Jazz


Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana in the late 19th and early 20th centuries, with its roots in blues and ragtime.[1][2][3] Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music, linked by the common bonds of African-American and European-American musical parentage.[4] Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. Jazz has roots in European harmony and African rhythmic rituals.[5][6]

As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass-band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. In the 1930s, arranged dance-oriented swing big bands, Kansas City jazz (a hard-swinging, bluesy, improvisational style), and gypsy jazz (a style that emphasized musette waltzes) were the prominent styles. Bebop emerged in the 1940s, shifting jazz from danceable popular music toward a more challenging "musician's music" which was played at faster tempos and used more chord-based improvisation. Cool jazz developed near the end of the 1940s, introducing calmer, smoother sounds and long, linear melodic lines.

The mid-1950s saw the emergence of hard bop, which introduced influences from rhythm and blues, gospel, and blues, especially in the saxophone and piano playing. Modal jazz developed in the late 1950s, using the mode, or musical scale, as the basis of musical structure and improvisation, as did free jazz, which explored playing without regular meter, beat and formal structures. Jazz-rock fusion appeared in the late 1960s and early 1970s, combining jazz improvisation with rock music's rhythms, electric instruments, and highly amplified stage sound. In the early 1980s, a commercial form of jazz fusion called smooth jazz became successful, garnering significant radio airplay. Other styles and genres abound in the 2000s, such as Latin and Afro-Cuban jazz.

The origin of the word jazz has resulted in considerable research, and its history is well documented. It is believed to be related to jasm, a slang term dating back to 1860 meaning "pep, energy".[7] The earliest written record of the word is in a 1912 article in the Los Angeles Times in which a minor league baseball pitcher described a pitch which he called a "jazz ball" "because it wobbles and you simply can't do anything with it".[7]

The use of the word in a musical context was documented as early as 1915 in the Chicago Daily Tribune.[8] Its first documented use in a musical context in New Orleans was in a November 14, 1916, Times-Picayune article about "jas bands".[9] In an interview with National Public Radio, musician Eubie Blake offered his recollections of the slang connotations of the term, saying: "When Broadway picked it up, they called it 'J-A-Z-Z'. It wasn't called that. It was spelled 'J-A-S-S'. That was dirty, and if you knew what it was, you wouldn't say it in front of ladies."[10] The American Dialect Society named it the Word of the 20th Century.[11]


American jazz composer, lyricist, and pianist Eubie Blake made an early contribution to the genre's etymology
Albert Gleizes, 1915, Composition for "Jazz" from the Solomon R. Guggenheim Museum, New York
Ethel Waters sang "Stormy Weather" at the Cotton Club.
Al Jolson in 1929
Dance in Congo Square in the late 1700s, artist's conception by E. W. Kemble from a century later
In the late 18th-century painting The Old Plantation, African-Americans dance to banjo and percussion.
The blackface Virginia Minstrels in 1843, featuring tambourine, fiddle, banjo and bones
Scott Joplin in 1903
{
\override Score.TimeSignature #'stencil = ##f
\relative c' { \clef treble \time 6/4 c4^\markup { "C blues scale" } es f fis g bes c2
} }
{
\override Score.TimeSignature #'stencil = ##f
\relative c' { \clef treble \time 5/4 c4^\markup { "C minor pentatonic scale" } es f g bes c2
} }
A hexatonic blues scale on C, ascending
W. C. Handy at 19, 1892
The Bolden Band around 1905
Jelly Roll Morton, in Los Angeles, California, c. 1917 or 1918

\new RhythmicStaff { \clef percussion \time 4/4 \repeat volta 2 { c8^\markup { "Even subdivisions" } c16 c c8 c16 c c8 c16 c c8 c16 c }
}

\new RhythmicStaff { \clef percussion \time 4/4 \repeat volta 2 { c8[^\markup { "Swung correlative" } \tuplet 3/2 { c16 r c] } c8[ \tuplet 3/2 { c16 r c] } c8[ \tuplet 3/2 { c16 r c] } c8[ \tuplet 3/2 { c16 r c] } }
}
The King & Carter Jazzing Orchestra photographed in Houston, Texas, January 1921
Louis Armstrong began his career in New Orleans and became one of jazz's most recognizable performers.
Benny Goodman (1943)
Duke Ellington at the Hurricane Club (1943)
The "classic quintet": Charlie Parker, Tommy Potter, Miles Davis, Dizzy Gillespie, and Max Roach performing at Three Deuces in New York City. Photograph by William P. Gottlieb (August 1947), Library of Congress.
Machito (maracas) and his sister Graciella Grillo (claves)
Dizzy Gillespie, 1955
Mongo Santamaria (1969)
John Coltrane, 1963
Peter Brötzmann is a key figure in European free jazz.
Naná Vasconcelos playing the Afro-Brazilian Berimbau
Randy Weston
C pentatonic scale beginning on the I (C pentatonic), IV (F pentatonic), and V (G pentatonic) steps of the scale.[clarification needed]
V pentatonic scale over II–V–I chord progression
Fusion trumpeter Miles Davis in 1989
Wynton Marsalis
David Sanborn, 2008
John Zorn performing in 2006
Steve Coleman in Paris, July 2004