Eos


In ancient Greek mythology and religion, Eos (/ˈɒs/; Ionic and Homeric Greek Ἠώς Ēṓs, Attic Ἕως Héōs, "dawn", pronounced [ɛːɔ̌ːs] or [héɔːs]; Aeolic Αὔως Aúōs, Doric Ἀώς Āṓs)[3] is the goddess and personification of the dawn, who rose each morning from her home at the edge of the river Oceanus to deliver light and disperse the night. In Greek tradition and poetry she is characterized as a goddess with a great sexual appetite, who took numerous lovers for her own satisfaction and bore them several children. Like her Roman counterpart Aurora and Rigvedic Ushas, Eos continues the name of an earlier Indo-European dawn goddess, Hausos. Eos, or her earlier Proto-Indo-European (PIE) ancestor, also shares several elements with the love goddess Aphrodite, perhaps signifying Eos's influence on her or otherwise a common origin for the two goddesses. In surviving tradition, Aphrodite is the culprit behind Eos' numerous love affairs, having cursed the goddess with insatiable lust for mortal men.

In Greek literature, Eos is presented as a daughter of the Titans Hyperion and Theia, the sister of the sun god Helios and the moon goddess Selene. In rarer traditions, she is the daughter of the Titan Pallas. Each day she drives her two-horse chariot, heralding the breaking of the new day and her brother's arrival. Thus, her most common epithet of the goddess in the Homeric epics is Rhododactylos, or "rosy-fingered", a reference to the sky's colours at dawn, and Erigeneia, "early-born". Although primarily associated with the dawn and early morning, sometimes Eos would accompany Helios for the entire duration of his journey, and thus she is even seen during dusk.

Eos fell in love with mortal men several times, and would abduct them in similar manner to how male gods did mortal women. Her most notable mortal lover is the Trojan prince Tithonus, for whom she ensured the gift of immortality, but not eternal youth, leading to him aging without dying for an eternity. In another story, she carried off the Athenian Cephalus against his will, but eventually let him go for he ardently wished to be returned to his wife, though not before she denigrated her to him, leading to the couple parting ways. Several other lovers and romances with both mortal men and gods were attributed to the goddess by various poets throughout the centuries.

Eos figures in many works of ancient literature and poetry, but despite her Proto-Indo-European origins, there's little evidence of Eos having received any cult or being the centre of worship during classical times.

The Proto-Greek form of Ἠώς / Ēṓs has been reconstructed as *ἀυhώς / auhṓs.[3][4] It is cognate to the Vedic goddess Ushas, Lithuanian goddess Aušrinė, and Roman goddess Aurora (Old Latin Ausosa), all three of whom are also goddesses of the dawn.[2] Beekes notes that the Proto-Greek form *ἇϝος (hãwos) is identical with the Sanskrit relative yāvat, meaning 'as long as'.[3] Meissner (2006) suggested an áwwɔ̄s > /aṷwɔ̄s/ > αὔως lengthening for Aeolic and */aṷwɔ̄s/ > *āwɔ̄s > *ǣwɔ̄s > /ǣɔ̄s/ for Attic-Ionic Greek.[5]

In Mycenaean Greek her name is also attested in the form 𐀀𐀺𐀂𐀍 in Linear B, a-wo-i-jo (Āw(ʰ)oʰios; Ἀϝohιος),[a][7] found in a tablet from Pylos;[b] it has been interpreted as a shepherd's personal name related to "dawn",[8][9][10][11] or dative form Āwōiōi.[12]


Eos by Evelyn De Morgan (1895)
Eos, Sig. Guglielmi's drawing of a statue of Aurora by John Gibson (1790-1866).
L' Aurore, 1693, bronze statue of Eos by Philippe Magnier (1647-1715), on display at Louvre Museum, France.
Eos in front of the chariot of the Sun, Wiesbaden Kurhaus.
Aurora Taking Leave of Tithonus by Francesco Solimena, oil on canvas, 1704, J. Paul Getty Museum.
Eos in her four horse-drawn chariot, terracotta red-figure lekanis vase, late 300s BC, Canosa, Metropolitan Museum of Art.
Eos pouring the morning dew dressed in a starsprinkled robe, from an antique vase
Cephalus and Aurora, John Flaxman, 1789-90, Lady Lever Art Gallery.
Pocket watch with silver case with Eos and Cephalus (detail), 18th cent.
Eos and Tithonus, by Julien Simon, 1783, Musée des Beaux-Arts de Caen.
The rape of Cephalus by Eos, Apulian red-figure Loutrophoros, ca. 330 BC
Eos riding sidesaddle, detail of the Gigantomachy frieze, Pergamon Altar, Pergamon museum, Berlin
Eos and the slain Memnon on an Attic red-figure cup, ca. 490–480 BCE, the so-called "Memnon Pietà" found at Capua (Louvre).
The fight of Achilles and Memnon, in the presence of their mothers Thetis and Eos, late Corinthian Black-Figure hydria, circa 575-550 BC, now in the Walters Art Museum.
Eos in her chariot, red-figure pot
Eos with two young men, red-figure stamnos, ca 470–460 BC, now in the Walters Art Museum.
Eos in her chariot flying over the sea, red-figure krater from Southern Italy, 430–420 BC, Staatliche Antikensammlungen
Eos the Morn, engraving by John Flaxman.