-6A	[0,1,2,3,  4,7,8]			Tocar	...
5-7A	[0,1,2,6,7]	<3,1,0,1,3,2>		Tocar	...	7-7B	[0,1,2,5,  6,7,8]	<5,3,2,3,5,3>	30	Tocar	...
5-7B	[0,1,5,6,7]			Tocar	...	7-7A	[0,1,2,3,  6,7,8]			Tocar	...
5-8	[0,2,3,4,6]	<2,3,2,2,0,1>		Tocar	...	7-8	[0,2,3,4,  5,6,8]	<4,5,4,4,2,2>	2	Tocar	...
5-9A	[0,1,2,4,6]	<2,3,1,2,1,1>		Tocar	...	7-9B	[0,2,4,5,  6,7,8]	<4,5,3,4,3,2>	15	Tocar	...
5-9B	[0,2,4,5,6]			Tocar	...	7-9A	[0,1,2,3,  4,6,8]			Tocar	...
5-10A	[0,1,3,4,6]	<2,2,3,1,1,1>		Tocar	...	7-10B	[0,2,3,4,  5,6,9]	<4,4,5,3,3,2>	19	Tocar	...
5-10B	[0,2,3,5,6]			Tocar	...	7-10A	[0,1,2,3,  4,6,9]			Tocar	...
5-11A	[0,2,3,4,7]	<2,2,2,2,2,0>		Tocar	...	7-11B	[0,2,3,4,  5,7,8]	<4,4,4,4,4,1>	18	Tocar	...
5-11B	[0,3,4,5,7]			Tocar	...	7-11A	[0,1,3,4,  5,6,8]			Tocar	...
5-z12	[0,1,3,5,6]	<2,2,2,1,2,1>		Tocar	...	7-z12	[0,1,2,3,  4,7,9]	<4,4,4,3,4,2>	5	Tocar	...
5-13A	[0,1,2,4,8]	<2,2,1,3,1,1>		Tocar	...	7-13B	[0,2,3,4,  6,7,8]	<4,4,3,5,3,2>	17	Tocar	...
5-13B	[0,2,3,4,8]			Tocar	...	7-13A	[0,1,2,4,  5,6,8]			Tocar	...
5-14A	[0,1,2,5,7]	<2,2,1,1,3,1>		Tocar	...	7-14B	[0,1,3,5,  6,7,8]	<4,4,3,3,5,2>	28	Tocar	...
5-14B	[0,2,5,6,7]			Tocar	...	7-14A	[0,1,2,3,  5,7,8]			Tocar	...
5-15	[0,1,2,6,8]	<2,2,0,2,2,2>		Tocar	...	7-15	[0,1,2,4,  6,7,8]	<4,4,2,4,4,3>	4	Tocar	...
5-16A	[0,1,3,4,7]	<2,1,3,2,1,1>		Tocar	...	7-16B	[0,1,3,4,  5,6,9]	<4,3,5,4,3,2>	20	Tocar	...
5-16B	[0,3,4,6,7]			Tocar	...	7-16A	[0,1,2,3,  5,6,9]			Tocar	...
5-z17	[0,1,3,4,8]	<2,1,2,3,2,0>		Tocar	Acorde de farben	7-z17	[0,1,2,4,  5,6,9]	<4,3,4,5,4,1>	10	Tocar	...
5-z18A	[0,1,4,5,7]	<2,1,2,2,2,1>		Tocar	...	7-z18A	[0,1,4,5,  6,7,9] [c]	<4,3,4,4,4,2>	35	Tocar	...
5-z18B	[0,2,3,6,7]			Tocar	...	7-z18B	[0,1,4,6,  7,8,9]			Tocar	...
5-19A	[0,1,3,6,7]	<2,1,2,1,2,2>		Tocar	...	7-19B	[0,1,2,3,  6,8,9]	<4,3,4,3,4,3>	31	Tocar	...
5-19B	[0,1,4,6,7]			Tocar	...	7-19A	[0,1,2,3,  6,7,9]			Tocar	...
5-20A	[0,1,5,6,8] [d]	<2,1,1,2,3,1>		Tocar	...	7-20B	[0,1,2,5,  7,8,9]	<4,3,3,4,5,2>	34	Tocar	...
5-20B	[0,2,3,7,8]			Tocar	En escala	7-20A	[0,1,2,5,  6,7,9] [e]			Tocar	Escala persa
5-21A	[0,1,4,5,8]	<2,0,2,4,2,0>		Tocar	...	7-21B	[0,1,3,4,  5,8,9]	<4,2,4,6,4,1>	21	Tocar	...
5-21B	[0,3,4,7,8]			Tocar	...	7-21A	[0,1,2,4,  5,8,9]			Tocar	...
5-22	[0,1,4,7,8]	<2,0,2,3,2,1>		Tocar	...	7-22	[0,1,2,5,  6,8,9]	<4,2,4,5,4,2>	8	Tocar	escala armónica doble
5-23A	[0,2,3,5,7]	<1,3,2,1,3,0>		Tocar	...	7-23B	[0,2,4,5,  6,7,9]	<3,5,4,3,5,1>	25	Tocar	...
5-23B	[0,2,4,5,7]			Tocar	...	7-23A	[0,2,3,4,  5,7,9]			Tocar	...
5-24A	[0,1,3,5,7]	<1,3,1,2,2,1>		Tocar	...	7-24B	[0,2,4,6,  7,8,9]	<3,5,3,4,4,2>	22	Tocar	escala enigmática
5-24B	[0,2,4,6,7]			Tocar	...	7-24A	[0,1,2,3,  5,7,9]			Tocar	...
5-25A	[0,2,3,5,8]	<1,2,3,1,2,1>		Tocar	Siete seis acordes	7-25B	[0,2,3,5,  6,7,9]	<3,4,5,3,4,2>	24	Tocar	...
5-25B	[0,3,5,6,8]			Tocar	...	7-25A	[0,2,3,4,  6,7,9]			Tocar	...
5-26A	[0,2,4,5,8]	<1,2,2,3,1,1>		Tocar	...	7-26A	[0,1,3,4,  5,7,9]	<3,4,4,5,3,2>	26	Tocar	...
5-26B	[0,3,4,6,8]			Tocar	...	7-26B	[0,2,4,5,  6,8,9]			Tocar	...
5-27A	[0,1,3,5,8]	<1,2,2,2,3,0>		Tocar	...	7-27B	[0,2,4,5,  7,8,9]	<3,4,4,4,5,1>	23	Tocar	...
5-27B	[0,3,5,7,8]			Tocar	...	7-27A	[0,1,2,4,  5,7,9]			Tocar	...
5-28A	[0,2,3,6,8]	<1,2,2,2,1,2>		Tocar	...	7-28A	[0,1,3,5,  6,7,9]	<3,4,4,4,3,3>	36	Tocar	...
5-28B	[0,2,5,6,8]			Tocar	...	7-28B	[0,2,3,4,  6,8,9]			Tocar	...
5-29A	[0,1,3,6,8]	<1,2,2,1,3,1>		Tocar	...	7-29B	[0,2,3,5,  7,8,9]	<3,4,4,3,5,2>	32	Tocar	...
5-29B	[0,2,5,7,8]			Tocar	...	7-29A	[0,1,2,4,  6,7,9]			Tocar	...
5-30A	[0,1,4,6,8]	<1,2,1,3,2,1>		Tocar	...	7-30B	[0,1,3,5,  7,8,9]	<3,4,3,5,4,2>	37	Tocar	...
5-30B	[0,2,4,7,8]			Tocar	...	7-30A	[0,1,2,4,  6,8,9]			Tocar	escala napolitana menor
5-31A	[0,1,3,6,9]	<1,1,4,1,1,2>		Tocar	acorde beta	7-31B	[0,2,3,5,  6,8,9]	<3,3,6,3,3,3>	38	Tocar	...
5-31B	[0,2,3,6,9]			Tocar	Acorde de novena menor dominante	7-31A	[0,1,3,4,  6,7,9]			Tocar	...
5-32A	[0,1,4,6,9]	<1,1,3,2,2,1>		Tocar	...	7-32B	[0,1,3,5,  6,8,9]	<3,3,5,4,4,2>	33	Tocar	escala mayor armónica
5-32B	[0,3,5,8,9]			Tocar	Acorde elektra , acorde gamma	7-32A	[0,1,3,4,  6,8,9]			Tocar	escala menor armónica
5-33	[0,2,4,6,8]	<0,4,0,4,0,2>		Tocar	...	7-33	[0,1,2,4,  6,8, T]	<2,6,2,6,2,3>	6	Tocar	Escala locriana M
5-34	[0,2,4,6,9]	<0,3,2,2,2,1>		Tocar	Acorde de novena dominante	7-34	[0,1,3,4,  6,8, T]	<2,5,4,4,4,2>	9	Tocar	medio tenue. escala
5-35	[0,2,4,7,9]	<0,3,2,1,4,0>		Tocar	Escala pentatónica M	7-35	[0,1,3,5,  6,8, T]	<2,5,4,3,6,1>	7	Tocar	escala diatónica
5-z36A	[0,1,2,4,7]	<2,2,2,1,2,1>		Tocar	...	7-z36B	[0,2,3,5,  6,7,8]	<4,4,4,3,4,2>	dieciséis	Tocar	...
5-z36B	[0,3,5,6,7]			Tocar	...	7-z36A	[0,1,2,3,  5,6,8]			Tocar	...
5-z37	[0,3,4,5,8]	<2,1,2,3,2,0>		Tocar	...	7-z37	[0,1,3,4,  5,7,8]	<4,3,4,5,4,1>	3	Tocar	...
5-z38A	[0,1,2,5,8]	<2,1,2,2,2,1>		Tocar	...	7-z38B	[0,1,3,4,  6,7,8]	<4,3,4,4,4,2>	29	Tocar	...
5-z38B	[0,3,6,7,8]			Tocar	...	7-z38A	[0,1,2,4,  5,7,8]			Tocar	...
6-1	[0,1,2,3,4,5]	<5,4,3,2,1,0>	4	Tocar	hexachord cromático
6-2A	[0,1,2,3,4,6]	<4,4,3,2,1,1>	19	Tocar	...
6-2B	[0,2,3,4,5,6]			Tocar	...
6-z3A	[0,1,2,3,5,6]	<4,3,3,2,2,1>	49	Tocar	...	6-z36B	[0,3,4,5,6,7]	<4,3,3,2,2,1>	50	Tocar	...
6-z3B	[0,1,3,4,5,6]			Tocar	...	6-z36A	[0,1,2,3,4,7]			Tocar	...
6-z4	[0,1,2,4,5,6]	<4,3,2,3,2,1>	24	Tocar	...	6-z37	[0,1,2,3,4,8]	<4,3,2,3,2,1>	23	Tocar	...
6-5A	[0,1,2,3,6,7]	<4,2,2,2,3,2>	dieciséis	Tocar	...
6-5B	[0,1,4,5,6,7]			Tocar	...
6-z6	[0,1,2,5,6,7]	<4,2,1,2,4,2>	33	Tocar	...	6-z38	[0,1,2,3,7,8]	<4,2,1,2,4,2>	34	Tocar	...
6-7	[0,1,2,6,7,8]	<4,2,0,2,4,3>	7	Tocar	...
6-8	[0,2,3,4,5,7]	<3,4,3,2,3,0>	5	Tocar	...
6-9A	[0,1,2,3,5,7]	<3,4,2,2,3,1>	20	Tocar	...
6-9B	[0,2,4,5,6,7]			Tocar	...
6-z10A	[0,1,3,4,5,7]	<3,3,3,3,2,1>	42	Tocar	...	6-z39B	[0,3,4,5,6,8]	<3,3,3,3,2,1>	41	Tocar	...
6-z10B	[0,2,3,4,6,7]			Tocar	...	6-z39A	[0,2,3,4,5,8]			Tocar	...
6-z11A	[0,1,2,4,5,7]	<3,3,3,2,3,1>	47	Tocar	...	6-z40B	[0,3,5,6,7,8]	<3,3,3,2,3,1>	48	Tocar	...
6-z11B	[0,2,3,5,6,7]			Tocar	Sacher hexachord	6-z40A	[0,1,2,3,5,8]			Tocar	...
6-z12A	[0,1,2,4,6,7]	<3,3,2,2,3,2>	46	Tocar	...	6-z41B	[0,2,5,6,7,8]	<3,3,2,2,3,2>	45	Tocar	...
6-z12B	[0,1,3,5,6,7]			Tocar	...	6-z41A	[0,1,2,3,6,8]			Tocar	...
6-z13	[0,1,3,4,6,7]	<3,2,4,2,2,2>	29	Tocar	...	6-z42	[0,1,2,3,6,9]	<3,2,4,2,2,2>	30	Tocar	...
6-14A	[0,1,3,4,5,8]	<3,2,3,4,3,0>	3	Tocar	...
6-14B	[0,3,4,5,7,8]			Tocar	...
6-15A	[0,1,2,4,5,8]	<3,2,3,4,2,1>	13	Tocar	...
6-15B	[0,3,4,6,7,8]			Tocar	...
6-16A	[0,1,4,5,6,8]	<3,2,2,4,3,1>	11	Tocar	...
6-16B	[0,2,3,4,7,8]			Tocar	...
6-z17A	[0,1,2,4,7,8]	<3,2,2,3,3,2>	35	Tocar	hexachord de tricordio	6-z43B	[0,2,3,6,7,8]	<3,2,2,3,3,2>	36	Tocar	...
6-z17B	[0,1,4,6,7,8]			Tocar	...	6-z43A	[0,1,2,5,6,8]			Tocar	...
6-18A	[0,1,2,5,7,8]	<3,2,2,2,4,2>	17	Tocar	...
6-18B	[0,1,3,6,7,8]			Tocar	...
6-z19A	[0,1,3,4,7,8]	<3,1,3,4,3,1>	37	Tocar	...	6-z44B	[0,3,4,7,8,9]	<3,1,3,4,3,1>	38	Tocar	...
6-z19B	[0,1,4,5,7,8]			Tocar	...	6-z44A	[0,1,2,5,6,9]			Tocar	Hexachord de Schoenberg
6-20	[0,1,4,5,8,9]	<3,0,3,6,3,0>	2	Tocar	Hexachord "Oda a Napoleón"
6-21A	[0,2,3,4,6,8]	<2,4,2,4,1,2>	12	Tocar	...
6-21B	[0,2,4,5,6,8]			Tocar	...
6-22A	[0,1,2,4,6,8]	<2,4,1,4,2,2>	10	Tocar	...
6-22B	[0,2,4,6,7,8]			Tocar	...
6-z23	[0,2,3,5,6,8]	<2,3,4,2,2,2>	27	Tocar	...	6-z45	[0,2,3,4,6,9]	<2,3,4,2,2,2>	28	Tocar	...
6-z24A	[0,1,3,4,6,8]	<2,3,3,3,3,1>	39	Tocar	...	6-z46B	[0,3,5,7,8,9]	<2,3,3,3,3,1>	40	Tocar	...
6-z24B	[0,2,4,5,7,8]			Tocar	...	6-z46A	[0,1,2,4,6,9]			Tocar	...
6-z25A	[0,1,3,5,6,8]	<2,3,3,2,4,1>	43	Tocar	Acorde de undécima mayor	6-z47B	[0,2,5,7,8,9]	<2,3,3,2,4,1>	44	Tocar	escala de blues
6-z25B	[0,2,3,5,7,8]			Tocar	...	6-z47A	[0,1,2,4,7,9]			Tocar	...
6-z26	[0,1,3,5,7,8]	<2,3,2,3,4,1>	26	Tocar	...	6-z48	[0,1,2,5,7,9]	<2,3,2,3,4,1>	25	Tocar	...
6-27A	[0,1,3,4,6,9]	<2,2,5,2,2,2>	14	Tocar	...
6-27B	[0,3,5,6,8,9]			Tocar	...
6-z28	[0,1,3,5,6,9]	<2,2,4,3,2,2>	21	Tocar	...	6-z49	[0,1,3,4,7,9]	<2,2,4,3,2,2>	22	Tocar	...
6-z29	[0,2,3,6,7,9] [f]	<2,2,4,2,3,2>	32	Tocar	Acorde puente	6-z50	[0,1,4,6,7,9]	<2,2,4,2,3,2>	31	Tocar	...
6-30A	[0,1,3,6,7,9]	<2,2,4,2,2,3>	15	Tocar	...
6-30B	[0,2,3,6,8,9]			Tocar	Acorde de Petrushka
6-31A	[0,1,4,5,7,9] [g]	<2,2,3,4,3,1>	8	Tocar	...
6-31B	[0,2,4,5,8,9] [h]			Tocar	...
6-32	[0,2,4,5,7,9]	<1,4,3,2,5,0>	6	Tocar	hexachord diatónico
6-33A	[0,2,3,5,7,9]	<1,4,3,2,4,1>	18	Tocar	...
6-33B	[0,2,4,6,7,9]			Tocar	Acorde de undécima dominante
6-34A	[0,1,3,5,7,9]	<1,4,2,4,2,2>	9	Tocar	acorde místico
6-34B	[0,2,4,6,8,9]			Tocar	...
6-35	[0,2,4,6,8, T]	<0,6,0,6,0,3>	1	Tocar	escala de tono completo

Ver también

• Vector de intervalo
• Lista de acordes
• Relación Z

Notas

1. Forte y Rahn enumeran las formas primarias como la versión posible más empaquetada a la izquierda de un conjunto. Sin embargo, los paquetes Forte de la izquierda y los paquetes de Rahn de la derecha ("hacer los números pequeños más pequeños" en lugar de hacer, "los números más grandes ... más pequeños" ^[2] ).
2. Forte 8-26: [0,1,2,4,5,7,9, T]
3. Forte 7-z18A: [0,1,2,3,5,8,9]
4. Forte 5-20A: [0,1,3,7,8]
5. Forte 7-20A: [0,1,2,4,7,8,9]
6. Forte 6-z29: [0,1,3,6,8,9]
7. Forte 6-31A: [0,1,3,5,8,9]
8. Forte 6-31B: [0,1,4,6,8,9]

Referencias

1. Forte, Allen (1973). La estructura de la música atonal . Prensa de la Universidad de Yale. ISBN  0-300-02120-8 .
2. Nelson, Paul (2004). " Dos algoritmos para calcular la forma principal ", ComposerTools.com .
3. Rahn, John (1980). Teoría atónica básica . Nueva York: Longman. ISBN 978-0028731605 . 
4. Straus, Joseph N. (1990). Introducción a la teoría post-tonal . Prentice Hall. ISBN 9780131898905 . 
5. Schiff, David (1983/1998). La música de Elliott Carter .
6. Carter, Elliott (2002). The Harmony Book , "Apéndice 1". ISBN 9780825845949 . 
7. Schuijer, Michael (2008). Análisis de la música atonal: teoría de conjuntos de clases de tono y sus contextos , p.97. Universidad de Rochester. ISBN 978-1-58046-270-9 . 
8. Everett, Walter (2008). Los cimientos del rock , p.169. Oxford. ISBN 9780199718702 . 

Enlaces externos

• Solomon, Larry (2005). " La tabla de conjuntos de clases de tono ", SolomonsMusic.net .
• Tucker, Gary (2001). " Tabla de clases de conjuntos de pc ", Breve introducción al análisis de conjuntos de clases de tono .
• Nelson, Paul (2004). " Tabla de Prime Forms ", ComposerTools.com .
• " Conjunto Calculadora PC ", MtA.Ca .
• " Analizador de acordes (calculadora de PC) "