Cerberus


In Greek mythology, Cerberus (/ˈsɜːrbərəs/;[2] Greek: Κέρβερος Kérberos [ˈkerberos]), often referred to as the hound of Hades, is a multi-headed dog that guards the gates of the Underworld to prevent the dead from leaving. He was the offspring of the monsters Echidna and Typhon, and was usually described as having three heads, a serpent for a tail, and snakes protruding from multiple parts of his body. Cerberus is primarily known for his capture by Heracles, the last of Heracles' twelve labours.

Descriptions of Cerberus vary, including the number of his heads. Cerberus was usually three-headed, though not always. Cerberus had several multi-headed relatives. His father was the multi snake-headed Typhon,[3] and Cerberus was the brother of three other multi-headed monsters, the multi-snake-headed Lernaean Hydra; Orthrus, the two-headed dog who guarded the Cattle of Geryon; and the Chimera, who had three heads: that of a lion, a goat, and a snake.[4] And, like these close relatives, Cerberus was, with only the rare iconographic exception, multi-headed.

In the earliest description of Cerberus, Hesiod's Theogony (c. 8th – 7th century BC), Cerberus has fifty heads, while Pindar (c. 522 – c. 443 BC) gave him one hundred heads.[5] However, later writers almost universally give Cerberus three heads.[6] An exception is the Latin poet Horace's Cerberus which has a single dog head, and one hundred snake heads.[7] Perhaps trying to reconcile these competing traditions, Apollodorus's Cerberus has three dog heads and the heads of "all sorts of snakes" along his back, while the Byzantine poet John Tzetzes (who probably based his account on Apollodorus) gives Cerberus fifty heads, three of which were dog heads, the rest being the "heads of other beasts of all sorts".[8]

In art Cerberus is most commonly depicted with two dog heads (visible), never more than three, but occasionally with only one.[10] On one of the two earliest depictions (c. 590–580 BC), a Corinthian cup from Argos (see below), now lost, Cerberus was shown as a normal single-headed dog.[11] The first appearance of a three-headed Cerberus occurs on a mid-sixth-century BC Laconian cup (see below).[12]

Horace's many snake-headed Cerberus followed a long tradition of Cerberus being part snake. This is perhaps already implied as early as in Hesiod's Theogony, where Cerberus' mother is the half-snake Echidna, and his father the snake-headed Typhon. In art Cerberus is often shown as being part snake,[13] for example the lost Corinthian cup showed snakes protruding from Cerberus' body, while the mid sixth-century BC Laconian cup gives Cerberus a snake for a tail. In the literary record, the first certain indication of Cerberus' serpentine nature comes from the rationalized account of Hecataeus of Miletus (fl. 500–494 BC), who makes Cerberus a large poisonous snake.[14] Plato refers to Cerberus' composite nature,[15] and Euphorion of Chalcis (3rd century BC) describes Cerberus as having multiple snake tails,[16] and presumably in connection to his serpentine nature, associates Cerberus with the creation of the poisonous aconite plant.[17] Virgil has snakes writhe around Cerberus' neck,[18] Ovid's Cerberus has a venomous mouth,[19] necks "vile with snakes",[20] and "hair inwoven with the threatening snake",[21] while Seneca gives Cerberus a mane consisting of snakes, and a single snake tail.[22]

Cerberus was given various other traits. According to Euripides, Cerberus not only had three heads but three bodies,[23] and according to Virgil he had multiple backs.[24] Cerberus ate raw flesh (according to Hesiod),[25] had eyes which flashed fire (according to Euphorion), a three-tongued mouth (according to Horace), and acute hearing (according to Seneca).[26]


Heracles, wearing his characteristic lion-skin, club in right hand, leash in left, presenting a three-headed Cerberus, snakes coiling from his snouts, necks and front paws, to a frightened Eurystheus hiding in a giant pot. Caeretan hydria (c. 530 BC) from Caere (Louvre E701).[1]
Heracles, chain in left hand, his club laid aside, calms a two-headed Cerberus, which has a snake protruding from each of his heads, a mane down his necks and back, and a snake tail. Cerberus is emerging from a portico, which represents the palace of Hades in the underworld. Between them, a tree represents the sacred grove of Hades' wife Persephone. On the far left, Athena stands, left arm extended. Amphora (c. 525–510 BC) from Vulci (Louvre F204).[9]
Athena, Hermes and Heracles, leading a two-headed Cerberus out of the underworld, as Persephone looks on. Hydria (c. 550–500 BC) attributed to the Leagros Group (Louvre CA 2992).[27]
Athena, Heracles, and a two-headed Cerberus, with mane down his necks and back. Hermes (not shown in the photograph) stands to the left of Athena. An amphora (c. 575–525 BC) from Kameiros, Rhodes (Louvre A481).[49]
Hercules and Cerberus. Oil on canvas, by Peter Paul Rubens 1636, Prado Museum.
Cerberus, with the gluttons in Dante's Third Circle of Hell. William Blake.
Cerberus and Heracles. Etching by Antonio Tempesta (Italy, Florence, 1555–1630). The Los Angeles County Museum of Art.
Cerberus and Heracles. Etching by Antonio Tempesta (Italy, Florence, 1555–1630). The Los Angeles County Museum of Art.
One of the two earliest depictions of the capture of Cerberus (composed of the last five figures on the right) shows, from right to left: Cerberus, with a single dog head and snakes rising from his body, fleeing right, Hermes, with his characteristic hat (petasos) and caduceus, Heracles, with quiver on his back, stone in left hand, and bow in right, a goddess, standing in front of Hades' throne, facing Heracles, and Hades, with scepter, fleeing left. Drawing of a lost Corinthian cup (c. 590–580 BC) from Argos.
Heracles with club in his right hand raised over head and leash in left hand drives ahead of him a two-headed Cerberus with mane down his necks and back and a snake tail. A neck-amphora (c. 530–515 BC) from Vulci (Munich 1493).[124]
Cerberus and Hades/Serapis. Heraklion Archaeological Museum, Crete, Greece.[135]
Virgil feeding Cerberus earth in the Third Circle of Hell. Illustration from Dante's Inferno by Gustave Doré.
Cerberus constellation